The Summer Olympics is just around the corner! Because of this, I decided to choose an Olympic theme for my annual blogathon! In this post, every participant and their article will be featured in a collective list. This set up is similar to my previous blogathons. What is different this year is how there are no separate categories. Each entry represents a different aspect of the Olympics; from the location of a past or present Games to the sport featured in a chosen program.
The Abominable Dr. Phibes was recommended by one of my readers named Michael. When I found out the movie was considered a horror-comedy, I thought it’d be a perfect entry for MovieRob’s Genre Grandeur, as horror-comedies are the theme for February. Then I discovered the film was released in 1971. Because Kim and Drew, from Tranquil Dreams and Drew’s Movie Reviews, are hosting the 6th Annual Ultimate Decades Blogathon, where the subject is movies premiering in years ending in 1, I decided to review The Abominable Dr. Phibes for both blogathons! As of early 2021, this is the fifth film of Vincent Price’s I’ve seen and written about. Most of these movies have either belonged in the horror genre or have been mysterious in nature. With The Abominable Dr. Phibes, this will be a little different, as part of the story is a comedy. Out of the movies of Vincent’s I have seen, none of them have featured a large amount of humor. So, by choosing this film for the aforementioned blogathons, I am given an opportunity to see Vincent work with slightly different material!
Things I liked about the film:
The mystery: In horror movies, there is usually a mysterious element that can come in a variety of forms. One of these forms is a mystery. Throughout The Abominable Dr. Phibes, the detectives at Scotland Yard are attempting to figure out why several doctors in their neighborhood are dying of mysterious causes. The way the mystery is presented allows the audience to solve it alongside the characters. This presents the idea of the audience sharing an experience with the detectives in the film. Even though we see what is making these doctors die, it doesn’t take away from the intrigue of the mystery. In fact, it keeps the audience invested in what is about to happen next. Seeing how all the pieces of the story connected was interesting to see. It definitely kept my attention as I watched the film!
The craftmanship: There were several items in this movie that caught my eye due to their quality and artistry. A frog mask is just one example. The head covering mask is covered in three different shades of green, allowing it to shine from many different angles. Gold piping can also be found on the mask, assisting in distinguishing its shape. Jewels add finishing touches as the mask features gold gems around the frog’s eyes and an emerald clasp in the back. Dr. Phibes’ mask also boasts incredible craftsmanship! The eye covering mask is shaped like a bird and is coated in shiny shades of green, bronze, and gold. Both masks were two of the beautiful I’ve ever seen!
The set design: The Abominable Dr. Phibes features several interesting set designs that are worth noting. Despite Dr. Phibe’s house only being shown at night and only part of its exterior could be seen, it was a magnificent structure! Its Victorian style brightened the night with its white frames and cherry wood doors. The house features a grand white marble staircase paired beautifully with chandeliers and crystal sconces. I wish more scenes had taken place by this staircase, as it is an impressive part of Dr. Phibes’ residence! Other locations in the story also displayed memorable set designs. Dr. Vesalius’ apartment is a great example. Near the front door is a curved, frosted window. The door itself was covered in a light and dark wood that ending up complimenting the faded yellow walls. This location looked reflective of the late ‘60s to early ‘70s due to its color scheme and furniture selections.
What I didn’t like about the film:
The underutilization of Vincent Price: As I said in my introduction, this is the fifth film of Vincent Price’s I’ve seen. Therefore, I, as an audience member, know what he is capable of, talent wise. Despite being the top billed actor in The Abominable Dr. Phibes, Vincent wasn’t given much material to work with. He didn’t have any speaking lines in this movie. While there is an explanation given within the story, the only time we hear Vincent’s iconic voice is through recordings. It also doesn’t help that the different ways Dr. Phibes went after his victims overshadows Vincent’s performance. The more I think about it, the more I wonder if the creative team behind this film cast Vincent Price simply to get more people to see the movie?
Weak on comedy: The Abominable Dr. Phibesis classified as a horror-comedy. When I made this discovery, I was expecting the movie to be more like Young Frankenstein. Even though there were a few times I found myself giggling, the film didn’t contain much humor. The Abominable Dr. Phibes relies more on the horror genre. It also contains a mystery within the overall plot, which would make it a horror-mystery. I felt misled after these reveals.
Depiction of demises partially used for shock value: Strictly from a story-telling perspective, it was interesting to see how Dr. Phibes carried out his plan. But when the plan is put into practice, the depiction of his victims’ demises comes across as more gross than scary. Within a segment of the story involving rats, there was a brief shot of a rat chewing on what looks like a bloody bone. I won’t spoil The Abominable Dr. Phibes, in case any of my readers haven’t seen it. But parts of the film like the one I described feels like the movie’s creative team just wanted to shock their audience.
My overall impression:
When I think of the term “horror-comedy”, Young Frankenstein immediately comes to mind. Even though I haven’t seen this film, I am aware of its premise. Because of my expectations, I was somewhat let down by The Abominable Dr. Phibes. Sure, its mystery was intriguing and kept me invested in the overall story. But as I look back on this movie, I find myself expecting more. Despite its classification as a horror-comedy, it ended up being a horror-mystery, with very little comedy to be found. I was also disappointed to see Vincent Price underutilized in The Abominable Dr. Phibes. While he was given different material to work with, he didn’t have any speaking lines. The way Dr. Phibes’ victims met their demise overshadowed Vincent’s performance. These factors make his portrayal of the titular character feel like a part of an ensemble instead of someone leading a film. This is an interesting movie, but I can think of stories of this nature that are stronger than this one. I still prefer a picture like The Crow over The Abominable Dr. Phibes.
Overall score: 7-7.1 out of 10
Have you seen a horror-comedy? Which film of Vincent Price’s would you recommend? Share your thoughts in the comment section!
This is my first time participating in the Luso World Cinema Blogathon. Because I’m not familiar with the subject of Luso World Cinema, I gave my submission careful consideration. A movie I have wanted to watch for a while is Ladies in Lavender. When I discovered Daniel Brühl was one of the blogathon’s recommended subjects, I decided to review his 2005 film, as he is one of the starring actors in that movie. I haven’t seen many projects from Daniel’s filmography. In fact, the only film of his I’ve seen is Captain America: Civil War. So, this is a good opportunity for me to see what his acting talents have to offer outside of the Marvel Cinematic Universe. The synopsis of Ladies in Lavender reminded me of Swept from the Sea, a movie I reviewed two years ago. Because of this, I will compare and contrast these two films from time to time in this review.
