Similar to the Gold Sally Awards’ Best Actor Poll, I am extending the Best Actress Poll. This is because the Best Actress Poll did not receive any votes. If you are interested in voting, you have until May 10th to submit your votes. Even though you can only vote once per person, you can vote for more than one nominee. The link to the poll is listed under the poll image.
I’ve been working on a personal creative project that has taken me longer than I expected. But now I’m back to publish another poll for the 3rd Annual Gold Sally Awards! For this poll, you can vote for who is the Best actress from the movies I saw in last year. While you are able to choose more than one nominee, you can only vote once per person. This poll begins today, April 21st, and ends on April 28th.
Last week, I posted the Best Actor poll for the Gold Sally Awards. But no votes were received within that week. So, I’m extending this poll from today, April 6th to April 13th. Like I’ve said before, you can vote for more than one nominee. However, you can only vote once per person. The link to the poll is listed at the bottom of the poll image.
After a short hiatus, the Gold Sally Awards polls are back! This time, you can choose which actor was the best one out of the movies I saw in 2020! As usual, you can vote for as many nominees as you’d like. But you can only vote once per person. The poll begins today on March 29th and ends on April 5th. You can vote by clicking on the link under the poll image.
The Gold Sally Awards recognizes the crucial role screenwriting plays in the filmmaking process. Among the best movies I saw in 2020, you can choose which film contained the best story! Even though you can only vote once per person, you are able to vote for more than one nominee. As I’ve said before, the link to the poll is featured under the list of nominees. This poll starts today, March 15th, and ends on March 21st.
To celebrate the anniversary of 18 Cinema Lane’s beginning, I host a movie awards to highlight the best films I saw in the previous year. As I had several projects on my plate in February, the Gold Sally Awards were pushed back. However, the Gold Sally Awards are still happening, starting with the Best Movie category! In this division, all of the films that were featured on my Top 10 Best Movies I Saw in 2020 list will compete for the title of Gold Sally Awards’ Best Movie. Like in years past, you are allowed to vote for more than one nominee. But you can only vote once per person. This poll starts today and ends on March 14th. On the bottom of the poll, there is a link where you can submit your vote. If you’re having technical difficulties, please don’t hesitate to speak up in the comment section.
I’m not going to lie; I love a good blog party! So, when I discovered Heidi, from Along the Brandywine, was hosting the Valentine’s Day Period Drama Blog Party, I couldn’t wait to sign up! Period dramas are not regularly covered on 18 Cinema Lane. While I do have a re-cap series for When Calls the Heart, I choose what films to watch based on how interesting their stories sound. There have been period dramas I loved, such as Swept from the Sea. But, for this blogathon, I wanted to review a film I hadn’t seen before. For about a year, I’ve had the Hallmark Hall of Fame movie, The Love Letter, on my DVR. Because parts of the movie take place in the 19th century, I felt it fit Heidi’s time period requirement of the 1600’s to World War II. I try to watch as many Hallmark Hall of Fame titles as I realistically can. Prior to reviewing The Love Letter, the only Hallmark Hall of Fame movie from 1998 I’ve seen is Grace & Glorie, which was one of the best movies I saw last year! While not all movies from this collection are created equally, I do watch these movies with an open mind.
Things I liked about the film:
The acting: Because The Love Letter heavily relies on the performances of its lead actor and actress, this part of the review will focus on Campbell Scott’s and Jennifer Jason Leigh’s portrayal of Scott Corrigan and Elizabeth Whitcomb. With Campbell’s performance, there was always a sense of focus in his character. This focus could be seen in Scott’s eyes. When he was inspecting the desk at the antique store or restoring that same desk, Scott’s focus showed how much he cared. This was a consistent part of the character and helped whenever he wrote to Elizabeth. In historical fiction/period films, it would be easy for the screenwriter to give their lead female character one distinct type of personality. Elizabeth Whitcomb, on the other hand, held a balance of two that brought something unique to the character. She had a youthful radiance about her, being a “romantic dreamer” at heart. However, Elizabeth carried herself with a graceful maturity that prevented her from becoming childish or immature. Jennifer brought both aspects to Elizabeth equally and beautifully, allowing her character to be multi-dimensional.
