Tag: editorial

Quaritch and Varang: Avatar: Fire and Ash’s Complicated Storm

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I try to learn more about “popular” characters to understand why they are well-liked. But in order for me to dedicate an editorial to those characters, they need to capture my undivided attention. Colonel Miles Quaritch and Varang did just that as I listened to commentary discourse on Avatar: Fire and Ash. Those discussions about the 2025 film yielded constant praise about Varang and Quaritch’s relationship. Some people claim Quaritch and Varang were the best part of the third film, let alone the Avatar franchise. In fact, they’ve become so popular that Varang received her own unofficial theme song (MONTAGEM BUDA by DYGO). The choir of Varang and Quaritch’s admirers singing their praises genuinely confused me. However, because Quaritch and Varang are the villains of Avatar: Fire and Ash, I decided to write an editorial about their relationship similar to when I wrote about Lestat and Akasha’s relationship (from Queen of the Damned) and Top Dollar and Myca’s relationship (from The Crow). I assumed Quaritch and Varang’s relationship was equally or more toxic than those relationships. Even though they make villainous choices throughout Avatar: Fire and Ash, their relationship is, surprisingly, healthier than some of the problematic relationships from movies I’ve reviewed in the past or I’ve written about on 18 Cinema Lane. In this editorial, I will contrast Varang and Quaritch’s relationship with a handful of other film (and even television) relationships to prove my point. To support my argument, I will utilize examples, screenshots, and quotes from or related to Avatar: Fire and Ash, as well as referencing the other media in question.

My editorial introduction image created by me, Sally Silverscreen. Original image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Who are Quaritch and Varang?

Quaritch and Varang are the villains of Avatar: Fire and Ash, as well as the Avatar franchise. For readers who haven’t seen these films, I will introduce them to Varang and Quaritch. Colonel Miles Quaritch (portrayed by Stephen Lang) has remained an important character through all three Avatar films. In the first movie from 2009, Quaritch was the commander of the RDA’s (Resources Development Administration) security division. He also led the charge in Pandora’s war, attempting to remove the Omatikaya Na’vis from their home in order to provide more space for humans on Pandora. But in Avatar’s final battle, Quaritch was shot and killed by Neytiri, one of the Na’vi from the Omatikaya clan. He returned in the franchise’s second film, Avatar: The Way of Water, which takes place fifteen years after the events of the first movie. This time, however, Quaritch appears as a Na’vi Recombinant with the neurological information from his human self, such as his memories. In both the second and third film in the Avatar franchise, Quaritch maintains his objectives of providing space for humans on Pandora and holding Jake Sully (his former Corporal) accountable for abandoning the RDA in the first film. Quaritch’s second objective becomes disruptive for Jake and his family as the film series progresses.

Left picture: Portrait of Quaritch as a human in 2009’s Avatar. Image created by 20th Century Fox, Dune Entertainment, Ingenious Film Partners, Lightstorm Entertainment, and Walt Disney Studios. Right picture: Portrait of Quaritch as a Na’vi Recombinant in Avatar: Fire and Ash. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Quaritch and Varang (portrayed by Oona Chaplin) meet in Avatar: Fire and Ash. She is the Na’vi olo’eykte (clan leader) and the tsahìk (spiritual leader) of the Mangkwan clan, known for having their home destroyed by a volcanic eruption prior to the events of the third movie. Believing Eywa (the Na’vis’ goddess representative of their belief system) abandoned the Mangkwan clan after the aforementioned volcanic eruption, Varang leads her clan through trauma, anger, and survival. While the Mangkwan Na’vis see her as the glue that’s kept their clan together, other Na’vis see Varang (and the Mangkwan clan) as a threat to Pandora’s society.

Portrait of Varang from Avatar: Fire and Ash. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Varang and Quaritch vs. Achara and Jack

Achara and Jack (from the Lost episode ‘Stranger in a Strange Land’) is the only relationship from a television show included in this discussion. Jack becomes frustrated that Achara won’t share what her “gift” is with him. He becomes so hyper-fixated on learning what Achara’s “gift” is that Jack not only doesn’t take the time to learn more about Achara and the world around her (besides trying Thai food and meeting Achara’s brother in one scene), but he also defines Achara by that one aspect of her life. Throughout her month-long relationship with Jack, Achara remains hesitant to share her “gift” with him. This decision implies she doesn’t fully trust Jack. When Achara eventually reveals what her “gift” is, which is being “able to see who people are” and creating definitive (not decorative) tattoos, Jack forces her to give him this desired explanation. He also forces her to give him a tattoo by forcibly pulling her toward and placing her in a chair by her tattooing station. While Jack is in his drunken fueled aggression and frustration, Achara refuses his request. She cites Jack’s status as an “outsider”, saying that she isn’t allowed to give him a tattoo and giving Jack a tattoo would go against her people. But when Achara’s brother eventually discovers Jack received a tattoo from Achara, he and his friends beat Jack up. Achara’s brother then orders Jack to leave Thailand. Meanwhile, Achara tearfully looks on while this confrontation takes place.

The ash and burnt trees hold proof of the trauma Varang (and the Mangkwan clan) endured. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Varang leads the Mangkwan clan through trauma, anger, and survival after her people’s home was destroyed by a volcanic eruption. This information isn’t revealed in Avatar: Fire and Ash until Varang willingly brings it up when she invites Quaritch in her yurt (tent) during their second interaction together. While recounting her traumatic past, Varang tells Quaritch the following:

“The fire came from the mountain when I was little; burnt our forest. It took everything. My people were starving. They cried for help, but Eywa did not come. So I went to the fire, and I learned its way”.

She also shares with Quaritch how she, along with the rest of the Mangkwan clan, responded to Eywa’s abandonment of them, saying:

“I am the fire! By my hand, my people grow strong! We do not lie down and die just because Eywa turns her back on us! We turn our back on Eywa! A weak mother for weak children. We do not suck on the breast of weakness”.

The fact all this information isn’t brought up in the movie until Varang herself shares it implies she doesn’t freely offer this information, especially to those outside of the Mangkwan clan. During this same interaction, Varang chose to tell him, “I see you” (which has been established in the Avatar franchise as the equivalent of saying “I love you”) and “You have a strong heart. No fear” (which seems to be a term of endearment). For Varang to openly share all this information with Quaritch on her own terms (and within her personal space) shows that she has developed full trust in him. Another example of Varang’s trust in Quaritch takes place in Bridgehead City. When Quaritch arrests Jake and takes him to Bridgehead City, Varang travels there with them. She immediately recognizes how being in an unfamiliar environment and surrounded by more humans than she’s ever interacted with before can be overwhelming. She even tells one of the attending Mangkwan warriors, “Do not show fear”. Yet, while in Bridgehead City, Varang is shown peacefully sleeping in her tent within the Mangkwan camp. Meanwhile, Quaritch is right outside the tent the whole time. People are likely to sleep more soundly if they feel safe. Varang sleeping peacefully inside her tent shows how she trusts Quaritch to keep her safe.

The two photos on the left show Varang’s awareness of how overwhelming coming to Bridgehead City can be. The photo on the right shows Varang telling one of the Mangkwan warriors, “Do not show fear”. Her quote is circled for emphasis. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures
Varang sleeping peacefully shows the trust she’s placed in Quaritch to keep her safe in an unfamiliar place. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures
Quaritch and the group of Mangkwan Na’vi are circled in this picture to emphasize how close Quaritch was to Varang. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Throughout Avatar: Fire and Ash, Quaritch is shown trying to understand Varang and the world around her. He teaches her how to use a gun and a flamethrower, providing resources and skills the Mangkwan clan are interested in receiving. While in Bridgehead City, Quaritch speaks with Varang in the Na’vi language. He interacts with other members of the Mangkwan clan besides Varang during his time in Bridgehead City. Quaritch adopts the appearance of a Mangkwan Na’vi, even sporting the clan’s war paint toward the end of the film. Unlike Jack’s confrontation with Achara’s brother and his friends in ‘Stranger in a Strange Land’, Quaritch never faces animosity from the Mangkwan clan whenever he attempts to learn more about Varang and her world. It should be noted that some of Quaritch’s war paint appears to mirror Varang’s, implying her direct influence over their design. With all that said, Quaritch is not disrespecting the cultural boundaries of the Mangkwan clan, a mistake Jack made in the aforementioned Lost episode. Even when Quaritch introduces Varang to a human named General Ardmore in Bridgehead City, he refers to Varang as “Tsahìk of the Mangkwan”. This simple decision highlights three things:

  1. Quaritch is honoring and respecting Varang’s culture, as well as her role within it
  2. He refuses to define Varang by his perception of her (such as referring to her as “my girlfriend” or “my soulmate”), especially after General Ardmore calls Varang Quaritch’s “little missy”
  3. Quaritch believes he doesn’t have to prove his and Varang’s relationship to anyone, as his actions and choices should speak for themselves
The arrows in these photos are pointing out the similarities in Varang’s and Quaritch’s Mangkwan war paint designs. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures
These pictures show Quaritch interacting with some of the Mangkwan Na’vis in Bridgehead City. The Mangkwan Na’vi shown in these pictures, including the one with their face circled, do not present animosity. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Quaritch and Varang vs. Top Dollar and Myca

In 2021, I wrote an editorial analyzing the toxic relationship of Top Dollar and Myca from The Crow. One of the takeaways from that editorial was that Myca and Top Dollar’s incestuous relationship is likely the result of an absent/dysfunctional family unit, as well as likely being exposed to dark and harmful things from a young age by their father. Another major takeaway was how Top Dollar and Myca’s enablement of each other was contributed by their likely long-term exposure to dark and harmful things being their “normal”. But when I wrote and published that editorial five years ago, I didn’t realize how Myca and Top Dollar lacked awareness for who they are and what they do, which kept them in a constant cycle of toxicity. When Varang shares her traumatic past with Quaritch in Avatar: Fire and Ash, she recollects what caused her to become the leader she is and how the Mangkwan clan responded to the tragedy. Varang expressing self-awareness doesn’t excuse or condone her aggressive and violent behavior toward others. However, it shows that change, as well as healing, seems realistically possible for her. Varang’s steps toward healing consist of a) she willingly opened up to Quaritch about her traumatic past and b) she willingly opened up her heart to Quaritch after closing her heart off for so long, to the point where it dictated how she walked. Oona even commented on how Varang’s walk was developed, saying, “Varang’s trust is broken and so what happens when you close the heart”. Only time will tell if Varang wants to heal from her trauma, let alone change her villainous ways.

This awareness of Varang’s trauma is also acknowledged by the creative team behind Avatar: Fire and Ash. During an interview with Youtuber Bryce Edward Brown, James Cameron (the director of all three Avatar films) said, “I think that as a little girl the powerlessness and the loss and that she felt and and is playing out through PTSD and trying to recapture power and control the things that that she couldn’t control as a child”. When Oona was interviewed by Bryce Edward Brown, she explained, “The reason that she [Varang] is the way that she is is because she has been hurt in a really really deep place. And it’s, like, the classic, you know, architype of ‘hurt people hurt people’”. In an interview with ABC News, Oona addressed how “She’s [Varang’s] gone through a lot of trauma”, elaborating on that statement by saying, “But she’s gone though a lot of grief, you know, she lost her land, her whole way of life, her family, and, and, her great mother, the, the source of all of her faith, so she has suffered a lot of loss”.

The picture on the left shows how Varang walks, influenced by her broken trust. The picture on the right shows Varang demonstrating to Quaritch how she is “the fire”. During this demonstration, anger toward Eywa can be heard in Varang’s voice. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

One of the reasons why Varang is considered a villain in Avatar: Fire and Ash is because she uses her kuru (neural queue/braid) to forcefully connect to other Na’vis’ kurus, using that connection to mentally manipulate her victims. Based on the context within the film, she does this as a form of interrogation as well as to gain an upper hand. After Varang and Quaritch become a couple, however, Quaritch has stood back and watched Varang continue to mentally manipulate others with her kuru. Initially, I was confused why Quaritch would do this, especially considering a) Varang mentally manipulated him when they first met and b) Varang willingly opened up to him about her traumatic past, as well as expressing self-awareness for why she is the way that she is. I wondered, “shouldn’t Quaritch be trying to help Varang heal from her trauma”? This confusion led me, at first, to speculate if Quaritch had adopted Top Dollar and Myca’s “I don’t care because it’s none of my business” attitude/mindset, the same attitude/mindset they used to enable each other to hurt themselves or other people. But Quaritch is the same man who has gone out of his way to try to understand Varang and the world around her. In Bridgehead City, when General Ardmore called the Mangkwan clan “savages” and Varang Quaritch’s “little missy”, Quaritch (and Varang) appeared uncomfortable by what General Ardmore said. Quaritch even tells General Ardmore, “Don’t be a jackass, General”. What I said shows how Quaritch does care about Varang and her world because he’s made that his business. Though there are better ways Quaritch could have shown he cares about Varang, like preventing her from using her kuru for harmful purposes.

These collection of pictures show Quaritch and Varang’s reaction to what General Ardmore said about Varang and the Mangkwan clan. It’s obvious how they do not look pleased. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

In an interview from the Youtube channel, Film Stories, Stephen responds to a question about where Quaritch fits in within the conflict of humanity versus Na’vi. He says, “What he [Quaritch] recognizes is that he can no longer, the idea of making the planet come to him, the moon come to him doesn’t work. He’s got to go to it. He’s got to adapt to it”. Stephen’s quote can be applied to Quaritch’s relationship with Varang. Varang willingly opened up to Quaritch about her traumatic past, as well as willingly opened up her heart to him. During his interaction with Varang in her yurt, Quaritch reminds her how she wants an “equal” (something she’s never had). With that said, he recognizes how Varang has not only carried her unresolved trauma for a long time, but has also lived her life a certain way for a long time. Quaritch recognizes as well how Varang’s new chapter in her life (developing a relationship with her “equal”) will take some adjusting to. So, as Varang’s “equal”, Quaritch’s decision to stand by and watch her continue to mentally manipulate others with her kuru is not about intentional enablement like Myca and Top Dollar not caring about what the other does. Quaritch acknowledges and respects where Varang is in her life, as well as her healing journey, and meeting her there instead of forcing her to do something she either doesn’t want to do or isn’t ready to do. However, I do wish Quaritch had intervened and encouraged Varang to make better choices that don’t involve hurting other Na’vis.

In these two photos, Varang continues to mentally manipulate Na’vis with her kuru. Meanwhile, Quaritch just stands by and watches the events unfold instead of intervening. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

When I wrote and published my editorial about Top Dollar and Myca’s relationship, I discussed how both their conversations in The Crow were not meaningful. As I explained in that editorial, words aren’t utilized to address emotions, leaving feelings and personal turmoil bottled up and unresolved. Concerns and basic needs are ignored as well. In Avatar: Fire and Ash, Varang and Quaritch share only one conversation, which takes place during their interaction in Varang’s yurt. Despite this, their conversation is meaningful because of how much it accomplishes. Like I’ve already said, Varang willingly opened up to Quaritch about her traumatic past, showing how she not only trusts Quaritch, but also how change and healing seem realistically possible for her. Varang sharing her backstory allows Quaritch (and the audience) to learn more about her as well. Meanwhile, Varang learns more about Quaritch by asking him questions, such as why he came to see her in the first place. Even when Quaritch tells Varang, “You want to take on Eywa? You need me”, he confirms how he’s actively paying attention/listening to what Varang is saying. Though he was under the influence of a hallucinogenic powder she gave him earlier in their interaction, potentially affecting his judgement. The most important thing Quaritch and Varang’s conversation accomplishes is establishing their relationship. They no longer see each other as a threat like they did when they first met. As their conversation goes on, their tone of voice becomes friendlier. Varang even gently strokes Quaritch’s chin and kuru, though she did cut his chest prior to that, which could have given Quaritch mixed messages on her feelings for him. But when Varang tells Quaritch, “I see you”, he responds by telling her, “Damn right you do”, while appearing relaxed and speaking with a confident and matter-of-fact tone of voice. This response, and the fact Quaritch doesn’t appear surprised or caught off guard by what Varang told him, emphasizes his acceptance of her love, as well as doubling and tripling down on that idea.