Things I liked about the film:
The acting: For this part of the review, I will take a moment to talk about Daniel Brühl’s performance, as he is the reason why I reviewed this movie. His portrayal of Andrea was enjoyable to watch! It combined both comedic and dramatic elements that helped make Daniel’s performance entertaining. One example is when Andrea is peeling potatoes with Dorcas. What also worked in Daniel’s favor was how he was able to portray his character realistically. Whenever Andrea is trying to make his wishes known to the other characters, you can see him becoming frustrated at times. This was achieved through Daniel’s facial expressions and body language. Despite not being familiar with Natascha McElhone as an actress, I did like her portrayal of Olga. She appeared throughout the film as an approachable character. Natascha also had a good on-screen relationship with Daniel Brühl as well as with the other actors. A perfect example is when Olga is interacting with Andrea in her cottage. Speaking of on-screen relationships, I liked seeing Judi Dench and Maggie Smith work together in this film. While they have similar acting styles, their characters were allowed to have their own district personalities. This let them shine individually as well as together! One of their best scenes is when their characters, Janet and Ursula, receive terrible news over the phone. As Janet is telling her sister what happened, Ursula immediately crumbles into tears. This scene showcases how the sisters have an unbreakable bond!
The scenery: Similar to Swept from the Sea, Ladies in Lavender takes place in the English countryside. This particular environment provided photogenic scenery that visually complemented the story! Because Ladies in Lavender is set in a seaside town, there are some scenes that take place around the ocean. It was captured very well on film at various moments, from a morning scene where the rising sun perfectly contrasted the water to a night-time shot of the rolling waves. Country landscapes were also included in the movie! In one scene, Olga is painting a landscape of rolling hills with a nearby tower. The location itself contained beautiful green hills that looked great on a sunny day. The gray of the nearby tower paired surprisingly well with the rolling hills’ green hue. Because of how picturesque this space was, it makes sense that Olga would want to capture it on canvas!
The cinematography: I was pleasantly surprised by the good cinematography found in Ladies in Lavender, especially when it came to scenes involving water! In films where a character is drowning, those scenes are usually presented with a fast pace and quick cuts. When we see Andrea’s flashbacks, they are presented at a slower pace. This allowed the audience to see what is happening on screen as Andrea is shown in the water. One of the most beautifully shot scenes I’ve ever seen is when Andrea is playing a violin on a rocky ledge at night. His dark silhouette perfectly contrasts with the deep blue ocean that looks like it sparkles in the evening. The color scheme of blue, white, and black are prominently featured and is visually appealing!
What I didn’t like about the film:
An unclear direction: In Swept from the Sea, the overall story is a drama with a romance included. This is a clear creative direction that was consistent throughout the film. Ladies in Lavender is different, as the story went in many different directions. It gets to the point where it was difficult to determine what the plot was about besides the main premise. Was the story supposed to be about a forbidden romance? Or was it meant to revolve around the strained relationship between two siblings? Maybe it was supposed to partially focus on Andrea’s musical dreams? The story of Ladies in Lavender adopted too many ideas. That decision made the overall film feel like it was bouncing around from place to place.
Telling more than showing: At various moments in Ladies in Lavender, the audience is told how Andrea was washed up ashore. We are even shown flashbacks where he is seen drowning. However, we never get to see the events that caused Andrea to fall overboard. Because of this, the audience is not given a complete picture of what happened. At one point in the story, Janet and Ursula meet Olga. They express how they don’t like this new visitor. But the audience never receives an explanation for why Janet and Ursula do not like Olga. Visuals should have been used to illustrate the sisters’ point. If this had been the case, we might have gotten a better glimpse into Janet and Ursula’s perspective.
The exclusion of Andrea’s perspective: I know this movie is called Ladies in Lavender, with the title referring to Janet and Ursula. But because the overall story primarily focused on Janet and Ursula’s perspective, we don’t see the story from Andrea’s perspective. In Swept from the Sea, the story is narrated by Dr. Kennedy. Despite this, the audience is allowed to see that film’s world from Yanko’s perspective. That aspect of Swept from the Sea also gave the audience an opportunity to truly get to know Yanko as a character. With Ladies in Lavender, I feel like I barely know Andrea. The inclusion of Andrea’s perspective would have easily solved this issue.
My overall impression:
Ladies in Lavender is a film that I found to be just ok. Yes, there are aspects worth appreciating, such as Daniel Brühl’s performance. As a matter of fact, this movie made me appreciate Daniel’s acting abilities more! But if I had to choose between Ladies in Lavender and Swept from the Sea, I’d choose Swept from the Sea. This is because I find that movie to be stronger among the two. With Ladies in Lavender, the direction of the overall story was unclear. While there was a main conflict, it was difficult to determine what the main plot was. More telling than showing was also one of the movie’s flaws, not giving the audience the full picture when it came to certain areas of the story. I found the lack of Andrea’s perspective to be disappointing as well. This prevented me from truly getting to know Andrea as a character. Even though Ladies in Lavender will not be one of the best movies I saw this year, I am glad I participated in the Luso World Cinema Blogathon. I wonder what I’ll chose to write about next year?
Overall score: 6.3 out of 10
Have you seen Ladies in Lavender? Are there any Luso World Cinema films you’d like to see me review? Share your thoughts in the comment section below!
As I said in my review of Teenage Rebel, I haven’t seen many films from Fred Astaire’s filmography. In fact, the only two movies of Fred’s I’ve seen so far are The Sky’s the Limit and Funny Face. When I joined Crystal and Michaela’s blogathon, I knew which Fred Astaire picture I wanted to write about. Last month, I was recommended the 1951 film, Royal Wedding, by Heidi from Along the Brandywine. She suggested this film because of its use of split screens. Since I don’t have many Fred Astaire titles on my movie recommendation board on Pinterest, this was my first choice for this double feature! It is interesting that Royal Wedding is the last movie I’m reviewing in 2020. Musicals from the Breen Code era are usually seen as happy, up-beat productions. This is a contrast to the type of year 2020 ended up becoming.