The historical accuracy: I am not an expert on the 1860s and its historical significance. But based on what I do know about this particular period in time, Elizabeth’s part of the story looked and felt historically accurate! The Whitcomb family home was furnished with pieces that appeared antique, from the couch in the sitting room to the desk Elizabeth and Scott share. Dark wood held these structures together, with green cushions and intricate carvings finishing the couch and desk. The costumes were very detailed and also reflective of the 1860s. Embroidery on Elizabeth’s jacket and the overall design of her lacy parasol serve as two examples. Even the dialogue spoken by the characters sounded like it came directly from an era gone by. Pieces of the story like the ones I mentioned tell me, as an audience member, the creative team behind this film cared about the presentation of this part of their project!
A fantastical element: Most of the stories from the Hallmark Hall of Fame collection are grounded in reality, which means that fantastical elements are rarely found in these scripts. With The Love Letter, the story revolves around two people from different time periods who communicate to each other through letter writing. The idea of time manipulation is a concept that would likely be found in either a fantasy or science fiction film. While stories like Somewhere in Time and Portrait of Jennie have been dramas paired with this specific concept, I don’t recall Hallmark Hall of Fame creating their own film like that before or after 1998. Because The Love Letter’s creative team chose to include a fantastical element into their overall project, it gave the movie an opportunity to stand out from other titles. This was a creative risk that worked in the film’s favor!
What I didn’t like about the film:
Scott being engaged: A trope that has appeared in several Hallmark films is the male or female protagonist being engaged at the beginning of the story, only to fall in love with someone else by the end of that story. This trope has found its way into The Love Letter. For most of the movie, Scott is engaged to a woman named Debra. As he finds himself falling in love with Elizabeth, he strings Debra along and keeps the letter writing a secret. Scott does tell Debra the truth about his feelings, but this doesn’t happen until the movie is almost over. Personally, I think this trope is pointless, as the audience is spending time with a relationship that will end up leading nowhere. Scott should have remained single so the script could give its undivided attention to his and Elizabeth’s exchanges.
A rushed explanation: When fantastical or science fiction elements are included in a script, it helps to provide clear explanations to the audience so they can understand what is happening on screen. In The Love Letter, Scott’s mother tells Scott that an imbalance in the time-space continuum is the reason why he and Elizabeth are able to write to one another. However, this explanation was rushed, with Scott’s mother briefly bringing it up on only two occasions throughout the whole movie. She gives Scott stamps from the 1860s and had a special kind of writing ink made for him. Scott’s mother even found a post office that has existed since the Civil War era. These objects and the post office felt more like they conveniently benefited the plot instead of serving as ‘macguffins’ to move the story forward. As I already mentioned, this kind of story is rarely found in the Hallmark Hall of Fame collection. Despite this, a little more time should have been devoted to providing a clearer explanation.
Lack of physical interactions between Scott and Elizabeth: Because Scott and Elizabeth are from different time periods, it is not possible for them to physically interact with one another. Even though this is the nature of the story, it prevented the audience from seeing the on-screen chemistry between Campbell Scott and Jennifer Jason Leigh. One of the staples of a romance film is the on-screen chemistry between the lead actor and actress. Since that element was missing from The Love Letter, I was only invested in Scott and Elizabeth’s relationship to a certain extent. While their words were romantic, verbal communication only plays a part among any given couple.
My overall impression:
As I said in my review, most Hallmark Hall of Fame stories are grounded in reality. These stories are also on the simple side, with messages and themes that audience members can relate to. Even though The Love Letter has a fantastical element that is rarely found in films from this collection, it has a simpler story that works! Romance through words and thoughts is what carries the overall story, with important advice woven into the script. Forming a relationship with someone you truly love and never giving up on yourself are nice sentiments that can make audience members feel good about what they are watching. The movie also has the ingredients of a good Hallmark Hall of Fame title, like the level of detail when it comes to the film’s historical accuracy. It is true the movie has its flaws. However, the execution of a creative risk like this makes up for The Love Letter’s weaknesses. Films such as this one make me wish Hallmark would be more creative with their stories and think outside the box more. With the ball in their court, I don’t know what their next creative step will be.
Overall score: 8 out of 10
Have you seen The Love Letter? What Hallmark Hall of Fame movies would you like to see me review? Let me know in the comment section!
