The 8th Annual Gold Sally Awards Have Arrived!

The Gold Sally Awards, a beloved tradition on 18 Cinema Lane, have returned! For those new to my blog, this is an annual post I publish to commemorate my blog’s anniversary. Winners of the Gold Sally Awards are chosen based on movies I saw the previous year. The award categories are created by me, based on topics I’ve brought up on 18 Cinema Lane. Every year, I try to introduce at least one new award category. But in 2026, I’ve brought back two existing categories instead. I will discuss why I chose each recipient, like I’ve done in past award posts. So now, let the 8th Annual Gold Sally Awards begin!

8th Annual Gold Sally Awards Winners created by me, Sally Silverscreen.

The Standing Ovation Award

(Character Most Deserving of Receiving Their Full Potential)

Alfred White from Saving the Titanic

Overcoming a fear takes bravery, determination, and perseverance. When one conquers a fear that was holding them back, it is an accomplishment worth celebrating, especially considering what that person may have gone through to reach that accomplishment. In Saving the Titanic, Alfred White had a fear of heights. He eventually overcame his fear when tasked with reporting everything happening above Titanic’s deck. The fact Alfred faced and conquered his fear during the highly stressful time of Titanic’s sinking is quite amazing. But as Alfred was addressing his fear of heights, he also taught me about the Titanic’s fourth fake funnel, a fact I was unaware of before watching Saving the Titanic. For these reasons, I have chosen Alfred White to receive this year’s Standing Ovation Award!

The Hallmark Hall of Fame Award

(Movie That Feels Like It Belongs in the Hallmark Hall of Fame Collection)

An Old Fashioned Thanksgiving

When I gave Hallmark’s Frankenstein the Hallmark Hall of Fame Award last year, I described the 2004 television movie as an immersive experience. The combination of screenwriting, acting performances, set design, and costume design presented the illusion of transporting me to another time and place. This is exactly how I felt when revisiting An Old Fashioned Thanksgiving! In the case of the 2008 tv film, this illusion was achieved through attention to detail and historical accuracy. Similar to Hallmark’s Frankenstein, I’m surprised An Old Fashioned Thanksgiving wasn’t a Hallmark Hall of Fame presentation. It’s even more surprising none of Louisa May Alcott’s literary work was adapted into Hallmark Hall of Fame titles. So, those are the reasons why I chose An Old Fashioned Thanksgiving for this year’s Hallmark Hall of Fame Award!

The “She Won’t Give Me My Chocolate” Award

(Best Quote from a Movie)

“For those who make history needn’t read about it” – Eva, The Bride (1985)

I will admit this was the most difficult category to choose a winner for. That’s because there were several strong quotes that were deserving of this year’s “She Won’t Give Me My Chocolate” Award. But the quote I ended up selecting was the one Eva told Josef in 1985’s The Bride. Outside the movie’s context, the quote itself is powerful and epic. Within the movie, however, it’s a simplistic yet meaningful acknowledgment of how far Eva came from when she was first introduced in the story. By Eva telling Josef, “For those who make history needn’t read about it”, she’s no longer the blank slate Frankenstein originally created her to be. Instead, Eva can think and speak for herself, even if she did need some help along the way. This quote provides character development in an interesting and memorable way!

The Edwin P. Christy Award

(Most Annoying Character in Film)

Cameron Shannon from An Old Fashioned Christmas

Looking back on 2025, Cameron Shannon, from An Old Fashioned Christmas, sticks out in my memory. But his memorability is for the wrong reasons. As I said in my review of the 2010 tv picture, Cameron was the worst character in An Old Fashioned Christmas. This was due to how annoying he became over the course of the movie. Cameron always acted like he had something to prove, as well as attempting to get the last word in every argument or conversation. So, it was satisfying to see Gad confront Cameron toward the end of the story. Like I also said in my An Old Fashioned Christmas review, the majority of the film emphasized the love triangle between Tilly, Gad, and Cameron. Honestly, I don’t know what Tilly saw in Cameron because his unlikability was static.