Things I liked about the film:
The acting: A similarity I’ve noticed among Fred Astaire’s roles in The Sky’s the Limit, Funny Face, and Royal Wedding is how confident he comes across in each film! Speaking specifically about Royal Wedding, his character, Tom Bowen, had the showmanship you’d expect from a stage performer. Even though he was performing a duet in the movie’s opening number, “Ev’ry Night At Seven”, he had a stage presence that demanded the audience’s attention. This is because he had complete control over his part of the performance as well as experience leading other musicals. Fred also appeared comfortable as one of the leads in this film. Jane Powell’s on-screen personality in Royal Wedding was very sweet! Her character, Ellen Bowen, was also flirty without overdoing it. What worked in Jane’s favor was how she was able to keep up with Fred in their musical duets as well as hold her own in her solos. It definitely showed how strong of a performer she is! Because I’m not familiar with Sarah Churchill as an actress, I wasn’t sure how a Fred Astaire and Sarah Churchill on-screen pairing would work when I first saw them together. But as the film went on, I realized they had better on-screen chemistry than I expected! As an individual performer, Sarah gave her character, Anne, a sophisticated independence that never made her seem snobby or self-centered. In one scene, as she’s recalling to Tom how she came to be a dancer, Anne is so sure of herself when she talks about it. In scenes like this, you can tell that Anne has a healthy amount of self-confidence, partly because of Sarah’s captivating performance!
The musical numbers: When I watch musicals from the Breen Code era, I can’t help but notice the creativity that comes from some of the musical numbers! One example is Fred’s solo, “Sunday Jumps”. On paper, the idea of Fred dancing with a hatrack and exercise equipment might sound silly to some audience members. But because of the choreography and Fred’s dancing talents, that idea becomes a thoroughly entertaining one! Another solo of Fred’s, “You’re All the World to Me”, also showcases creativity well. In this musical number, Tom Bowen can be seen literally dancing on the walls and ceiling, as to visually represent what his heart is feeling for Anne. The number itself is also ahead of its time, as this particular idea wasn’t common in films from this era. I loved how a bright color palette was used in “I Left My Hat in Haiti”! It provided the musical number with an energy and personality that nicely contrasted the toned-down atmosphere of London. The musical number also did a good job at utilizing its ensemble.
The dialogue: Because of the Breen Code, screenwriters had to think and write cleverly when it came to expressing ideas that wouldn’t be allowed on film. That mentality can certainly be found in Royal Wedding’s script! After their performance, “Ev’ry Night At Seven”, Ellen complains about the theater’s lack of air conditioning due to the theater manager wanting to save money. Frustrated by that decision, Tom tells his sister how the theater manager will need a fan for one specific place. Subtle references like this one respect the audience’s intelligence and gave the screenwriters a chance to think outside the box when it comes to language. There were also memorable quotes within the script. During Anne and Tom’s conversation, Anne told him that dancing made her happy. She also said that she wanted to dance when she was happy.
What I didn’t like about the film:
No major conflicts: In Anchors Aweigh, Clarence “Brooklyn” Doolittle and Joseph “Joe” Brady help their new friend, Susan, get an audition with a well-known composer at a movie studio. This served as the main conflict for the film. With Royal Wedding, there was no main conflict to be found. Instead, the story focuses on the two relationships between Ellen and John and Tom and Anne. Even when sub-conflicts were introduced in the movie, they are resolved rather quickly. Having one overarching conflict would have added some intrigue to this story.
Too many boyfriends: At the beginning of the movie, Ellen is shown having multiple boyfriends. This was to highlight the point of Ellen having difficulty ending these relationships. When Ellen’s boyfriends are interacting with one another, I had trouble keeping track of who was who. I understand this creative decision was made on purpose, to emphasize the aforementioned point. But this gave the audience unnecessary confusion.
The titular royal wedding as an afterthought: When a film is titled Royal Wedding, most audience members would expect the wedding itself to play a significant role within the plot. Because the story focuses on the relationships of Tom and Anne and Ellen and John, the royal wedding is treated as an afterthought. Sure, the characters casually bring it up from time to time. But there is little to no excitement in London just days before such a historic event. When a pre-wedding parade is passing by Tom and Ellen’s hotel suite, the scene places more emphasis on John and Ellen’s conversation, preventing the parade from being shown on-screen. The day of the wedding appears in the last twenty minutes of the film, but even that part of the story is overshadowed by the previously mentioned relationships.
My overall impression:
Royal Wedding is the type of movie where the acting performances and musical numbers make up for the weaker story. While the plot isn’t bad, it could have benefited from having a major conflict. If the creative team behind this movie wanted their story to be more interesting, it would have contained a mistaken identity. Ellen Bowen would switch places with the princess and fall in love with the prince, while the princess is mistaken for Ellen and eventually forms a romantic relationship with Tom. With this conflict, the wedding itself would have a greater presence in the whole story. It would also create a series of hilarious hijinks. Personally, I’d recommend Anchors Aweigh over Royal Wedding. The former has a stronger story and, in my opinion, is a more enjoyable film overall.
Overall score: 6.2 out of 10
What are your thoughts on Royal Wedding? Which movie is your favorite out of the ones I’ve reviewed this year? Please tell me in the comment section!
For A Shroud of Thoughts’ 7th Annual Rule, Britannia Blogathon, I decided to choose a film that was already located on my DVR. Since last February, I have had a recording of the 2002 adaptation of Nicholas Nickleby. Because this story takes place in 19th century England and because this blogathon celebrates British cinema, reviewing the movie seemed like a perfect choice! Nicholas Nickleby is not the first adaptation based on a Charles Dickens novel I’ve written about. Within these two years, I have reviewed Oliver!, Oliver & Company, and The Death of Poor Joe. To tell you the truth, I didn’t even know Nicholas Nickleby was based on a book by Charles Dickens until I saw the film’s opening credits. This film selection is a blessing in disguise. It not only gives me an opportunity to watch more movies from my DVR, but it also allows me to expand my cinematic horizons!
Things I liked about the film:
The acting: Nicholas and Smike have one of the most beautiful friendships I’ve ever seen put on film! This is the result of good screen-writing and good acting! Charlie Hunnam and Jamie Bell put emotion and heart into their individual roles. Together, they display strong on-screen camaraderie. A great example is when Nicholas is trying to read a story to Smike at Dotheboys Hall. Nicholas Nickleby contained an ensemble cast. Each actor and actress worked well with one another, as the performances complimented and highlighted every talent shown on screen. From Anne Hathaway’s use of various emotions to Christopher Plummer’s consistency, all the interactions brought out the best in each cast member!
The dialogue: As I just mentioned, Nicholas and Smike’s friendship was partly the result of good screen-writing. The movie’s screen-writing is also what caused the dialogue to be so memorable! Every piece of conversation reflected this film’s time period. However, the dialogue sounded eloquent without being pretentious. It was also easy to understand, allowing the audience to make sense of what the characters are saying. In one scene, Nicholas is helping Smike escape his kidnapping. The way he told Smike to hurry out of his current location contained urgency and importance. Conversations like the one I just referenced were a consistent and present component of this film!