2020 was a year that threw a huge wrench into a lot of movie-goers’ plans. As theaters shut their doors and new releases continuously changed dates, there were movie related content creators that had to either adapt as best they could or completely change their formula. Fortunately for 18 Cinema Lane, the impact of this year’s Coronavirus didn’t change the type of content published on the site. As with the previous two years, I saw more good movies than bad. This is honestly the first year where I had difficulty creating my top ten best movies list because of the quantity of enjoyable films that left a memorable impression on me. Since I published my worst movies of the year list first last year, I’ll post my best movies of the year list first this time around. As usual, I will begin the list with my honorable mentions and then move on to the official top ten list. Now let’s get this list started!
Crossword Mysteries: Abracadaver, Where There’s a Will, Generation Gap, A Beautiful Place to Die: A Martha’s Vineyard Mystery, Sweet Surrender, Picture Perfect Mysteries: Dead Over Diamonds, Riddled with Deceit: A Martha’s Vineyard Mystery, Mystery 101: An Education in Murder, To Kill a Mockingbird, Ruby Herring Mysteries: Prediction Murder, House of the Long Shadows, Up in the Air, The Crow, Mystery Woman: Game Time, Fashionably Yours, Finding Forrester, Cyrano de Bergerac (1990), Expecting a Miracle, Time Share, Little Lord Fauntleroy (1936), The Wife of Monte Cristo, Cry Wolf, Mystery Woman: Mystery Weekend, Perry Mason Returns, Perry Mason and the Notorious Nun, Perry Mason: The Case of the Shooting Star, The Terry Fox Story, Follow Your Heart, House of Wax, Funny Face, and The Christmas Bow
10. Nicholas Nickleby (2002)
Looking back on the four film adaptations of Charles Dickens’ work I’ve reviewed, I realize how lucky I am to come across those I enjoyed. Despite having never read Nicholas Nickleby, this production was both understandable and engaging! With the 2002 version of this story, its balance of joy and despair is a staple of the world-famous author’s I recognize from his other stories like Oliver Twist. As I said in my review of Nicholas Nickleby, it can be easy to forget the beauty this world can offer, especially during a year like 2020. I don’t often come across a movie that is so good, it makes me want to seek out its original source material. For this film, however, I just found an exception!
This is an interesting entry from the Breen Code era. It’s a darker musical that is dark in nature for the sake of providing thought-provoking commentary. Like I said in my review, The Unfinished Dance does a good job exploring what happens when truth disappears from the world. All of the musical numbers in this film have a strong reason for being in the story, as opposed to typical musicals where the numbers feel more spontaneous than planned. Even though dance is emphasized more than the story, the quality of the routines themselves make this film worth a watch! The movie is a hidden gem that I wish more people knew about.
I’m glad I was given an opportunity to re-watch this film, as it was just as enjoyable as when I first saw it! The story moves away from the aesthetic that most Christmas movies adopt. Instead, it relies on the messages and themes associated with the Christmas holiday. This creative decision is a breath of fresh air, bringing a different kind of narrative that isn’t often found during that time of year. If You Believe is a film that does what it sets out to do. It also helps that it has stood the test of time.
This is the kind of Hallmark Hall of Fame movie I wish was made more often, one where unique concepts are explored and celebrated. Instead of following a plot, the story revolves around a debate. The subject matter was not only handled with reverence, but each perspective was shown in a respectful light. I’m not a fan of this film’s ending, but I respect Hallmark’s decision to include it in the script, as it respects the audience’s intelligence. Sweet Nothing in My Ear is a title from this collection that can be used as an introduction to Hallmark Hall of Fame!
6. From Up on Poppy Hill
Studio Ghibli has a reputation for giving it their all when it comes to making movies. Besides their signature animation style, they also take the time to create fantastic worlds and memorable characters. While From Up on Poppy Hill doesn’t contain any of the magical elements that can sometimes be found in Studio Ghibli’s stories, the project doesn’t feel out of place in their collection. The plot is a simple one, but the inclusion of interesting characters and world-building is what makes it work. It also contains a great message about history that fits into the script very well.
Batman: Mask of the Phantasm is more than just a story about Batman. It’s a chance for audience members to see a side of this superhero that doesn’t often get presented in the world of film. The movie is a good example of how impressive 2-D animation can be. Even though the world has moved on to the wonders of 3-D and computer graphics, there will always be a place for older styles of animation. Despite having seen only a handful of Batman films, I can honestly say Batman: Mask of the Phantasm is one of the better options! The story itself is just as interesting as the world of Gotham City.
