Tag: crime

Take 3: No Postage Necessary Review

On By 18cinemalaneLeave a comment

For my review of No Postage Necessary, my original plan was to publish it on Valentine’s Day. This decision was made because, last year, I wrote about Evan Williams’ Hallmark film, The National Tree, in honor of the Christmas season. While working on my aforementioned review, I was also finding research for my upcoming Sally Solves a Mystery article. However, locating research for my Sally Solves a Mystery entry took longer than I expected. That means I ran out of time to publish my review of No Postage Necessary as originally intended. But I haven’t reviewed a movie since last week, so that’s why I’m still publishing my No Postage Necessary review. When it comes to “chick flicks” and “rom coms”, Hallmark has capitalized on both genres. But Hallmark is not the “end all, be all” when it comes to romantic comedies. Will No Postage Necessary mirror the quality viewers come to expect from Hallmark? Keep reading my review to find out!

No Postage Necessary poster created by Two Roads Picture Co. and Deep C Digital

Things I liked about the film:

George Blagden’s performance: While I liked the acting throughout No Postage Necessary, the strongest performance, in my opinion, came from George Blagden. That, along with how George is the reason why I sought out this movie, is why I’ll be highlighting George’s performance in this review. The most notable aspect of George’s portrayal of the protagonist, Sam, is how effortless he makes his performance appear. Toward the beginning of the film, Sam is a pessimistic man, using sarcasm to combat disappointment. During these moments, the sarcasm rolls off George’s tongue, with the delivery being sharp. As the story progresses and Sam becomes attracted to the film’s female protagonist, Josie, his attitude begins to soften. George adopts a calm, yet playful demeanor to show Sam’s changing persona. The aforementioned effortlessness, along with George’s ability to readily change emotions and expressions, allows Sam’s transformation to come across as believable!

The on-screen chemistry: For any romantic comedy to work, there needs to be, at least, some on-screen chemistry between the lead actor and actress. If this on-screen chemistry is strong, it believably sells the protagonists’ romantic relationship to the audience. As I previously mentioned in this review, Sam becomes attracted to Josie. Throughout the story, Josie and Sam spend time together and eventually fall in love. While interacting with each other, I could sense on-screen chemistry between George Blagden and Charleene Closshey. These interactions were not only very sweet, but it seemed like their characters developed a sense of understanding between each other. I also want to point out how natural Sam and Josie’s interactions were in No Postage Necessary. The acting abilities of George and Charleene worked in this movie’s favor!

The messages and themes: Similar to other romantic comedies, especially from Hallmark, there were some good messages and themes within the script of No Postage Necessary. One major theme is taking responsibility for one’s own actions. Prior to the events of this movie, Sam was arrested and faced accountability for the crime he committed. He is on probation during the events of the film. But when he discovered a letter from Josie, Sam takes the initiative the turn his life around. He seeks out better employment so he can prove how self-sufficient he is. Sam even purchases a new car, trying to give Josie a good impression of himself. Because of the screenwriting and acting performances, this theme was delivered well in this movie!

Envelope with hearts image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/hearts-and-pink-envelope-for-mothers-day_1950691.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/love”>Love image created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

The cyber security/Bitcoin subplot: George’s character, Sam, is a computer hacker who was arrested for his crime. Despite his criminal past, he still believes he could use his skills for good. Throughout the movie, Sam is accused by Agent Ames of stealing Bitcoins, even though Sam has never worked with Bitcoins before. While I’m aware Sam needed a conflict to work through, as well as a reason to change his ways, the overall tone of this subplot clashed with the cozy, sweet nature of the main romance plot. It felt like a Hallmark Channel movie tried to incorporate a Lifetime movie conflict into their script. This aforementioned subplot also, at times, seemed to serve a talking point for bigger, real-world issues. That prevented the film from completely adopting escapism.

Underutilized conflicts: In one of Josie’s letters, Josie shares how she wants to enroll her daughter, Daisy, into a prestigious school for gifted children. This decision was sparked by Daisy’s inability to socialize with her peers, to the point she is physically harming other students. But during the movie, Josie spends more time talking about what she wants to do instead of creating a plan to accomplish her goals. I know achieving goals and dreams takes time as well as determination. But in an hour and forty-four-minute film that prioritizes the main romance plot and the cyber security/Bitcoin subplot, this is one example of a conflict becoming underutilized.

Omission of George’s musical talents: When I published my editorial about why George Blagden and Evan Williams should go to Eurovision 2024, one of my arguments was George and Evan’s musical talents. I highlighted how both Evan and George are not only musically gifted as individuals, they also sound good together. With that said, I feel it was a missed opportunity not to include George’s musical talents in No Postage Necessary. In this movie, Josie shares with Sam how she has dreamed of becoming a singer. There’s even a scene where Josie performs with her former band at a local pub. If the creative team behind the movie knew they would be incorporating music into their production, they should have given George an opportunity to perform at least one acoustic musical number. Even a cover of Stevie Wonder’s “Signed, Sealed, Delivered (I’m Yours)” playing over a scene would have made sense.

Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

Hallmark has gained a reputation of having some of their movies look and feel too similar to each other. This creative choice has caused viewers like myself to crave creativity and uniqueness from the network. No Postage Necessary tries to give their romantic comedy a different identity from other movies of this genre, including those from Hallmark. While I appreciate this effort at creativity, the tones of the main romantic plot and the cyber security/Bitcoin subplot clashed with one another, causing them to feel mismatched. When the movie focuses on the romantic plot, the story feels reminiscent of a Hallmark production. Even though there is cozy, sweetness shared between the protagonists and the messages and themes within the script are good, the creative team behind No Postage Necessary still found a way to tell their own story without appearing to copy Hallmark’s homework. If you’re a fan of George Blagden or have enjoyed his performance in other programs he has starred in, I’d recommend watching this film for his performance!

Overall score: 6.8 out of 10

Have you seen No Postage Necessary? Are there any romantic comedies you’d like to read about on my blog? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: No Country for Old Men Review

On By 18cinemalaneLeave a comment

Recently, I wrote about a movie that was recommended by one of my readers. That film was the 1998 romantic comedy, You’ve Got Mail, a title I chose to review for a recent blogathon! But that’s not the only film recommendation I’m talking about for a blogging event this month. Because September’s Genre Grandeur theme is ‘Movies That Take Place in Mexico’, I had to research titles that would be eligible for the event. When I discovered one of these movies was No Country for Old Men, I remembered how Annlyel, from Annlyel Online, had once recommended the film to me. Finding another good opportunity to review a recommended title, I selected the 2007 film for this edition of Genre Grandeur! No Country for Old Men is a movie I had heard of, as it was nominated for several awards during “awards season”. But since I hadn’t seen the film until this blogathon, I couldn’t form an opinion on it. Now that I have checked out No Country for Old Men, I can finally share my thoughts on the 2007 picture!

No Country for Old Men poster created by Paramount Vantage, Miramax, Scott Rudin Productions, and Mike Zoss Productions

Things I liked about the film:

The scenery: In some scenes, the story takes place in a desert. Through screen-writing and cinematography, the desert looked photogenic on film! One of my favorite shots is when Llewelyn is returning to his truck. While he does this, a huge gray storm-cloud is slowly overtaking the sand-colored desert in the background. Thunder can also be heard. This shot looked striking on screen, as well as serving a visual representation of what was to come in the story.