A balance of despair and joy: I haven’t read Nicholas Nickleby, but I have read Oliver Twist. From what I remember, Charles Dickens found a way to balance the ideas of despair and joy. This balance can be found in the 2002 film! In the movie’s darker moments, despair could be seen and felt. It showed how ugliness presented itself in Nicholas’ world. But there was not so much of this ugliness and despair to make the audience feel depressed. Moments of joy and happiness served to counteract the darker moments. When joyous scenes occurred, they felt earned by the characters. At the same time, they didn’t make it seem like the rest of the film couldn’t be taken seriously. Instead, the incorporation of joy showed how there was beauty in the world, especially if Nicholas searched for it.
What I didn’t like about the film:
Lots of content in a limited time-frame: Having read two of Charles Dickens’ books, I know there is a lot of content in his stories. While watching Nicholas Nickleby, I could see there was a significant amount of content. The movie is two hours and twelve minutes. But because each plot point was seen as important, the run-time was bogged down by the large number of storylines. This caused the film to feel longer than its run-time. It makes me wonder if this particular narrative would have benefitted from a mini-series format?
Some unsmooth scene transitions: There were a few scene transitions in Nicholas Nickleby that weren’t given smooth transitions. When the story shows Kate’s, Nicholas’ sister’s, perspective, the chapter comes and ends more abruptly than other scenes. It almost feels like the plot temporarily shifts the protagonist role from Nicholas to Kate. Even though Kate plays an important role in Nicholas’ life, she is a supporting character, while her brother is the main character.
My overall impression:
Nicholas Nickleby is the fourth adaptation of one of Charles Dickens’ works I’ve reviewed on 18 Cinema Lane. Out of these four, the best one is still the 1968 musical Oliver! Because I have read its source material, I know there was some content that was cut from the movie, likely for reasons relating to the run-time. Unlike Oliver!, Nicholas Nickleby contained a lot of content that effected its run-time. However, the story was understandable and the screen-writing was strong! Even though there were a few unsmooth scene transitions in Nicholas Nickleby, it never became a common occurrence. What was common was great acting performances, well-written dialogue, and relatable messages! Nicholas Nickleby does a good job at showing how there is both darkness and goodness in our world. In a year like 2020, where it seems like there is one conflict after another, it can be easy to forget the beauty this world can offer. Because of his bad and good experiences, Nicholas Nickleby always perseveres and never takes anything for granted. This is what we can learn from Nicholas’ story, whether or not Charles Dickens intended to teach his readers.
Overall score: 8.2 out of 10
Have you seen any adaptations from Charles Dickens’ work? Are there any British films you enjoy watching? Share your thoughts in the comment section!
As Pure Entertainment Preservation Society’s A Month Without the Code comes to a close, I wanted to review a movie that served as the grand finale. Since I found every movie I reviewed so far to be just ok, I knew whichever film I chose had to be memorable in some way. The more I think about my choice, the more confident I feel it will leave an impression. The Death of Poor Joe is not only the oldest film I have written about, it is the shortest film featured on 18 Cinema Lane! This movie is a minute long, revolving around the death of Joe from Bleak House. I read this book several years ago, with Joe being my favorite character. I’m not going to lie; I was not a fan of Charles Dickens’ decision to have Joe die in the story. But after reading Oliver Twist, I gained an understanding for why that decision was made. The Death of Poor Joe also serves as an important piece of film history. It is the oldest existing adaptation of any work from Charles Dickens. It is a former lost film as well, with a curator from the British Film Institute, Bryony Dixon, finding the film in 2012.
Things I liked about the film:
The acting: As I said in my Wild Oranges review, the actors in a silent film have to rely on body language, facial expressions, and actions/behaviors to portray what their characters are saying and feeling. Laura Bayley, the actress who is cast as the titular character, does a great job using these acting techniques to show what her character is experiencing. Right before Joe dies, the audience sees him looking toward the sky and holding his hands in a praying position. This tells them that Joe is begging God for mercy. The only other actor in this film is Tom Green, who portrays a police officer. Similar to Laura’s performance, Tom also utilized body language, facial expressions, and actions/behaviors in his favor. When the police officer first encounters Joe, he is seen pointing at the protagonist and waving his hand. These gestures indicate the police officer telling the young boy to move off the sidewalk.
The costume design: Another important piece of a silent film is costume design, as this specific component can help express character development. Though the movie’s costume designer is unknown, I was impressed with the costume design I saw! Both outfits, Joe’s and the police officer’s, appeared historically accurate and fit each characterization. They were also distinct, allowing the characters to contrast one another. The police officer can be seen wearing a dark suit and a top hat. This ensemble signifies the police officer’s importance and social standing within that time period. Meanwhile, Joe is shown wearing a shirt and pants that are torn and ragged. Joe’s outfit reminds the audience of how he lacks a parental figure who will look out for his best interests.
The use of snow: I don’t remember if it was snowing when Joe died, as it has been several years since I last read Bleak House. In this short film, however, I like how snow was incorporated into the characters’ surroundings! Snow has a consistent presence in this story, as it covers the ground and top of the wall behind Joe and the police officer. It can also be seen falling from the sky. Because of the black-and-white presentation of the movie, the snow helps create an image that is haunting. The presence of snow instills a feeling sadness as well, warning the audience that an uncontrollable fate is about to take place in the story.
What I didn’t like about the film:
Lack of title cards: Most silent films feature title cards, which help give context to what is happening on screen. This staple of silent movies was absent from The Death of Poor Joe. Audience members who are not familiar with the source material might wonder why they should care about the characters. There is no preparation leading up to Joe’s death, as the event itself happens in mere seconds. If title cards had been included in this film, it may have resolved some of these issues.
No music: Music can strength a movie’s tone and set the mood for the story. But music was excluded from The Death of Poor Joe, causing the film to be very silent. While the narrative itself is sad, music could have enhanced the movie-viewing experience. Dramatic sounds from a violin or a somber piano tune could accompany the visuals well. Certain beats might match up with specific events, promoting a sense of musicality. I know live music would play during a silent film if it were presented in a movie theater. But I wish music was added to The Death of Poor Joe.
A shorter run-time: In this review’s introduction, I mentioned how The Death of Poor Joe was a minute long. Even though I knew this was a short film, I still feel it should have received a longer run-time. Pieces of Joe’s and the police officer’s backstory could have been included in the movie. The audience might be able to spend more time with Joe as a character, which would have made his death more heartbreaking. Seeing how the police officer deals with Joe’s death is an interesting concept to think about. Because The Death of Poor Joe’s run-time was only a minute long, it limits how much story was allowed to be told.