The Edward Boult Award

(Missed Opportunity in Cinema)

Not giving Perry Mason: The Case of the Heartbroken Bride a unique and memorable story

Last July, when I reviewed Perry Mason: The Case of the Heartbroken Bride, I criticized the movie for its missed creative opportunities. This major flaw made the twenty-third chapter in the Perry Mason movie series lackluster. In my review, I gave two subplot ideas that could have helped Perry Mason: The Case of the Heartbroken Bride obtain a more memorable story. The first is how Hannah, the sister of Kaitlynn’s fiancé, converted her failed music career into a promising legal career. Kaitlynn’s real personality being quite different from her celebrity persona serves as the second subplot idea. Sadly, these ideas weren’t utilized nor did they contribute to the mystery of Perry Mason: The Case of the Heartbroken Bride. The 1992 television film was Perry Mason’s “bad day at the office”.

The “Based on a Book I Haven’t Read Yet” Award

(Movie Based on Source Material I Have Not Yet Read)

An Old-Fashioned Thanksgiving

Louisa May Alcott is best known for her iconic novel, Little Women. But she has written some short stories throughout her career. One of those short stories was An Old-Fashioned Thanksgiving, which was the source material for the 2008 Hallmark Channel movie of the same name. You’d think with how much I adore An Old-Fashioned Thanksgiving’s film adaptation, I would have read the source material by now. But as of late February to early March, 2026, I still have not read Louisa May Alcott’s short story. Hopefully, I can finally check out An Old-Fashioned Thanksgiving this year!

The Nosferatu vs. Dracula Award

(Two Movies That Feel Like You’re Watching the Same One)

From the Mixed-Up Files of Mrs. Basil E. Frankweiler from 1973 and 1995

If you read my review of 1973’s From the Mixed-Up Files of Mrs. Basil E. Frankweiler, you would know this adaptation, as well as the 1995 version, would likely receive the Nosferatu vs. Dracula Award. This is due to both movies sharing a lot of the same strengths and flaws. Even though each version of From the Mixed-Up Files of Mrs. Basil E. Frankweiler does have its differences, it’s not enough to give the films strong differentiations between them. Even though I slightly prefer the 1995 adaptation over the 1973 version, these movies made me feel like I was watching the same film twice.

The Kay’s Costume Party Dress Award

(Best Outfit from a Movie)

Marion’s Angel Costume from Wings of Desire

In my Comparing with the Critics review of Wings of Desire, I complimented the movie’s costume design. I even described one of Marion’s trapeze artist costumes in detail. That costume is the angel costume Marion wore when she was first introduced in Wings of Desire. The craftsmanship and detail that went into creating the costume allowed the costume itself to stand out long after the movie was over. As I said in my review, the exquisiteness of Marion’s costumes, including her angel costume, makes me wish they were shown in color more consistently.

Sally’s MVP Award

(Character Who Left a Memorable, Showstopping Impression)

Rinaldo from The Bride (1985)

Back in June, 2025, when I reviewed The Bride, I proclaimed Rinaldo was the movie’s MVP. So, when it came time to decide who should receive the Sally’s MVP Award, I already knew the perfect winner! From the moment he meets Viktor, Rinaldo genuinely has Viktor’s best interests at heart. He strives to give Viktor a better life than Frankenstein did, even going so far as to educating Viktor on the importance of his name, which means “He will win”. Rinaldo always refers to Viktor as “his friend”. If it wasn’t for Rinaldo, I don’t believe Viktor would have received the “hero’s journey” he did in The Bride. Similar to when I gave Madmartigan the Sally’s MVP Award last year, Rinaldo became The Bride’s MVP because of David Rappaport’s performance and the screenwriting.

The They Deserve an Award Award

(Someone Associated with a Movie Who Deserves Recognition)

Monika Jacobs (for her costume designs in Wings of Desire)

In the past, I would give this award to actors or actresses who gave a performance that was memorably showstopping. But this year, I decided to expand the They Deserve an Award Award to other departments of film-making. That’s because there are other important components of creating a movie besides acting. When I reviewed Wings of Desire, I praised the film’s costume design, specifically pointing out one of Marion’s trapeze artist costumes. I said I wish Wings of Desire’s costume designer, Monika Jacobs, was nominated for, at least, one award. Costume design isn’t just about crafting attire that’s appealing to the eye. It’s also about creating attire that compliments the actor or actress wearing it. Through Marion’s wardrobe in Wings of Desire, Monika achieved these objectives. Even though Marion’s trapeze artist costumes were stunning, her casual and formal attire made Solveig Dommartin look like the best dressed star of Wings of Desire!

Have fun at the movies!

