Last month, in my post about what my readers could look forward to in 2024, I stated how I was taking a break from the Buzzwordathon readathon. But I also promised the reviews for October, November, and December’s books from 2023. As a blogger of my word, I am finally publishing the last three reviews of the previous year’s Buzzwordathon! Since I did read these books, but didn’t finish them within their respective months, I will consider these readathon challenges a “fail”. With this article published after Buzzwordathon 2023, these reviews will be shorter.
Title: The Witcher: The Last Wish by Andrzej Sapkowski
Theme: Magic words
The Witcher: The Last Wish is a collection of short stories that serve as an introduction to Geralt and the world around him. Even though I learned quite a bit while reading this book, it felt like I spent most of the book getting to know everyone but Geralt. In fact, there was one portion of an overarching short story where Geralt exposition dumped his entire life story. But there were parts of the book I did like, such as the magic system and the pacing of the action scenes. I also thought the politics within the story’s world were intriguing.
One of David Baldacci’s strengths is creating literary worlds that are memorable enough to stick with the reader. This is achieved through strong descriptive imagery and world building. These writing techniques were applied to One Good Deed, creating a landscape that I could picture as I read the book. I also liked the banter between the characters, as it was quippy and clever. The protagonist, Archer, did amateur detective work in the story, but it wasn’t as consistent as I expected. Because One Good Deed is a slow-burn, character-driven story, patience is required from the reader.
A Song for Jeffreyis a story that relies more on a premise than a plot. That, along with serious topics being incorporated, but not explored, in the story prevent the book from containing as much depth as other middle grade titles. However, there are good lessons found throughout the text, from how to be a good friend to trying to find the positives in life. Jeffrey is the best character from this book, as his personality is down-to-earth and friendly. While Dodie, the protagonist, means well and works through her flaws, she is kind of insensitive for most of the book. For about half the book, Dodie has a selfish, entitled attitude.
Overall score: 3 out of 5 stars
Have fun reading!
Sally Silverscreen
Disclaimer: The Witcher: The Last Wish, One Good Deed, and A Song for Jeffrey contain subject matter that may not be suitable for some readers. Reader discretion is encouraged.
MVP, an abbreviation of “most valuable player” or “most valuable person”, is typically used in the world of sports. When a team member goes above and beyond for their respective team, they usually earn this title. Last year, when I was introduced to The Hobbit trilogy, the Company reminded me of a football team. With Gandalf in the role of coach and Thorin in the quarterback position, Kili is the one who, in my opinion, would be the Company’s MVP. In my “Flaming Hot…5 Reasons Why” tag post I published earlier this year, I stated Kili is my favorite character from The Hobbit trilogy. I even mentioned in that post how I felt Kili was the MVP of Middle-Earth. But claiming Kili is the MVP of Tolkien’s Middle-Earth is not purely based on personal bias. In fact, I will use examples from the trilogy to prove that Kili has, in my eyes, earned the title of MVP!
Image of Kili created by New Line Cinema, Metro-Goldwyn-Mayer Pictures, WingNut Films, and Warner Bros. Pictures
Humbleness
When I watched The Hobbit trilogy for the first time, I did not know Kili was a prince. I didn’t even know he and Thorin were related. So, imagine my shock when Thorin told Kili and Fili they were his “sister’s sons” in The Hobbit: The Battle of the Five Armies! Kili’s humbleness is the reason for my shock. Up until that aforementioned moment between Thorin and his nephews, Kili never brought up his royal lineage. Even in The Hobbit: The Desolation of Smaug, when he was interacting with Tauriel in Rivendell’s dungeon, Kili didn’t use his royal connections to impress her. Yes, he did bring up his mom in his and Tauriel’s conversation. But Kili never stated how he and his mom were related to Thorin.
Kili’s humbleness goes beyond his royal heritage. In The Hobbit: The Desolation of Smaug, after his leg became injured, Kili didn’t want any help from the Company. Anytime his health was questioned, Kili would say “I’m fine”. When Thorin instructed Kili to stay in Lake Town because of his injury, Kili was frustrated he couldn’t continue on the journey. Even when he was forced to flee from Lake Town in The Hobbit: The Battle of the Five Armies, Kili wanted to walk by himself, not wanting to rely on anyone for support. This sequence of events shows how Kili didn’t want to be treated differently from the other members of the Company. He also didn’t want his injury to hold the Company back. Kili, simply, wanted to do his part and help his uncle and the Company in any way he could.