Showing instead of telling: The script of No Country for Old Men doesn’t rely on dialogue. This is to emphasize the visual presentation of the story. Choosing to show instead of tell also allows the audience to figure things out for themselves. Throughout the story, Llewelyn is being chased by Anton. During this chase, it is unknown how Anton knows where Llewelyn is. Until Llewelyn makes a discovery that explains Anton’s knowledge of his whereabouts. This discovery and its connection to Anton are visually presented, with no dialogue included. The audience is given the opportunity to piece the story together because of this creative decision.

Hiding causes of suspense: As I already explained, No Country for Old Men emphasizes showing instead of telling. Another way this is accomplished is by hiding characters that cause suspense. When Llewelyn discovers a crime scene, he sees another truck is parked next to his truck, with characters entering and exiting their vehicle. Because this takes place at dawn, only the silhouette of the characters and their truck is shown. Later in the movie, Llewelyn is being chased through a small town. During the chase, the film’s antagonist can be seen in the reflection of a nearby store window. But only their silhouette is shown in this window, causing suspense to take place in the story. Both suspense and intrigue were incorporated into the film because of the use of showing instead of telling!

Joshua Tree National Park in California image created by Welcomia at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/tree”>Tree photo created by welcomia – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The run-time: No Country for Old Men is a movie that boasts a run-time of a little over two hours. While a competently written, directed, and acted story can be captured in a two-hour time-frame, I don’t think it was necessary for the 2007 film to be this long. Scenes were either drawn-out or added for the sake of satisfying this run-time. This creative decision caused the story to take longer to get to its intended point. In my opinion, No Country for Old Men could have benefitted from having a shorter run-time, say an hour and twenty or thirty minutes. The story would have reached its point sooner and the script would have been a bit tighter.

Almost no sense of urgency: Like I just mentioned in this review, No Country for Old Men has a run-time that, in my opinion, is longer than necessary. The film’s run-time caused the story to contain almost no sense of urgency, making suspense and intrigue far and few between. No Country for Old Men has a “cat and mouse” type narrative, with the protagonist constantly trying to get away from the antagonist. The chase between these characters felt like it was taking place in slow motion because of the drawn-out story. This resulted in the picture, sometimes, feeling boring.

Some things left unexplained: While I appreciate the script respecting the audience’s intelligence by allowing them to figure things out for themselves, there are some parts of the story I wish had been explained. One example is when Anton stops at a gas station. He explains to the gas station’s owner how he has a special coin that he’s carried for 22 years, stressing how his coin was meant to be at that specific place in time. Throughout the movie, however, there are no explanations provided for the coin’s significance. In fact, Anton never brings up that coin again after his stop at the gas station.

Money image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/bills-and-coins-in-isometric-design_1065328.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/business”>Business vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

Throughout cinema, there have been movies that have received an abundance of praise. Some of these films have left me confused, questioning why it has achieved its positive recognition. For me, No Country for Old Men is one of these movies. While it’s not a bad title, it does leave me wondering why it won Best Picture, let alone get nominated at all? The film has a run-time of a little over two hours. Instead of benefitting the story, the run-time caused the movie to feel too drawn-out and, sometimes, boring. There are strengths within No Country for Old Men, such as utilizing the storytelling technique of showing instead of telling. However, these strengths do not outweigh the flaws. Looking back on the movies from the western genre I’ve reviewed, I haven’t found a film from this genre I actually liked. Similar to made-for-tv movies from the 1970s and my choice for a “so bad it’s good” title, I guess it’s time to go back to square one and continue the quest.

Overall score: 6 out of 10

Have you seen No Country for Old Men? Are there any movies from the western genre you’d like to see me review? Please tell me in the comment below!

Have fun at the movies!

Sally Silverscreen

Buzzwordathon 2023: Review of ‘The Kidnapping of Christina Lattimore’ by Joan Lowery Nixon

On By 18cinemalane2 Comments

February’s theme for Buzzwordathon is ‘verbs’. Because the act of taking something is a verb, I chose to read The Kidnapping of Christina Lattimore by Joan Lowery Nixon. When creating a mystery story, it’s important to make the characters distinct from one another. This way, the reader will be able to keep track of who is who. How Joan achieves this goal is by describing the characters, from what they look like to their personalities. When talking about her friend, Lorna, the protagonist, Christina, says “Lorna is what they call “outgoing” and always seems to know the right things to say”. Meanwhile, Christina describes herself as someone who tends “to keep things all bottled up inside me”. Making these two characters opposites of each other is one way Joan helps the reader remember the story’s characters.

The Kidnapping of Christina Lattimore book cover found on Goodreads

Throughout the book, Christina makes several contradictions that could make a reader frustrated with her. Toward the beginning of the story, while visiting Lorna at her house, Christina contemplates on what should be important in her life. Even though she turns to her friend for advice, Christina is unsure which direction will lead her to an answer. A chapter later, shortly after she’s been kidnapped, Christina asks “Will my children someday have any idea of what I’m like inside”? This quote implies she already knows what is important to her: having a family in the future. If she already found what’s important to her, why would Christina bother to question what is important in the first place? As the story continues, Christina contradicts herself again, by discovering the most important thing, to her, is herself. Didn’t she already figure out what was important back in chapter three?

Magnifying glass image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/magnifying-glass-with-fingerprint-in-flat-style_2034684.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/flat”>Flat vector created by Freepik</a>. Image found at freepik.com.

In all honesty, I can’t recommend The Kidnapping of Christina Lattimore. This is because of how weak the story is. It is possible to tell a “coming of age” story while also giving the characters a mystery to solve. Instead of evenly balancing these two concepts, Joan prioritizes Christina’s “coming of age” story over the mystery itself. That decision led to a book where suspense is far and few between, as well as a novel that lacks urgency. What also doesn’t help was how the kidnappers’ identities were revealed earlier in the story. There is an overarching mystery about an unknown kidnapper in Christina’s case. But the aforementioned reveal took away some of the book’s intrigue.

Overall score: 2.1 out of 5 stars

Have fun during Buzzwordathon!

Sally Silverscreen

Disclaimer: Because this story includes a kidnapping, some readers may be sensitive to this book. Other subjects that may be offensive to some readers are:

— Some occasions where characters swear

— Christina refers to her father as a “bigot” due his religious beliefs

— Christina, a high school junior, develops a crush on a college sophomore

— Some occasions of violence

— The subject of teen pregnancy is briefly referenced

Take 3: The Christmas Thief Review

On By 18cinemalane2 Comments

Merry Christmas to all my readers and followers! For the last movie of the season, I wanted to review something different. That’s because the Christmas movies I reviewed this year have been Hallmark productions. So, I chose to write about the Ion Television film, The Christmas Thief! This review marks two firsts for 18 Cinema Lane. The Christmas Thief is the first Ion movie I’ve ever written about, as I don’t often watch Christmas films from that network. Up until Christmas 2022, I have never reviewed a Christmas themed mystery movie. However, I know how popular the mystery genre is on my blog. With all that said, here is my gift to you; a sweet treat called The Christmas Thief!