The top two pictures show Varang gently stroking Quaritch’s chin and kuru. Though she did cut his chest before that, which could have given Quaritch mixed messages. The bottom left picture shows Varang right after she told Quaritch, “I see you”. Meanwhile, the bottom right picture shows Quaritch right after he tells Varang, “Damn right you do”. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Varang and Quaritch vs. Akasha and Lestat

I wrote an editorial in 2019 about Lestat and Akasha’s relationship (from Queen of the Damned), discussing why it was problematic for Akasha to possess more control in the relationship. One of her missteps was not making an effort to get to know Lestat. Akasha assumes she knows Lestat based on his image as a musical performer, even though being a musical performer only plays a small role in his life. This assumption leads her to give him a royal title he did not desire. Had Akasha taken the time to ask Lestat what he wanted, she would have known all he wanted was to walk in the light and not hide in the shadows. In Avatar: Fire and Ash, Varang doesn’t make Akasha’s mistakes. I brought up earlier how she learns more about Quaritch by asking him questions, such as why he came to see her in the first place. Varang even asks him, “What do I want”, when Quaritch claims she doesn’t want to keep him as a slave. Her asking this question shows how she’s interested in hearing his answer instead of assuming what he’ll say is incorrect. It also shows how she’s willing to change her mind about how she sees Quaritch, though her entertaining the idea of keeping him as a slave is concerning. Before giving Quaritch the hallucinogenic powder I referenced earlier in this editorial, Varang tells him, “First, I must see your soul”. Then, before telling Quaritch, “You have a strong heart. No fear”, Varang says, “Only true words will come from your tongue”. These examples illustrate Varang making a strong effort in getting to know Quaritch instead of falling for a fabricated image of him. Sadly, this is the only time Varang is shown learning more about Quaritch, which could give the impression her efforts aren’t strong.

The left picture shows Varang as she’s asking Quaritch, “What do I want”. The picture on the right shows Varang asking Quaritch questions. That picture is from Quaritch’s perspective while under the influence of the hallucinogenic powder she gave him. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Akasha doesn’t seem to see Lestat as an equal, but instead as something she can control. Akasha refers to Lestat by his name on less than three occasions. She also talks at him, not to him, as well as purposefully leaving Lestat out of the process of building their “kingdom”. Because Akasha forced Lestat into their relationship and possesses more control within it, he doesn’t feel their relationship is worth investing in. Once again, Varang refuses to repeat Akasha’s mistakes. In Avatar: Fire and Ash, when Quaritch brought up how she wanted an “equal”, Varang never objects or claims Quaritch is wrong. In fact, she tells him “I see you” after he reveals how an “equal” is what she really wanted. Any time she communicates with Quaritch (talking to him, not at him), Varang refers to him by his name. The only times she didn’t do that is when she didn’t know his name, hence the reason why she called Quaritch “Sky Man”. Since forming their relationship, Varang and Quaritch are rarely seen apart, as they recognize how valuable their time and company is. This is just one example of how their relationship contains equal investment. Meanwhile, Quaritch shows how he is an active participant in his relationship with Varang. In Avatar: Fire and Ash, during his interaction with Varang in her yurt, Quaritch explains what he can give her, such as “guns”, “comms”, and “RPGs”. But Varang recognizes the nontangible things he can give her as well, like security and peace of mind. This portion of their conversation highlights how Quaritch is willing to share and be a provider in his and Varang’s relationship. As I’ve said, Quaritch tries to learn more about Varang and her world. Because Varang has willingly provided these learning opportunities to Quaritch, he has received chances to grow closer to her.

Varang’s response to Quartich’s reminder of how she wants an “equal” doesn’t show her disagreeing with him. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

While reflecting on Lestat and Akasha’s relationship, as well as the other relationships discussed in this editorial, I noticed how their displays of affection are not consistent, whether these displays have been publicly or privately. It seems like those couples’ problematic behavior was the primary focus. Though Quaritch and Varang display villianous behavior in Avatar: Fire and Ash, their displays of affection are shown consistently throughout the film as well. Varang and Quaritch hold hands on two separate occasions; in Bridgehead City (after Quaritch introduces Varang to General Ardmore) and after Quaritch teaches Varang how to use a flamethrower. Quaritch has referred to Varang by endearing names like “baby”, “sugar”, and “darling”. Any time he touches her, Quaritch has continually been gentle with Varang. Meanwhile, Varang gently touched Quaritch’s arm in Bridgehead City. As I mentioned in this editorial already, Varang gently strokes Quaritch’s chin and kuru, which she does before Quaritch brought up how Varang wants an “equal”. But what I’ve noticed is how Varang only blinks whenever Quaritch is around or when something connected to Quaritch is around. Because this behavior is so patterned around Quaritch, I believe blinking is Varang’s way of showing affection for him. These times are the following:

  • While examining the deceased body of one of the Mangkwan Na’vi, Varang becomes interested in a bullet lodged within it. After digging out the bullet, Varang blinks as she bites into the bullet. Bullets typically come from the RDA, which Quaritch is associated with.
  • After Quaritch teaches Varang how to use a gun, she blinks as she tells him, “I do not need you now, Sky Man”.
  • Varang blinks as she notices the guns Quaritch brought to her Mangkwan village
  • Varang blinks immediately after Quaritch reminds her how she wants an “equal”
  • When Jake surrenders to Quaritch, Varang blinks three times during that situation: when Quaritch suggests Neytiri be arrested too, right before Jake refers to Varang as Quaritch’s “new girlfriend” and as Varang is looking up at Quaritch
  • Varang blinks twice when Quaritch introduces her to General Ardmore: when General Ardmore refers to Varang as Quaritch’s “little missy” and as Quaritch is introducing Varang as “Tsahìk of the Mangkwan”
  • When Neytiri infiltrates Varang’s tent in the Mangkwan clan’s camp in Bridgehead City, Varang blinks when Neytiri threatens to cut off Varang’s kuru. This incident takes place after Varang and Quaritch formed a tsaheylu (an intimate bond that lasts for life formed by mates connecting kurus). When Quaritch and Varang first met, she forcefully connected his kuru with hers in order to mentally manipulate him. However, an argument can be made that, in this particular situation, Varang did this in self-defense, as Quaritch had a gun pointed at her head when he was helping Jake rescue his children from the Mangkwan clan.
In these photos, Quaritch teaches Varang how to use a flamethrower. Quaritch’s hand is circled to emphasize how gently he touches Varang. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures
In this picture, Varang’s hand is circled to emphasize how gently she’s touching Quaritch’s arm. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures
Varang and Quartich’s hands are circled to highlight that Quaritch and Varang are holding hands. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Quaritch and Varang vs. Oscar and Lily

One of the worst movies I ever reviewed on 18 Cinema Lane is Twentieth Century. A reason why I don’t like this movie is how abusive Oscar and Lily’s relationship is. Oscar grows jealous and obsessive of Lily over the course of the film. The worst thing he does is use his mortality as a manipulation tactic. Not only does Oscar threaten suicide if Lily doesn’t stay with him, he also fakes his death to trick Lily into signing his contract. Quaritch and Varang, on the other hand, never do that in Avatar: Fire and Ash. The only time Quaritch uses language to manipulate a situation is when he tells Varang, “You touch me with that thing again, I’ll kill you”. Before he said that, Varang was attempting to mentally manipulate Quaritch with her kuru for a second time, even though he came to her village delivering guns for her people. Therefore, Quaritch’s threat was a self-defense tactic, as he still saw Varang as a threat. It should be noted how Varang also still saw Quaritch as a threat during this interaction, as Varang continues to hold her kuru. This is a response to Quaritch holding a gun to her head when they first met, as he was trying to help Jake rescue his children from the Mangkwan clan. Meanwhile, during Quaritch and Varang’s interaction in her yurt, Varang’s mortality is never a topic of discussion. Even though she could have used her mortality to manipulate Quaritch, she instead chooses to share her traumatic past with him, as well as asking him why he came to see her in the first place.

In this picture, Varang’s kuru in her hand is circled to emphasize how, in this moment, she still sees Quaritch as a threat after their first meeting. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Despite being treated horribly by Oscar, Oscar’s friends try to help him fix his relationship with Lily. They even go as far as blaming Lily for Oscar’s failures. Varang and Quaritch never do that either in Avatar: Fire and Ash. When Neytiri infiltrated the Mangkwan clan’s camp in Bridgehead City, Varang is more preoccupied with obtaining Neytiri’s heart than blaming Quaritch for the camp’s breach in security. Later in the movie, when General Ardmore permanently grounds Quaritch after Jake and another character named Spider escape Bridgehead City, Quaritch doesn’t blame Varang. Instead, he stays focused on recapturing Spider and Jake. Quaritch is even pleased he can utilize Varang mentally manipulating Neytiri to lure Jake and Spider, with Quaritch telling Varang, “Thanks, baby”. These examples I brought up show how Varang and Quaritch don’t take their frustrations out on each other because they possess the maturity and emotional understanding to recognize which battles are worth choosing, as well as what is within that other person’s control. At the same time, however, Quaritch and Varang don’t hold each other accountable if they do something wrong.

Even when Quaritch shows up to help Varang capture Neytiri, Varang remains focused on obtaining Neytiri’s heart. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures
After Quaritch uses Varang’s mental manipulation toward Neytiri to lure Jake and Spider, he tells Varang, “Thanks, baby”. But he doesn’t hold her accountable for her treatment toward Neytiri. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Varang and Quaritch vs. Nancy and Bill Sikes

Though I have reviewed 1968’s Oliver!, I never talked about how awful Nancy and Bill Sikes’ relationship is. Similar to Lestat and Akasha’s relationship, Nancy is more invested in her relationship with Bill. But, unlike Akasha and Lestat’s relationship, Bill is someone Nancy actually cares about. Unfortunately for her, Bill sees Nancy more as a nuisance than a girlfriend. When she asks Bill if he loves her, he angrily tells Nancy, “Course I do. I live with you, don’t I”? Bill also takes Nancy for granted, never showing gratitude whenever Nancy does something nice for him, like serving him food. He even becomes violent toward Nancy. Bill tries to physically intimidate Nancy by threatening to choke her when she refuses to bring Oliver back into a life of thieving. Bill also slaps Nancy so hard, she falls to the floor. After Nancy is beaten to death by Bill, Bill blames her for the predicament he put himself in. He expresses more concern for being caught by the police than remorse for the way he treated Nancy.

As he makes his way back to his and Varang’s tent, Quaritch says, “Hey sugar, join the party”. This highlights how he wants to spend more time with Varang. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Quaritch is never shown becoming angry at Varang. Even when Varang mentally manipulated him with her kuru or cut his chest, Quaritch doesn’t express anger or resentment toward her. However, Quaritch ignoring Varang’s aggression toward him could give her a mixed message on how to treat him. Quaritch has continually been gentle with Varang any time he touches her. In fact, the closest to aggressive Quaritch has ever been toward Varang is when he pointed a gun at her head. In that moment, however, Quaritch saw her as a threat, as Quaritch was trying to help Jake rescue his children from the Mangkwan clan. Throughout his relationship with Varang, Quaritch never takes her for granted, proving this by taking the time to learn more about Varang and her world. Out of all the ways he could have chosen to spend his time in Bridgehead City, Quaritch chose to spend it with Varang and the Mangkwan clan. What I said about Quaritch can also be applied to Varang. She stops being aggressive toward Quaritch when their relationship is established, as Varang saw Quaritch as a threat before that. Varang doesn’t take Quaritch for granted either, with her proof being how interested she appears in learning how to use a gun and flamethrower. Quaritch and Varang are rarely seen apart when their relationship is formed. They recognize how valuable their time and company is.

These two pictures show Quaritch’s response to Varang’s aggression toward him. Though he holds no anger or resentment towards Varang, Quartich choosing to ignore her aggression could give Varang mixed messages. Images created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures
These two photos show how interested and eager Varang is to learn from Quaritch. Image created by 20th Century Studios, Lightstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Conclusion

What led to the creation of this editorial was trying to figure out why Quaritch and Varang were so popular. Through my research, I think I found an answer. In the Avatar franchise, Varang and Quaritch seem to be the only two characters who subvert expectations. In entertainment media, when expectations are subverted, that can spark curiosity and intrigue from the audience. If you had told me back in 2009 that Colonel Miles Quaritch would eventually adopt the appearance of a Na’vi and fall in love with a Na’vi woman, I definitely would not have believed you. Then, in 2025, if you had told me the first Na’vi villain in the Avatar franchise would fall in love at all, let alone fall in love with Quaritch, I also would not have believed you. But, before publishing this editorial, if you had told me Quaritch and Varang’s relationship was healthier than some of the problematic relationships from movies and tv I’m familiar with (like Lestat and Akasha and Top Dollar and Myca), I certainly would have thought you were joking.

My editorial outro image created by me, Sally Silverscreen. Original image created by 20th Century Studios, Lighstorm Entertainment, TSG Entertainment, Canadian Film or Video Production Tax Credit (CPTC), and Walt Disney Studios Motion Pictures

Though this editorial highlights how Quaritch and Varang’s relationship is healthier than some problematic relationships from entertainment media, their relationship isn’t truly healthy. Because they are the villains in Avatar: Fire and Ash, their villainous behavior is on full display. They treat other people terribly, from Quaritch destroying Na’vis’ homes in his search for Jake Sully to Varang and the Mangkwan clan sparking unprovoked violence toward other Na’vis. There are also a lot of aspects of their relationship that are up for interpretation. I mentioned earlier how Varang and Quaritch formed a life-long bond called tsaheylu. Even though Varang is more educated about Na’vi culture than Quaritch, it’s unknown if she explained the significance of tsaheylu before they formed this bond, which would have allowed Quaritch to make an informed decision about whether he wants to spend the rest of his life with her. Despite the flaws in their relationship, however, Quaritch and Varang treat each other better than I expected. As of the publication of my editorial, the fourth film in the Avatar franchise has not officially been greenlit, though the release date has already been chosen. If that film does come to fruition, I hope Varang and Quaritch acknowledge how good they have it when it comes to their relationship. Because if my editorial stresses anything, it’s how some people aren’t so lucky.

References:

From 18 Cinema Lane –

Travel Lessons I Learned from Movies and TV

Toxic Valentine: Why Lestat and Akasha’s relationship is very problematic in Queen of the Damned (2002)

We Need to Talk About the Toxic Relationship of Top Dollar and Myca from ‘The Crow’

Take 3: Twentieth Century Review

Youtube Videos and Shorts –

‘Why Varang Is Working With Quaritch and the Humans of the RDA in James Cameron’s Avatar’ (short from Youtube channel, Bryce Edward Brown)

‘I Interviewed Stephen Lang and Oona Chaplin About Quaritch and Varang’s Future in Avatar’ (video from Youtube channel, Bryce Edward Brown)

‘Candid interview with James Cameron and cast of ‘Avatar: Fire and Ash’’ (video from Youtube channel, ABC News)

‘Stephen Lang on AVATAR: FIRE AND ASH!’ (video from Youtube channel, Film Stories)

‘Avatar Fire and Ash Cast Talk About Their Band & Na’avi Phrases & Fan Edits’ (video from the Youtube channel, Hits Radio)

‘The Cast of ‘Avatar: The Way of Water’ on Reuniting, Diving Underwater, and Date Nights’ (video from the Youtube channel, Fandango)

‘Avatar: Fire and Ash’s Oona Chaplin on Crafting Her MENACING Strut (Exclusive)’ (video from the Youtube channel, Entertainment Tonight)

Articles –

https://screenrant.com/how-quaritch-returns-in-avatar-way-of-water-explained/

https://james-camerons-avatar.fandom.com/wiki/Varang

https://james-camerons-avatar.fandom.com/wiki/Miles_Quaritch_(Recombinant)

https://james-camerons-avatar.fandom.com/wiki/Miles_Quaritch

Films and Television –

Avatar franchise (Avatar, Avatar: The Way of Water, Avatar: Fire and Ash)

Oliver!

Lost: Season 3, Episode 9 — ‘Stranger in a Strange Land’

The ‘Stranger Things’ Ending We Could (and Should) Get

On By 18cinemalaneLeave a comment

In this editorial are spoilers for Stranger Things. Read at your own discretion.

I recently wrote an editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, where I explained the similarities between Eddie Munson from Stranger Things and Harris Trinsky from Freaks and Geeks. While discussing how their stories were told in only one season, I brought up how there was speculation over whether Eddie could, somehow, return in Stranger Things’ fifth and final season. I’ve heard a variety of ideas how Eddie could come back. Some people have even wondered if Eddie will appear in Stranger Things’ last season at all. Based on how beloved Eddie is, I think he will appear in the fifth and final season of Stranger Things. But from what I’ve seen and heard, I have an idea for how Eddie might return. Before I explain the ending we could (and should) get, I want to remind my readers how everything I say is based purely on speculation. Even though the chances of viewers (and Eddie’s fans) receiving the ending I’ll propose are one in a million, I will explain throughout my editorial how it could and why it should be possible.

As I publish this editorial, my other editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, has steadily grown in viewership, partly due to Eddie’s popularity. Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

The Proposed Ending

During the climax of the final episode, “The Rightside Up”, the characters are in the middle of a battle with Vecna. During the epic battle, a scratching noise becomes louder and louder. The very next scene reveals the scratching noise is coming from colored pencils, as someone is drawing the battle from the previous scene. A close-up shot of the drawing itself gradually becomes a medium shot, showing Eddie Munson’s hands completing the masterpiece. As two more shots of Eddie drawing are shown, a voice-over from Wayne Munson, Eddie’s uncle, can be heard. He sounds like he’s having a conversation on the phone, saying things like “Eddie was just telling me about the Upside Down” and “I don’t know how he comes up with this stuff, but it’s certainly creative”.