Grace & Glorie contains Hallmark’s favorite cliché of featuring a woman from a big city moving to a small town. But what sets this story apart is how that cliché is not the main focus of the film. Instead, the plot revolves around the friendship of Grace and Gloria. Because the titular characters were portrayed by two strong actresses, it made the dynamic between Grace and Gloria interesting to watch. Similar to From Up on Poppy Hill, this Hallmark Hall of Fame title has a simpler plot that works in its favor. Grace & Glorie is a type of story that is rarely seen on Hallmark Channel or Hallmark Movies & Mysteries. The movie is also an underrated gem that I wish more Hallmark fans were aware of.
With the way the theatrical landscape was affected in 2020, it kind of feels weird that a film like Matinee would appear on a best movies of the year list for 2020. But instead of making me miss the cinema or feel jealous of the characters as they get to see a movie in a theater, this particular 1993 title reminded me of what I love about film. Because I have a special place in my heart for Phantom of the Megaplex, Matinee showed me that there is more than one story that could show people how movies can be fun. One of the messages of this narrative is that film can provide a much-needed break from the troubles of the real world. With the way 2020 turned out, Matinee seemed to come at the right place and time.
Every year, there is that one movie that catches me by surprise because of how good it is. The Boy Who Could Fly was definitely that film in 2020! I was pleasantly surprised by how well the overall story has aged. Given the subject material and the time it was released in, I can certainly say that my expectations were subverted. While The Boy Who Could Fly would be considered a “teen movie”, it doesn’t follow a lot of the patterns that most of these types of stories would contain. The themes of showing compassion for others, dealing with grief, and understanding people’s differences are given center stage.
Who knew a Frank Sinatra movie would become the best one I saw in 2020? When I look back on this film, I remember how much fun I had watching it! As I said in my review, I spent most of my time smiling and laughing, which shows how the film’s joyful nature can certainly help anyone improve their mood. Anchors Aweigh is a strong movie on so many different levels. The acting, story, and musical numbers alone showcase how much thought and effort went into the overall production. If I were to introduce someone to the Breen Code era or musicals in general, this is the film I’d show them. Anchors Aweigh was certainly a bright spot in a year like 2020.
As Christmas is just around the corner, it’s time for me to publish my annual Movie Blogger’s Christmas Wish-List! For those who are new to 18 Cinema Lane, I post a Christmas related article in honor of the holiday to sharing the things I, as a movie blogger, would like to receive as Christmas gifts. This is a tradition I started back in 2018. While I know I won’t get most of the items on my list, I try to choose those that seem realistic. Because my blog primarily revolves around movies, I pick “gifts” that have something to do with film. Unless I say otherwise, the screenshots were taken taken by me. If you’d like to read my previous Christmas wish-lists, I will provide the links here:
In 2020, Hallmark didn’t release any new Hallmark Hall of Fame movies. The on-going Coronavirus is likely one of the reasons why this was the case. Due to the lack of Hallmark Hall of Fame films this year, I’d like to see Hallmark create four new HHoF presentations in 2021 to make up for this. I feel that Hallmark has what it takes to tell interesting stories through visually appealing and captivating projects, something I’ve mentioned at various moments on my blog. If they chose to make four new HHoF movies, each story could revolve around a different seasonal component. The first film could have something to do with either St. Patrick’s Day, Easter, or Memorial Day, as those holidays are set around springtime. As the second film might be released during the summer, Fourth of July or Father’s Day could have a primary place in the plot. Because Halloween or Thanksgiving movies from Hallmark are far and few between, the third HHoF film might focus on those holidays. Since Hallmark Hall of Fame Christmas movies have a staple in the collection, the last film of the aforementioned four would revolve around Christmas. If Hallmark could create forty new Christmas movies among two networks during a pandemic, then they can find the time to release four new Hallmark Hall of Fame films in 2021.