Image of Kili created by New Line Cinema, Metro-Goldwyn-Mayer (MGM), WingNut Films, and Warner Bros.
Having More Than One Skill
Throughout The Hobbit trilogy, each member of the Company had a skill to share, which allowed the Company to get closer to their ultimate goal. For Kili, he ended up having more than one skill to offer. Not only was he a swordsman, he was also an archer. In order to master just one of these skills, it requires many hours of training and a large amount of dedication. To master both sets of skills, Kili had to double his training hours and work twice as hard. The Hobbit trilogy consistently presents Kili’s talents, giving him opportunities to prove his worth as a competent swordsman and archer. One example is when Kili faced Orcs, as using his archery skills allowed him to showcase his mastery of hand eye coordination.
Image of Kili created by New Line Cinema, Metro-Goldwyn-Mayer Pictures, WingNut Films, and Warner Bros. Pictures
Image of Kili and Fili created New Line Cinema, Metro-Goldwyn-Mayer Pictures, WingNut Films, and Warner Bros. Pictures
Becoming the Voice of Reason
Kili was not known as “the voice of reason” in The Hobbit trilogy. He did not often make statements that would make others think “he has a point”. But in The Hobbit: The Battle of the Five Armies, Kili found the courage to become “the voice of reason”, being one of the few people to stand up to Thorin during his “dragon sickness” period. While in Erebor, Thorin ordered the Company to build a fortress, in order to prevent Erebor from being taken again. Kili points out how Thorin is not the only one who has lost his home, stating “The people of Lake Town have nothing. They came to us in need, they have lost everything”. Despite Thorin failing to acknowledge Kili’s point by reminding his nephew how he lost Erebor, Kili wasn’t dissuaded by his uncle’s stubbornness. After Thorin snapped out of his “dragon sickness”, Kili stands up to his uncle again, saying “I will not hide behind a wall of stone while others fight OUR BATTLES FOR US! It is not in my blood, Thorin”. This time, Thorin agreed with his nephew, leading the Company into battle. When he became “the voice of reason”, Kili was honest and told Thorin what he needed to hear. Even though he was “the voice of reason” for a short period of time, Kili’s statements provided a glimpse into the kind of leader he could have been.
Image of The Company created by New Line Cinema, Metro-Goldwyn-Mayer (MGM), WingNut Films, 3Foot7, and Warner Bros.
Taking One for the Team
When attempting to escape the Rivendell dungeon in The Hobbit: The Desolation of Smaug, the Company needed to open an underwater gate. Kili volunteered to open the gate, climbing out of the water and onto the top of the gate, where the gate’s lever was located. During this process, an Orc shot Kili in the leg, causing Kili to be the only member of the Company to become seriously injured. After the Company’s escape, Tauriel and the audience learn the arrow that shot Kili contained fatal poisons. As the story of The Hobbit: The Desolation of Smaug continued, Kili’s health deteriorated, bringing him on the verge of death. Yet, when a group of Orcs invaded Lake Town, Kili and Tauriel worked together to defeat an Orc. These two scenarios show how Kili took one for the team, risking his health and safety by putting the well-being of others before himself.
In the 1971 biopic, Evel Knievel, Evel Knievel states “heroes know who they are”. He made this statement to make a point how true heroes don’t need to show off their hero status. The more I think about Evel’s quote, the more the quote fits who Kili is. Kili never flaunted his royal title because he didn’t think doing so would be necessary. What Kili did instead was let his actions and choices speak for themselves. As I said in the introduction, the Company in The Hobbit trilogy reminded me of a football team. With Kili as the MVP, that means he’d be the one to not only receive a brand-new truck at the end of the game, but also proclaim his team was going to a theme park at the end of the season. But anyone who knows Kili’s story would know Kili didn’t get to do any of these things. As I conclude this editorial, I would like to say that whenever I think of the abbreviation, MVP, I will think of Kili carrying the title of “most valuable prince”.
Have you ever read a film synopsis that sounded so “bonkers”, you just had to check the movie out for yourself? That’s what happened when I stumbled across the 2017 Lifetime film, Sea Change. This is a movie I had never heard of until this year. It’s also a fantasy story, a genre Lifetime rarely creates projects for. Based on the film’s synopsis sounding so “outside of the box” for Lifetime, I not only had to seek the movie out, I had to review it as well. Whenever I’ve talked about Hallmark productions, there have been times when I wished the network would take a break from the typical rom-com or drama. The same can be said for Lifetime. In recent years, that network has relied on mystery thrillers and true crime stories, with the occasional drama. But how does Sea Change fare as a fish out of Lifetime’s waters? Let’s dive in and find out!