The scene progresses to show it’s taking place in the Munson trailer. When Wayne approaches Eddie and asks him to see his latest drawing, Wayne (and the audience) sees other drawings and mementos related to past seasons of Stranger Things are found in Eddie’s notebook. Some of these include a newspaper article about Starcourt Mall, a portrait of Dustin Henderson, and even a note written by Chrissy Cunningham herself. As Wayne gives the notebook back to his nephew, he reminds Eddie how he’s been through so much, yet he’s proud of Eddie for using his creativity and imagination to overcome trauma and his other struggles. Wayne also tells his nephew how he’s genuinely excited to see what his future holds. While Wayne is saying these things, Eddie’s eyes start filling with tears, becoming overwhelmed with the love and support from his uncle. Eddie then tearfully says, “I wish everyone saw me like you do”. Wayne reassuringly tells Eddie, “Someday, they will”.

Overcome by his emotions (as well as his uncle’s love and support), Eddie bursts into tears. As Wayne gives his nephew a hug, the camera moves past them toward the living room of the Munson trailer. While a medium shot of the space gradually becomes a close-up shot, Eddie’s guitar and jacket are placed on a nearby chair. This visual tells the audience how music still plays a significant role in Eddie’s life. The final close-up shot shows two photos and an object placed on a table next to the chair I just mentioned. On the left is Eddie’s graduation portrait, not only indicating how 1986 was, indeed, Eddie’s year, he finally accomplished the one goal he wanted to achieve. On the right is a group photo of The Hellfire Club. This picture lets the audience know Dungeons and Dragons, as well as staying true to himself, remains important to Eddie. The object in the center is a snow globe featuring a tiny replica of Hawkins Public Library with small bats floating around inside.

While the scene between Dustin and Wayne is a well acted and written scene, I wish Dustin had told Eddie some that praise before he passed away. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

Why We Should Get This Ending

As you read the proposed ending of Stranger Things, you probably thought “I’ve seen this song and dance before”. That’s because it shares a lot of similarities with St. Elsewhere’s infamous series finale, “The Last One”, which reveals the entire show was a product of the imagination of the protagonist’s (Dr. Donald Westphall) son, Tommy. However, I think the creative team behind Stranger Things could take this concept and build upon it. Tommy appears in seventeen out of St. Elsewhere’s one hundred and thirty-seven episodes. While this fact establishes his presence on the show, Tommy’s inconsistent appearances and limited role in the overall story prevent the audience from developing an emotional attachment for him as a character. Though Eddie only appears in Stranger Things’ fourth season, he is featured in eight out of the season’s nine episodes. This allows Eddie to have a more consistent appearance on the show, as well as a more significant role in the season’s overarching story. Through my research for my editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, I learned Eddie is a very beloved (and dearly missed) character. With everything I said, having Eddie be the one to imagine Stranger Things would give the final season’s ending more emotional weight.

I mentioned earlier how infamous St. Elsewhere’s series finale, “The Last One”, is due to the revelation the entire show was a product of Tommy’s imagination. Though this is not explicitly stated in the final episode. In fact, all Dr. Donald Westphall says is how Tommy is “in his own world”. But based on the context of Tommy’s appearances on St. Elsewhere, I believe he imagined the show itself to deal with changes and situations in his life that seem out of his control. In the second season’s eighth episode, “All About Eve”, Tommy learns from his father how the family’s housekeeper will be leaving them. Dr. Donald Westphall becomes hospitalized in season four’s fifth episode, “Slice O’Life”. The Westphall family even move to another state in the sixth season’s seventeenth episode, “Their Town”. With those three examples potentially causing stress or trauma in a child as young as Tommy, it would make sense for Tommy to utilize imagination to gain some control within the world around him. Like I mentioned in my editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, Eddie has experienced trauma in his life, from his mom passing away to his dad becoming incarcerated. In Stranger Things’ first episode of the fourth season, “The Hellfire Club”, when Chrissy asks Eddie if he ever feels like he’s losing his mind, he tells her “on a daily basis”. Keeping this information in mind, Stranger Things being the result of Eddie’s imagination would be compatible with his story, giving him a sense of normalcy in a world that feels chaotic. Overcoming trauma being an explicitly stated reason for Eddie concocting the universe of the show could address themes of how resilient the mind is and how creativity and imagination can help heal, connect with others, and shape perspectives on the world.

While conducting research for my editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, I discovered Eddie and Wayne never shared any scenes together in Stranger Things’ fourth season. By having uncle and nephew share a heart-felt moment in the series finale I proposed, it would give the creative team of Stranger Things an opportunity to present the audience a heartwarming scene they were denied in season four. Throughout the fourth season, I don’t recall any of the characters in Eddie’s life telling him they were proud of him. So, my proposed ending would allow Eddie to hear encouraging words he should have heard sooner. The series finale I proposed would also give Eddie a second chance to reach his full potential and receive a semblance of a happily ever after. In an article from Variety titled ‘Saying Goodbye to ‘Stranger Things’: The Duffer Brothers Tell All on Season 5 Secrets, the Tearful Finale and Leaving Netflix for Paramount (Exclusive)’, Ross Duffer, one of the show’s creators, stated “when future Netflix subscribers binge the entire series, “It doesn’t feel like we dropped a storyline – it all connects””. Ross’ comment, along with the possibility of a series finale reminiscent of St. Elsewhere’s “The Last One” could create a new theory, the Eddie Munson Universe Theory, similar to how St. Elsewhere’s series finale is responsible for the Tommy Westphall Universe Theory (shows that crossed over with St. Elsewhere and crossed over with the crossover shows were also a product of Tommy’s imagination). Like I mentioned in my editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, Eddie is a very marketable character. Replicas of Eddie’s notebook and the snow globe I described earlier could be sold as official merchandise for $19.86 (yes, that price is intentional).

If the Eddie Munson Universe Theory was created, how would characters, like Dustin, be impacted by it? Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

How We Could Get This Ending

Listed below are observations I’ve made that make me believe we could get a St. Elsewhere-esque ending where Eddie created Stranger Things through his imagination.

— In a video from the Youtube channel, Michael Jae, titled ‘Why This Would Be The Absolute Worst Ending For Stranger Things’, Michael claims “The Duffer brothers have said for a while now that they have known how the show was going to end, at least, back since season four”. That is the same season where Eddie made his debut.

— Within a video titled ‘Stranger Things Season 5 Finale Teased! (*EMOTIONAL*)’ from the Youtube channel, Film Stocked, Chris stated Stranger Things’ fifth and final season will “be set in November of 1987”, yet the on-screen text says “In The Fall of 1987”. Fall of 1987 is when the sixth and final season of St. Elsewhere made its debut, the very season that produced the infamous series finale, “The Last One”.

— In the Variety article I referenced earlier, it reveals “The Duffers studied series finales that they felt really worked”. One of these finales is from the television show, The Sopranos, which gained a well-known reputation for being one of the most controversial endings in television history due to the final scene abruptly cutting to black for no reason. I’d argue if we didn’t get St. Elsewhere’s “The Last One”, we may never have gotten the series finale of The Sopranos. With that said, perhaps the Duffer brothers (as well as the rest of Stranger Things’ creative team) could opt for a more conversional/divisive ending that leaves viewers talking long after the show ended?

— A replica of Eddie’s guitar is the grand prize in the Chips Ahoy! x Stranger Things Sweepstakes (which was created to promote the show’s fifth and final season)

— All four volumes of the comic book miniseries, Stranger Things x Dungeons & Dragons: The Rise of Hellfire (which is partially about Eddie’s past) were published in 2025, the same year Stranger Things’ fifth and final season is debuting in.

— The “Dungeons & Dragons Stranger Things: Welcome to The Hellfire Club” Adventure Box (a version of the game modeled after the game Eddie played in the fourth season) was released on October 7th, a month before Stranger Things’ first volume of season five premieres.

— Michael Jae shares a behind-the-scenes photo from Stranger Things in the video ‘Why Stranger Things Season 5 Writer Is Bringing Eddie Back!’ The photo, allegedly taken from a filmed scene, prominently features Eddie on a hospital stretcher. As I observed the photo for myself, I noticed Eddie didn’t appear to be wearing the black bandanna he wore in the fourth season’s last episode, “The Piggyback”. If the series finale I’ve been proposing does come to fruition, perhaps Eddie required a trip to the hospital due to the trauma/struggles Wayne reminds his nephew about? Maybe that filmed scene will be used as a flashback to explain what led up to Eddie imagining the world of Stranger Things?

— In that same video, ‘Why Stranger Things Season 5 Writer Is Bringing Eddie Back!’, Michael brings up the book, Stranger Things: Flight of Icarus by Caitlin Schneiderhan. He claims “the same writer is working on the Eddie book as well as season five”. Stranger Things: Flight of Icarus is also addressed in the Film Stocked video, ‘Stranger Things Season 5…Eddie Munson Returns?’. Chris explains in that video how the book’s author, Caitlin Schneiderhan, “was in the writer’s room for Stranger Things four and has been a part of Stranger Things’ crew since season two”.

— Michael Jae brings up in the video, ‘Joseph Quinn Just Spoiled Something Big in Stranger Things Season 5’, how the Duffer brothers emphasized “immediately after season four how big of a role Eddie’s death will play in season five”. If Stranger Things ends the way I’ve been proposing, maybe it will be revealed Eddie’s death was more figurative? With the possibility of Eddie creating the show’s universe through his imagination, perhaps Eddie dying and even his headstone are visual representations of how the parts of Eddie’s life plagued by trauma, struggles, and even grief have “died” due to him overcoming those issues, allowing him to be “now at peace” through healing and moving forward with the rest of his life? This would explain Eddie’s dilemma over running away throughout season four, his decision to stay and fight the Demobats, and even asking Dustin “I didn’t run away this time, right?”

— The clips I’ve seen of Eddie fighting the Demobats look, to me, like the bats are moving in a circular motion, almost as if they’re trapped in a snow globe. Even the terms “Upside Down” and “Rightside Up” sound like motions used to make the snowflakes in a snow globe move. First, you tip the snow globe “upside down” so the snowflakes go to the “bottom”. Then you flip the snow globe “rightside up”, allowing the snowflakes to fall as they would in real life.

— Any fan of Stranger Things would know Stranger Things Day takes place on November 6th because one of the show’s characters, Will Byers, disappeared on November 6th, 1983. But does anyone else notice how that date also takes place during the 1983-1984 school year, when Eddie tried to graduate high school the first time around? Could this detail just be coincidence or connected in some fashion?

— According to Stranger Things Wiki, “the curse gates converged upon the library on March 27th, 1986 (the day Eddie died). As I described earlier in this editorial, Eddie’s snow globe in the proposed ending features a tiny replica of Hawkins Public Library. Perhaps the aforementioned event could be a symbolic visual of how the library, like the mind, is the ultimate source of imagination?

— One of the villains of Stranger Things, Vecna, just so happens to be a character from Eddie’s “Cult of Vecna” Dungeons & Dragons campaign that Eddie himself brought up in season four’s very first episode, “The Hellfire Club” (the same episode Eddie made his official debut).

— In a short video from the Youtube channel, Film Stocked, Chris talks about the last episode of Stranger Things’ fifth and final season being shown in theaters. In the background, title cards announce volume one will premiere on November 26th and volume two will premiere on Christmas. These title cards feature a snowflake pattern, with The Hellfire Club’s logo in the middle of some of the snowflakes and the initials ‘HFC’ (standing for The Hellfire Club) above those snowflakes.

— Eddie’s solo of Metallica’s ‘Master of Puppets’ was one of the most memorable moments not just in season four, but arguably in Stranger Things’ history. But have you ever wondered why Eddie picked that specific song to perform? While we know Eddie is a Dungeon Master, perhaps the song choice is an allusion to Eddie being the “master” of Stranger Things’ universe, with the other characters and stories simply being “puppets”?

This is the behind-the-scenes photo from Michael Jae’s Youtube video, ‘Why Stranger Things Season 5 Writer Is Bringing Eddie Back!’, I referenced. If you look really closely, you’ll noticed how it doesn’t look like Eddie is wearing the black bandanna he wore in “The Piggyback”.
These are the title cards from Film Stocked’s Youtube video, ‘STRANGER THINGS SEASON 5 FINALE OFFICIALLY COMING TO THEATERS!’, I referenced. Some of the snowflakes I described have been circled for greater emphasis on my point.

Why I Hope We Get This Ending

Back in 2022, I wrote a list about the top ten characters who didn’t reach their full potential. In that list, I explained how a character reaching their “full potential” means a character is given the opportunity to reach their goals, make their dreams come true, and allow their stories to be told to a satisfying extent. Though the list only features ten characters, I can think of more that fit the criteria. And, frankly, this thought makes me tired of seeing characters not reaching their full potential for a variety of reasons. Creatively speaking, this seems like a growing problem without an obvious solution. But if my proposed ending of Stranger Things comes true, the show’s creative team would find, at least, one answer to this problem. I can only speak for myself, but I’d rather think about Eddie finally graduating high school, the world being his oyster, and doing anything and everything his heart desires. Similar to St. Elsewhere’s series finale, “The Last One”, it would be a commonly discussed ending, extending the relevancy of Stranger Things a little bit longer. Plus, it would recontextualize the entire show, allowing the audience to see things from a new perspective.

If Stranger Things was the result of Eddie’s imagination, how would it change the context of scenes like Eddie’s ‘Master of Puppets’ solo? Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

Editorial References:

Stranger Things Wiki

Eddie Munson and Harris Trinsky: Two Sides of the Same Coin

Top Ten Characters Who Didn’t Reach Their Full Potential

https://variety.com/2025/tv/features/stranger-things-5-duffer-bros-ending-spinoffs-1236551615/

https://www.ign.com/articles/where-to-buy-dungeons-and-dragons-stranger-things-welcome-to-the-hellfire-club

https://screenrant.com/st-elsewhere-controversial-series-finale-revisited/

en.wikipedia.org/wiki/St._Elsewhere

en.wikipedia.org/wiki/List_of_St._Elsewhere_episodes

St. Elsewhere‘s official IMDB page: imdb.com/title/tt0083483/?ref_=ttfc_ov_bk

Michael Jae Youtube Channel: ‘Why This Would Be The Absolute Worst Ending For Stranger Things’, ‘Why Stranger Things Season 5 Writer Is Bringing Eddie Back!’, and ‘Joseph Quinn Just Spoiled Something Big in Stranger Things Season 5’

Film Stocked Youtube Channel: ‘Stranger Things Season 5 Finale Teased! (*EMOTIONAL*)’, ‘Stranger Things Season 5…Eddie Munson Returns?’, and ‘STRANGER THINGS SEASON 5 FINALE OFFICIALLY COMING TO THEATERS!’

Eddie Munson and Harris Trinsky: Two Sides of the Same Coin

On By 18cinemalane3 Comments

In our landscape known as entertainment, a select group of movies, television shows, or characters are given the title of “popular”, “iconic”, or even “classic”. Sometimes, I try to check out programs or learn more about characters that get these titles to try to gain an understanding for why that program or character is well-liked in the first place. Back in 2022, when Stranger Things’ fourth season was released, I remember seeing pictures of Eddie Munson making his famous goofy face sprinkled across the internet like confetti on New Year’s Eve. Since I don’t watch the show, I didn’t think much of it then. That changed, however, when I saw the trailer for the fifth and final season of Stranger Things. Seeing Eddie’s headstone left me confused; how did this guy who seemed so popular on the internet end up dead? Like I said, I don’t watch the show. Therefore, I didn’t think it had a reputation like Lost or Game of Thrones; where no character is safe from getting killed off. Curiosity got the better of me almost immediately and I learned anything and everything I could about Eddie. To my surprise, the more I learned about him, the more I realized Eddie shared an uncanny amount of similarities with Harris Trinsky, my favorite character from Freak and Geeks. My curiosity, paired with my being a Harris Trinsky fan, are what led to the conception of this editorial, where I will discuss in depth why Eddie Munson and Harris Trinsky are two sides of the same coin!

Is it just me or do Harris Trinsky and Eddie Munson look similar to one another? Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, Upside Down Pictures, Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

Who is Eddie Munson and Harris Trinsky?

Before I officially begin this editorial, we need to establish who Eddie Munson and Harris Trinsky are, especially for readers who are unfamiliar with these characters. Eddie Munson made his debut in the fourth season of the popular Netflix show, Stranger Things. He was introduced as the Dungeon Master of The Hellfire Club as well as the local “metalhead” (someone who like metal music). Since his debut in 2022, Eddie has become one of the most beloved characters not just from Stranger Things, but in television history. Eddie’s distinct appearance and personality have also made him a very marketable character. Harris Trinsky is a character the titular “geeks” are friends with on Freak and Geeks. Though he appears in ten of the show’s eighteen episodes, Harris has a reputation for being someone the “geeks” turn to for advice and guidance. Because of his inconsistent appearances on the show, only a portion of information is known about Harris. Despite this, his dry sense of humor and brutal honesty left a memorable impression.