My overall impression:
The history of The Death of Poor Joe might be more interesting than the film itself. In its 119-year lifespan, the film gained the mysterious title of “lost film”. This status has been placed on the project for about 66 years. Eight years ago, the movie received a new title: found. As someone who has taken an interest in lost media, I am grateful for Bryony Dixon’s and the British Film Institute’s efforts to preserve The Death of Poor Joe! As for the film itself, I thought it was fine. The story was straight-to-the-point and the production quality was impressive. However, I wish the film was longer. As someone who has chosen Joe as their favorite character from Bleak House, it would have been nice to see his story fleshed out more. Music and title cards also would have added to the movie-viewing experience as well. Joe’s on-screen death is the only thing that would need to change if this was a Breen Code era film. While this event is an important part of the story, it would need to meet Breen Code standards.
Overall score: 7 out of 10
Have you seen any adaptations of Charles Dickens’ work? Are there any found films you’d like to see? Let me know in the comment section!
When I think of Esther Williams, the pool at Michigan’s Grand Hotel always comes to mind! As one of the hotel’s many amenities, the pool is named after one of Hollywood’s most popular stars because the movie, This Time for Keeps, was filmed at the hotel. As I thought about this beloved place in the Great Lakes State, I started to wonder if there were other places across the country or the world where Esther left her legacy. I also thought about the places where Esther visited or frequented. This became the inspiration for my entry in Michaela’s Esther Williams Blogathon! My list consists of nine locations that share a connection with the actress herself. Each listing will feature facts and insight about that specific spot. I wasn’t able to visit any of these places due to the Coronavirus. Because of this, I had to include screenshots from my phone of photos I found on the internet. Most of the information in this list is from Esther’s Wikipedia page.
If we’re going to talk about the places in Esther’s life, we need to start with the beginning of her story. Born in Inglewood, California, Esther visited Manhattan Beach with her sister, Maurine, according to Wikipedia. While it’s unknown which specific places Esther frequented, it’s safe to assume she would have found a way to partake in the sport that brought her joy. On the Parks and Recreation site for Manhattan Beach, I came across the page for Begg Pool. Offering classes and times for lap and recreational swimming, the Begg Pool provides swimmers with a place to learn new skills and grow as athletes. As I was explored Manhattan Beach’s Park and Recreation site, I discovered the offering of performance arts classes. I also came across the page for the annual Shakespeare by the Sea event. Having these acting opportunities available in Manhattan Beach makes a lot of sense when it comes to discussing Esther Williams. Because she became an actress after she became an established swimmer, the inclusion of acting and swimming in Manhattan Beach serves the best of both worlds.
On Wikipedia, there is a picture of Esther at the Los Angeles Athletic Club that was taken in 1939. The site also lists her as one of the club’s notable members. When I explored the official website of the Los Angeles Athletic Club, I got the impression the club served as a place for athletes to take their sport seriously. It would make sense for Esther to spend her time at this location, especially since she was an Olympic hopeful. Similar to Manhattan Beach’s Begg Pool, the Aquatics facility at the Los Angeles Athletic Club offers swimming classes. They also provide a conditioning club and a clinic. Looking at the photo of the pool itself, the main takeaway is the simple style this space boasts. The black and white color palette makes the area seem like it is frozen in time, with the design choice of stripes bringing a sense of elegance. These elements create a facility that feels as timeless as the actress who went there!
In the year, 1940, Esther starred in a water spectacle called ‘Aquacade’. This show was held during the Golden Gate International Exposition in San Francisco. The official location of this exposition was Treasure Island, “an artificial island in the San Francisco Bay and a neighborhood in the City and County of San Francisco”, according to Wikipedia. If you’ve never visited this island or had no idea this location existed until you read this article, you might think of the famous ‘Pleasure Island’ from the beloved classic Pinocchio. However, Treasure Island is nothing like the island from Pinocchio’s story. In fact, it serves as a community that could be similar to your own backyard. The island’s official website lists many resources that will sound familiar, such as a bike shop and restaurants. What I find interesting is how an extraordinary event like the Golden Gate International Exposition was held on an island that seems ordinary. It would be fun to travel back in time to see Treasure Island transformed into an elaborate world stage!
Wikipedia states that one of the clauses in Esther Williams’ contract with MGM was “that she receive a guest pass to The Beverly Hills Hotel where she could swim in the pool every day”. After watching a video featuring this pool on the hotel’s website, I definitely see the appeal of this location! Similar to the Los Angeles Athletic Club’s Aquatics facility, stripes are a design staple around the pool. They can be found in the seat cushions and the table umbrellas. Pink, green, and white serve as the the pool area’s color palette. Cabanas surrounding the pool showcase this palette beautifully. With the accent wall boasting a green leaf pattern, the two surrounding walls are a solid pink. A crème sofa and chair serve as seating options in this space. Wood furniture completes the overall look, capturing a classic style that has stood the test of time!
Another hotel pool Esther frequented that joins this list! Mackinac Island’s Grand Hotel was the filming location for the 1947 film, The Time for Keeps. Because of Esther’s involvement in the movie, the pool has been officially named the Esther Williams Pool! Tanda Gmiter from MLive writes how Esther Williams and her film benefited the hotel’s longevity. The years when World War II took place were difficult for Mackinac Island’s crown jewel. The article states “during those lean war years, the Grand Hotel faced the same dismal predicament shared by many resorts: A long-term lack of paying guests”. However, a chance encounter would change the course of history for the hotel and those associated with the movie. Tanda says “someone connected to the film had seen a little 10-minute travelogue featuring the island that was done in 1944. When they were scouting sites for the Williams’ film, Mackinac seemed like a natural fit”. Since the release of The Time for Keeps, Grand Hotel has experienced years of success and has become an icon in Michigan.
The 1953 movie, Easy to Love, was filmed in this particular destination, “where a swimming pool in the shape of the state of Florida had been built specifically for the film”. Wikipedia says “Cypress Gardens was a botanical garden and theme park near Winter Haven, Florida that operated from 1936 to 2009”. It was the Sunshine State’s first theme park, boasting attractions like water skiing, dinner cruises, and garden tours. This location was included in a 2014 list from the National Register of Historic Places. Easy to Love was not the only Florida-filmed project Esther worked on, as she starred in multiple movies and television programs from the ‘50s and ‘60s. While the theme park has been closed and replaced with another one, Legoland Florida, the botanical garden is preserved inside the new park. In fact, it is included as one of their featured attractions!