Sea Changeposter created by Piller Squared/The Segen Company and Lifetime Television
Things I liked about the film:
The acting: While watching Sea Change, I discovered Siobhan Williams starred in the film. Knowing that name sounded familiar, I looked through my movie reviews to see if I had reviewed any of her movies. Sure enough, I had not only written about Flicka: Country Pride, I had also talked about her character from that movie! Similar to Flicka: Country Pride, Siobhan portrayed a popular “mean girl” named Ginny. But in the 2017 Lifetime production, Ginny was a lot less annoying. Siobhan’s expressions were fluid, allowing her character to experience a variety of emotions. When a local lawyer questions Ginny about her cousin’s whereabouts, Ginny responds in a nonchalant way, an unconcerned look on her face and a tone of voice that lacks urgency. But when a family tragedy occurs, shock is stamped on Ginny’s face. Her eyes appear to stare out into the distance and paired with a frown.
While I haven’t reviewed any of Keenan Tracey’s projects, I have seen some of his Hallmark programs, including When Calls the Heart. In Sea Change, Keenan portrayed TJ, a young man who was staying on the island for the summer. During the story, Keenan consistently maintained a laid-back, easy-going personality. This consistency made his performance appear effortless! I also liked seeing Emily Rudd’s portrayal of the protagonist, Miranda! Similar to Siobhan’s performance, Emily portrayed her character with a variety of emotions. One of her best scenes took place toward the beginning of the movie. In this scene, Miranda is recalling a memory of her late father. Her mother reveals some information that goes against this memory. As soon as she receives this information, shock trickles down Miranda’s face. Her eyes become really wide and her lip quivers ever so slightly.
The scenery: In Sea Change’s opening credits, it was mentioned the movie was filmed in Nova Scotia. This Canadian locale presented a very convincing Maine! While Miranda went jogging, she traveled near the edge of a grassy cliff, which overlooked the ocean. The bright orange and yellow hues of the sunset paired beautifully with the dark blue ocean waters. This same ocean was captured magnificently at night-time! While on her jog, Miranda visits the ocean’s shore in the evening. A color palette of deep blue, black, and even purple created an environment that was beautiful in a dreamlike way. The scenery definitely stole the show and felt like a character itself!
A mystery subplot: As I said in the introduction, Sea Change is a fantasy story. But within this story, a mystery was included as a subplot. At the beginning of the movie, a murder takes place on the beach. The island’s law enforcement and a local lawyer attempt to solve the case. The audience learns early on who the culprit is. But what kept me invested is seeing how this information would be discovered by the lawyer and law enforcement team. With the gathering of clues, the mystery provided an element of suspense to the overall story. It was a familiar thread Lifetime wove in a newer way!
Poor audio: I’m well aware a typical made-for-tv production works with a smaller budget. With that said, part of the budget should be reserved for quality audio equipment. In Sea Change, the characters’ dialogue was so quiet, it sounded like they were mumbling. This forced me to turn up the volume on my television, as it was difficult to hear what the characters were saying.
Questions left unanswered: According to Sea Change’s synopsis, Miranda “makes a startling discovery about her connection to the Seawalkers”. Throughout this one hour and twenty-one-minute film, this connection was never revealed. Leo, one of the Seawalkers, tells his sister how Miranda will save them. The question of how Miranda will save the Seawalkers was never answered either. These are just two examples of questions that were not resolved. This is especially an issue toward the end of the movie, when the story is left open-ended. I’m not sure if this was done as a weak attempt at setting up a sequel or leaving room for the audience to interpret what might happen. But by the end of the story, you’re left with more loose ends than necessary.
Few appearances from the Seawalkers: When I reviewed the 2012 Hallmark movie, Chasing Leprechauns, I mentioned how the titular leprechauns could be heard and not seen. This made that film’s title seem somewhat misleading. Sea Change contains a similar flaw. While the characters talk about the existence of Seawalkers and while the movie’s synopsis brings them up, the Seawalkers themselves are rarely shown as Seawalkers. More often than not, they are presented in human form. From the perspective of an audience member, I speculated this creative decision was likely made as a result of the production’s limited budget.