This Stranger Things display in the Youtube video, ‘Spirit Halloween 2025 Store Tour’, from the Youtube channel, Spirit Halloween, proves how marketable Eddie is by prominently featuring his Hellfire Club shirt
From time to time, Harris joins the “geeks” at their lunch table on Freaks and Geeks. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

1. Eddie and Harris are Dungeon Masters

This similarity is what initially sparked the discovery of other similarities that exist between these two characters. In fact, when I learned Eddie was a Dungeon Master, the first thing I said was, “just like Harris Trinsky”. In Dungeons & Dragons, a game that relies on adventure and strategy, Dungeon Masters are the ones who essentially control the game (known to players as campaigns). On Freaks and Geeks and Stranger Things, both Harris’ and Eddie’s Dungeons & Dragons groups participate in a campaign. During these campaigns, each group welcomes a new member. In the Freak and Geeks episode, “Discos and Dragons”, Harris (who is affiliated with the “geeks”) invites Daniel (a member of the “freaks”) to join his group’s upcoming campaign. When Daniel experiences his first campaign, he realizes he enjoys Dungeons & Dragons and the company of Harris’ group, which consists of Sam, Neil, Gordon, and Bill. He even successfully completes his first campaign because Harris and the “geeks” explain the game along the way.

In the Stranger Things episode, “The Hellfire Club”, Lucas (one of the members of Eddie’s Dungeons & Dragons group) is unable to attend that night’s campaign due to a basketball game. Dustin and Mike (two other members of The Hellfire Club) invite Lucas’ sister, Erica, to stand in for Lucas. What works in Erica’s favor is how she is familiar with Dungeons & Dragons prior to being invited to The Hellfire Club. Her familiarity with the game, along with Eddie and the rest of The Hellfire Club’s support of her participation, help Erica win her first campaign.

Even though Harris and Eddie are Dungeon Masters of their respective Dungeons & Dragons groups, the way these groups are led is quite different. Harris’ approach is more casual, simply giving the “geeks” a reason to hang out on the weekends. Before the campaign in Freaks and Geeks, Harris reveals how “ancient Babylonia” is incorporated into the campaign itself. Not only does the campaign featured in “Discos and Dragons” take place at one of the character’s houses, the campaign schedule is also flexible, as the “geeks” agree to meet the following Saturday after Daniel expresses interest in playing again.

Eddie’s group, The Hellfire Club, is more established. It has an official name, an official logo printed on official shirts, an official yearbook photo, and even an official meeting room (located in the drama/theatre room at Hawkins High School). The “Cult of Vecna” campaign featured in the episode, “The Hellfire Club”, incorporates elements of fantasy and science fiction, which reflects Stranger Things itself. Despite these differences, another major similarity between Harris’ and Eddie’s story is how Dungeons & Dragons is included to serve an overarching theme. Freak and Geeks uses Dungeons & Dragons to promote themes of acceptance, friendship, and building bridges (with Daniel and Harris’ Dungeons & Dragons group building a bridge between the “freaks” and the “geeks”). Stranger Things’ creative team uses Dungeons & Dragons in season four’s script to provide commentary on the “Satanic Panic” that took place during the 1980s.

These photos from “The Hellfire Club” present Eddie’s Dungeons & Dragons group like a elaborate production. Notice the stage lights in the background? Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
In this picture from “Discos and Dragons”, Harris’ Dungeons & Dragons group takes a more casual approach to the game. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

2. Harris’ and Eddie’s Stories Take Place in the 1980s, in High School, and in the Midwest

In the pilot episode of Freak and Geeks, “William McKinley High School”, “Michigan”, and “1980” are shown on screen. This text sets the stage for when and where Harris’ story (as well as the show) takes place. According to the video, “From CANCELED to CULT CLASSIC (Freaks and Geeks)”, from the Youtube channel, Media Pastimes, the characters live in the fictional town of Chippewa, Michigan. Because one of Freak and Geeks’ episodes is set on Halloween, the script establishes the story takes place specifically during the 1980-1981 school year. Through the dialogue, it’s revealed Harris is a sophomore at the aforementioned high school. Neil points out in “Tests and Breasts” how Harris is only a year older than the “geeks”. Harris also shares his story in the show’s pilot episode about how he faced his “freshman tormentor”, with the story being told in past tense.

Stranger Things is consistently set in the fictional town of Hawkins, Indiana. This major detail was established long before the show’s creative team even thought about including Eddie on the show. However, Stranger Things’ fourth season does provide the necessary information that determines when and where Eddie’s story takes place. Just in the first episode, “The Hellfire Club”, alone, the audience learns Eddie attends Hawkins High School. With the fourth season set during March 21st to 27th, 1986, it emphasizes Eddie’s story takes place during the 1985-1986 school year. This detail is emphasized again when it’s revealed Eddie is a “super senior”. In the episode, “The Hellfire Club”, Gareth and Jeff (two of The Hellfire Club’s members) call Eddie out for failing to graduate in 1984 and 1985. Despite this, Eddie expresses a desire to graduate in 1986.

If you begin watching Freaks and Geeks, these are the first images you’ll see. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
Hawkins High School and the “Leaving Hawkins” sign have become familiar landmarks for viewers of Stranger Things. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

3. Eddie and Harris Have An “Outsider” Status

Though Eddie and Harris are known as Dungeon Masters in their friend groups, they are both considered “outsiders” by those not affiliated with their personal circles. On Freaks and Geeks, Harris is labeled a “geek” primarily due to his association with the “geeks” (Sam, Neil, Gordon, and Bill). Meanwhile, Eddie admits he and the other members of The Hellfire Club are labeled as “freaks” when he says, “We’re the freaks because…we like to play a fantasy game?”

Harris and Eddie were not only mistreated in their respective shows for being “outsiders”, they were also bullied prior to the events of their stories. Though the only time Harris is treated poorly on Freaks and Geeks is when Alan (the “freshman tormentor” of the “geeks”) harasses the “geeks” in the episode, “Tricks and Treats”, Harris either admits to or implies other times he was bullied, such as when Harris shares his story about how he faced his “freshman tormentor”. Things got so out of hand, Harris’ “freshman tormentor” (Tom Cressman) broke Harris’ tailbone, which led to him getting expelled. When Daniel walks past Harris in the episode, “Looks and Books”, Harris asks Daniel, “You’re not gonna beat me up, are you?”

As mentioned before, Eddie was mistreated before and during his time on Stranger Things for being an “outsider”. Stranger Things Wiki states that “Upon beginning high school, Eddie found himself being targeted for bullies”. It’s unknown what the extent of the bullying was. In the episode, “The Hellfire Club”, when Eddie is delivering his famous monologue about the hypocrisy of forced conformity, one of Hawkins High School’s basketball players, Jason, calls Eddie a “prick” and a “freak”. This same character also creates false accusations against Eddie, such as claiming he is the leader of a Satanic cult. Jason takes things a step further when he not only kept a log of every location Eddie frequented, he and his friend, Patrick, also chased Eddie out of his hiding place while he had run away after Chrissy’s death.

Despite all the mistreatment Harris and Eddie have faced, neither is fazed by his “outsider” status. In fact, each wears it as a badge of honor by actively choosing to be his authentic self. This decision earns them respect and adoration from other characters in their stories. During their conversation in “Looks and Books”, Daniel commends Harris by telling him “you do your own thing”, you’re “comfortable with yourself”, and “You got it pretty wired, huh?” Keep in mind this conversation takes place before Harris invites Daniel to join his Dungeons & Dragons group. In a conversation from the Stranger Things episode, “The Piggyback”, Dustin shares with Eddie’s uncle, Wayne, “Even in the end, he never stopped being Eddie, despite everything”. Eddie also gains the friendship of characters outside of his social sphere, like Steve Harrington and Nancy Wheeler, due to his ability to help them when they needed him the most.

After writing this editorial, I now try to imagine how this conversation would go if Harris were talking to Eddie. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
As Clarence tells George in It’s a Wonderful Life, “Each man’s life touches so many other lives”. This image of Dustin giving Wayne his nephew’s guitar pick necklace is a beautiful representation of Clarence’s quote. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

4. Harris’ and Eddie’s Sense of Style

This similarity between Eddie and Harris is more trivial than the other similarities discussed in this editorial. However, it is still a similarity I noticed while conducting research for this article. As I said earlier, the fourth season of Stranger Things is set during March 21st to 27th, 1986. Therefore, Eddie’s story is more condensed than Harris’ story, which is more episodic and takes place over the course of several weeks. Despite this difference, both characters wear the same articles of clothing in multiple episodes. Harris can be seen wearing a gray plaid shirt in four episodes of Freaks and Geeks: “Discos and Dragons”, “Smooching and Mooching”, “Tricks and Treats”, and “Carded and Discarded”. Meanwhile, Eddie practically lives in his Hellfire Club shirt throughout his time on Stranger Things. It should also be noted how black is the most prominent color in both Eddie and Harris’ wardrobe. Every outfit Harris wears on Freaks and Geeks is either completely black or contains at least one article of clothing with the color black in it. Even though Eddie wears the same outfit for the entirety of Stranger Things’ fourth season, his articles of clothing containing the color black are the following:

  • Hellfire Club shirt (sleeves and collar of shirt are black)
  • Jeans
  • Watch
  • Leather jacket
  • Bracelet
  • Bandanna (Eddie wears this later in the season)

While we’re on the subject of Eddie’s wardrobe, a major difference is how his style is more personalized than Harris’. The shirt Eddie consistently wears promotes The Hellfire Club (his Dungeons & Dragons group). His denim vest features pins and patches of metal bands he’s a fan of, which are Motorhead, W.A.S.P., Judas Priest, Megadeth, Dio, Accept, Merciful Fate, and Iron Maiden. Though Eddie and Harris’ attire appears distinct from one another, their style is casual and low maintenance, promoting personal comfort and what makes them feel good about themselves.

These photos accurately show how many times Harris wears his gray plaid shirt. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
These pictures represent some examples of how the color black is incorporated into Harris’ wardrobe. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
In these photos, I point out how the color black is incorporated into Eddie’s wardrobe. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
In these three pictures, I point out the band pins and patches on Eddie’s denim vest. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

5. Eddie and Harris Possess a Rebellious Streak

Earlier in this editorial, I brought up Eddie’s famous monologue about the hypocrisy of forced conformity. If one were to watch that scene with little to no context, it might be easy to write Eddie off as a “rebel” or an “attention-seeker”. It is true Eddie has a prominent and consistent rebellious streak while on Stranger Things. But it’s important to pay attention to why Eddie possesses a rebellious streak. Eddie’s monologue is featured in the episode, “The Hellfire Club”. When he is introduced in this episode, Eddie reads a magazine article about the “dangers” of Dungeons & Dragons. The members of The Hellfire Club become discouraged over being considered “freaks” by the other students at Hawkins High School. This is when Eddie delivers his famous monologue, telling his friends;

“We’re the freaks because…we like to play a fantasy game? But as long as you’re into band, or science, or parties, or a game where you toss balls into laundry baskets! It’s forced conformity. That’s what’s killiiiiing the kiiiiids! That’s the real monster.”

During this monologue, Eddie climbs on the cafeteria table, yells loudly, and even makes his well-known goofy face I referenced in this editorial’s introduction. If you look past the theatrics and really listen to what Eddie is saying, he’s stressing how The Hellfire Club is treated differently due to the school community’s perception of the various extracurricular groups. By pointing out this hypocrisy, Eddie emphasizes the importance of embracing uniqueness and being a free-thinker. His monologue is such a beautiful example of how his rebellious streak is a product of his choices, as Eddie pursues his interest in Dungeons & Dragons despite the criticism and screaming the quiet parts out loud.

On Freaks and Geeks, Harris is known for having a laid-back personality. But he does show a glimmer of a rebellious streak in the episode, “Beers and Weirs”. Harris is a member of the group, McKinley High Sober Students, which discourages under-age drinking. Later in the episode, however, he attends a party hosted by Sam’s sister, Lindsay, that happens to be serving (non-alcoholic) beer. Before taking a large gulp of (non-alcoholic) beer, a party guest asks Harris if he’s a member of McKinley High Sober Students. Harris replies by telling the guest, “I only did that cause it looks good on my transcript for college.” Though this rebellious streak is brief, it is the result of Harris’ actions. Not only did he literally act in an improv performance hosted by McKinley High Sober Students, he also acts in his own interests by joining the group for academic gain instead of genuinely supporting the cause.

These two photos are from Eddie’s monologue about the hypocrisy of forced conformity. Though the theatrics make this monologue memorial, Eddie does bring up excellent points. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
One of the most popular pictures of Eddie, which has probably been seen all over the galaxy. Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
Toward the beginning of “Beers and Weirs”, Harris performs in an improv presentation with two other group members named Cindy and Millie. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

6. Harris and Eddie Have a Healthy Sense of Confidence

What makes Harris and Eddie such likable characters is their healthy sense of confidence. Both of them consistently appear comfortable with themselves and satisfied with their skills and talents. After gym class, in the episode, “I’m with the Band”, Harris asks Sam if he’ll sign up for French next year. During this conversation, Harris expresses a desire to take German because he’s “a quarter German”. He then speaks German on two occasions: when he shares parting words with Sam and when he responds to Coach Fredericks’ roll call in gym class. Some people might feel intimidated or self-conscious about speaking a new language in front of their peers due to fear of judgement. But in “I’m with the Band”, Harris speaks German with confidence and ease. He prioritizes using the language in contexts he deems appropriate over other people’s reactions. Because of his healthy sense of confidence in his learning abilities, Harris receives an academic head-start, as he uses everyday situations to practice and master a new language.

Eddie has been the lead guitarist of the band, ‘Corroded Coffin’, since middle school. He even discusses his musical talents with a fellow student of Hawkins High School named Chrissy. In the Stranger Things episode, “The Piggyback”, Eddie’s guitar skills play a major and even lifesaving role. While in the Upside Down, the Demobats pose a huge threat to Eddie and his friends. In order to distract the Demobats so his friends can be protected, Eddie performs a solo of Metallica’s “Master of Puppets”. This plan ends up working, as his friends, Steve, Robin, and Nancy, are able to safely get away from the Demobats and reach their intended destination. Eddie’s healthy sense of confidence in his musical abilities allowed him to become a part of something greater than himself (which was the battle of good vs. evil). It also helped Eddie find a sense of belonging and purpose, especially after being considered an “outsider” and a “freak”. Eddie’s performance even left a good impression on Dustin, as he claims the “Master of Puppets” solo was the “most metal ever”.

Neil Schweiber was definitely caught off-guard when Harris spoke German in their gym class. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
Eddie’s solo was so “metal”, it earned Dustin’s stamp of approval. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

7. Eddie and Harris Display Self-Awareness

One quality that makes Eddie a great character is his self-awareness, which doesn’t get talked about enough. I will bring up two perfect examples where Eddie’s self-awareness shines through. When I said earlier how Eddie is a “super senior”, I mentioned Gareth and Jeff calling Eddie out for failing to graduate in 1984 and 1985. Eddie responds to this criticism by saying, “Yeah, yeah, and I was full of shit”. Anyone who knows anything about Eddie would know he’s been through some trauma in his young life. According to Stranger Things Wiki, Eddie experienced heartbreak at six years old when his mom, Elizabeth, passed away. His dad, Alan, became incarcerated, which led to Eddie’s uncle, Wayne, obtaining custody of his nephew. Keeping this information in mind, Eddie could have used his trauma as an excuse for not graduating high school sooner. He could have blamed others for his choices or given up by dropping out of school. But by admitting he was “full of shit”, he takes full accountability for his decisions and mistakes. At one point, Eddie states, “I am army crawling my way toward a D in Ms. O’Donall’s”, admitting how his grades aren’t the best, yet is trying to make some improvement in order to graduate. Later in season four, during a conversation with Steve, Eddie confesses, “…when the other dads were teaching their kids how to fish or play ball, my old man was teaching me how to hot-wire. Now, I swore to myself I wouldn’t wind up like he did…” Based on this quote alone, Eddie acknowledges two things. The first is how the way he grew up and the way his dad raised him isn’t “normal” or healthy. The second is how Eddie knows what kind of man he doesn’t want to be. This self-awareness I described explains some of Eddie’s decisions in Stranger Things’ fourth season, such as his sacrifice in “The Piggyback”. It fuels his objectives as well, like wanting to finally graduate high school.