Sally Silverscreen

Take 3: From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973) Review

All the way back in 2019, I reviewed the 1995 adaptation of From the Mixed-Up Files of Mrs. Basil E. Frankweiler. After I shared my thoughts on the film, Gill, from Realweegiemidget Reviews, recommended the 1973 adaptation, which is sometimes titled The Hideaways. Whenever Virginie, from The Wonderful World of Cinema, has hosted the Ingrid Bergman Blogathon, I have wanted to check out the 1973 adaptation, due to Ingrid Bergman starring in the film. Now, for the 110 Years of Ingrid Bergman Blogathon, I finally received the opportunity to write about the movie! While I still haven’t read the book, I am familiar with the story because I covered the 1995 adaptation on 18 Cinema Lane. Back in 2019, I said the film was just ok, as one of my biggest criticisms was the underutilization of Lauren Bacall’s acting talents. Will I give similar criticisms to the 1973 adaptation of From the Mixed-Up Files of Mrs. Basil E. Frankweiler? To solve this mystery, keep reading my review!

From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973) poster created by Cinema 5, Westfall Productions, and Cinema 5 Distributing

Things I liked about the film:

Sally Prager’s and Johnny Doran’s acting performance: Starring in From the Mixed-Up Files of Mrs. Basil E. Frankweiler as the protagonists, Claudia and Jamie Kincaid, Sally Prager and Johnny Doran carry about 95% of the film. Because of how strong their performances were, they successfully carried the movie by presenting their characters believably! One example takes place toward the beginning of the film. Jamie is telling his sister, Claudia, about a movie he had recently seen. As he talks about the movie, his speech becomes increasingly animated. Even after Claudia kicks him out of her room, Jamie talks even louder, his excitement never faltering. After Jamie and Claudia arrive in New York City, they go to the Metropolitan Museum of Art. When Jamie asks her why she wants to go to the museum, Claudia enthusiastically describes the museum as a castle like the tales of King Arthur. This scene perfectly showcases how Sally effectively portrayed Claudia as precocious; containing enough self-awareness to know exactly what she wants, yet displaying that sense of wonder one would expect from a child her age.

The cinematography: When I reviewed the 1995 adaptation of From the Mixed-Up Files of Mrs. Basil E. Frankweiler, I complimented the film’s cinematography. That adaptation’s creative team made some interesting choices when presenting certain scenes, like using close-ups to present the museum’s artifacts. The 1973 adaptation of From the Mixed-Up Files of Mrs. Basil E. Frankweiler features good cinematography as well! Similar to the 1995 adaptation, some scenes were shown from Claudia and Jamie’s perspective. While hiding on the school bus, Jamie constantly peeks from behind the seat to see if the bus driver has spotted them. A few shots look like they’re from Jamie’s point of view, with the camera peering around the seat to catch a glimpse of the bus driver. When Jamie and Claudia are at the Metropolitan Museum of Art, they look over the railing at the museum’s employees and security guards in the lobby. Once again, the scene is presented from the point of view of the children. The camera peers over the museum’s railing, looking down at the security guards and employees. Shots like the ones I described make the audience feel like they’re with the characters, creating the illusion of immersion.

The dialogue: A pleasant surprise in 1973’s From the Mixed-Up Files of Mrs. Basil E. Frankweiler was the dialogue! Some lines were so well-written, they became a memorable part of the movie. In one scene, as Jamie navigates through the museum, a janitor asks him where he came from. Speaking confidently in a matter-of-fact way, Jamie tells the janitor, “My mother said I came from Heaven”. I not only found this response a clever comeback, it was also a creative way to answer the question. Another scene shows Jamie sharing with Claudia one of the reasons why he ran away with her. While spending a night in the museum, Jamie tells his sister how concerned he was by the thought of her traveling alone, as he believed she would be afraid. Claudia responds to her brother’s belief by saying, “Being self-sufficient doesn’t automatically make a person brave”. This quote showcases an eloquent way of addressing how anyone at any age can be afraid of something.

Angelic statue image created by Marcelo Gerpe at freeimages.com. “FreeImages.com/Marcelo Gerpe.”

What I didn’t like about the film:

Telling instead of showing: In both adaptations of From the Mixed-Up Files of Mrs. Basil E. Frankweiler, Jamie and Claudia go to Mrs. Basil E. Frankweiler’s house, searching for an angel statue’s legitimacy. From what I remember of the 1995 movie, a scene shows Claudia and Jamie looking for answers about the statue by rummaging through Mrs. Basil E. Frankweiler’s mixed-up files. The 1973 version, on the other hand, has Mrs. Basil E. Frankweiler telling the answer of the mystery instead of showing the children putting the mystery’s pieces together. Because the creative team behind the 1973 adaptation chose telling over showing, some of the excitement of seeing the protagonists achieve their goal was taken away.