Something You Need to See
Since I’ve talked about this subject at length before, I won’t repeat myself. All I’ll say is that I want the Tim Pope cut of The Crow: City of Angels to see the light of day. For me, this is more than just re-releasing a decades old movie. It’s about consumer advocacy and respecting the cinematic creative process. As of mid-to-late December 2020, my editorial about this topic has received over 200 views! This means a lot to me because it shows that that many people care about this particular issue. Hopefully, Paramount (the studio who owns the distribution rights to The Crow: City of Angels) hears our voices and releases this version of the film. If you would like to read my aforementioned editorial, here’s the link:
A movie related piece of clothing or accessory I’d want to wear
Similar to last year’s Christmas Wish-List, I have two choices for this category. The first is the cargo slim jeans from Perry Mason Returns! This pair of pants was worn by a gas station employee Perry’s assistant, Paul, interacts with toward the end of the movie. What I like about this pair of pants is how they appear to be a different style of cargo pants that isn’t common. Also, I think it’s cool how the pockets are big enough to fit a rolled up readable magazine. The second is the silver pair of pants Barbara Niven’s character, Joan, wears in the Hallmark Hall of Fame movie, Promise. That is one of the coolest pairs of pants I’ve ever seen! Whenever Joan moved from location to location, the pants always shined. It is definitely an ‘80s piece that I would love to have in my wardrobe.
A book I’ve read that I’d like to see adapted into a film
Instead of talking about one book like I have in the past, I will talk about two of them. Both Hallmark Hall of Fame and BYU-TV have done a good job creating historical/period films in years prior. Because of this, To Stand On My Own: The Polio Epidemic Diary of Noreen Robertson would make a good presentation from either network, as the story takes place in the 1930s! While reading this book back in May, I couldn’t help noticing several parallels between the polio epidemic described in the book and the Coronavirus pandemic the world experienced in 2020. Just to provide one example, Noreen, the narrator of the story, discusses how some businesses were closed to the public and how there were periods of quarantine. If Hallmark or BYU-TV wanted to create a film in response to the Coronavirus, this particular story would be an interesting way to discuss that without coming across as too on the nose.
Another book I read this year was Zlata’s Diary. As I was reading, I came across this quote:
“I think about all the films that could be made in Sarajevo. There are loads of subjects for films here”.
Now that I think about it, I can’t think of many films about the Bosnian War, especially from the perspective of a civilian from Sarajevo. When it comes to Zlata’s suggestion of films about and/or filmed in Sarajevo, maybe this is the decade where that dream comes true. As I said about BYU-TV, they have done a good job at creating historical/period films. What they have also done is effectively told stories involving conflict. A perfect example is the Christmas film, Instrument of War. This movie showed the horrors of World War II without being graphic when it came to violence. With everything I just said, I could see BYU-TV adapting Zlata’s Diary into a film.
What are your thoughts on this year’s Christmas Wish-List? Is there anything movie related you’d add to your list? Let me know in the comment section!
At the end of last month, 18 Cinema Lane received 225 followers! Because of my participation in the Esther Williams Blogathon and the 4th Alfred Hitchcock Blogathon, I postponed this blog follower dedication review to this week. In that time, my blog also received 230 followers! Originally, this review was going to serve as an entry for the A Month Without the Code Blogathon. But because of everything I just said, I decided this post was only going to be a blog follower dedication review. I haven’t talked about a Hallmark movie in two months, with Nature of Love being the latest one. So, I chose Hallmark Hall of Fame’s The Locket for this review. This is a movie I’ve wanted to watch for a few years. One of the reasons was Marguerite Moreau’s involvement in the film. After watching Queen of the Damned, I discovered she had starred in this Hallmark project from 2002. WhenHallmark Drama aired it recently, I knew I had to record it on my DVR!
Things I liked about the film:
The acting: BecauseMarguerite Moreau is one of the reasons why I watched this film, I’ll talk about her performance first. Even though I haven’t watched many of her movies, I’ve noticed how her portrayals feel believable with what her character is experiencing. This is certainly the case for her performance in The Locket! Faye, Marguerite’s character, always appeared natural in her responses to various situations. It allowed me to stay invested in her part of the story. Another aspect to Marguerite’s performance is how her transitions between emotions were flawless! One good example takes place after Faye and Michael deliver Christmas gifts. Toward the beginning of this interaction, Faye is happy to spend time with her boyfriend. As she notices his demeanor, Faye’s face changes to showing an expression of concern. Speaking of Michael, I need to talk about Chad Willett’s performance. Throughout The Locket, Chad used a wide range of emotions. In a scene where Michael visits someone from his past, he appears angry and can be seen crying. Another scene, when Michael is telling Faye about his scholarship, shows him displaying happiness on his face. This part of Chad’s performance made the overall portrayal seem dynamic! I can’t review this movie without discussing Vanessa Redgrave’s performance. What I liked about it was how honest it came across. This component added depth to Vanessa’s portrayal. A good example is her character’s, Esther’s, first encounter with Michael. When he’s changing her bedsheets, Esther compliments Michael for not telling her she’s still beautiful. This is because she thinks that statement is silly.