According to Wikipedia, Esther “starred in an aqua-special at WembleyStadiumin London”. A photo from 1956 reveals the event actually took place at Empire Pool, which is located near Wembley Stadium. The website Television Obscurities shares how this event was meant to serve as a part of an on-going tour lasting from 1956 to 1958. Poor reviews for the 1957 show caused this tour to be cut short. While I wasn’t able to find any photos of this event and a recording of the event itself hasn’t resurfaced, the Empire Pool is still part of the English community. Now known as the Wembley Arena, this venue hosts concerts covering a variety of musical genres. The arena is located in Wembley Park, a hub for attractions, entertainment, and leisure activities.
If you want to learn more about the aqua-special, you can visit the website, tvobscurities.com, and type Esther’s name into the search bar located at the bottom of the page.
The Raleigh Hotel
Location: Miami Beach, Florida
2010 saw the introduction of the Raleigh Hotel’s Esther Williams suite. This room “incorporates a beach summer theme”, with a basic color palette of white and beige allowing pops of color to be seen. Bright hues of blue, peach, and teal are found in pillows, towels, and curtains. There are three separate areas within the suite: the bedroom, the bathroom, and the main sitting area. Like the pool at The Beverly Hills Hotel and the Los Angeles Athletic Club’s Aquatics facility, the overall design of the suite captures a moment in time. While the style in this space is simple, it does help carry the consistency of the hotel. Its chic and vintage aesthetic make this location appear photogenic.
As we come to an end in our journey through Esther’s travels, we return to the place where we began: California. When Esther attended the first annual Turner Classic Movies Classic Film Festival, there was a screening of her film, Neptune’s Daughter, at the Hollywood Roosevelt Hotel’s pool. This choice was fitting, since she spent a lot of time around pools during her life. The style around this area is much simpler than The Beverly Hills Hotel’s pool area. However, it works with its respective hotel’s interior designs. The white pool chairs with the hotel’s official monogram promote a more classic flare that is carried throughout the hotel. It lets the pool itself be the focal point, with the light and dark shades of blue complimenting the chairs surrounding it. This space provides a memorable view from the various suites that are offered. With the hotel itself surrounding the pool, it makes this feature as celebrated as Esther Williams herself.
When I signed up for Pure Entertainment Preservation Society’s Code Classics Blogathon in June, I hadn’t publicly submitted the film I wanted to review. That’s because I planned on reading the source material before watching the movie. Originally, I was going to read Black Beauty and then see the 1946 adaptation of this story. Unfortunately, I wasn’t able to set aside time to read the book. Also, the 1946 version of Black Beauty was unavailable for rent. I then decided to watch a version of The Count of Monte Cristo that was released during the Breen Code Era. However, the only adaptations that were available for rent were the 2002 and the 1975 version. Then I remembered how I’ve always wanted to read Little Lord Fauntleroy by Frances Hodgson Burnett. I was happy to discover I was able to rent the 1936 adaptation! In my life, I have read A Little Princess and The Secret Garden. Having enjoyed both books, I was interested in hearing a similar story from a male perspective. How different would Ceddie be from Sara and Mary? Would his story contain any similarities with the two aforementioned novels? While I haven’t read Little Lord Fauntleroy yet, I wasn’t going to miss out on seeing this story come to life on screen!
Things I liked about the film:
The acting: I’ve said before on 18 Cinema Lane that performances from young actors and actresses can be hit or miss. However, Freddie Bartholomew’s portrayal of Ceddie was a hit! The way this character carried himself was mature for his age without being too precocious. At the same time, Ceddie had the type of kind-heartedness you’d expect from a young character. The mannerisms and facial expressions Freddie adopted reminded me of Sara from A Little Princess, making me believe that Ceddie and Sara probably would have been good friends! Even though her presence in the film was limited, Dolores Costello Barrymore gave a memorable performance as Ceddie’s mom, Dearest! Her emotions gave the audience a glimpse of how her heart is always in the right place when it comes to looking out for her son. In one scene, Dearest is telling Ceddie that he’ll have to stay with his grandfather. This moment showcases how she continually shields her child from the animosity between her and the grandfather. Also, this scene highlights her ability to put Ceddie’s needs before her own, telling him she’ll place a candle in the window so the light will always guide his path.
The music: While watching Little Lord Fauntleroy, I noticed how the background music always fit the tone of its respective scene. One great example is when Ceddie receives a bicycle for his birthday. A tune from a music box could be heard, indicating how this is a happy occasion. Whenever Ceddie’s grandfather is mentioned, the audience can hear orchestral music. The music itself sounded regal, highlighting how important this character is. Somber music was found in sadder scenes, like when Mr. Hobbs and Dick are missing their friend, Ceddie. This consistent detail shows how the film’s creative team cared about what their audience saw and heard.
The messages and themes: The famous works of Frances Hodgson Burnett are known for having good messages and themes that audiences of all ages can appreciate. Little Lord Fauntleroy is no different. Throughout the movie, Ceddie always put others before himself. When his grandfather’s lawyer asked him how he’d use his newfound wealth, Ceddie tells him that he would purchase gifts for his friends, as a way to improve their lives. At a party, when one of his grandfather’s friends offers Ceddie a puppy, Ceddie turns the offer down by saying that he doesn’t want to hurt the feelings of his new K-9 friend, Duke. These examples display the messages of selflessness and staying true to yourself in any circumstance. Prejudice is an overarching theme that is found in this story. Ceddie’s grandfather does not like Americans, which created animosity between him and Dearest. The more time the grandfather spends with Ceddie, his negative beliefs begin to change. The grandfather’s part of the story shows how prejudice can hurt people, especially families.
What I didn’t like about the film:
A thirty-minute set up: Setting up a story is a crucial component to any film. However, when the set-up process takes too long, it may be difficult to get invested in the story. In Little Lord Fauntleroy, it took thirty minutes to set up the plot. While this part of the narrative was meant to showcase character development and motives for future events, I don’t think it needed to last this long. Because of this creative choice, it took a while for Ceddie and Dearest to get to England.
Giving Ceddie almost nothing to do: Before watching Little Lord Fauntleroy, I had expected Ceddie to learn the ropes of being an Earl from his grandfather. Sadly, that’s not what happened. I understand that Ceddie is a child. But despite this, he wasn’t given much to do as an Earl-in-training. Sure, Ceddie helped his grandfather write a letter to a struggling farmer. However, it made me wonder why Ceddie was given this Earl title so young if he couldn’t utilize it.
The conflict between Dearest and the Earl of Dorincourt: As I mentioned earlier in this review, Ceddie’s grandfather does not like Americans. Because Dearest is American, there is tension between her and the grandfather. While the conflict itself explored the subject of prejudice, I feel it was resolved too quickly. There is only so much story that can be told in an hour and forty-two minutes. But the way Dearest and the Earl of Dorincourt dealt with their conflict felt rushed, as years of animosity was taken care of after one event.