Earlier in this editorial, when I brought up Harris’ explanation for why he’s a member of McKinley High Sober Students, it wasn’t just an act of rebellion for him. It was also Harris’ display of self-awareness for what he wants (to graduate high school) and how he’s going to achieve his goal. Other ways Harris works to achieve his goal are joining the William McKinley High School’s Audio/Visual Club (a group that consists of Harris and the “geeks”) and getting good grades (a fact he admits in his conversation with Daniel in the episode “Looks and Books”). On two separate occasions, Harris is in possession of a Dungeons & Dragons handbook: The Monster Manual (in “Looks and Books”) and Deities and Demigods (in “Discos and Dragons”). By owning these Dungeons & Dragons handbooks and taking the time to read them, Harris shows how eager he is to learn how to make campaigns as fun and engaging for everyone. He wants to truly understand the rules as well, so he can teach others how to play the game. These examples show Harris’ self-awareness for his role as a Dungeon Master and the responsibilities it entails.

Eddie responds to Gareth and Jeff’s criticism by showing his self-awareness. Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
Harris stays involved in the school community of William McKinley High School by joining the Audio/Visual Club. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
On Freaks and Geeks, Harris reads more than one Dungeons & Dragons handbooks so he can learn as much as he can about the game. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

8. Harris and Eddie Assume a Leadership Role and Become Role Models for Their Stories’ Younger Characters

In their respective stories, Eddie and Harris earn a leadership role through their actions and choices. They both show their leadership through putting others before themselves. Alan (in the Freaks and Geeks episode, “Tricks and Treats”) claims he’ll leave the “geeks” alone if they give him their candy. Out of all the “geeks” Alan and his friends harassed, Harris is the only one to give Alan his candy. He even tries to tackle one of Alan’s friends in order to protect the younger “geeks”. Harris was willing to sacrifice his Halloween candy and fun so Sam, Neil, and Bill wouldn’t face further torment from Alan.

During Eddie’s monologue about the hypocrisy of forced conformity, he brings up three extracurricular groups: “band”, “science”, and the basketball team. What these three groups share in common is how their members are eligible to receive letterman jackets. Depending on the school, a student’s academic/extracurricular interests will be stitched somewhere on the jacket. Patches and medals related to those interests may be added to the jacket as well. Letterman jackets are representative of a student’s time spent in an extracurricular group, as well as symbolizes those members being a part of something greater than themselves. Eddie likely saw Hawkins High School’s letterman jackets and believed The Hellfire Club deserved something similar. So, he went the extra mile to create official Hellfire Club shirts and gave them to the group’s members. Though the gesture is simple, Eddie giving Hellfire Club shirts to each member makes them feel important, even when they don’t see themselves that way. Making his Dungeons & Dragons group inclusive through the little things makes Eddie a worthy Dungeon Master and an attentive leader.

These two photos from “Tricks and Treats” show how Harris tries everything he can to protect the “geeks”. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
In these photos, I point out how every member of The Hellfire Club wears their official shirt to school. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

Before Sam, Neil, and Bill go trick-or-treating, Harris warns them of rumors he heard about candy potentially being contaminated. When the “geeks” eventually go trick-or-treating, Sam expresses interest in going to a wealthy neighborhood because “they hand out the best candy”. Harris then points out, “That’s not true. Rich people traditionally give out the cheapest candy. That’s how they stay rich”. These two examples from “Tricks and Treats” show Harris looking out for the best interests of the “geeks” by wanting them to stay safe and trying to help them think logically about how to best utilize their time. Harris being a role model for the “geeks” inspired them to look out for others, like when they swapped out actual beer for non-alcoholic beer before Lindsay’s party in “Beers and Wiers”.

Throughout his time in Stranger Things’ fourth season, Eddie proves to be a man of his word. One excellent example is how he is always willing to lend a helping hand. When Eddie instructs Dustin and Mike to look out for “little lost sheepies” to substitute for Lucas, he specifically encourages them to find those “who need help”. During his story, Eddie consistently helps other characters, no matter their social standing. From reassuring Chrissy she’s not the only one who feels like they’re losing their mind to encouraging Steve to work things out with Nancy, helping where help is needed is one of Eddie’s top priorities. This has influenced Dustin the most. Eddie also consistently roots for Dustin to be his genuine, authentic self, such as telling him to “never change” and pointing out how brave it was for Dustin to wear a Weird Al t-shirt to school. When Eddie dies at the end of season four, Dustin is understandably devastated, as he lost his role model.

Harris joined the “geeks” on their trick-or-treating excursion in the episode, “Tricks and Treats”. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
Eddie tells Dustin to “never change” in the episode, “Papa”. Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

9. Eddie and Harris’ Stories Are Told in Only One Season

The fact Harris’ and Eddie’s story are told in only one season is the most heartbreaking similarity between these characters. There has been speculation, however, over whether Eddie could, somehow, return in Stranger Things’ fifth and final season. Eddie was introduced at the beginning of Stranger Things’ fourth season, but died at the end of season four due to his injuries caused by the Demobats. On the other hand, Harris’ story lasted for only one season because that’s how long Freaks and Geeks stayed on television. The show was cancelled after its first and last season due to a variety of issues, including leadership changes at NBC (the network that distributed Freaks and Geeks), creative differences between the show’s creative team and the network, an inconsistent schedule, and NBC failing to properly promote the show. These creative decisions, like cancelling Freaks and Geeks and killing off Eddie, leave questions that may never get answered, such as if Harris eventually married his “high school sweetheart”, Judith, and what Eddie’s life would look like after graduation. They not only deny the audience a satisfying conclusion, they also deny Eddie and Harris an opportunity to reach their full potential.

The last shots of Harris and Eddie on their respective shows. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, Upside Down Pictures, Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

Conclusion

I initially spent hours researching Eddie Munson because I wanted to understand why he was so popular. Not only did I achieve that understanding, I found a connection between Eddie and Harris Trinsky. The more I think about these characters, the more I see them as a lighthouse among a stormy sea, proving reliable in times of need. But if I had to be brutally honest, I wish Harris and Eddie had been a lighthouse for each other. Maybe Eddie could have protected Harris from getting his tailbone broken by Tom Cressman. Maybe Harris could have encouraged Eddie to graduate high school sooner and make better choices with his life. And maybe, just maybe, every year could have been “Eddie’s year”. I wish there was an alternate/parallel timeline/universe/dimension/multiverse where Harris’ and Eddie’s stories overlapped and they also became best friends, perhaps even brothers. Because I could see that as “the beginning of a beautiful friendship”. Stranger Things and Freaks and Geeks didn’t just give us two likable characters. They didn’t just give us two heroes worth rooting for either. What these shows gave us are two sparkling, shooting stars in our landscape known as entertainment.

Harris Trinsky and Eddie Munson: two sparkling, shooting stars. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, Upside Down Pictures, Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

Editorial References:

Stranger Things Wiki

I Willie Dont Know (Youtube channel)

“From CANCELED to CULT CLASSIC (Freaks and Geeks)” from the Youtube channel, Media Pastimes

“The IMPOSSIBLE musician, Eddie Munson” from the Youtube channel, RemGames

“Eddie Munson beinghimself for 6 minutes straight (contains ST4 spoilers)” from the Youtube channel, Will Breyers

“Top 10 Reasons We Love Eddie Munson on Stranger Things” from the Youtube channel, MsMojo

A Movie Blogger Fixes Food Related Movie “Gimmicks”

On By 18cinemalane9 Comments

Whenever I participate or host a blogathon, I try to approach the selected topic from a unique perspective. For The Food & Film Blogathon, I wanted to observe the relationship between film and food through cinematic promotion. More often than not, food has been an advertiser when encouraging people to check out a particular title. Sometimes, creativity and ingenuity have shined through these promotions, leaving a memorable impression and even helping a film succeed at the box office. But as I was researching this promotional connection of food and film, I noticed how some food-related movie “gimmicks” could be improved. These “gimmicks” are not entirely weak or unsuccessful. In fact, some of them have held a special place in the hearts of customers. However, as I’ll explain in this editorial, these food-related movie “gimmicks” could be more productive and sustainable. Before I continue, I want to point out how my editorial is intended to be constructive, not mean-spirited or negative.

The Food & Film Blogathon banner created by me, Sally Silverscreen. Original pictures found in the video, “Fast Food Movie Tie-Ins and the History of the Summer Blockbuster!”, from the Youtube channel, PNP Videocast.

Popcorn Buckets and Reuseable Cups

When patrons enter the halls of their local movie theater, they are constantly bombarded with promotions for not just currently playing films, but upcoming films as well. From trailers on the big screen to posters and standees in the lobby, the cinema becomes an arena as studios battle for the attention of potential audience members. Two other forms of in-theater marketing are popcorn buckets and reuseable cups. Creativity and clever presentations build upon the basic design of a cup or bucket in an attempt to capture the spirit of the movie it’s promoting. But after movie-goers leave the theater, there are few opportunities to reuse the popcorn bucket. This increases the chances of popcorn buckets either clogging up landfills, collecting dust at thrift stores, or even getting buried in the desert like the Atari game, E.T. the Extra-Terrestrial. It also doesn’t help how popcorn buckets can, sometimes, be expensive. One infamous example is The Fantastic Four: First Steps’ Galactus popcorn bucket, which received a retail price of $80. Meanwhile, reuseable cups have a slightly longer shelf life than popcorn buckets. Though they can be expensive as well. I’ve seen a 24 oz. cup promoting the movie, Smurfs, listed for $29.99.

How to Fix It

Picture it: AMC theaters, a handful of days throughout the year (yes, that reference of The Golden Girls was intentional). If movie-goers bring their popcorn buckets and/or reuseable cups to their local theater’s concession stand, they can save a certain percentage off their concession purchases. This percentage could be low enough for theaters to not lose money, but enough for movie-goers to save some money. If these sale days were enforced, it would be a win-win for both movie-goers and theaters. Patrons are given a reason to consider purchasing a popcorn bucket and/or reuseable cup, seeing it as more of an investment and less as a collector’s item or “gimmick”. They also are encouraged to seek out the concession stand, as they would have a legitimate reason to save money during their movie-going experience. Because of concession stand sale days, theaters can sell more popcorn buckets and reuseable cups in the long run, which would increase their revenue. The aforementioned sale days would welcome repeat customers as well, adding even more revenue to the theater’s financial intake.

On the left is the infamous Galactus popcorn bucket, which was sold for $80. On the right is the Smurfs cup I referenced in this editorial, which received a retail price of $29.99.

Specialty Food Items

For the sake of this editorial, specialty food items directly connect to the movie they’re promoting. This can range from products bearing a character’s likeness to meals sharing a name that is significant to the film. An example that has received praise on the internet is The Batman Calzony from Little Caesars. In 2022, the pizza chain created a pizza shaped like Batman’s logo. The culinary creation was introduced leading up to the release of the movie, The Batman. Though this promotion existed for a short period of time, it left a positive impression. The video, ‘A Look at Bizarre Movie Tie-In Restaurant Foods’ from the Youtube channel, Seeker of The Lost, features comments in its comment section from viewers who either remember and/or love The Batman Calzony. One commenter even demanded the pizza be brought back.

How to Fix It

Like the aforementioned commenter from Seeker of The Lost’s video, I, too, think The Batman Calzony should be brought back. However, the context of the comeback can be either of three ways. Batman has had an established place in the pop cultural landscape for over fifty years. Whether it’s the comics or the films, there is sure to be a milestone anniversary Little Caesars could capitalize on, giving them a legitimate reason to bring back The Batman Calzony. I’ve heard a sequel to The Batman is in the works. That movie’s premiere could see The Batman Calzony’s return. If Little Caesars wanted to create a Halloween tradition, they could consider bringing back the pizza for Halloween. Not only are bats a popular Halloween motif, Batman has received his own Halloween costume over the years. Bringing back The Batman Calzony would give new customers a second chance to try the pizza. It would also make those who love the pizza repeat customers. Meanwhile, Little Caesars has an opportunity to create additional revenue, especially if The Batman Calzony was brought back annually or even biannually. Associating the pizza as part of a tradition would help Little Caesars build positive promotion and recognition of their brand.

Because of The Batman Calzony‘s unique shape (as well as its name), it is directly connected to the film it’s promoting, The Batman.

Limited-Edition Food Items

Limited-edition food items differ from specialty food items, as they don’t directly correlate with the movie they’re advertising. This allows the limited-edition food items to be sold in various contexts. 1998 saw the release of Disney Pixar’s A Bug’s Life. As part of the film’s promotion, McDonald’s found a reason to sell Apple Cinnamon McNuggets dipping sauce. But when the dipping sauce is removed from A Bug’s Life’s advertising equation, it can be sold in other promotions. A decade prior, in 1987, the Apple Cinnamon dipping sauce was incorporated into McDonald’s Holiday McNuggets seasonal campaign. Since these two promotions, though, McDonald’s has not brought this dipping sauce back.

How to Fix It

Based on my research for this editorial, McDonald’s hasn’t created any food items related to the Fall/Autumn season. While the Baked Apple Pie is a popular product on McDonald’s menu, it isn’t used to capitalize on Fall/Autumn. With apples and cinnamon typically associated with this time of year, McDonald’s could bring their Apple Cinnamon McNuggets dipping sauce back through a seasonal promotion. They could also create other Fall/Autumn themed food items to compliment the Apple Cinnamon dipping sauce’s return, such as an Apple Cinnamon milkshake. Creating a seasonal campaign around the re-release of their Apple Cinnamon dipping sauce would give McDonald’s good marketing and financial opportunities to take advantage of the Fall/Autumn season. It would also be a win for their customers, as those who love the dipping sauce receive a chance to revisit it and new customers are introduced to the dipping sauce.

Based on my research, a commerical from the Youtube channel, Media Closet, is one of the few references I could find of the Apple Cinnamon McNuggets dipping sauce’s inclusion in A Bug’s Life‘s McDonald’s promotion. Original picture found in the video, “1990s – McDonald’s A Bug’s Life Promo – Holiday Commercial”, from the Youtube channel, Media Closet.

Missing the Finer Details

Advertising plays a big role in the business of making movies. But movie marketing campaigns are not created equally. Some of them miss the finer details of the film they’re promoting. A perfect example is when Subway debuted their Fiery Footlong Collection to capitalize on the premiere of 2013’s The Hunger Games: Catching Fire. Through this collection, Subway introduced two new sandwiches; Sriracha Chicken Melt and Sriracha Steak Melt. The other two sandwiches, Buffalo Chicken and Turkey Jalapeno Melt, had been sold prior to the collection. Though Subway’s intention was to focus on the film’s theme of fire, the overall promotion came across as out of touch. This is because The Hunger Games: Catching Fire addresses topics like “inequality” and “food shortages”.

How to Fix It

The example I presented of Subway’s marketing misfire (cue the comedic drum sound) is not the first (or last) time a film’s marketing campaign missed finer, important details of the film itself. But blunders like this can be prevented. Working as a communicative bridge between a movie’s creative team and a marketing firm should be an official liaison. First, the liaison would talk with a movie’s creative team about the important elements of their project they’d want to see reflected in its promotional campaign, like certain themes within the script. Then, the liaison would take these notes to a marketing firm and work with them to weave the creative team’s important elements into the promotional campaign. If a liaison connected a movie’s creative team and a marketing firm, everyone involved in a film’s marketing campaign would be on the same page. More cinematic promotions would possess a deeper understanding for the promoted movies.

As I said in this editorial, Subway focused on the theme of fire for their promotion of The Hunger Games: Catching Fire. Hence the reason why all of the sub sandwiches have spicier flavors. Original picture found in the video, “A Look at Bizarre Movie Tie-In Restaurant Foods”, from the Youtube channel, Seeker of The Lost.

“Gimmicks” Becoming “Lost Media”

I once heard someone claim that food was a “temporary art form” and “old franchise food” was, over time, “lost to the ages”. Reflecting on what that person said, as well as the subject of this editorial, it seems like food associated with film promotion is its own form of “lost media”. Movie “gimmicks”, specifically those that are food-related, exist for an extremely short period of time. Once a movie has left theaters, that respective “gimmick” is gone. When it comes to food-related movie “gimmicks” in particular, only pictures, videos, and even memories are left. Some may even fade into obscurity. While there are a few that have been brought back on the meal, like Taco Bell’s Volcano Burrito (which later turned into the Volcano Double Beef Burrito), this has been the exception to the rule.

How to Fix It

In the comments section of Seeker of The Lost’s video, ‘A Look at Bizarre Movie Tie-In Restaurant Foods’, one person said it’d be sweet to have the recipes to the video’s featured foods collected in a cookbook. I have to agree with that commenter, especially since it would be a good way to restore and preserve these food-related movie “gimmicks”! Throughout the cookbook, meals associated with film promotion would have recipes chronicled in order of their respective movie’s release year. The cookbook can also feature interviews, perspectives, and tidbits of information from either those on a film’s creative team, a marketing firm that worked on a movie’s promotional campaign, or from a restaurant/food company or movie theater. Fans of any of the selected “gimmicks” would gain an opportunity to bring the food items back to life. Those who didn’t get to try a “gimmick” the first time around would receive a second chance to try these foods. The cookbook would also be a unique addition to any movie or food enthusiasts’ collection.