Whitewood Nursing Home: A significant part of this story takes place at a nursing home called Whitewood. Despite this location serving a medical purpose, it didn’t feel like a medical facility. In fact, it looked and felt like a bed and breakfast! The interior design consistently ran throughout the home. Furniture helped make the rooms seem cozy, with armchairs in the bedrooms and main living room adding to this aesthetic. Detailed and flowery wallpaper displayed soft, pastel colors. This caused the overall location to have a calming effect. Fireplaces made of brick and wood completed the interior design of the rooms, making the home feel inviting. The exterior design of Whitewood is a large white wood structure, hence the name of the facility. These factors gave the impression of the home carrying a sense of importance. Because it is important to take care of the older members of a community, this appearance of the nursing home is fitting.
The on-screen chemistry: As I mentioned earlier in this review, Michael and Faye are in a dating relationship. Anytime they interacted with each other, I could tell Chad and Marguerite had strong on-screen chemistry! This caused their characters to feel like they truly cared about one another. Faye’s first visit to Whitewood is a good example of this. When Faye meets up with Michael, I could see her investment in what is happening in Michael’s life. This investment can also be seen when Michael learns about Faye’s acceptance into medical school. Non-romantic relationships also had good on-screen chemistry! Michael’s friendship with Esther came across like they got along well. It also effectively showed how they tried to understand each other. The scene where Esther explains the locket’s importance to Michael serves as one example.
What I didn’t like about the film:
The under-utilization of Marguerite Moreau: Marguerite is not only the third billed actor in this movie, she is also the main supporting actress. Despite this, she was kind of under-utilized in The Locket. While she was given enough material to make her performance memorable, her on-screen presence was not as consistent as I expected. Most of her appearances can be found in the film’s first half, with her character barely appearing in the second half of the movie. This makes me wonder if Marguerite was working on Queen of the Damned around the same time she was working on The Locket?
The locket is an afterthought: Before watching this film, I had expected the locket itself to affect the lives of the people surrounding it. Because the movie is called The Locket, I thought this artifact would have a large influence over the story. Sadly, this piece of jewelry ends up being an afterthought. Most of the film revolves around Michael and his hardships. When an explanation of the locket’s importance is finally given, happening about forty-five minutes into the movie, it takes place during one dialogue and video heavy scene. What would have made this artifact emotionally affective is if flashbacks from Esther’s life or from around the time Esther received the locket would have been sprinkled throughout the story.
Scenes that feel rushed: There were some scenes in The Locket that, to me, felt rushed. In one scene, Michael is at the VA Hospital, picking up a prescription for a patient at Whitewood. The very next scene shows Michael sharing some good news to Esther. Scenes like the one at the VA Hospital made it seem like the film’s creative team wanted to get certain parts of the story done and over with just to get to the next point. What also doesn’t help is how these scenes didn’t have effective transitions. It caused scenes like the one with Michael and Esther to feel too sudden.
My overall impression:
Before I talk about my overall impression, I’d like to thank all of my followers who helped my blog reach this milestone! Your investment in 18 Cinema Lane plays a role in its overall success! Now, time to discuss my final thoughts on The Locket! As glad as I am to have finally seen this movie, I recognize there are Hallmark Hall of Fame titles with similar ideas that are stronger than this one. Two examples are the 1998 film, Grace & Glorie,and 2011’s The Lost Valentine. One thing that The Locket was missing was an emphasis on the locket itself. Instead of having a story where this piece of jewelry impacts the lives surrounding it, the audience received a narrative where the locket is treated as an afterthought. I know there were three Hallmark Hall of Fame movies released in 2002. But, for whatever reason, there were times when The Locket felt rushed. Despite these flaws, the movie did have its strengths. The acting was definitely a high-light of this project, especially Marguerite Moreau’s performance! For me, she stole the show and even outshined the other actors involved! I just wish her on-screen presence would have been more consistent.
Overall score: 7.2 out of 10
Is there a Hallmark Hall of Fame movie that you enjoying? Would you like to recommend a Hallmark Hall of Fame film for me to review? Please let me know in the comment section!