My overall impression:
I have not read Little Lord Fauntleroy, as I mentioned in my introduction. Therefore, I don’t know what aspects of the book were translated to the screen. Despite this, I liked the 1936 adaptation of this story! It was a good and sweet picture that contained timeless messages and themes. The character of Ceddie reminded me a lot of Sara from A Little Princess. This didn’t surprise me, as both books were written by the same author. Yes, the movie did have flaws. However, I enjoyed the story and thought this was a well-made production. Because of how much I liked this film, it makes me want to read the book! Out of the three Breen Code Era films I’ve reviewed so far, Little Lord Fauntleroy is the most Code compliant! I didn’t find any offensive material in this project, which makes it a perfect movie for family viewing!
Overall score: 7.9 out of 10
Are you enjoying Clean Movie Month? What is your favorite literary adaptation from the Breen Code Era? Please tell me in the comment section!
When I submitted my review of The Great Mouse Detective last week, it became the 175th movie review I’ve ever published! In honor of this accomplishment, I decided to write a Top 10 list, especially since I haven’t written one in quite some time! Back in February, in a Word on the Street story, I reported how Chesapeake Shoreswas renewed for a fifth season. However, because of the Coronavirus, the show hasn’t gone into production. On 18 Cinema Lane, I recap two of Hallmark’s shows, with Chesapeake Shores being one of them. While some areas of the world are slowly going back to creating movies and television shows, the O’Brien family may not appear on screen this year. This means that my Top 10 list will probably be the only Chesapeake Shores related content I create in 2020. As “Chessies” (the show’s fandom) waits for any news of the show’s return, here are the top 10 things I’d like to see in the fifth season! Before I begin, I want to say that this list is solely based on my opinion. There will also be spoilers for the previous season.
Tone down the relationship drama
As I’ve said before in my Evenings At The Shore series, the first and second seasons of Chesapeake Shorescontained a healthy balance between their character and plot driven narratives. But since season three, the show’s overall quality has plateaued. That’s because the overall narrative has placed its primary focus on the relationship drama between the characters. This decision has caused the plots to be put on the back-burner. One example is the fourth season’s fifth episode, where the plot surrounding Jess’s story didn’t make any sense. In Chesapeake Shores’ next season, I hope the screenwriters bring the show back to that balance from the first two seasons. This show has come up with some interesting plot ideas, but haven’t utilized them to their fullest extent.
2. A wedding for Jess and David
Before Kevin and Sarah got engaged in the fourth season, fans had never seen a wedding within the O’Brien family. This next step in Kevin and Sarah’s relationship was history in the making for the show. Because of the fourth season’s six episode run, wedding plans were replaced with an elopement and a reception dinner. This decision was a “bait and switch”, leaving fans cheated out of a historical moment they were promised. Kevin and Sarah were not the only couple to get engaged, however, as Jess and David became engaged at the end of the season. I’d like to see Jess and David’s wedding in the fifth season. Because the filming locations of Chesapeake Shores are photogenic, maybe they could receive an outdoor ceremony.
3. Get rid of the love triangle
It’s bad enough When Calls the Heart features a love triangle that seems to have no end in sight. Like I said in one of my Sunset Over Hope Valley posts, love triangles are a waste of time and creative energy. In Chesapeake Shores’ fourth season, the narrative introduced a love triangle between Abby, Trace, and Jay. This not only enables the screenwriters to continue emphasizing the relationship drama, but it also takes screen-time away from more intriguing plots. Hopefully, this love triangle will get resolved sometime in the fifth season.
4. A subplot for Carrie and Caitlyn
Speaking of When Calls the Heart, what this show does well is provide subplots for the younger characters. It gives the audience a chance to get to know them and view the story from their perspective. When it comes to Chesapeake Shores, Carrie and Caitlyn, the youngest characters on the show, have never received a story of their own. In fact, it feels like they’ve become an afterthought within the overall narrative. I’ve been waiting for Carrie and Caitlyn to receive their own subplot for a while, so I hope this happens in season five. It would be interesting to see what the screenwriters come up with.
5. More episodes
Earlier in this list, when I talked about Kevin and Sarah’s lack of wedding plans, I stated how the fourth season of Chesapeake Shores was only given six episodes. While Hallmark shows have received seasons with less than ten episodes before, a fourth season receiving six episodes is a bit concerning. This creative decision prevented certain subplots from being fully explored and made the story feel like more was desired. Personally, I think the fifth season should be given at least nine to ten episodes. That way, Chesapeake Shores will have enough time to flesh stories out and focus on telling well-thought out narratives.
6. The fruition of Trace’s recording studio
Chesapeake Shores excels at featuring locations that have been brought up in the story. One example is The Bridge, a musical restaurant that Trace had been dreaming about for several years. At the end of the fourth season, Trace had expressed interest in creating a recording studio. While recording studios have been presented in the story before, this particular business was never shown in Chesapeake Shores. Because this show has a good track record when it comes to locations, I’d like to think Trace’s recording studio will become a reality. However, I still want to see this location brought to life.
7. For Bree and Simon’s paths to cross again
When Simon was introduced on Chesapeake Shores, he met Bree in her home country. At the end of the fourth season, Bree’s literary agent, Brian, wanted to bring her play to London. If this happens, Bree would be in Simon’s home country. This dynamic would be very interesting to watch, especially if Bree and Simon plan on revisiting their relationship. Should Bree decide to find a different significant other, I’d be curious to see which new British actor joins the show.
8. More appearances for Nell
Over the course of the fourth season, I noticed that Nell had such a limited on-screen presence compared to previous seasons. I was told Diane Ladd, the actress who portrays Nell, was experiencing pneumonia when this particular season was in production. As I indicated in the introduction, we don’t know when Chesapeake Shores’ fifth season will be filmed. Whenever that happens, I hope Diane is in better health. Nell is the one who keeps the glue of the O’Brien family together. Without her, things just wouldn’t be the same.
9. A Chesapeake Shores Movie
I know a Chesapeake Shores movie is on the way. However, it never went into production, partly due to the Coronavirus. Even though the film was originally about Abby, Bree, and Jess, I still want to see a St. Patrick’s Day themed movie in Ireland. Another possible film idea is a Chesapeake Shores Thanksgiving themed movie! Hallmark hasn’t created a Thanksgiving movie in several years. Also, Good Witch has capitalized on Halloween, while When Calls the Heart creates annual Christmas films.