The Food & Film Blogathon banner created by me, Sally Silverscreen. Original pictures found in the video, “A Look at Bizarre Movie Tie-In Restaurant Foods”, from the Youtube channel, Seeker of The Lost.

If you want a movie to succeed, you have to promote it to your potential audience. While there are many ways to do this, food is one of the most tried-and-true of these advertising tactics. Because each movie is unique, food-related movie “gimmicks” are unique as well. As I mentioned in my editorial’s introduction, creativity and ingenuity have shined through these promotions. Food-related cinematic marketing is not perfect though. Mishaps have taken place, better decisions could have been made, and finer details were missed. With the ideas and suggestions featured in this editorial, food-related movie “gimmicks” can, hopefully, become more sustainable and productive. Reflecting on everything I’ve said, I’m curious to see how food-related film promotion evolves over time. It would also be interesting to see how marketing trends have impacted food-related movie “gimmicks” through the years.

Have fun at the movies!

Sally Silverscreen

Editorial References:

Articles — https://thedirect.com/article/popcorn-buckets-2025-movie-best, https://www.fantasylandnews.com/2025/07/08/the-smurfs-movie-popcorn-buckets-and-novelties-coming-to-theaters/, https://comicbook.com/dc/news/little-caesars-reveals-the-batman-calzony/, https://flavor365.com/the-1987-holiday-mcnuggets-a-deep-dive-into-a-legend/

Videos — “A Look at Bizarre Movie Tie-In Restaurant Foods” from Seeker of The Lost and “1990s – McDonald’s A Bug’s Life Promo – Holiday Commercial” from Media Closet

Why Universal Orlando Resort Should Host ‘Murder, She Wrote’ Weekend

On By 18cinemalane6 Comments

*This editorial was written before Hurricane Helene*

For the Cabot Cove-thon, I originally wanted to write an editorial about the Universal Studios Florida attraction, Murder, She Wrote Mystery Theatre. This show having a presence in any theme park, let alone Universal Studios, was an intriguing concept to discuss during my blogathon. But the more I learned about Murder, She Wrote Mystery Theatre from the Youtube channel, Poseidon Entertainment, the more I discovered that once guests consumed the information from Jessica and the actors associated with the Mystery Theatre, they had little reason to return. A behind-the-scenes look at how to create an episode of Murder, She Wrote from the post-production stage is both fascinating and educational. However, with the aforementioned details from Poseidon Entertainment in mind, I wondered how I could improve Murder, She Wrote Mystery Theatre. If Murder, She Wrote were to return to Universal Studios’ theme park, bringing the show back as an event instead of an attraction would give fans and park guests a reason to come back. This is how I created the idea of Universal Orlando Resort hosting a fan event called Murder, She Wrote Weekend! In this editorial, I will explain why Universal Orlando Resort should host Murder, She Wrote Weekend by providing a basic concept of the event’s schedule. My editorial is, simply, proposing an idea, so any decisions related to event creation will be determined by Universal Orlando Resort themselves.

Cabot Cove-thon banner created by me, Sally Silverscreen. Original picture found on IMDB.

Friday

The beauty of having Universal Orlando Resort host Murder, She Wrote Weekend are the amenities and accommodations at their disposal. One of them are the soon to be ten hotels on their property. Each hotel has its own unique identity, offering their guests a variety of experiences. These unique identities could work in the favor of Murder, She Wrote Weekend, as the chosen hotel could play a role in the event’s theme. Murder, She Wrote has created some episodes related to music. In the season nine episode, “The Sound of Murder”, Jessica witnesses the filming of a rock music video. With the themes of rock n’ roll and music, the Hard Rock Hotel would serve as the perfect venue.

Using the Hard Rock Hotel as this editorial’s example, attendants of Murder, She Wrote Weekend would check in on Friday. At the front desk, hotel information as well as weekend itinerary, badges, and goodie bags will be presented. There will be a large gap in time between check-in and the first official event. This will give attendants an opportunity to rest, explore Universal Orlando Resort, or create a schedule for the weekend. When it’s time for the first official event, attendants will gather in the theater of either Velvet Sessions or Velvet Unplugged for a trivia contest. Trivia will include a variety of topics connected to Murder, She Wrote’s twelve season history. Attendants who win the trivia contest could receive prizes such as a signed script from the show, a shopping spree at the Tribute Store Plaza (if the store was open at the time of Murder, She Wrote Weekend), or an expenses paid trip to Blair House Inn (the house that portrayed Jessica’s home on Murder, She Wrote).

Since Murder, She Wrote: The Highland Fling Murders is about Jessica traveling to Scotland, I figured this photo would be an appropriate choice for my editorial. Screenshot taken by me, Sally Silverscreen.

Saturday

The first official day of Murder, She Wrote Weekend will begin with a panel in the morning. This panel could focus on a topic related to the show, the mystery genre, or the event’s theme. According to the synopsis for “The Sound of Murder”, “Jessica records one of her novels for the blind”. So, in this editorial’s example, the panel on Saturday would revolve around the topic of audiobooks. The panel itself would consist of five people: an executive of a publishing firm, an author whose book was transformed into an audiobook, an audiobook’s narrator, the president of an audiobook company, and an employee of a recording studio. This diverse group of people would hold a discussion on what it takes to create an audiobook, exploring this topic from different perspectives. Toward the end of the panel, attendants will receive an opportunity to ask the panelists questions.

Another amenity Universal Orlando Resort has at their disposal are their theme parks. With Universal Studios Florida and Islands of Adventure, a water park known as Volcano Bay, and their Epic Universe on the horizon, Universal Orlando Resort provides guests with a bundle of attractions to make their day action-packed and fun-filled. Attendants of Murder, She Wrote Weekend can take advantage of their time in the parks by participating in a scavenger hunt. Clues related to Murder, She Wrote would be hidden throughout the parks. During this activity, participants will encounter various attractions, giving them a reason to stay in the parks after the scavenger hunt is over. Winners of the scavenger hunt will earn a prize, like a commemorative pin. Murder, She Wrote Weekend attendants also have the option of a Murder, She Wrote themed escape room. Similar to Universal CityWalk’s Universal’s Great Movie Escape, attendants can be transported to the world of Jessica Fletcher as they try to escape locations relevant to the show, such as Jessica’s living room. Winners of the escape room can also earn a commemorative prize like the aforementioned scavenger hunt. To close out Murder, She Wrote Weekend’s first day, a screening of a Murder, She Wrote episode and/or an upcoming movie from the mystery genre will take place at Universal CityWalk’s Universal Cinemark cinema.

In the Murder, She Wrote episode, “Murder Takes the Bus“, Jessica travels on, you guessed it, a bus. Screenshot taken by me, Sally Silverscreen.

Sunday

The schedule for the second and final day of Murder, She Wrote Weekend is similar to Saturday’s schedule, except for two major differences. While Sunday will begin with a panel, this panel, in my editorial’s example, will feature a collection of actors, producers, screenwriters, and directors who worked on Murder, She Wrote. Like the aforementioned panel on Saturday, attendants of Murder, She Wrote Weekend will be able to ask the panelists questions toward the end of the panel. But this time, the attendants will have the chance to take photographs with the panelists in a meet & greet. The second major difference is the event that will conclude Murder, She Wrote Weekend. This event would either be a costume party (where attendants are invited to dress up as characters from Murder, She Wrote, programs from Universal Studios, or from ‘80s and ‘90s productions) or a mystery dinner theatre presentation. If attendants of Murder, She Wrote Weekend already participated in the scavenger hunt and escape room I talked about earlier in this editorial, they will have the opportunity to explore Universal Orlando Resort at their leisure.

As I have already mentioned, Universal Orlando Resort has a bundle of attractions in their parks. At Universal CityWalk, a collection of shops, restaurants, and entertainment options are located under Universal Orlando Resort’s umbrella. These attractions and facilities are another amenity Universal Orlando Resort can use to their advantage, especially if they hosted Murder, She Wrote Weekend. When bringing up ideas for trivia contest prizes, I mentioned the Tribute Store Plaza. This store, which operates during limited times, sells merchandise that represent a specific theme. In the case of Murder, She Wrote Weekend, the store could sell products related to Murder, She Wrote; from Cabot Cove postcards to a typewriter that mirrors Jessica’s. “The Sound of Murder” takes place in New York City. Keeping this editorial’s example in mind, Cold Stone Creamery could create a Murder, She Wrote Weekend exclusive flavor based on New York cheesecake. The Toothsome Chocolate Emporium & Savory Feast Kitchen could also capitalize on Murder, She Wrote Weekend by crafting a blueberry pie flavored milkshake in honor of Jessica Fletcher’s home in Cabot Cove, Maine.

Since Murder, She Wrote: The Queen’s Jewels is about Jessica traveling on a cruise trip, I figured this photo would be an appropriate choice for my editorial. Screenshot taken by me, Sally Silverscreen.

2024 became the year when fan events failed. Two notable examples are the Bluey event in Las Vegas that disappointed families and Glasgow’s unimpressive Willy Wonka & the Chocolate Factory themed event. But for every fan event that attracts attention for the wrong reasons, there is a desire to see a fan event succeed. With the resources and amenities at their disposal, Universal Orlando Resort has the potential to host a Murder, She Wrote themed event that meets and even exceeds expectations. It also helps how Universal Orlando Resort is familiar with Murder, She Wrote’s IP (intellectual property), as this show has had a presence in Universal Studios Florida. Murder, She Wrote benefits from having a twelve-season lifespan. The abundance of stories, ideas, and famous faces can provide ideas for a Murder, She Wrote themed event. At the beginning of my editorial, I pointed out how bringing the show back as an event instead of an attraction would give fans and park guests a reason to come back to the parks. Hosting a Murder, She Wrote themed event would also create a new tradition and celebrate the legacy of Jessica Fletcher.

Have fun in Cabot Cove!

Sally Silverscreen

Featured references:

Poseidon Entertainment’s video, “A Deep Dive Into Classic Universal Studios Florida (Part 1)

(segment about Murder, She Wrote Mystery Theatre is featured from 28:12 to 31:46)

http://www.blairhouse.com

orlandoinformer.com/blog/the-tribute-store-plaza-universal-studios-florida/

universalorlando.com

IMDB synopsis for “The Sound of Murder” — http://www.imdb.com/title/tt0653664/?ref_=ttep_ep10

Is Hallmark’s new ‘Signed, Sealed, Delivered’ movie a Christmas film?

On By 18cinemalaneLeave a comment

In one of my recent Sunset Over Hope Valley re-cap posts, I
brought up two upcoming Signed, Sealed, Delivered movies. Originally
reported by Net from It’s a Wonderful Movie, these films were given release
years of 2024 and 2025. The first of these movies, Signed, Sealed, Delivered:
A Tale of Three Letters, has just received a premiere date, airing much earlier
than I expected. But the more I thought about this piece of movie news, the
more I wondered why Hallmark would air this chapter of Signed, Sealed,
Delivered in the middle of July? Then I came to the realization how Signed,
Sealed, Delivered: A Tale of Three Letters could be a Christmas film. Besides
the movie’s premiere date, there are other observations that support my claim.
These observations will be discussed in this editorial. Before I begin
explaining my claim in further detail, I want to remind my readers how Hallmark
has provided very little information about these Signed, Sealed, Delivered
movies, as of the publication of this editorial. As you read my article, take
what I say with a reindeer sized grain of salt.

Signed, Sealed, Delivered: To the Altar poster created by Crown Media Family Networks and Hallmark Movies & Mysteries. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=143&FeedBoxID=845&NodeID=302&ShowType=series&ShowTitle=Signed%2c+Sealed%2c+Delivered+To+the+Altar

The Film’s
Premiere Date

As I stated in this
editorial’s introduction, Signed, Sealed, Delivered: A Tale of Three Letters
has received a premiere date, with July 12th being the specific
day. As I also stated, this news led me to question why Hallmark would choose
to air this movie so soon. A possible answer can be given in three words:
Christmas in July. In recent years, Christmas in July marathons have become
exclusive with Hallmark Channel. However, there was a time when Hallmark would devote
the entire month of July with Christmas in July marathons among Hallmark Channel
and Hallmark Mystery. In fact, the movie, Christmas Camp, premiered
during 2019’s Christmas in July marathon on what was then known as Hallmark
Movies & Mysteries.

Cute Christmas image created by freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

Hallmark Channel’s
Viewership Numbers

During the 2020s, Hallmark
Channel’s viewership numbers have, so far, been declining. The network’s
numbers are so bad that as of early June 2024, none of Hallmark Channel’s
movies this year have garnered two million viewers or more. Hallmark Channel
will host a Christmas in July marathon, premiering two new Christmas films
during that event. These titles are Falling Like Snowflakes (premiering
on June 29th) and A Very Vermont Christmas (premiering on
July 20th). With a two-week gap between the aforementioned Christmas
films and Hallmark desperate to raise their viewership numbers, the decision to
air Signed, Sealed, Delivered: A Tale of Three Letters during the
Christmas in July marathon could be made. The film could premiere on Hallmark
Channel after it premieres on Hallmark Mystery or the film could air on both
networks on the same day. In the past, Hallmark would simultaneously air movies
on both of their networks. One notable example is A Bone to Pick: An Aurora
Teagarden Mystery back in 2015.

Christmas house created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/smiling-snowman-with-a-red-house-background_958592.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

The Title

Signed, Sealed, Delivered: A Tale of Three Letters is
the title the series’ newest chapter is boasting. It should be noted how the
number three is important within the Christmas season for two reasons. The
number three references the Three Wise Men that play a significant role in the
Nativity story. This would be on brand for Signed, Sealed, Delivered, as
the series is known for incorporating elements of religion/faith into their films.
One example is the inclusion of a Nativity play in Signed, Sealed, Delivered
for Christmas. A Christmas Carol shows Ebenezer Scrooge being
visited by three ghosts throughout the story. Perhaps Signed, Sealed,
Delivered: A Tale of Three Letters is a retelling of Charles Dickens’ classic,
where a Scrooge-like character is intended to receive letters from the past, present,
and future?

Three Wise Men themed wish list paper image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/christmas”>Christmas vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

The Series Itself

Since 2013, the Signed,
Sealed, Delivered series has become a staple on Hallmark Mystery. But during
the series’ eleven-year timeframe, Signed, Sealed, Delivered has
received only one Christmas movie; 2014’s Signed, Sealed, Delivered for
Christmas. By Hallmark choosing to create new films for this series, they
are bringing Signed, Sealed, Delivered out of a three year hiatus, as
the last title, Signed, Sealed, Delivered: The Vows We Have Made, was
released in 2021. In a Word on the Street story from two years ago, I pointed
out how Hallmark’s recent sequel efforts were continuations of movies that
first aired in 2014. Like I just said, Signed, Sealed, Delivered for Christmas
premiered ten years ago. If Signed, Sealed, Delivered: A Tale of Three
Letters is indeed a Christmas film, these decisions would not only fit
Hallmark’s aforementioned trend, but would also fill a creative void left barren
for so long.

Christmas book image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-psd/christmas-mockup-with-open-book_1482296.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/mockup”>Mockup psd created by Freepik</a>.  Image found at freepik.com.

Like I told my
readers in this editorial’s introduction, take what I say with a reindeer sized
grain of salt, as my claim is based on speculation and observation. However, if
Signed, Sealed, Delivered: A Tale of Three Letters will become a
Christmas movie, this calls into question the other new chapter in the series; “Signed,
Sealed, Delivered: To the Moon and Back”. Based on the title alone, it could be
a reference to It’s a Wonderful Life. In the 1946 movie, George promises
to give Mary the moon by saying “You want the moon? Just say the word and I’ll
throw a lasso around it and pull it down. Hey. That’s a pretty good idea. I’ll
give you the moon, Mary”. But if Signed, Sealed, Delivered: A Tale of Three
Letters is a retelling of A Christmas Carol, the new character from “Signed,
Sealed, Delivered: To the Moon and Back” could provide a clue. According to the
movie’s synopsis, Oliver, Shane, Norman, and Rita are trying “to track down a
rock star who holds the keys”. I remember how Marley’s ghost is shown holding
keys in some adaptations of A Christmas Carol. Perhaps the rock star in “Signed,
Sealed, Delivered: To the Moon and Back” is intended to be a Marley-like
character meant to give the Scrooge-like character a lesson or moral?


What do you think of
my claim? Do you think Signed, Sealed, Delivered: A Tale of Three Letters
could be a Christmas film? Let me know in the comment section below!


Have fun at the
movies!