The Christmas Thief poster created by Thriller Films, Scripps Networks, GPS, and Organic Media Group

Things I liked about the film:

Stand-out performances: While watching The Christmas Thief, there were some acting performances that stood out for the right reasons! One of them came from Jarrid Masse! Portraying a detective named Nick, Jarrid carried his character with a strong sense of charm. At the same time, Jarrid maintained the professionalism you’d expect from a detective. Even though I’ve only seen pieces of Top Gun, Jarrid’s performance reminded me of Val Kilmer’s portrayal of Iceman. I really liked seeing Nick’s interactions with his detective partner, Marie. Portrayed by Rachel Cerda, Marie had an easy-going personality. This not only complimented Nick’s personality, it helped create good on-screen camaraderie between Marie and Nick. I wish Rachel and Jarrid shared more scenes, as these two actors appeared to work well together! Bryson JonSteele portrayed Lana’s nephew, Henry. I enjoyed watching his performance, as it came across as believable! When he interacted with Lana, the film’s protagonist, Henry would sometimes adopt an accent that would be heard in a noir film. Because he looks up to his aunt as a role model, Henry has a child’s belief that he has to behave this way in order to be a good private investigator.

Henry’s subplot: As I just mentioned, Henry looks up to his aunt as a role model. He finds her private investigator dreams appealing, which inspires him to solve a mystery of his own. Shortly after Lana arrives home for Christmas, Henry asks for her help. He’s attempting to figure out if the neighborhood Santa is the real one or just a volunteer in a costume. When younger characters are incorporated in a Christmas movie, they are either there for the sake of being there or they have a minor role in the story. Henry’s subplot allowed him to have a bigger role than some younger characters in Christmas films. Having Henry’s subplot connected to the main plot also helps. With everything considered, I found this part of the story adorable!

The mystery: More often than not, I have enjoyed watching Hallmark’s mystery films. But I’ll be one of the first movie bloggers to admit the murder mystery storyline can sometimes feel repetitive. With The Christmas Thief, the mystery was a theft, which prevented the movie’s tone from becoming too dark. I also think the mystery itself was executed well! With clues sprinkled throughout the story, the audience could participate in solving the mystery alongside Lana and Nick. The creative team’s decision to make the mystery a top priority kept viewers invested in the movie. Lana’s interest in private investigation gave her a strong reason for getting involved in the case. All these pieces came together to deliver a more creative Christmas story!

Group of Christmas figures image created by Pikisuperstar at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/christmas”>Christmas vector created by Pikisuperstar – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/hand-drawn-cute-christmas-character_3188970.htm’>Designed by Pikisuperstar</a>. Image found at freepik.com.

What I didn’t like about the film:

Poor audio: In some outdoor scenes, the audio’s quality was poor. When characters spoke to one another, it sounded like they were trying to communicate underwater. While watching The Christmas Thief, I, at first, thought there was something wrong with my television’s sound system. But the more this occurred, I realized it was an issue with the movie itself. It seems like the film’s creative team forgot to add ADR (automated dialog replacement) in post-production.

Inconsistent parts of the story: When it came to The Christmas Thief’s script, there were inconsistencies. It didn’t happen frequently, like in A Boyfriend for Christmas, but it was still a story-related issue. One example involves Lana. Through a voice-over at the beginning of the movie, Lana reveals how she has never believed in Santa, even when she was a child. Yet, during a stakeout with Nick, she claims the neighborhood Santa is real. There’s nothing wrong with showing a character change their perspective over time. In Lana’s case, however, that journey from point A to B was never shown. So, Lana’s change in belief came across as sudden.

A message’s weak delivery: Lana has always dreamed of becoming a private investigator. But her career prospects don’t seem as bright as she originally thought. Through a heart-to-heart conversation with her mother, Lana and the audience receive one of the film’s important messages: Sometimes, a dream not coming true can be a good thing, as your skills and talents can lead you in a better direction. I have rarely seen this message incorporated in entertainment media, so I was glad to see it addressed in The Christmas Thief. However, without spoiling the movie, Lana’s career decision backtracked on this message. I was disappointed by this, as the message could have had a better execution.

Magnifying glass image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/magnifying-glass-with-fingerprint-in-flat-style_2034684.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/flat”>Flat vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

Christmas mystery films are, in my opinion, far and few between. Sure, there have been Christmas projects containing elements of mystery. But the only Christmas mystery movie I can think of is Murder, She Baked: A Plum Pudding Mystery. This is why I appreciate the story of The Christmas Thief, as Ion seems eager to think outside the box. Though the film does contain its strengths, it’s not without its flaws. The poor audio was noticeable to the point where I, honestly, thought my television’s sound system was experiencing technical issues. There were even inconsistencies in the script, but not as bad as A Boyfriend for Christmas. At the end of the day, Ion’s efforts to try something different should be recognized. With the network’s recent desire to create more Christmas mystery films, it makes me wonder if Ion will eventually become a mystery exclusive channel?

Overall score: 6 out of 10

Have you seen The Christmas Thief? Are there any Christmas mystery films you can think of? Let me know in the comment section!

Have fun during Christmas!

Sally Silverscreen

Evenings At The Shore: The Second Time Around

On By 18cinemalaneLeave a comment

I’ve been busy lately with several upcoming blog related projects. But I’m back with a new re-cap of Chesapeake Shores! In this episode, Abby is figuring out what her and Evan’s second date will be. Until this season, I hadn’t thought about the significance of a second date. Granted, any date is an important one. But Evan, in the previous episode, brought up an excellent point; the second date is where both parties feel comfortable enough to enjoy each other’s company. Both Bree and Jess share memories of their second dates in this episode, looking back on them fondly. While Jess and David have become married since their second date, Bree has moved on to a new relationship. With that said, I wonder if we’ll see her and Luke’s second date this season?

Just a reminder: If you did not see this episode of Chesapeake Shores, there will be spoilers within this re-cap.

Chesapeake Shores season six poster created by Hallmark Media and Hallmark Channel

Season: 6

Episode: 2

Name: Memories Are Made of This

Abby’s story: Abby is trying to organize the perfect second date. Overwhelmed by the possibilities, she turns to her sisters for advice. Jess recommends a picnic, like she and David shared years ago. But, Jess warns Abby of the food poisoning potential, as David became ill after eating bad clams. Bree reminds Abby of the time she and her ex-boyfriend went to a carnival. Unfortunately, no carnivals are taking place at the time of Abby and Evan’s second date. Later in the episode, Abby shares her idea with Evan of attending a jazz concert. To Abby’s misfortune, Evan is not a fan of jazz music. What she comes up with instead is a two-in-one date: Abby and Evan catch crabs and then eat them in a shoreside picnic. Since this is an activity she used to do when she was younger, Abby feels this is a great piece of her life to share with Evan. The date is a success, with Evan eager to learn how to catch crabs. During the picnic, they even hold hands. Afterwards, Abby tells Jess and Bree that her and Evan’s second date was “perfect”.