Fantasy is a genre Lifetime rarely delves into. After seeing Sea Change, though, I think I know why the fantasy genre doesn’t often appear on Lifetime. Based on its synopsis, I thought Sea Change was going to be a “bonkers” picture. I even believed this could be my “so bad it’s good” movie. The movie itself is an average, weak imitation of Twilight. If you’ve seen or read that story, or any story similar to Twilight, you’ve already seen Sea Change. While there were aspects of the film I liked, I, honestly, can’t recommend it. One reason why is how so many questions are left unanswered. As I said in my review, the film’s ending is left open-ended. Since Sea Change seems to be a stand-alone story, this fact will only leave viewers frustrated. What made this movie disappointing, for me, was how unmemorable it was. Because Lifetime rarely creates projects in the fantasy genre, it’s a shame Sea Change didn’t stand out, for better or worse.
Overall score: 5.5 out of 10
Have you seen Sea Change? Did you ever come across a film synopsis that sounded so “bonkers”, you felt you had to check out the movie? Let me know in the comment section!
Last month, I wrote a list of movies I’d love to review someday. One of those films was The Lost Empire/The Monkey King. Originally, I was going to review the 2001 picture for Bai Ling’s birthday, as it is in October. But because July’s theme for Genre Grandeur is ‘Fantasy Movies of the 21st Century’, I found a reason to see this movie three months early! In my aforementioned list, I said the story ofThe Lost Empire/The Monkey King is based on Chinese folklore. This is very different from the types of films Hallmark creates today, which seem to, mostly, be recycled, predictable material. In fact, the only new Hallmark movies I’ve seen this year, so far, are Cut, Color, Murder, Aurora Teagarden Mysteries: Haunted by Murder, and Curious Caterer: Dying for Chocolate. The Lost Empire/The Monkey King was created during a time when Hallmark wasn’t afraid to take creative risks. But did those risks lead to cinematic rewards? Let’s journey through this review as we find that answer together!
The Lost Empire/The Monkey King poster created by Hallmark Entertainment, RTL, Babelsberg International Film Produktion, Milk & Honey Pictures, National Broadcasting Company (NBC), and Hallmark Home Entertainment
Things I liked about the film:
The acting: When I reviewed Point of Origin last month, I was disappointed by Bai Ling’s limited presence in that film. To me, it seemed like her talents were underutilized. In The Lost Empire/The Monkey King, however, Bai was given more acting material to work with. This allowed her talents to be satisfyingly showcased! I’ve said in the past how Bai Ling has a strong sense of emotionality when it comes to her acting abilities. This was not only incorporated into her portrayal of Kwan Ying, but her on-screen performance was also fluid. A great example is when Kwan and Nicholas “Nick” Orton interact for the first time. While sharing drinks at a local restaurant, Kwan’s demeanor is giggly and somewhat flirty, reflecting her drunken state. She holds hands with Nick as she casually leans across the table. But as soon as Nick asks Kwan why she needed to see him, her mood changes without missing a beat. Kwan becomes very serious, as she sits up in her seat and even looks over her shoulder. This change in Kwan’s demeanor also indicates what’s to follow in the story.
Years ago, I read American Born Chinese by Gene Luen Yang. From what I remember, the Monkey King was portrayed as an older, wiser character who younger characters looked up to. Russell Wong’s portrayal of the Monkey King was much different from what I expected. However, it was enjoyable to watch in The Lost Empire/The Monkey King! The Monkey King in the 2001 film was a humorous character. Russell’s dryer sense of humor and one liners worked in the story’s favor, as it provided a break from the tenser moments in the movie. The humor itself also fit within that movie’s world. When Nick first meets the Monkey King, he is taken aback by his change of scenery. The Monkey King uses that interaction to explain what is happening. Nick asks the Monkey King when the book, The Journey to the West will be destroyed. The Monkey King casually responded by saying, “Midnight. Next Thursday”. What also worked in Russell’s favor was his comedic timing. All of the Monkey King’s humorous moments were delivered at the right place and time. This was not only the result of the screenwriting, but the strength of Russell Wong’s acting abilities as well!
One of the most relatable stories is the “fish out of water” story. In order for this story to work in film, you need an actor or actress who can believably sell this idea to the audience. Thomas Gibson in his portrayal of Nick did just that! The way Thomas expressed emotion appeared more realistic, adding to the believability of his performance. Thomas’ ability to adapt to each situation was strong, allowing the audience to witness Nick grow over the course of the movie. The Lost Empire/The Monkey King is not only a “fish out of water” story, but also a “hero’s journey” story. That means the protagonist makes a significant change in his or her life. Throughout the film, Nick makes a personal transformation, gaining confidence as he encounters each obstacle. The way Nick reacts to these changes adds a sense of relatability to the character.