Less emphasis on the mystery: An overarching part of From the Mixed-Up Files of Mrs. Basil E. Frankweiler’s story is the mystery surrounding an angelic statue. However, this mystery received less emphasis in both the 1973 and 1995 adaptations. Specifically speaking about the 1973 version, the story focused more on Claudia and Jamie’s adventures in New York City. In fact, the angel statue doesn’t make an appearance until 44 minutes in an hour and forty-five-minute film. Like I said in my review of the 1995 version, this creative decision took a lot of intrigue out of the film, causing the story not to be as engaging or interactive.

The underutilization of Ingrid Bergman: During this review’s introduction, I brought up one of my biggest criticisms of 1995’s From the Mixed-Up Files of Mrs. Basil E. Frankweiler; the underutilization of Lauren Bacall’s acting talents. Sadly, I have the same criticism for the 1973 version. Just like the 1995 adaptation, Ingrid Bergman is the top-billed actor in the adaptation from 1973. Yet she doesn’t appear in the story until an hour and fourteen minutes in an hour and forty-five-minute movie. I recognize the 1973 version of From the Mixed-Up Files of Mrs. Basil E. Frankweiler premiered toward the end of Ingrid’s career. I also acknowledge the story prioritizes the adventures of Claudia and Jamie Kincaid. But as I said about Lauren Bacall in my review of the 1995 movie, this underutilization not only does Ingrid’s acting talents a disservice, it also comes across as misleading.

110 Years of Ingrid Bergman Blogathon banner created by Virginie, from The Wonderful World of Cinema

My overall impression:

For the 5th Annual Gold Sally Awards, I introduced the Nosferatu vs. Dracula Award. This award is given to two movies that feel like you’re watching the same one. Looking back on my experience watching the 1973 adaptation of From the Mixed-Up Files of Mrs. Basil E. Frankweiler and reflecting on my review of the 1995 adaptation, the Nosferatu vs. Dracula Award will likely be brought back for 2026’s edition of the Gold Sally Awards. The 1973 movie shares a lot of the same strengths and flaws as the 1995 version. These similarities made me feel like I was watching the same film twice. I knew what to expect from the story, due to seeing From the Mixed-Up Files of Mrs. Basil E. Frankweiler from 1995. However, I still wish both adaptations contained stronger differentiations between them. The films I’ve seen of Ingrid Bergman’s from the 1970s have, in my opinion, been underwhelming. While I found A Walk in the Spring Rain a flavorless picture, I think A Matter of Time and now From the Mixed-Up Files of Mrs. Basil E. Frankweiler are just ok.

Overall score: 6 out of 10

Have you seen 1973’s From the Mixed-Up Files of Mrs. Basil E. Frankweiler? Which book adaptation do you wish starred a “classic” film star? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1995) Review

When Crystal, from In The Good Old Days Of Classic Hollywood, invited me to join her Third Annual Lauren Bacall Blogathon, I was aware of who Lauren is as an actress. In fact, I reviewed The Big Sleep for a blog follower dedication review back in August. For this blogathon, I wanted to pick one of Lauren’s films from outside the Classic/Golden Era of Hollywood. After looking through her filmography, I decided to review From the Mixed-Up Files of Mrs. Basil E. Frankweiler! Before watching this movie, I knew that it was based on a book. However, I have never read the book or seen the film adaptation from 1973. I also heard that there was a mystery within this story. Because I like movies such as those from Hallmark Movies & Mysteries, I felt that this would be a film I might enjoy.

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Because I had difficulty uploading an image of this poster, I decided to take a picture of it on my phone. Screenshot taken by me, Sally Silverscreen.
Things I liked about the film:

The acting: Films that feature young actors as the leads can be hit or miss. Because of their limited talents, it’s difficult for the audience to know what to expect from that actor or actress. In From the Mixed-Up Files of Mrs. Basil E. Frankweiler, the lead actors did a good job with the acting material they were given! Jean Marie Barnwell, who portrayed Claudia, and Jesse Lee Soffer, who portrayed Jamie, were both expressive and believable in their roles. They brought their characters to life with versatility, helping them present reactions that appeared realistic for children in that kind of situation. The supporting cast was also memorable in this film! Miriam Flynn, who portrayed Claudia and Jamie’s mom, mastered her role! She did this by bringing animation and emotion to her character. Miriam helped make her role distinct from the others in this film. She also had good on-screen chemistry with her fellow co-stars!