Jess and David’s story: To Jess and David’s surprise, David’s mom arrives at The Inn at Eagle Point. She fled there in an attempt to escape the paparazzi and social ridicule. David’s mom tearfully confesses how her friendships have become destroyed because of her husband’s choices. Fortunately, there is a room at the bed and breakfast for Mrs. Peck to stay. A few days later, David’s sister arrives in Chesapeake Shores. She came to The Inn at Eagle Point for the same reason as her mother. David’s sister claims her boyfriend broke up with her after the news of Mr. Peck was first reported. Jess and David have a room available for David’s sister too. The next day, a group of photographers and reporters show up at the bed and breakfast, somehow finding the location of David’s mom and sister. In an effort to drive them away, Jess approaches the photographers and reporters, telling them to leave the premises or else they will be charged with trespassing.

Bree and Luke’s story: Bree has finished writing her short story. To receive some constructive criticism, she asks Luke to read her work. But before letting him read it, Bree tells him the story’s inspiration was his time in prison. After Luke reads the story, he tells Bree that even though her writing was good, it didn’t feel believable. In order to make her work better, Bree asks Luke about his prison experience, taking notes along the way. Later in the episode, Luke rereads Bree’s story. This time, he enjoys it more, as his suggestions improved the piece. Meanwhile, at The Bridge, Luke notices Mick seems off during their conversation. Mick appears distracted, like he’s not fully paying attention to anything Luke is saying. Troubled by Mick’s demeanor, Luke remembers how his boss was prescribed painkillers. He warns Mick about the dangers of a painkiller addiction. Unfortunately, Mick becomes upset and storms out of The Bridge.

Breakfast tray image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/composed-healthy-fruit-and-coffee-on-tray_1441643.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Freepik</a>. Image found at freepik.com.

Mick and Megan’s story: Mick finally has his cast removed, the same one he received toward the end of the previous season. While his arm was healing, Mick was prescribed painkillers by his doctor. When he asks for a refill of his prescription, his doctor tells him he no longer needs the painkillers. In fact, Mick’s doctor tells him he only prescribes painkillers when necessary. Frustrated by this news, Mick frantically searches his bathroom for any remaining painkillers. He finds one in a drawer, satisfying his fix. Meanwhile, Megan turns down the job offer from Los Angeles. She claims Connor’s health is her number one priority. Feeling guilty over this, Connor tries to convince his mom to change her mind. Over the course of the episode, he recruits the rest of the family in his attempt. They agree to discuss the matter over dinner. When the dinner arrives, the O’Brien family encourage Megan to take the job offer, telling her how she should do what her heart desires. After their convincing, Megan agrees to accept the job in Los Angeles.

Connor’s story: Connor is still recuperating from his recent heart attack. However, his health is improving. Even his doctor is impressed with his progress. During that time, Margaret has stayed true to her word: keeping the law firm afloat and delivering Connor his mail. She has also been studying for the upcoming LSAT. Connor offers to help Margaret by going over flashcards with her. When the day of the LSAT arrives, Margaret feels confident about her test performance. But, she only completed the first part of the test so far.

Chess game strategy image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

Some thoughts to consider:

  • I know this is only the second episode of the season. But, so far, it seems like Kevin and Sarah are, once again, receiving the short end of the stick, story wise. In this episode, Kevin shares how he and Sarah are taking a trip to Maui. While the trip is not necessarily a bad thing, I’m hoping Sarah and Kevin are given a satisfying conclusion to their story. With this upcoming trip, does that mean Sarah and Kevin are only going to appear in a short amount of episodes? Now that I’m mentioning it, I’ve also noticed Nell has not been featured this season so far. I wonder how many appearances she’ll make in the last season?
  • Before this episode aired, I predicted Abby and Evan’s second date would be mini-golfing. This is because we’ve seen the O’Brien family mini-golfing in a past episode. But I was pleasantly surprised by what Evan and Abby actually ended up doing. The idea itself was not only creative, but thoughtful as well. If we get to winess Luke and Bree’s second date, I would be curious to see what Bree comes up with!
  • The third season of Chesapeake Shores revolved around the fallout of Bree’s infamous manuscript about her family. Every member of the O’Brien family had their reason for opposing their involuntary involvement in Bree’s story. Now, three seasons later, Bree wrote a short story, using Luke’s time in prison as inspiration. Even though each writing situation is different, I’m surprised Bree chose to take inspiration from someone close to her, especially after receiving so much backlash for that manuscript. At the same time, I’m also surprised Luke wasn’t upset about his prison experience being used as literary inspiration. For Bree and Luke’s sake, though, I’m glad this writing experience was better than the manuscript’s was.
Evening view from the shore image created by 0melapics at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-in-a-swamp-at-night_1042860.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by 0melapics – Freepik.com</a>. Image found at freepik.com.

What are your thoughts on this episode? What do you think Luke and Bree’s second date could be? Let me know in the comment section!

Have fun in Chesapeake Shores!

Sally Silverscreen

Evenings At The Shore: Tired of Waiting

On By 18cinemalaneLeave a comment

When it comes to a new season of a television show, there’s a certain amount of waiting the viewers are expected to do. Whether it’s casting updates or the resolution of a particular story, things don’t often happen as quickly as we, the fans, would like. But this season of Chesapeake Shores is different. Since it is the final chapter, ‘Chessies’ (fans of the show) want the story to last a little longer. They want to hold on to these characters and this world as much as possible. Unfortunately, because it is the last season, time is a luxury that isn’t available. So, the only option ‘Chessies’ have is to enjoy the time the show’s creative team has given them. As Connor says in this episode, “Every day is a gift”.

Just a reminder: If you did not see the season premiere of Chesapeake Shores, there will be spoilers within this re-cap.

Chesapeake Shores season six poster created by Hallmark Media and Hallmark Channel

Season: 6

Episode: 1

Name: The Best Is Yet To Come

Abby’s story: Abby, along with most of the O’Brien family, are waiting at the hospital. During their wait, Abby receives a visit from not only Evan, but Jay as well. Throughout the night, it is revealed the voice-mail from the previous season was intended for Evan. However, he didn’t hear it until he left the hospital. The next day, Abby worries Evan doesn’t want to give their relationship a chance. But, while paying Abby an unexpected visit at work, Evan reveals how his delayed response was due to a misunderstanding. Once that small conflict is resolved, Abby and Evan agree to organize a first and second date. Because of Connor’s recent medical situation, this first date will have to be scheduled at a different time. Later in the episode, while sharing ice cream with Bree and Jess, Abby learns what Evan has planned for their first date. He shows up to the O’Brien shore with a yacht, dressed in a suit rented from Rome. After Abby dresses up in a green, floor-length gown, they share a lobster dinner created by Evan himself. They also dance, while almost sharing a kiss. However, Abby and Evan agree to take their relationship slowly.