Sally Silverscreen


Sources for this editorial:

https://itsawonderfulmovie.blogspot.com/2024/04/hallmark-media-releases-new-titles-storylines-signed-sealed-delivered-movies-2024-2025.html

https://www.hallmarkmystery.com/signed-sealed-delivered-a-tale-of-three-letters

https://en.wikipedia.org/wiki/List_of_Hallmark_Channel_Original_Movies

https://itsawonderfulmovie.blogspot.com/2015/01/candace-cameron-bure-stars-in-Aurora-Teagarden.html

Word on the Street: Is Hallmark Already Planning a Christmas Movie for 2023?

Introducing my new series, Comparing with the Critics!

On By 18cinemalane12 Comments
Comparing with the Critics banner created by me, Sally Silverscreen. TV show title cards created by WTTW National Productions, WTTW, Public Broadcasting Service (PBS), Lifetime Television, Tribune Entertainment, Buena Vista Television, and Disney-ABC Domestic Television


Back in January, I announced a new series I was starting
called Comparing with the Critics. A brief explanation was provided for what readers
could expect from the series. But this article will go into further detail
about how Comparing with the Critics will work. As I stated months ago, I will
choose one movie from each of the ‘Worst of’ and ‘Best of’ episodes of every
iteration of Gene Siskel and Roger Ebert’s show. After watching the chosen
films, I will write an editorial style review explaining why I agree or disagree
with Siskel, Ebert, or any critic that appeared on the program. Here are the
following guidelines of the movies that are and are not eligible for Comparing
with the Critics.


n 
Movies that are either featured on the show or
brought up by any of the critics

n 
Films I either have never seen, haven’t seen in
its entirety, or haven’t seen in over five years

n 
If a movie has been reviewed on 18 Cinema Lane
prior to Comparing with the Critics, it will not be re-reviewed for the series


In the reviews, I will be referencing the episode a chosen
movie was included in, incorporating quotes from the critics. For each year of
the show’s existence, I will provide an introduction explaining why I chose those
films and giving an overview of the year itself. While I try to write
spoiler-free reviews, I will inform readers if a review contains spoilers.


Have fun at the movies!

Sally Silverscreen






Why ‘Francesca Quinn, PI’ is the Worst Hallmark Movie I’ve Ever Seen

On By 18cinemalane21 Comments

Once upon a time, in 2018, I declared the Hallmark Hall of Fame title, Back When We Were Grownups, as the worst Hallmark movie I had ever seen. Since publishing that list, I honestly didn’t think any movie would dethrone the 2004 film. That all changed when I saw Francesca Quinn, PI. At the end of 2022, when I released my list of the worst movies I watched, the Hallmark Movies & Mysteries film was placed at number one. While I explained why the film earned the top spot on my list, I didn’t discuss why Francesca Quinn, PI is now the worst Hallmark movie I’ve ever seen. As a Christmas present, J-Dub, from Dubsism, nominated me for The Pick My Movie Tag. My mission was to write about a movie I couldn’t stand. This gave me the perfect opportunity to explain why I don’t like Francesca Quinn, PI. Since this editorial is solely based on my opinion, I need to make it clear that everything I say is not meant to be mean-spirited or disrespectful. Examples from the movie will be used to support my intended points. I’d also like to thank J-Dub for the nomination! Because of this tag, I’m now publishing my first editorial of 2023! This editorial is written for a tag, so all tag rules will be posted below.

The Tag’s Rules

  • Nominate one or more people to review the film or films of your choice. Or you can request they review something from a certain year, genre, or star. Everyone can review the same thing, or you can request each person cover something different. As long as it’s something they haven’t written about yet, you’re good.
  • Nominees are allowed to request a different pick for whatever reason no more than five times. Stuff happens. We all know it.
  • Nominees must thank the person who nominated them and provide a link their blog.
  • Nominees may nominate others to keep the tag going. Picking the person who nominated them is allowed, or they can nominate someone else. Maybe both.
  • All participants need to include these rules in their post, whether they’re nominees or picking nominees.
  • All participants should use the “Pick My Movie” banner or something similar in their posts.
  • Have fun!
The Pick My Movie Tag banner created by Rebecca from Taking Up Room

Exposition Dumping

Exposition is an important storytelling component in any story, whether it’s a stand-alone tale or a chapter in an established franchise. This component provides the audience with necessary information about the characters, setting, and overarching conflict. The best way for the audience to absorb this information is, in my opinion, to spread it out throughout the story. That’s not what happened in Francesca Quinn, PI. Within the first six minutes of the movie, the following characters are introduced:

Francesca (the protagonist)

Jim (Francesca’s dad)

Bill (Jim’s friend)

Wynton (Francesca’s childhood friend and detective partner)

Megan (Francesca’s ex-stepmom)

Carl (Francesca’s high school sweetheart and fiancé)

In just one scene, Francesca, Jim, Bill, and Wynton are rapidly introduced to the audience. Within those same first six minutes, Francesca, through a voice over, discusses the six murders Megan committed over the span of four years. Because the audience is receiving so much information in such a short amount of time, they aren’t given the opportunity to truly get to know the characters. They also aren’t given enough time to decide for themselves if they want to care about a particular character. The first movie in a potential series is intended to serve as a first impression for the audience, an indication of what they could expect from the story. With Francesca Quinn, PI’s creative team choosing to dump exposition onto their audience’s plates, that will cause viewers to feel overwhelmed.

Vintage detective desk photo created by Olivier Bourgeois at freeimages.com. Photo by <a href=”/photographer/ornicar69-54520″>Olivier Bourgeois</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt; Image found at freeimages.com.

Francesca Herself

Since coming to fruition in 2001, Hallmark Channel has created several mystery series that would eventually lead to the rebranding of Hallmark’s second network. In these series, the audience follows a central protagonist who comes across as likable. This likability has worked in some series’ favor, expanding a story beyond three films. In the case of Francesca Quinn, PI, there are some factors working against the protagonist. Throughout the movie, Francesca speaks with a monotone voice, using very little emotional inflection. Most of the time, her face carries a blank, serious expression. With the material given, Mallory Jansen tries her best to give her character a wider range of emotion, smiling every once in a while. However, this attempt isn’t enough to make a good first impression on the audience.

Francesca’s limited expressions lead me to my next point; her weaker personality. When beginning a series, a protagonist’s personality could determine that story’s longevity. If the protagonist is presented as friendly, approachable, and even relatable, that could attract more viewers to follow the protagonist’s adventures. Showing a protagonist in various environments is a good way to showcase their personality. In the Aurora Teagarden series, the audience witnesses Aurora in both a professional and nonprofessional setting. Whether she’s trying to get along with her co-worker, Lillian, or interacting with the members of the Real Murders Club, viewers receive a more well-rounded glimpse into Aurora’s personality. Because Francesca’s story primarily revolves around her profession, the audience doesn’t get a strong idea of what her personality is really like. The fact Francesca does not have friends or hobbies outside of her occupation prevents her personality from shining. Another element Francesca’s personality is missing is charisma.

The most well-known detectives in pop culture have a “quirk”, something that sets them apart from other fictional detectives. A great example is Columbo, who is recognized for saying “and one more thing”. With Francesca Quinn, there are no “quirks” that help her stand out among Hallmark’s other detectives. As I previously mentioned, she doesn’t have any interests outside of her profession. She does not have a catchphrase that viewers could easily remember and quote. This missing ingredient is another reason why Francesca is not a likable and memorable protagonist.

Tools of a writer image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/camera-and-coffee-near-notebook-and-accessories_2399437.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage image created by Freepik</a>. Image found at freepik.com.

An Unprofessional Investigator

In Hallmark’s various mystery series, there is a mix of professional and amateur detectives. This provides mystery fans with diverse perspectives, showing how different characters approach a mystery. For protagonists who are professional detectives, their critical thinking and problem-solving skills should give the impression they know what they’re doing. Yet, in Francesca Quinn, PI, Francesca makes several mistakes an amateur detective would likely make. When visiting a potential suspect, Francesca spots the security guard who happens to work at the prison Megan resides in. She, as well as Ella (the lead detective of the Minneapolis police department), chase after the security guard. As the chase continues, the security guard throws a set of fish at Francesca, in an effort to slow her down. Her disgust distracts her from the pursuit, with the security guard getting away. After the security guard trips and falls to the ground, Francesca pulls her gun on him. When Ella tries to calm Francesca down, Francesca tells her, “He threw a fish at me”, justifying her reason for pulling her weapon on the security guard.

The scene I described is just one example of Francesca’s poor decision-making skills. Yet Francesca Quinn, PI’s creative team wants the audience to believe Francesca is a professional investigator with years of experience. The story also establishes how Francesca has her own private investigation firm. Detectives in mystery stories are human, capable of making mistakes and experiencing obstacles. But Francesca crosses the line between human error and appearing incompetent at her job. Toward the beginning of her investigation to figure out who killed Carl, Wynton and Beatrice (a detective who works alongside Wynton) pays Francesca a visit. As Beatrice shares the alibis of the case’s prime suspects, Francesca believes a hit man murdered her fiancé. She is so convinced in her belief, she becomes defensive and argumentative with Beatrice and Wynton. Instead of looking at every possible avenue for a resolution to the mystery, Francesca chooses to be close-minded in her approach to figuring out “whodunit”.

Interior image of detective’s office created by Vectorpocket at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by vectorpocket – http://www.freepik.com</a>. Image found at freepik.com.

Unnecessary Explanations

Mystery stories will typically provide explanations when it comes to specific parts of the story. Whether it’s medical terminology or pieces of historical information, these explanations can help the audience better understand the story they are consuming. But Francesca Quinn, PI includes so many explanations, the protagonist ends up explaining things that don’t need to be explained. In the first minute of the movie, Francesca explains what a “murder board” is, saying “a murder board, we call it. Lots of pieces of evidence that hopefully bring you to a conclusion”. This explanation is presented as a voice over, with a “murder board” shown on screen. Speaking for myself, I’ve seen enough mystery programs, especially from Hallmark Movies & Mysteries, to know what the aforementioned board is and how it is used.

While voice overs were a way to provide unnecessary explanations, Francesca Quinn, PI’s creative team used other methods to keep this flaw consistent. When Francesca and Wynton visit Megan in prison, Wynton tells Megan the police “do things by the book”. The inclusion of this pun acknowledged Megan’s English teaching career and her request to receive books in prison. Shortly after Wynton made this pun, Francesca explains to Megan, as well as the audience, that not only is “by the book” a pun, she also explains the meaning behind the pun. In my list of the top ten worst movies I saw in 2022, I said Francesca Quinn, PI gave me the impression the film’s creative team didn’t want me to solve the mystery alongside the protagonist. I also said one of the worst things a film-maker can do is disrespect their audience’s intelligence. With all the unnecessary explanations the creative team gave, the opportunity for the viewers to interact with the story was unavailable.

Francesca Quinn, PI poster created by Cartel Pictures, Mystery Island Pictures, Rogers Media, and Hallmark Movies & Mysteries

As of the publication of this editorial, there are no announced plans to grow Francesca Quinn, PI into a series. If I’m being honest, though, I hope that doesn’t happen. This is because I truly believe there are mystery stories that are better than this one. A decade ago, Hallmark Movies & Mysteries housed several mystery series that achieved viewership success. Hallmark’s second network would never have boasted the name, Hallmark Movies & Mysteries, had it not been for the popularity of these mystery films. Now, in the 2020s, it seems like Hallmark’s priorities no longer lie with the mystery genre. In early March, 2023, only three of Hallmark Movies & Mysteries’ movies are mystery titles. Out of the ten newer mystery titles to premiere this decade so far, just two of them have received at least one sequel: Martha’s Vineyard Mysteries and Curious Caterer. Looking back on Francesca Quinn, PI, Hallmark’s lack of care and respect for the mystery genre shined brighter than a typical neon sign.

The Nominees

Flapper Dame from The Flapper Dame

Ari from The Classic Movie Muse

Maddy from Classic Film and TV Corner

Ruth from Silver Screenings

Hamlette from Hamlette’s Soliloquy

As I mentioned in the introduction, I wrote this editorial for The Pick My Movie Tag. Because I wrote about the worst Hallmark movie I’d ever seen, I will give my nominees the mission to write about a Hallmark movie featured in my worst movies of the year lists. To make it easier for the nominees, I will list those titles below:

One Winter Weekend

Frozen in Love

Love at Sea

Pride, Prejudice, and Mistletoe

Mingle All the Way

Marrying Mr. Darcy

Yes, I Do

Our Christmas Love Song

My One and Only

Over the Moon in Love

Last Vermont Christmas

A Feeling of Home

Christmas at Graceland: Home for the Holidays

Christmas Scavenger Hunt

Christmas Camp

A Cheerful Christmas

Working Miracles

The Cabin

Thicker Than Water

Jane Doe: Yes, I Remember It Well

JL Family Ranch: The Wedding Gift

Jane Doe: Vanishing Act

Out of the Woods

Mystery Woman: At First Sight

I’m Not Ready for Christmas

Country at Heart

Jane Doe: Ties That Bind

Hallmark Hall of Fame’s Durango

Chasing Leprechauns

Signed, Sealed, Delivered: The Vows We Have Made

Hallmark Hall of Fame’s A Place for Annie

Nikki & Nora: Sister Sleuths

Hallmark Hall of Fame’s The Corsican Brothers

Hallmark Hall of Fame’s Journey

Lake Effects

A Boyfriend for Christmas

Francesca Quinn, PI

Have fun at the movies!

Sally Silverscreen

Four Reasons Why ‘The Flamingo Rising’s Adaptation is Different from its Book

On By 18cinemalane2 Comments

When we talk about book-to-film adaptations, we are quick to point out how both pieces of media are different. Some of these differences can lead to insightful conversations between the fans and the casual audience. Other differences can cause a negative reaction, from readers walking out of the theater mid-film to Youtube videos showcasing fans’ rants and complaints. But one topic I haven’t heard addressed is why these changes between book and film likely happened. This topic can be applied to any adaptation. For the sake of my editorial, though, I’m writing about Hallmark Hall of Fame’s The Flamingo Rising. Back in June, I published a list of the top ten movies I’d love to, one day, review. The 2001 Hallmark Hall of Fame movie was on that list. Because I own a copy of Larry Baker’s novel, I thought it would be interesting to read the book after I saw the movie. Now that I’ve consumed both pieces of media, I have gained an understanding for why Hallmark likely made the changes they did. There are four main reasons why The Flamingo Rising’s book is different from its adaptation, which will be explored in this editorial. This article contains spoilers for the story of The Flamingo Rising.

Created by Sally Silverscreen at Adobe Creative Cloud Express

The Run-Time

Abraham Isaac Lee is the protagonist of The Flamingo Rising. In Larry Baker’s novel, Abraham takes a biographical approach to telling the story, reflecting on various moments that occurred in his life. He even goes into detail about the history of his parents and Grace’s parents. According to IMDB, Hallmark Hall of Fame’s The Flamingo Rising has an hour and thirty-four-minute run-time. As I’ve said before on 18 Cinema Lane, that run-time gives a film’s creative team only so much time to tell a story. Hallmark Hall of Fame’s adaptation of The Flamingo Rising condensed the events in Abraham’s and his family’s life. The book explains how Hubert, Abraham’s father, purchased the land for The Flamingo Drive-In before Abraham and his sister, Louise, were adopted. While Hubert was a soldier in the Korean War, he sent building plans and business ideas to his wife, Edna, who was put in charge of putting those plans into fruition. The purchase of the land and creation of The Flamingo Drive-In, in the movie, took place long after Hubert left the military and in a shorter amount of time. Both Abraham and Louise are teenagers for the majority of the movie, with only one flashback showing the siblings as babies.

There are many characters in The Flamingo Rising. While reflecting on his life, Abraham takes the time to explain who each person in his life is, as well as giving these people a significant presence in the story. Most of these characters were present in The Flamingo Rising movie. But because the film’s run-time is an hour and thirty-four-minutes, their parts of the story were reduced. Abraham’s sister, Louise, is one of these characters. The book reveals Louise grew up to become an actress, as Abraham claims she had the talent for it. In one scene, Louise expresses interest in flying in Harry “Judge” Lester’s plane. This interest was sparked by a promise Hubert made to his children. The movie’s script, however, never addresses why Louise wants to fly with “Judge”. In fact, the audience never sees her flying in “Judge’s” plane. When it comes to Louise’s acting, it was only mentioned once throughout the movie. During a conversation between Abraham and his friend, Gary, Abraham mentions how his sister wants to be an actress someday.