The set design: Immersive and imaginative worlds are a staple within the fantasy genre. The quality of a project’s set design can successfully present that illusion to the audience. I loved the set design in The Lost Empire/The Monkey King because it was able to pull the aforementioned illusion off! Nick is on a business trip to China. Some scenes showcased a typical Chinese city, with smaller details emphasizing the realism of this location. String lights and red lanterns can be seen overhead, which brings a softer glow in the middle of the evening. Vending booths line the streets, elaborating a greater number in population as extras and background characters walk by. Banners and signs in Chinese indicate how that specific part of the city is popular for business.
As the story progresses, more fantastical worlds are shown on-screen. One of these worlds is Jade City. Massive structures boast an ancient Chinese architecture. The ground beneath the characters’ feet displays a pale green hue, subtly reminding the audience of the city’s name. Bright pink flowered trees nicely contrasted the buildings and landscape, bringing a pop of color to the city. Nearby lanterns and window screens are smaller details that show the craftmanship that went into the film’s set design!
The discussion of literature: The main conflict in The Lost Empire/The Monkey King was the fate of the original copy of The Journey to the West. The villains want the book destroyed, while Nick and his friends are trying to save it. This main conflict led to a discussion of censorship versus preservation. The way the discussion is brought up, verbally and visually, was interesting. What was also interesting was the author of The Journey to the West, Wu Ch’eng En, receiving the opportunity to witness the impact of his literary work. I found this part of the story thought-provoking, as it made me think of authors who didn’t really have the chance to see their stories effect the world. The script’s focus on literature brought a sense of depth to a fantastical and whimsical story!
Some of the special effects: When creating a television movie, there’s only so much technological resources at the creative team’s disposal. I’m also aware cinematic technology was not as strong in the early 2000s as it is in the 2020s. Despite these setbacks, the special effects in The Lost Empire/The Monkey King were not a consistent issue. But when they were an issue, it was noticeably rough. While Nick was trying to find a way back to his world, he encounters a tiger in a nearby forest. This tiger appears to have been created through computer technology. Instead of resembling a real-life tiger, it resembled one from a computer game from the time of the movie’s release. The longer the tiger was on screen, the more dated it looked.
Lack of acknowledgment for Pigsy’s mistake: Pigsy is a character that tags along with Nick on his journey. During this journey, Pigsy makes a mistake that negatively impacts his friends and their mission. There were moments where Pigsy appears guilty about his choice. However, the mistake itself was not acknowledged like I hoped it would. Pigsy’s situation does get resolved. But this resolution was glossed over instead of being properly addressed. That was an underutilization of one of the movie’s themes, which was truth.
Mentioning Nick’s ex: On more than one occasion, Nick’s ex-girlfriend is brought up in the story through flashbacks. At a more climatic moment, her inclusion made sense. But, personally, I found it unnecessary for the ex-girlfriend to be brought up more than once. These parts of the story reminded me of a Hallmark movie cliché I’ve talked about in the past: the “protagonist’s ex showing up unannounced” cliché. Nick’s ex-girlfriend is only shown through flashbacks, as I’ve already mentioned. However, I’ve also mentioned how pointless it is to bring up a protagonist’s ex when those characters have no plans to get back together.
As I watched The Lost Empire/The Monkey King, I noticed some parallels between this movie and The Wizard of Oz. In the Hallmark production, the characters travel to Jade City. Meanwhile, in The Wizard of Oz, Dorothy and her friends seek out The Emerald City. But comparing The Lost Empire/The Monkey King to The Wizard of Oz does the 2001 film such a disservice. This is because the Hallmark film holds up on its own! I found this production so imaginative, creative, and one of the more unique pictures I’ve seen this year! It was entertaining, engaging, sometimes thought-provoking, and even somewhat educational. The Lost Empire/The Monkey King makes me wish Hallmark would make more movies like this instead of what they’re currently creating. Like I said in the introduction, the 2001 production was made during a time when Hallmark wasn’t afraid to take creative risks. In more recent years, Hallmark has over-relied on one genre to the point where it seems like they don’t want to try anything new. I, honestly, find this to be a shame, as there are so many more stories Hallmark could tell.
Overall score: 7.9-8 out of 10
Have you seen The Lost Empire/The Monkey King? Are there any older Hallmark films you wish received more recognition? Please tell me in the comment section!
18 Cinema Lane 