Connor’s story: Connor is rushed to the hospital after suffering from a heart attack. He does, however, pull through, even promised a full recovery by his doctor. But due to the severity of the heart attack, Connor will have to make some healthier lifestyle choices. For the time being, he is just thankful to be alive. These new health concerns make Connor worried about his relationship with Margaret. However, Margaret reassures him they will work things out. Connor eventually returns home. When Margaret visits him at the O’Brien family’s house, he shares how, because of his recent health issues, he’ll have to take a break from working. To prevent his law firm from closing, Margaret agrees with help in any way possible.

Bree and Luke’s story: Bree and Luke spend more time with one another. This catches the attention of Mick. At The Bridge, Mick warns Luke what will happen if he hurts Bree. He also offers Luke a manager job, which Luke accepts. Later in the episode, Bree finds out about Mick’s conversation with Luke. She confronts Mick about this at the O’Brien family home. Bree feels she can take care of herself. Meanwhile, Mick just wants what’s best for his daughter. For now, though, Bree and Luke are still moving forward with their relationship. During bonding time with Abby and Jess, Bree reveals she is planning on writing another story. This time, though, it won’t involve the O’Brien family.

Illustrated image of yacht created by pongpongching at freepik.com. Ship sailboat vector created by pongpongching – www.freepik.com

Jess and David’s story: David’s father is still on the run overseas. This upsets David, as the news is also upsetting his mom and sister. Throughout all of this, Jess has become David’s shoulder to cry on. However, she is having doubts over whether her support for David is enough. One day, at the Bed and Breakfast, an FBI agent pays David a visit. She even gives him a business card, hoping he’ll give her the information she’s looking for.

Megan’s story: Megan is still upset over her and Mick’s conversation from the previous season. When he tries to apologizes, Megan senses he’s lying. Despite this, Mick attempts to be as honest with Megan as possible. Before Connor comes home, Mick and Megan agree with Connor staying in the O’Brien family home. Megan also agrees to help Connor in any way she can. Mick wonders if this means Megan is giving up the job offer from Los Angeles, the one that Megan was offered in season five. Megan confirms this by stating how her son needs her, also stating how she will never leave him again.

Heartbeat image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/medical-logo_763775.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/logo”>Logo vector created by Freepik</a>. Image found at freepik.com.

Some thoughts to consider:

  • It’s honestly a shame this is the last season of Chesapeake Shores. One of the reasons why is how the show’s newer characters didn’t receive much of a chance to truly shine. Take Evan, for instance. He made a splash in the previous season, quickly becoming a fan favorite. Because of his background and Robert Buckley’s acting talents, the sky is the limit for Evan and his story. We even learned a little bit about Mandrake in this episode, with him revealing to Kevin how he was once in the military. I guess one way to look at it is the show’s cancellation is a blessing in disguise. At least we, the fans, don’t have to worry about these newer characters receiving terrible character development or stories.
  • With Chesapeake Shores’ final season receiving very little marketing and because last seasons more often than not garner bad raps, I’ve been lowering my expectations. It’s only the beginning of the season, so I’ll hold judgment for now. With the final season premiere, however, I thought it was fine. The stories weren’t deep, but they did attempt to tie up some loose ends from the previous season. From a storytelling perspective, I appreciate that effort.
  • I was pleasantly surprised to see a cat in this episode. From what I remember, there has never been a cat on any of Hallmark’s TV shows. I’d like to think Felix (the cat) will eventually become Evan’s pet. But because of how quickly he left, I’m wondering if Felix is meant to represent a symbol of some sort? Maybe he’ll visit the show’s other characters?
Evening view from the shore image created by 0melapics at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-in-a-swamp-at-night_1042860.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by 0melapics – Freepik.com</a>. Image found at freepik.com.

Did you like the season premiere? Which story resolution are you anticipating? Please tell me in the comment section!

Have fun in Chesapeake Shores!

Sally Silverscreen

Take 3: Point of Origin Review

On By 18cinemalane1 Comment

When the subject of “disaster films” is brought up, one will usually think of films revolving around over-exaggerated, fictionalized disasters. Whether it’s Sharknado or The Day After Tomorrow, these types of titles have become the faces of the “disaster film” category. But what if a movie depicts a real-life disaster that could be experienced by anyone? This is the case of my Disaster Blog-a-Thon entry, Point of Origin. Last month, I searched on Wikipedia for a title to review for May’s Genre Grandeur. During that search, I stumbled across the aforementioned 2002 HBO production. After reading the film was a “fact-based drama about an arson investigator searching for the perpetrator of a string of deadly fires in 1980s California”, I knew it was the perfect choice for J-Dub and Pale Writer’s event! Before I start this review, I would like to point out how this marks two firsts for 18 Cinema Lane. Not only is this my first time participating in the Disaster Blog-a-Thon, this is also the first HBO film reviewed on my blog!

Point of Origin poster created by HBO Films and New Redemption Pictures

Things I liked about the film:

The mystery: For the most part, the mystery in Point of Origin allowed the audience to experience it alongside the characters. What also helps is how the mystery started right at the beginning of the film. This immediately hooked the audience into the story, while also giving them a shared journey with the key players on screen. There was room for viewers to speculate what would happen in the story. That gave them the opportunity to interact with the film’s mystery. Three separate components played a role in the overarching narrative. While I won’t give anything away, it was interesting to see these components come together.

The special effects: When John was investigating a crime scene, he would attempt to figure out how the fire started. Toward the beginning of the film, this thought process was visualized through special effects. As John is recounting the information, the actual fire is played out in reverse on screen. This is very different from other mystery movies, as flashbacks might be utilized to speculate the cause of a crime. When it came to the fires themselves, it appeared as if they actually took place in a given scene. It may have been possible for the movie’s creative team to insert footage of fires through editing or CGI, as Point of Origin was released in 2002. However, practical effects were an interesting choice. This creative decision reminded me of productions like The Crow.

Showcasing the dangers of fire: While investigating a local fire, John and his co-worker, Keith, examine a young boy who died on the crime scene. Despite only the victim’s face being shown, it is blackened due to smoke and flame exposure. Later in the film, John visits a surviving burn victim in the hospital. The victim’s face and part of his hand are covered in burns. He even claims that it hurts to open his eyes. Due to the nature of Point of Origin, the story is heavier in tone. However, the incorporation of the dangers of fire never felt like they were there for “shock value” or as a tactic to scare the audience. If anything, it was shown just enough to get the point across.

The Second Disaster Blog-A-Thon banner created by J-Dub from Dubsism and Pale Writer from Pale Writer

What I didn’t like about the film:

Bai Ling’s limited presence: Bai Ling was cast as John’s wife, Wanda Orr, in the 2002 HBO film. Her involvement in Point of Origin is one of the reasons why I sought out this movie, as she is the top billed actress. When I watched the film, however, I discovered Bai appeared in only a handful of scenes. Compared to some of Bai’s other projects, her talents were under-utilized in Point of Origin. It also seems like the main supporting actress, Illeana Douglas, received more screen-time than Bai. Bai did a good job with the acting material she was given. But this situation is very reminiscent of Katharine Hepburn’s involvement in 1994’s One Christmas, where Katharine appeared in about five scenes despite being that film’s top billed actor.

