Take 3: It’s a Mad, Mad, Mad, Mad, World Review

On October 8, 2019December 30, 2019 By 18cinemalane11 Comments

If you’re wondering why I’m publishing this review for The Second Spencer Tracy & Katharine Hepburn Blogathon early, it’s because I will be attending an event during the weekend when the blogathon is taking place. Since I know I’ll have little to no time to complete this post over the weekend, I thought that publishing it early would be a smart idea. For this blogathon, I will be reviewing two films. As you can tell by the title, the first movie is It’s a Mad, Mad, Mad, Mad, World. I saw this movie for the first time several years ago. But I only watched a third of the film before I decided to stop watching it. When I was choosing what to write about for the aforementioned blogathon, It’s a Mad, Mad, Mad, Mad, World came to mind. Had I judged this film too harshly? Now that I’m watching it years later, would I find more enjoyment out of the movie this time? In this review, I will be attempting to answer these questions, especially since the movie stars one of the actors that this blogathon is dedicated to; Spencer Tracy.

It's a Mad, Mad, Mad, Mad World poster — *It’s a Mad, Mad, Mad, Mad World* poster created by Casey Productions and United Artists. Image found at en.wikipedia.org/wiki/File:It%27s_a_Mad,_Mad,_Mad,_Mad_World_(1963)_theatrical_poster.jpg

Things I liked about the film:

The acting: This movie has one of the largest casts in cinematic history. But what worked in this cast’s favor was that every performer had television or movie experience prior to appearing in this film. This presented the team dynamic that comes from working with a group of people. What I noticed while watching this movie was how consistent each performance was. Some actors and actresses received more screen-time than others. However, the consistency of the characters was maintained from start to finish. Another aspect to this cast was their on-screen chemistry. All of these characters had a very interesting relationship with one another. Because of the performers’ experience with working on other movies and television shows, it helped the cast create a sense of acquaintanceship with each other.

The scenery: California is the primary filming location for this movie. It’s interesting how the various landscapes featured in the Golden State were present within the story. Most of the film takes place in the desert, but there were some unique ways that this location played into the narrative. One example is when Otto Meyer, portrayed by Phil Silvers, drives down a very steep hill. Other landscapes in this movie include the city and the seaside, which also serve an important role in this story. I think it’s great that the creative team behind this film chose to show a more well-rounded view of this state. It reminded me of the movie, Return from Witch Mountain.

The music: All of the music in this film was created by the Los Angeles Symphony Orchestra. Despite this, it worked well with the events that took place on screen. Since this movie is a comedy, most of the music was up-beat in order to fit the overall tone. However, there were times when the music created a mood that felt different from the film’s norm. Going back to the example of Otto Meyer driving down the hill, the music that was incorporated into this scene created a moment that felt suspenseful. There was a song that was performed toward the beginning and end of the movie called “It’s a Mad Mad Mad Mad World”. This song’s score could be heard at various parts of the film.

Spencer and Katherine Blogathon — The Second Spencer Tracy & Katherine Hepburn Blogathon poster created Crystal from In the Good Old Days of Classic Hollywood and Michaela from Love Letters to Old Hollywood. Image found at https://crystalkalyana.wordpress.com/2019/08/04/announcing-the-second-spencer-tracy-and-katharine-hepburn-blogathon/.

What I didn’t like about the film:

The weak story: People from different walks of life trying to find a large sum of money is a story that sounds like it has potential. But, in reality, this idea works better on paper than it does on the screen. The majority of the movie relies on driving scenes and people yelling at one another. The jokes and gags seemed to last longer than necessary, potentially making up for the weak plot. Any time there was a moment for commentary, the screen-writers don’t take advantage of them. Instead, they focus on creating a series of subplots that feel repetitive.

The run-time: It’s a Mad, Mad, Mad, Mad, World is approximately two and a half hours, while IMDB lists the movie at three hours and twenty-five minutes. As I’ve already said, this plot was pretty weak. However, the story itself was also straight-forward. This film’s run-time feels excessive, being drawn-out longer than it needed to be. A film’s run-time can be hit or miss. It all comes down to what the story calls for. Personally, I think It’s a Mad, Mad, Mad, Mad, World should have been about an hour and thirty to fifty minutes. That way, the story could have gotten straight-to-the-point a lot sooner.

The humor: Humor, like film, is subjective. What is funny for one person might not be hilarious for another. For me, there were very few jokes in It’s a Mad, Mad, Mad, Mad, World that I found legitimately funny. One example was when, at the beginning of the film, the man who tells the other characters about the money literally kicks a bucket before he dies. But the majority of the jokes revolved around people getting hurt at the expense of others. Instead of finding the events on the screen hilarious, I kept wondering how the characters were able to survive their ordeals. Something that I’ve already talked about was how, most of the time, the characters end up yelling at one another for a host of reasons. This aspect of the film didn’t add humor to the story either. What it did, instead, was sound like a broken record.