 

The cinematography: This film had better cinematography than I expected! The creative team behind the movie made some interesting choices when it came to how certain scenes were presented. One example is when Claudia and Jamie are hiding on the school bus. There was one scene where the camera was looking upward from the floor, focusing on the view from the window. This helped the audience picture the moment from the kids’ perspective. In the museum, there were close-ups of various artifacts. At opening or closing time, these close-ups emphasized the lights shining on these objects. Shots like these made the film visually appealing!

 

The locations of the museum and Mrs. Frankweiler’s house: Whenever I’ve talked about Murder, She Wrote, I almost always talk about how great the locations are. That series shares a similarity with this film. The museum and Mrs. Frankweiler’s house were the two best locations in the movie! Filmed in Los Angeles, both locations were captured very well on screen. They represent the impression that the creative team was going for: larger than life and exquisite. Not only were the exteriors impressive, but so were the interiors. From the domed ceiling of the museum to the grand staircase of Mrs. Frankweiler’s house, these facilities were some of the best parts of this project!

OLYMPUS DIGITAL CAMERA
Angelic statue image created by Marcelo Gerpe at freeimages.com. “FreeImages.com/Marcelo Gerpe.”

What I didn’t like about the film:

Lauren Bacall’s brief appearance: In my review of One Christmas, I shared that Katharine Hepburn’s limited presence was something that I didn’t like about the film. From the Mixed-Up Files of Mrs. Basil E. Frankweiler had the same problem. Like One Christmas, Lauren was the top-billed actor for this movie. This had given me the impression that she would appear in the majority of the project. But, similar to Katharine, Lauren only showed up in five scenes. Like I said in my One Christmas review, giving an actress like Lauren Bacall few opportunities to showcase her acting abilities does her a disservice. It also makes the movie’s creative team look like they’re making a promise they know they can’t keep. This decision came across as frustrating and misleading.

 

Over-shadowing the mystery: This story features a mystery about the authenticity of an angelic statue. While this was an interesting part of the overall narrative, it wasn’t given as much attention as I expected. Most of the story focused on Claudia and Jamie running away from home. The mystery itself wasn’t presented until forty minutes into the movie. Even then, the mystery was only discussed in a few scenes. It took a lot of intrigue out of the film, causing the story not to be as engaging or interactive.

 

Too much suspension of disbelief: I’ve said before on my blog that movies with fictional stories require their audience to suspend a certain amount of disbelief. But for From the Mixed-Up Files of Mrs. Basil E. Frankweiler asked me to suspend my belief more than I had planned to. One example is how the police don’t play a big role in trying to find Claudia and Jamie. I found that to be very unbelievable, considering the fact that these children have been missing for three days. The idea of people living in a museum is also not realistic, especially since most facilities have things like motion sensors and security cameras. Things like this partially took me out of the film.

Third Annual Lauren Bacall Blogathon banner
The Third Annual Lauren Bacall Blogathon banner created by Crystal from In the Good Old Days of Classic Hollywood. Image found at https://crystalkalyana.wordpress.com/2019/09/16/announcing-the-third-lauren-bacall-blogathon/.

My overall impression:

While I’m glad that I gave this film a chance, I can honestly say that it was just ok. Sure, there were things about the movie that I liked. But there were also aspects that could have made it stronger. From the Mixed-Up Files of Mrs. Basil E. Frankweiler made the same mistake that One Christmas did: incorporating a legendary actress but not utilizing her talents to the fullest extent. After I watched Lauren’s film, I realized that her movie and Katharine’s movie were both released in the mid – ‘90s. I’m now starting to wonder if this was a trend from that decade? Until that question is answered, I just wanted to thank Crystal for inviting me to join her blogathon! I’ve participated in several of her movie related events and she is an excellent host! I can’t wait for the next blogathon!

 

Overall score: 6 out of 10

 

Have you seen any of Lauren Bacall’s films? If so, which one is your favorite? Please tell me in the comment section!

 

Have fun at the movies!

Sally Silverscreen