A confusing time period: As I mentioned in the introduction, Point of Origin takes place in the 1980s. Elements from that decade were incorporated into the film, such as vehicles and a typewriter used by John at various moments in the story. Meanwhile, Bai’s wardrobe looked like it came straight from the early 2000s. There was also a scene where a store patron tells another patron not to smoke in the store. This attitude was more prevalent in the 2000s, as smoking in public places was more accepted in the 1980s. The inconsistency with the film’s historical accuracy was so confusing, it was, on a few occasions, distracting.

An unidentified red-haired man: Throughout the movie, a red-haired man made multiple appearances. I won’t spoil the movie for anyone who hasn’t seen it. But I will say when everything was said and done, I don’t feel like I received a satisfying explanation of who that character is. Yes, I can assume the red-haired man’s identity. However, when it comes to that character, the movie was building up to something without providing a pay-off.

Magnifying glass and fingerprint image created by Alvaro_Cabrera at freepik.com. <a href=’https://www.freepik.com/free-vector/loupe-over-a-fingerprint_853908.htm’>Designed by alvaro_cabrera</a>. <a href=”https://www.freepik.com/free-photos-vectors/glass”>Glass vector created by Alvaro_cabrera – Freepik.com</a>. Image found at freepik.com.

My overall impression:

For the Disaster Blog-a-Thon, I chose to talk about a film that revolved around a real-life disaster. This is because, in my opinion, these types of titles aren’t talked about as much within the realm of “disaster films”. When it comes to Point of Origin specifically, it was a fine, competently made, intriguing movie. But the 2002 HBO project made me feel similarly to Red Corner. This is ironic, as Bai Ling was cast as the lead actress in both films. What I mean by my aforementioned statement is I held higher expectations for each film, only to be somewhat let down by them. As I’ve said before on 18 Cinema Lane, the historical accuracy works when the creative team places emphasis on the details. In Point of Origin, however, it seems like the film’s creative team forgot, at times, their project took place in the 1980s. This is because some aspects of the film reflected the time of the film’s release; the early 2000s. I haven’t seen a lot of HBO films, so I can’t make any comparisons with Point of Origin. But I will say, based on other made-for-TV mystery productions, this one felt closer to the middle of the road.

Overall score: 7.2 out of 10

Have you seen Point of Origin? Are there any HBO films you’d like to see reviewed on 18 Cinema Lane? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Trap (1959) Review

On By 18cinemalane10 Comments

Back in August, The Classic Movie Muse invited me to join the Bernard Herrmann Blogathon! I immediately became interested, but wasn’t sure which film I would choose. While I am familiar with the movies Bernard’s music can be heard in, I’m not that familiar with Bernard as a composer. But with the blogathon taking place on Halloween weekend, I wanted to watch a film that fit the occasion. Originally, I was going to review 1962’s Cape Fear, the movie I wrote about for the 2nd Annual Spooky Classic Movie Blogathon. But, long story short, that didn’t work out. So instead, I chose to review The Trap from 1959! Based on the synopsis, it sounded like an exciting story involving gangsters, the law, and a whole lot of conflict. But did I find the movie enjoyable? If you want to know that answer, you’ll just have to keep reading my review!

The Trap (1959) poster created by Paramount Pictures

Things I liked about the film:

The acting: I’m not familiar with Richard Widmark as an actor. However, I did like his performance in The Trap! The easy-going and suave persona Richard brought to his character, Ralph, reminded me of Frank Sinatra. His facial expressions and use of emotions were believable as well. When a tragic situation happens in his family, genuine fear was shown on Ralph’s face. Because he was in a dangerous circumstance in the story, Ralph became vulnerable both literally and emotionally. Another character that was vulnerable was Ralph’s brother, Tippy. At the beginning of the movie, Tippy’s alcohol dependency is apparent. With a relaxed body position, a pained look on his face, and a tired tone of voice, Earl Holliman effectively portrayed how this problem can take over someone’s personality. Starring alongside Earl and Richard was Tina Louise as Linda Anderson. This particular character was desperately trying to get by and hold on for dear life. But Linda never came across as desperate or frazzled. Instead, Tina brought a sense of charm and a likable personality to her role. Through the script and Tina’s performance, it highlights how Linda cared about how she presented herself.

The music: Despite being an uncredited composer on this project, I did like hearing Bernard Herrmann’s musical scores! Similar to Cape Fear, the music helped elevate a scene’s suspense. It also fit the emotion depicted in a specific scene. Anytime Ralph and Linda interacted with one another is a perfect example of this. A pleasant, dramatic tune could be heard in the background, the kind you’d hear in a romance movie. Because these characters have a history together, this type of music seemed fitting. It added memorability to those scenes as well.

The Bernard Herrmann Blogathon banner created by The Classic Movie Muse from The Classic Movie Muse

What I didn’t like about the film:

Very little excitement: With a movie involving gangsters, the law, and conflict, you’d think it would be exciting. But unfortunately, this story was lacking in the excitement department. Sure, there was a gun fight and a car chase. But these moments were far and few between. The first half of the movie focused on the gangsters’ preparations, emphasizing telling over showing. A road trip that was mostly bland took over the film’s second half. While I continued to watch this movie in the hope some excitement would arrive, it sadly never came.

Emphasis on drama: On IMDB, The Trap is classified as a drama, as well as an action and crime movie. But the script placed more emphasis on the story’s drama. Most of this film focused on the strained relationships among the Anderson family. Even as Victor Massonetti (the leader of the movie’s gangster group) was attempting to escape the country, there was still time to feature Ralph having a conflict with one of his family members. While there’s nothing wrong with featuring drama in a story, it overshadowed the more exciting parts of The Trap. This certainly felt like the screenwriters had difficulty balancing these three genres.

The run-time: This movie has a run-time of an hour and twenty-four minutes. With the way the story focused on drama over action, I honestly think the run-time was too long. Some scenes were drawn out longer than necessary. For example, when Ralph was traveling in a car with Victor, those scenes felt like they were longer just for the sake of satisfying the run-time. The beginning of the movie also satisfied this run-time by maintaining a slower pace. With a shorter run-time, the story could have gotten straight to the point a lot sooner. It also would have prevented some scenes from feeling like they dragged on.

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My overall impression:

On the movie poster for The Trap, it says “Rocking the screen with triphammer impact!”. The only impact this movie had on me was making me want to fall asleep on more than one occasion. Within the first half, the story was reminiscent of 1954’s Suddenly, a movie I thought was just ok. But when the second half rolled around, it felt like a boring road trip film. As I said in my review, there was a gun fight and car chase in The Trap. But these exciting moments had such a limited presence in the overall story. One of the flaws of this film was relying too much on the drama genre. When a movie features gangsters, you expect action and excitement. Tensions over which man Linda truly loved were certainly not as riveting as the screenwriters thought. The Trap was, for me, a disappointment. While I liked the acting and music, it wasn’t enough to present a recommendation.