Joshua Tree National Park in California image created by Welcomia at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/tree”>Tree photo created by welcomia – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

If there is ever a movie that I haven’t finished or I haven’t watched in several years, I am more than willing to give it a second chance. Since I have this blog, it provides a place where I can analyze and evaluate each title. Unfortunately, It’s a Mad, Mad, Mad, Mad, World did not deserve that second chance. Like I said, humor and film are subjective. This means that this particular film was not for me. Yes, there were things about the movie that I liked. But the negatives ended up out-weighing the positives. The movie, to me, felt like a drawn-out joke that had trouble finding its punch-line. It also seemed like the creative team behind this film put more emphasis on recruiting as many actors and actresses as possible instead of focusing on telling a good story. Since this is a double feature, I’m hoping that the second movie I plan to watch is better than this one.

Overall score: 5 out of 10

Have you seen any of Spencer Tracy’s films? Are you looking forward to the second part of this double feature? Share your thoughts in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Sky’s the Limit Review + 135 Follower Thank You

On September 22, 2019September 22, 2019 By 18cinemalaneLeave a comment

Thank you to all of my followers that helped 18 Cinema Lane reach this milestone! If it weren’t for you, this blog would have never reached 135 followers in only one year! So, like before, it’s time for another blog follower dedication review! This time, I’m going to talk about a film that was released in September of 1943. The Sky’s the Limit is the only film from this time period that I was able to rent, so that’s the film that I have chosen. I have a confession to make: up until this point, I have never seen a movie where Fred Astaire made an on-screen appearance. I am familiar with who Fred is as a performer, so it’s hard to believe that this is the first of his films that I’ve seen. Choosing this film seems fitting for this particular review.

The Sky's the Limit poster — *The Sky’s the Limit* poster created by RKO Radio Pictures. Image found at https://www.imdb.com/title/tt0036363/?ref_=nv_sr_1?ref_=nv_sr_1.

Things I liked about the film:

The acting: Like I mentioned in the introduction, this was the first film of Fred Astaire’s that I’ve seen. Despite this, I was very impressed with his performance! His presentation was very natural and believable, helping him bring a certain amount of charm to his character. Before watching The Sky’s the Limit, I had no idea that Fred could sing. His singing and dancing talents added uniqueness to his on-screen presence. Another performance that I was impressed by was Joan Leslie’s! Joan made her character well-rounded because of the various emotions and behaviors she adopted. I was also pleasantly surprised by her singing and dancing abilities! By incorporating those elements to her role, it made her performance that much more enjoyable!

The on-screen chemistry: Not only did Fred and Joan deliver good performances individually, they also presented good performances as an on-screen pair! Throughout the film, their characters appeared to truly like each other. Moments where Fred and Joan spent time together represent the sweeter parts of the movie. While the relationship of the characters gradually developed, this aspect was portrayed in a way that felt believable. The fact that Fred and Joan’s acting talents were similar worked in their favor. It made their performances complement one another!

The dance numbers: Whenever Fred Astaire is cast in a movie, it’s almost guaranteed that there will be, at least, one dance number. In The Sky’s the Limit, Fred performed one dance solo and two dance duets with Joan Leslie. These performances were very well choreographed, appearing flawless and captivating. All of those hours of practice seemed to pay off. Fred and Joan also looked like they having fun during their performances! When a dancer looks like they’re enjoying what they’re doing, it helps the enjoyment factor of the dance number!

Six designs of military airplane — Military plane image created by Brgfx at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by brgfx – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The plot: You’re probably thinking, “If you didn’t like the plot, then why did you watch this movie?” The plot itself wasn’t bad, but it was too straight-forward for my liking. Before watching The Sky’s the Limit, I assumed that the protagonist would face one hilarious situation after another in order to resolve the conflict. However, no efforts were made to find a solution to the conflict. There were very few humorous moments in the film as well. This story took itself more seriously than I think it should have. It seemed to forget that “comedy” was a part of its identity.

The limited amount of dance numbers: When I found out that Fred Astaire would be starring in the film and that it was classified as a “musical”, I was expecting the movie to be filled with singing and dancing. In this hour and thirty-minute picture, there were only three dance numbers, with the first one appearing about forty minutes into the film. When a movie’s creative team hires an actor with more than one talent, they should help that actor use their talents to the fullest extent. This is especially true when the movie is labeled as a “musical”. If this doesn’t happen, it makes the actor appear under-utilized.