10. Megan becoming a successful businesswoman
You’re probably thinking, “Megan’s not a businesswoman, it isn’t her forte”. However, when we look at Abby, Bree, and Jess, there is one thing they have in common: they are all successful businesswomen. While each sister has forged their own path in the world of business, they have let their passions guide them through this specific journey. For at least one season, Megan has expressed her passion for art. Toward the end of the fourth season, she had shown an interest in creating her own studio. If the screenwriters wanted, they could allow Megan to use her art as the basis for a small business. This could make Megan an independent businesswoman like her three daughters.
I will admit that before I signed up for the Suave Swordsman: Basil Rathbone Blogathon, I wasn’t familiar with Basil as an actor. However, I didn’t let this stop me from participating! While looking through his filmography, I discovered Basil had a role in the 1986 film, The Great Mouse Detective. Because I hadn’t seen this movie before and because I knew I’d likely be one of the few people to discuss an animated film, I selected The Great Mouse Detective as my submission! If you’ve visited my blog before, you’d see that mysteries have a consistent presence on the site. I have set aside time to talk about the films from Hallmark Movies & Mysteries. Some episodes of Murder, She Wrote has been reviewed. I even participated in the Murder, She Wrote Cookalong! Despite the abundance of mystery related content on 18 Cinema Lane, The Great Mouse Detective is only the second animated mystery movie to be featured on my blog. However, at least this review will bring something new to the table!
Things I liked about the film:
The animation: Animated films from Disney’s library usually contain quality visuals and art styles. The Great Mouse Detectivecontinues this pattern of animation excellence! Throughout the film, the backgrounds were presented in softer frames with lighter colors, while close-up images were given sharper lines and brighter colors. One example is when Basil, Olivia, and Dr. David are exploring a toy store. The contrasts within the animation made it easier to focus on the characters and their involvement in the story. This art design reminded me of films such as The Aristocats, 101 Dalmatians, and Lady and the Tramp. Similar to what I said in my From Up on Poppy Hill review, all of the characters were expressive! Their facial expressions and body language were fluid when reacting to different scenarios. A perfect example is when Olivia and Dr. David meet Basil. The Great Mouse Detective’s claim to fame is how it was the first project from Disney to feature computer-generated animation. This creative choice is seen in the climax, when Basil and Ratigan fight in the Big Ben Tower. While it might not seem like a big deal now, this scene was ahead of its time in the mid to late ‘80s. The scene itself has aged well, while also containing gravitas and depth. It reminded me of the bells from The Hunchback of Notre Dame.
The use of shadows: The Great Mouse Detective has a primarily darker tone. To emphasize this aspect of the story, shadows were used in various scenes. Toward the beginning of the film, Hiram Flaversham, Olivia’s father, and Fidget, Ratigan’s henchman, are fighting at Hiram’s toy store. In this scene, shadows of the fight are projected over Olivia’s hiding place. Because Hiram and Fidget are not shown on screen, their shadows helped bring an element of suspense and mystery. The shadows also left me wondering what would happen next.
The humor: Despite the film’s darker tone, there were some light-hearted moments that prevented the movie from being too dark. Some of these moments even contained humor. One scene involved Basil ruining a group of pillows in an attempt to solve a mystery. What made this scene funny was the reaction of Basil’s maid over the mess. Another funny moment was when Ratigan called his cat “honey bunny”. What I like about these hilarious scenes is how well written they were. It also helps that there weren’t too many of them, as it would have made the overall picture seem too silly.
What I didn’t like about the film:
The musical numbers: A large number of Disney’s animated films are musicals, with their musical numbers feeling like they belong in that production. Because musicals have become a staple in Disney’s animated filmography, it allows their audience to know what to expect. But The Great Mouse Detective was not a musical movie, especially compared to pictures like Oliver & Company or any of the Disney Renaissance films. The Great Mouse Detective also had a primarily darker tone, with some light-hearted moments. These aspects made the musical numbers seem out of place. The two most notable musical scenes were “Let Me Be Good to You” and “The World’s Greatest Criminal Mind”, which had entertainment value. While “Let Me Be Good to You” had some reason for its existence, “The World’s Greatest Criminal Mind” was randomly placed in the film. It was a light-hearted and upbeat song that came right after a darker scene, featuring Basil explaining the wrong-doings of Professor Ratigan. “The World’s Greatest Criminal Mind” was a combination of “Gaston” from Beauty and the Beast and “Mine, Mine, Mine” from Pocahontas. However, what makes “Gaston” and “Mine, Mine, Mine” work is how they fit within their respective productions.
The oversharing of the mystery: When I talked about The Mystery Cruise in my list of the Top 10 Worst Hallmark Movies of All Time, I shared how I didn’t like the film’s mystery being revealed after the mystery was introduced. The Great Mouse Detectivemakes a similar mistake with their mystery narrative. Within the first half of the movie, the details of Hiram Flaversham’skidnapping are shown in a series of scenes that share a timeline with the events surrounding Basil. These scenes show the whodunit, howtheydunit, and whytheydunit of the mystery. Because these pieces of information are revealed early in the movie, the audience knows more than the characters in the story. This prevents them from solving or experiencing the mystery alongside the characters.
The subplot of the Queen’s Diamond Jubilee: One of the subplots in The Great Mouse Detective revolved around the Queen’s Diamond Jubilee. This wasn’t a bad idea, but it was very under-utilized. In fact, I forgot this event was taking place within the story until the film’s climax arrived. Because the premise of this movie was basic and straight-forward, this subplot felt like it was there for the sake of being there. If the Queen’s Diamond Jubilee had been removed from the film, it wouldn’t make a huge difference.
My overall impression:
Two years ago, I reviewed Oliver & Company. In that review, I said the movie was the pioneer for what a Disney animated film could and should be at the time of its release. The Great Mouse Detective gave me a similar feeling. Within this film, there were elements that laid the foundation for animated Disney films that came after it. The climax at the Big Ben Tower is one example, with the scenes utilizing computers to bring them to life. Also, in my Oliver & Company review, I said the movie was fine and that there wereanimated Disney films that are stronger than it. The Great Mouse Detective made me feel this way as well. While watching this film, there were scenes that reminded me of scenes from other Disney projects that were executed better. Some scenes in The Great Mouse Detective felt rushed, making me wonder if Disney was trying to meet a deadline or wanted to take advantage of a busy box office year. Even with everything I just said, this film is worth bringing up in the conversation of animated films. It may get overshadowed, but I think it serves as an important part of animation history.
Overall score: 7 out of 10
Have you seen The Great Mouse Detective? What are some of your favorite mystery films? Tell me in the comment section!