Overall score: 5.1 out of 10

Have you seen The Trap? If so, what are your thoughts on the film? Please share how you feel in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Suddenly (1954) Review

On By 18cinemalane3 Comments

Movies that take place over a 24 Hour time frame (not including time loop movies) are the chosen subject for August’s Genre Grandeur. Since this theme is so broad, I needed to do some research before choosing my contribution. While reading through a list on Wikipedia, I came across the 1954 title, Suddenly. I have heard of this movie because it was recommended by Maddy from Maddy Loves Her Classic Films. Last year, I reviewed five of Frank Sinatra’s movies. While most of the movies I’ve seen were either a comedy or musical, Ocean’s Eleven was the only one that was dramatic in tone. This makes Suddenly a unique project in Frank Sinatra’s filmography. Movies from the Film-Noir genre have also been far and few between on my blog. So, I’m hoping this review makes up for that!

Suddenly (1954) poster created by Libra Productions and United Artists

Things I liked about the film:

The acting: In Frank Sinatra’s movies I’ve seen so far, he was given roles that allow him to achieve likability. This is made possible through a charismatic personality. While Frank’s character in Suddenly, John Baron, carries himself with suave charisma, he is not someone the audience wants to root for. In fact, this part of John’s personality can make viewers uncomfortable. That’s because, as the movie poster says, he is “a savage, sensation-hungry killer”. The darker material is different from what I’ve seen from Frank’s filmography, so far. However, Frank gave a strong performance that really showcased his range as an actor! While he carried his character with the charisma he has portrayed in other films, he was quick to adopt anger. Whenever someone gave him an insult, John immediately grew intense with rage. It not only showed how John had an underlying instability, but also showed how Frank was like a chameleon with expressions and emotions. These elements help create a character that puts the audience on edge.

Despite being the only actress in Suddenly, Nancy Gates’ did a good job portraying her character, Ellen Benson! While watching this film, I couldn’t help but be reminded of Judy Garland’s acting abilities. This is because, like Judy, Nancy brought a gentleness to her role. Throughout the movie, Ellen always put others before herself. She tries to protect her son, Pidge, from a world she feels is too dangerous. That part of Ellen’s story gives Nancy an opportunity to bring genuine emotion to her role. Toward the beginning of the film, Ellen and Sheriff Tod Shaw, portrayed by Sterling Hayden, debate over her overprotective nature. When Tod brings up her deceased husband, Ellen is immediately moved to tears. James Gleason provides a good counterpart to Ellen Benson with his portrayal of her father, Peter Benson. In the film, he has a more easy-going, light-hearted personality. While I wouldn’t say he was the movie’s comic-relief, Peter did prevent the story from being too dark. Peter’s ability to adapt to any situation and his quick thinking give the audience peace of mind, as it shows he has a good head on his shoulders and will know what to do. It also helps that Peter was the glue that kept his family together.

The subject matter: I was not expecting Suddenly to contain the real-life subjects it did. But they provided a good insight into the views, beliefs, and issues within the time period of the movie’s release. Because the movie takes place in and premiered a decade after World War II, the characters discussed the negative impacts of war. John Baron’s part of the story kind of serves as a cautionary tale when it comes to a war’s psychological aftermath. As John’s plan starts to unravel, the Benson family and Tod accuse John of being “un-American”. This reflects the McCarthyism that primarily took place in the ‘50s.  United States history is also included in the story, with presidential assassination attempts brought up within the script. Tod argues these attempts were failures, because the perpetrators were not only caught, but also frowned upon in history. His insight into this particular subject is interesting, especially remembering what would happen a decade after the film’s release.

Film-Noir’s new setting: Whenever I think of the Film-Noir genre, I think of stories that take place either in big cities or shady places with a dark, ominous tone. With Suddenly, the story takes place in a small, suburban town. This type of location usually hosts stories that are light-hearted and matched with a happy ending. Suddenly’s pairing provided a good contradiction. It also expanded Film-Noir’s horizons, showing that movies from this genre can take place anywhere. It was a creative decision that was definitely thought outside the box!

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What I didn’t like about the film:

Some weak performances: While I liked the majority of the acting performances in Suddenly, there were a few that were weak. One of those performances came from Sterling Hayden. When his character was involved in police/serious matters, Sterling successfully carried his character with stoic confidence. But when it came to tender-hearted moments, like when Tod is asking Ellen on a date, Sterling appeared stiff and wooden. Another performance that was weak was Kim Charney’s. I know Kim was a young actor when portraying Pidge. However, Kim carried one expression and emotion throughout the movie, causing Pidge to appear one-dimensional. I am aware that performances from young actors or actresses can be hit or miss. But, for me, Kim’s performance was a miss.

Unclear story details: Suddenly is the type of story where the audience figures out what’s going on as the film progresses. However, there are some parts of the story that don’t receive clarification. When John reveals his plan, he says he is being paid to carry it out. But the audience never learns who this anonymous benefactor is or why John is being paid in the first place. When telling Ellen about his past, John says the “experts” removed the feeling out of him. The identities of these “experts” and the reason for removing John’s feelings are never revealed. The omission of these answers feels like the film’s creative team is intentionally withholding information from the audience.

A self-contained story: The film-noir genre typically shows characters doing what they want and going where they please. This reminds me of Cady’s quote from Mean Girls: “The limit does not exist”. But in Suddenly, the majority of the story takes place in the Benson family home, as John is holding the family hostage. That part causes the movie to feel stagnant and limited, which is the opposite of film-noir’s nature. It also doesn’t help when the movie’s conflict is drawn out for most of the story.

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My overall impression:

When I think about Tod’s view on presidential assassination attempts, I am reminded of the Touched by An Angel episode, “Beautiful Dreamer”. The majority of the episode’s story revolves around the assassination of President Abraham Lincoln, with John Wilkes Booth believing the act will make people see him as a hero. Instead, he is seen as not only a coward, but also one of the most hated people in history. I find it interesting that two different pieces of media from two different time periods share a similar belief. Suddenly also makes me think of the Hallmark Hall of Fame movie, Foxfire. That’s because the 1954 film felt more like a play than a movie. During my viewing experience, I found myself picturing the Benson family home as a stage, with any event outside of the home taking place off-stage. With the story being self-contained, I honestly feel this production works better in that format. Suddenly provides good insight into parts of the 1950s, with the characters’ dialogue sounding authentic. I also liked seeing Frank Sinatra’s performance, as it shows just how far he can stretch his acting abilities.

Overall score: 6.3 out of 10

Have you seen any of Frank Sinatra’s film? If so, which one is your favorite? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Poisoned in Paradise: A Martha’s Vineyard Mystery Review + 360, 365, 370, and 375 Follower Thank You

On By 18cinemalane1 Comment

Back in May, I said I was planning on reviewing the newest Martha’s Vineyard Mysteries film. Since I try my best to be a blogger of my word, I’m finally getting around to writing about it. Out of all the times I could review this film, it seems like now is more perfect than ever. This is due to the start of Chesapeake Shores’ fifth season, the same season Jesse Metcalfe will be departing from. While I have seen all the movies in the Martha’s Vineyard Mysteries series, I only reviewed the previous title; Ships in the Night: A Martha’s Vineyard Mystery. In that review, I said the third movie was fine, but caused the series to stumble a little bit. This was because of several flaws in the project, including a mystery that was overshadowed. With any series, each chapter is hit or miss. But will Poisoned in Paradise: A Martha’s Vineyard Mystery sink or swim? To solve this mystery, you need to read this review!