Hallmark Hall of Fame’s The Flamingo Rising VHS cover created by Hallmark Entertainment, Hallmark Hall of Fame Productions, McGee Street Productions, CBS, and Artisan Entertainment 

The Budget

From what I’ve heard over the years, a typical made-for-TV movie costs somewhere between one to three million dollars. While that sounds like a lot of money to the average movie blogger, that amount is actually on the lower end of the financial spectrum, when it comes to making movies. If the aforementioned millions were the budget for Hallmark Hall of Fame’s The Flamingo Rising, it would explain why some parts of the source material were cut from the movie. In the book, Abraham shares his family had a temperamental dog named Frank. This dog was so unstable, he not only bit Louise, he was forced to live in an empty room above Abraham’s room, due to the dog’s behavior. In the film, however, Frank the dog is nowhere to be seen and is never acknowledged by any of the characters. If a movie’s creative team chooses to include an animal in their production, the training, veterinary care, and other related expenses will need to be factored into the overall budget. Working with an animal trainer also requires time, something the creative team behind The Flamingo Rising only had so much to spend. Therefore, the inclusion of Frank the dog was an expense the adaptation’s creative team likely thought was unnecessary.

Location scouting is a film-making component also affected by a creative team’s budget. Like I said in my editorial, ‘Redwood Curtain’: From Stage to Screen, a location scout might not be able to secure a location similar to one described in the source material. Even if they succeeded, there’s a process in order to film at a residential building, especially if it’s someone’s real-life home. This process, along with the budget, is the probable reason why the funeral home has a different appearance in the movie than described in the book. Larry Baker’s novel gives the West Funeral Home the look of a “Southern plantation style house”, complete with white columns and Jeffersonian arches. The Home also contains a garage full of hearses and limousines. The Flamingo Rising’s adaptation gives the funeral home a different exterior. Referred to as the Knight Funeral Home in the movie, the facility boasts a bungalow style in a dark green hue. The Home’s garage is not shown on-screen. However, the Home itself does feature a full-sized porch. The funeral home’s interior has more appearances in the book than in the movie. In fact, the only time the Lee family enter the Knight Funeral Home is shortly after Edna dies. For those two scenes, the creative team may have filmed them on a set, away from the building that portrayed the funeral home.

Image of The Flamingo Rising by Larry Baker found on Goodreads

Appropriateness of Content

For many years, Hallmark garnered a reputation for presenting themselves as a “family-friendly” company. This has been reflected in their programming, including their Hallmark Hall of Fame productions. As someone who’s read The Flamingo Rising book, I’ll be the first person to say there are some parts of the story that are not “Hallmark appropriate”. One of these parts is Louise’s social life. Abraham, in the novel, recalls how, one night at The Flamingo Drive-In, Louise snuck out with some male college students. During this interaction, these males attempt to take advantage of her. Even though Louise is saved just in time by some of the drive-in’s employees, the ordeal is a frightening one. This event is not included in the movie. The only older characters Louise is friends with are Polly and Alice, who all happen to work at the drive-in. It should also be noted that Abraham and Gary are the only male characters Louise hangs out with in the film.

Louise’s story was not the only one to change in Hallmark’s efforts to keep the adaptation “Hallmark appropriate”. Polly, an employee of The Flamingo Drive-In, is a very problematic character in the book. A reason for this is due to her racism. Polly expresses how she didn’t like her high school becoming integrated. She also thinks Abraham is “too brown”, causing Abraham to have self-image related issues. Even though Polly’s role in the movie is smaller, she never comes across as racist. In fact, racism is never addressed in the film. Polly, along with Alice, appear to get along with both Abraham and Louise. Alice, throughout her time at the drive-in, gives Abraham advice and looks out for him, like an older sibling would look out for their younger brother or sister.

Antique car image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/red-classic-car_803652.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by Freepik</a>. Image found at freepik.com.

The Casting

When an author creates a story, they sometimes don’t consider how that work could be translated to film or television. If that author’s work does receive an adaptation, the casting can dictate how the story changes. Abraham describes Alice Kite, in the book, as being “as tall as my mother”. Edna is six feet tall in the novel. Because of her height, Alice wore baggy jeans and shirts, never shorts. Elizabeth McGovern and Angela Bettis were cast as Edna and Alice in the Hallmark Hall of Fame adaptation. According to IMDB, Elizabeth is 5’7, while Angela is 5’3. Alice wardrobe’s, in the movie, included tank tops and shorts. This creative decision was likely made to compliment Angela’s height.

In both the book and movie, Grace looks like her mother. Turner, Grace’s father, tells Edna, in the film, “she looks just like her”, referring to his daughter’s resemblance of his late wife. But Grace’s mother never makes an on-screen appearance, as she dies before the movie’s events. Therefore, The Flamingo Rising’s creative team cast an actress that resembled the actor portraying Turner. William Hurt portrayed the owner of Knight Funeral Home. He appears blonde in the film, despite his character having “coal-black hair” in the book. Erin Broderick was cast as Grace, though it isn’t known if Erin or William was recruited to the movie first.

Since The Flamingo Rising takes place in Florida, I figured featuring this screenshot was appropriate. Screenshot taken by me, Sally Silverscreen. Image originally found at https://www.youtube.com/watch?v=tiBkULOrf7Y.

When I reviewed the Hallmark Hall of Fame movie, O Pioneers!, back in July, I said that story should have been adapted into a multi-part mini-series or a television show. That’s because I felt an hour and thirty-seven minutes was not enough time to tell a story with that many moving parts. I feel similarly about The Flamingo Rising. Because Abraham, in the book, is reflecting on his life, there are a lot of characters and plot points included in the text. With the Hallmark Hall of Fame adaptation being an hour and thirty-four-minutes, Larry Baker’s story was forced to be condensed.

There are several parts of The Flamingo Rising book that were either omitted or changed in the adaptation, due to these parts not being “Hallmark appropriate”. With that said, it makes wonder why Hallmark Hall of Fame chose to adapt Larry Baker’s novel over a story that was more “Hallmark appropriate”? This situation kind of reminds me of when Hallmark Channel adapted At Home in Mitford. Last September, I reviewed the 2017 film for one of my double features. After reading the book and watching its adaptation, I came to the conclusion the network was attempting to fit a round peg into a square hole, trying so hard to fit At Home in Mitford into their brand of film-making. Perhaps something similar happened to The Flamingo Rising, causing history to repeat itself sixteen years later?

Have fun at the movies!

Sally Silverscreen

‘Redwood Curtain’: From Stage to Screen

On By 18cinemalane11 Comments

The Hallmark Hall of Fame adaptation of Redwood Curtain is based on a Broadway play. It was also released in 1995. With these facts in mind, I found Redwood Curtain to be the perfect subject for the Fifth Broadway Bound Blogathon. Prior to this event, I saw the movie and read the play. This lent itself to an interesting idea. Discussions about film adaptations often feature films adapted from books, short stories, or poems. Movies born from plays aren’t often included in the conversation. So, I decided to write an editorial highlighting the similarities and differences between the Redwood Curtain play and film. This article contains spoilers for the story of Redwood Curtain.

The Fifth Broadway Bound Blogathon banner created by Rebecca from Taking Up Room

Movie-Exclusive Characters

On the stage, Redwood Curtain contains three characters: Lyman, Geri, and Geneva. While there are other characters in the story, they’re only mentioned within the dialogue. Geri’s father, Laird, is one of these characters. According to the script, Laird was a desk-jockey lieutenant in the Vietnam War. This means he “didn’t see a day’s fighting, to come completely unglued in the war.” Laird taught Geri how to play the piano simply to entertain dinner guests. He also developed a dependence on alcohol and died two years prior to the play’s events. Laird is even described as a “drunk.” Because Laird never physically appears in the play, all the information about him is hearsay.

John Lithgow portrays Laird in the film adaptation. The film version of Laird did fight in the Vietnam War, though his specific role was never mentioned. Like in the play, he develops a dependence on alcohol. However, this dependence was Laird’s attempt to cope with war-related trauma. Toward the end of the movie, Geneva shares with Geri how Laird wanted to be a pianist, but didn’t feel he was talented enough. So, he became invested in Geri’s piano career, appearing to live vicariously through his daughter. His presence in the movie shows the audience the strained, yet close relationship between Geri and Laird. Laird’s death within the film’s first half and Geri’s discovery that Laird is her biological father are presented as bittersweet moments.

Redwood Curtain poster created by Chris/Rose Productions, Hallmark Hall of Fame Productions, American Broadcasting Company (ABC), and Republic Pictures (II)

Expanding the World

The majority of Redwood Curtain’s story in the play takes place in Arcata’s redwood forest. A few scenes happen in Geneva’s house, Geneva’s car, or a local coffee house. Geri’s first encounter with Lyman is when the play starts, with the lead-up to this moment woven into the dialogue. Events such as Laird’s death take place off stage, prior to the play’s story. The creative team behind a play is given a limited amount of space and time to work with. Therefore, designating a few key locations makes sense among these limitations. In the Redwood Curtain play, Geneva’s house is described as “a large and very fine Victorian house.” The script states her house contains a music room as well. When presenting this play at a theater, only the home’s sitting room and music room would be staged and the style of the house would be heavily implied through décor and set structure.

A plus side to film-making is the freedom to take the story wherever the film-maker chooses. If a movie’s creative team desires to adapt a stage play, that story has the opportunity to grow beyond the boundaries of a stage. In the case of the Redwood Curtain film, the events from the play are contained in the story’s second half. That means the movie’s first half takes place in and around the Riordan family home. This inclusion not only expands the world the characters exist in, but also gives the audience a glimpse into Geri’s world that they wouldn’t have seen otherwise. Filming on location provides benefits to visual storytelling. However, that creative decision has its own limitations. Using Geneva’s house in the movie as an example, a location scout might not be able to secure a location similar to one described in the source material. Even if they succeeded, there’s a process in order to film at a residential building, especially if it’s someone’s real-life home. That’s probably why Geneva’s house is presented as a smaller log cabin with a large deck, but no music room.

A picture of the Redwood Curtain play from my copy of the play’s script. Screenshot taken by me, Sally Silverscreen

Geri’s Motive

In both the play and movie, Geri attempts to search for her biological father. This attempt is the story’s main conflict. Geri’s reason for her search was different in each version of Redwood Curtain. In the play, Geri knew some information about her past. Prior to the start of the play, Geri discovered Lyman tried to help her and her biological mother get to the United States. The script mentions that Geri began her search when she was twelve. Her search turns into an obsession, to the point of abandoning her musical endeavors. In fact, the play’s synopsis states Redwood Curtain “is a story of obsession and discovery.” Though the information Geri received was partly true, she eventually learns more through her interactions with Lyman.

The movie version of Geri has three motives for her search. Wanting to receive answers about her past was the first motive. The film’s script heavily implies Geri did not know much about her past until the events of the movie. Yes, she was aware she was adopted. But Geri’s belief that Lyman was her biological father stemmed from a photo and a note bearing the name ‘Raymond Farrow’ that Laird gave his daughter after he died. At various moments in the movie, Geri expresses how she feels she doesn’t belong. She even shares these thoughts with the Riordan’s house-keeper, Matilda. These feelings fuel Geri’s journey of self-discovery and finding her biological family. Her third and final motive is her music, which plays a crucial role in Geri’s life. Geri believes if she finds her biological father, she will be able to incorporate more emotion into her musical pieces.

String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com. 

Significance of the Redwoods

As I’ve said before on my blog, a film’s title can serve as a promise to the audience. In the case of Redwood Curtain, the audience should expect not only to see redwoods, but also to receive an explanation of what the “redwood curtain” is. The “redwood curtain,” in both the play and movie, is the redwood forest itself, where Vietnam veterans choose to live their lives. This is one of the reasons Geri meets with Lyman in the forest. While Geri learns about the “redwood curtain” in each version of the story, the way she learns about it is different. An Arcata Union reporter provides the explanation for the “redwood curtain” to Geri in the play. In the movie, she is given this same explanation by a gentleman working at Arcata’s veterans’ office.  

As I mentioned above, the majority of Redwood Curtain’s story in the play takes place in Arcata’s redwood forest. The redwood forest in the movie only appears in the story’s second half. Because of how often or little this location appears in the story, its association with the characters and the themes connected to it depend on these appearances. Topics relating to the environment are brought up throughout the play. When Lyman asks Geri why she’s visiting Arcata, she tells him she’s studying horticulture and botany at the local college. Geri also claims to have magical powers, which allow her to do things such as control the weather. Within the play, Geneva talks about how her family’s portion of the redwood forest is being bought out by investors. While this part of the story is also in the movie, it is discussed in more detail in the play, from Geneva bringing up the specifics of the sale itself to describing Arcata’s weather. The theme of family connects with the redwood forest in the movie. The Riordan family owns a portion of the redwood forest. While Geri stays at Geneva’s house, Geneva shows her niece a wall of family photos. These photos showcase various members of the Riordan family in the redwood forest. The number of photos and whether or not the photos are in black-and-white indicate how the forest has been in the family for generations.

Image by mb-photoarts on Freepik

Wellbeing of Veterans

When I brought up the movie version of Laird, I mentioned how he depended on alcohol to cope with war-related trauma. I also mentioned how Geri learns about the “redwood curtain” at Arcata’s veterans’ office. These are just two examples of how the movie includes the subject of veterans’ well-being. In the history of Hallmark films, veterans have been presented with a sense of reverence and respect. Veteran-related issues have also been included in Hallmark’s programming. An example is a veteran struggling with trauma in Signed, Sealed, Delivered: Lost Without You. Even though the film adaptation of Redwood Curtain was released a decade before Hallmark debuted the Hallmark Channel, this tradition can be seen and felt in this Hallmark Hall of Fame presentation. At Laird’s funeral, Geri shares with Geneva how she wished the family had addressed Laird’s alcohol dependency sooner. Geneva reminds her niece how Laird had a problem related to his experiences in the war. Geri says the family’s politeness and willingness to skirt the issue are what enabled Laird’s struggles. The points Geri makes to her aunt highlight how seriously these topics are taken in this adaptation.

While veteran-related issues are brought up in the play, it was never enough to be one of the story’s main topics. Compared to the movie, there isn’t the same amount of reverence for veterans. During her first interaction with Lyman, Geri’s personality is pessimistic and bitter. When Lyman asks Geri about the translation of her hometown’s name, Geri responds by saying, “Well, you’re not Spanish. You must belong to the other half of the country’s population.” After Geri learns Laird was her biological father, she says, “You’re right, Lyman, he was the saddest man I’ve ever known.” Geri also says, “And I thought I was joking when I said to follow in my father’s footsteps I had to mope and pine and drink myself to death. Not a very promising path he’s laid out for me to follow.” With the way veterans’ well-being wasn’t addressed, it made the play seem less hopeful. It also seemed like none of the characters were willing to find any solutions.

Children holding American flags during a sunset image created by rawpixel.com at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People photo created by rawpixel.com – http://www.freepik.com</a>. Image found at freepik.com.

Lyman, Geri, and Geneva

As mentioned above, I said Lyman, Geri, and Geneva were the only three characters to physically appear in the play. These three characters also serve prominent roles in the movie. Geri’s personality in the play was pessimistic and bitter. She was also disrespectful when talking to Lyman or talking about Laird. In the movie, however, Geri was a more empathetic character. While interacting with Matilda in the Riordan family kitchen, Laird recalls a memory of Geri when she was younger. In this memory, Laird was tearing up as he was chopping onions. Upon seeing this, Geri asks if Laird is sad because the onions are hurt.

Lyman, in both the play and movie, shares parts of his life story with Geri. In the play, though, more of this information is given. Toward the end of the movie, Lyman tells Geri how, before the war, he would fix and race cars with his dad. He also talks about how he never dated a crush he had. Lyman in the play not only drag-raced vehicles, he also worked in his dad’s garage. He recalls owning a Mustang Boss 302 and never having a girlfriend. Geneva’s family’s portion of the redwood forest was being bought out by investors. As a result of this, Geneva, in the play, is planning on moving to Key Biscayne, Florida, with her husband, Barney. In the movie, however, Geneva expresses no interest in moving out of Arcata. In fact, after one of Geri’s piano performances, Geneva tells Laird how she plans on fighting to keep her land. She and Barney are also divorced.

The cover of my copy of the play’s script. Screenshot taken by me, Sally Silverscreen

After I watched and read Redwood Curtain, I ended up liking the movie adaptation over the source material. What worked in the Hallmark Hall of Fame presentation’s favor was how the story was expanded. Not only were more locations added to the characters’ world, more context was given than the play provided. Even though there were more characters added to the film, the cast as a whole was smaller. Through their interactions, the audience gets a more intimate look into the characters’ relationships. The changes to the characters from the play made them more likable, especially Geri. Both the screenwriting and acting allowed Geri to be one of the strongest protagonists in Hallmark movie history. Redwood Curtain reminded me of another Hallmark Hall of Fame movie based on a play: The Boys Next Door. Similar to Redwood Curtain, The Boys Next Door contained multiple locations and provided context to each of the key characters. Since I have seen the 1996 adaptation, but have never read the play, perhaps another comparison and contrast editorial is in order.

Have fun at the movies!

Sally Silverscreen