Poisoned in Paradise: A Martha’s Vineyard Mystery poster created by Crown Media Family Networks and Hallmark Movies & Mysteries

Things I liked about the film:

The acting: Since I mentioned Jesse Metcalfe in the introduction, I’ll talk about his performance first. Whenever Jesse is given a lead role in a Hallmark production, he carries his characters with a different kind of charisma compared to other lead actors. While Jesse’s performances are expressive, they feel more grounded and down-to-earth, like the character is a realistic individual. When Jeff and Zee discover the mystery’s victim, you can see sadness in his eyes. As he is looking away from the victim, he looks like he might cry due to how emotionally distraught finding a murder victim would be. Like Ships in the Night: A Martha’s Vineyard Mystery, Jesse and Sarah Lind had good on-screen chemistry! Their on-screen personalities work so well together, like their characters were meant to be with each other.

There are some supporting actors that caught my attention because of the quality of their talents. In Poisoned in Paradise: A Martha’s Vineyard Mystery, Drew Henderson portrayed a friend of Zee’s named Noah. When he appeared on screen for the first time, I immediately took note of how charismatic he was! He also transitioned between emotions very effortlessly. Because of these things, I would love to see Drew lead a Hallmark project! Another performance I liked was Reilly Dolman’s portrayal of Glen, the boyfriend of the murder victim. As he was questioned by Jeff and Chief Madieras, Glen came across as angsty and “rough around the edges”. But it didn’t feel stereotypical or one-dimensional. Instead, a mysterious aura surrounded Glen, making you want to learn more about him. I wish Glen had more appearances in this movie, because I really enjoyed seeing Reilly’s acting talents! Similar to Reilly, Nhi Do appeared in the film for a short amount of time. However, her portrayal of a bank teller named Hazel was very memorable! In her limited time on screen, Nhi showed how she had good on-screen chemistry with the other cast members. While Hazel is talking with Zee about the gossip around the bank, it felt like both characters got along well with each other. While I don’t know what’s in store for the future of this series, I would love to see Nhi Do become a series regular!

The humor: Compared to the other series on Hallmark Movies & Mysteries, the Martha’s Vineyard Mystery series has a more serious tone. This has been a consistent element throughout the overall story. There was humor found in Poisoned in Paradise: A Martha’s Vineyard Mystery. But it felt like it belonged in that world, simply breaking up the darkness of the film’s tone and subject matter.  While getting ready for his date with Zee, Jeff was looking through some shirts to determine what would look presentable. During this scene, he sniffs one of these shirts, displaying a disgusted look on his face afterward. While this was a simpler moment, it was well-executed because of the writing and acting. The moment itself also felt believable and relatable. In Boston, while Jeff and Andrew, Jeff’s former police partner, are waiting to question a bank robber, an FBI agent shows up. When Andrew questions who the agent is, Jeff replies by saying “A problem”. Similar to what I said before, this exchange was a simple one. Yet, its delivery is what made it funny.

The mystery: In my review of Ships in the Night: A Martha’s Vineyard Mystery, I said the film’s side mystery was barely referenced because it was overshadowed by the main mystery. Personally, I feel both mysteries should have received an equal amount of attention. In Poisoned in Paradise: A Martha’s Vineyard Mystery, there were two mysteries within the story. While the majority of the script focused on the main mystery, the side mystery was shown for a satisfying amount of time. What also helps is how the main mystery was written as if the audience is solving it alongside the characters. Each clue and suspect was introduced as the film went on, allowing for new surprises to keep viewers on the edge of their seat. This creates a cinematic experience that feels engaging and interactive!

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What I didn’t like about the film:

Little development in Jeff’s overarching mystery: As I mentioned in my review of Ships in the Night: A Martha’s Vineyard Mystery, Jeff is attempting to figure out who shot him back in Boston. This mystery is the series’ overarching story, where pieces to this puzzle are given to the audience in small doses as the series goes on. In Poisoned in Paradise: A Martha’s Vineyard Mystery, Jeff receives a lead in his case. I’m not going to spoil this mystery for anyone hasn’t seen the film. But all I’ll say is it feels like we take a step backward immediately after we step a step forward. I understand this series’ creative team wants to carry the story as long as possible, giving the audience a reason to stay invested. While I’m looking forward to seeing how this mystery unfolds, I feel like the audience should have received a little more.

The under-utilization of Britt Prajna: Zee’s friend, Britt, is one of the series regulars in the Martha’s Vineyard Mystery series. Her role is similar to Sally from the Aurora Teagarden Mysteries, a loyal and trust-worthy person in the protagonist’s life who provides advice and a listening ear. The difference between Sally and Britt is how Sally, sometimes, helps Aurora solve a mystery by using her journalistic skills to talk with potential suspects. As the Martha’s Vineyard Mystery series progresses, Britt has been featured less. She’s also not involved in a given mystery, never using her skills to help Zee or Jeff. I know civilians/hotel owners can only contribute so much when it comes to solving crimes. However, I think Britt has more to offer in the world this series has created.

The mystery’s start time: When I reviewed Ships in the Night: A Martha’s Vineyard Mystery, I stated the mystery’s start time was one of the movie’s flaws, as it didn’t begin until a little over twenty-five minutes into the film. While this was remedied a little bit in Poisoned in Paradise: A Martha’s Vineyard Mystery, it still took a while for the main mystery to start. This time around, the mystery didn’t begin until about twenty minutes into the movie. Before the mystery is introduced, the audience gets reacquainted with the characters and they are caught up on what has happened since the events of the previous film. I know this part of the story is important, especially when it has been several months since the last chapter was released. But I think the mystery should have been introduced sooner.

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My overall impression:

When asked why he tries to solve cold cases, Sergeant Webber tells Jeff it helps him be at peace with what has happened in his career. I found this to be an interesting answer, especially coming from a network where the majority of stories are murder mysteries. Some viewers, from what I’ve heard, have voiced their complaints over this creative decision. But after thinking about Sergeant Webber’s answer, I’m starting to see why this might be the case. Stories involving any sort of crime are never pretty. They can invoke fear, bring out the uncertain, and cause confusion. When we see a detective, real or fictional, get involved with a case, we see them attempt to find answers. Sometimes, answers can give us peace of mind, the peace of mind that can help us feel like things are going to be ok.  The series on Hallmark Movies & Mysteries represent the familiar, featuring friendly faces the audience has come to know and trust. If surrounded by people or things we are familiar with, it can make us feel comfortable, even when uncomfortable subjects, such as murder mysteries, are brought up. Watching the detectives in these series can remind us of how good people can do good things in our world. Maybe we don’t have the ability to single-handedly solve cases like our favorite TV detectives do. But maybe, just maybe, we can give a little bit of peace.  Before I close this review, I just want to thank all my followers for making 18 Cinema Lane the success it is today!

Overall score: 7.7 out of 10

Do you watch the Martha’s Vineyard Mystery series? If so, what are your thoughts on the latest film? Tell me in the comments section!

Have fun in Martha’s Vineyard!

Sally Silverscreen