No consequences: As I said in the introduction, The Sky’s the Limit was released in 1943. This means that the film premiered during the Breen Code era. But when Fred Astaire’s character never faced any consequences for his actions and choices, I was shocked that the people behind the Breen Code would find this part of the story to be acceptable. One example is when Fred’s character is upset over a break-up. This causes him to destroy a restaurant’s bar by breaking drinking glasses and throwing a bar stool at the mirrored background. All that happens is Fred paying for his drink and acting as if nothing out of the ordinary had happened. Because he never owned up to his mistakes, I found it difficult to root for his character.

Dancing Pairs 2 Retro Cartoon Templates — Couple performing the waltz image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

I can’t believe that I hadn’t seen any of Fred Astaire’s movies until now! That’s a great thing about this blog, as it gives me an excuse to introduce myself to films that I might not have seen otherwise. Now that I’ve shared what I liked and didn’t like about the movie, I can now tell you my honest opinion about it. Personally, I found the film to be just ok. It’s definitely not one of the worst films I’ve seen this year. But, it’s not one of the best films I’ve seen this year either, as it hasn’t aged as well as other projects from that decade. Despite this, I’m still glad I gave this movie a chance! Something that I have said before was how you never know if a film will be good or bad unless you watch it. This is certainly the case for my experience seeing The Sky’s the Limit. Once again, thank you to all of my followers! If it weren’t for you, this review wouldn’t exist.

Overall score: 6.1 out of 10

What are your thoughts on my review? Are you looking forward to my next movie review? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

What the Code Means to Me: Breen, Hallmark, and Me

On June 19, 2019June 19, 2019 By 18cinemalane5 Comments

Dumbo (2019). Men in Black International. Poms. Dark Phoenix. These are a few examples of movies that have, recently, lost their battles in the Cinematic Colosseum. When a film underperforms or doesn’t reach expectations, people always look for reasons why this happened. It is a way of providing a sense of closure to the situation. Some say that the reason why 2019 has seen more cinematic failures than successes is because of an absence of original and innovative ideas. Others say that the creative teams behind these projects put more emphasis on politics than the story itself. Another reason that has been discussed is having too many remakes, sequels, and franchise continuations competing against each other within a short amount of time. Whatever the reason, I think we can all agree that these films probably failed because, simply, movie-goers just weren’t interested in the overall product. This seems very different from the time-period of 1934 to 1954, when the Breen era not only existed, but also thrived. During this particular stretch of time, it feels like more films were both successful and memorable for the right reasons. Take 1939, for example. Within this year alone, movie-goers were given three films that cemented their place in cinematic history; Gone with the Wind, Mr. Smith Goes to Washington, and The Wizard of Oz. The fact that these very distinct films placed in the Top 10 at that year’s box office proves that during the Breen era, there was something for everyone at the cinema. With the Breen Code absent in today’s cinematic world, an interesting media company that, I feel, has embraced Joseph I. Breen’s way of thinking is Hallmark. The more I’ve thought about the Breen Code and its impact on film, the more I see the similarities within the kinds of movies that Hallmark creates. Even though these films are featured on either television or digital services, it proves that there is hope for the Breen Code to make a comeback.

What the Code Means to Me poster created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2018/12/17/what-the-code-means-to-me/.

Before discovering the blog, Pure Entertainment Preservation Society, I had never known about Joseph I. Breen and the Breen Code. In fact, I had always believed that the MPAA (the Motion Picture Association of America) was the “end all, be all” when it came to judging a film’s content. It wasn’t until I watched the video, “Why You Shouldn’t Listen to the MPAA (Podcast Excerpt)” from the Youtube channel, Rachel’s Reviews, that I started to change my views about this particular rating system. In this video, Rachel and her friend, Conrado, talk about why movie-goers should form their own self-censorship than solely rely on the MPAA. When I came across Pure Entertainment Preservation Society last October, while looking for upcoming blogathons to participate in, I was introduced to who Joseph I. Breen was as well as the Breen Code itself. In preparation for this article, I read as much as I could about Joseph and his Code. Tiffany and Rebekah Brannan, the creators of Pure Entertainment Preservation Society, have done a wonderful job at educating their readers and followers about the Breen Code and advocating its return to entertainment. Their articles are very informative and interesting to read. After learning all of this information, I feel that a newer and stronger code for judging a film’s content needs to be put in place. While having the MPAA is better than having nothing at all, its rules and guidelines seem to be more on the relaxed side. In the previously mentioned video, Rachel and Conrado discuss some of the ways that a film receives a particular rating. One example is the use of blood within the film’s context. Rachel brings up the example of The Hunger Games receiving a PG-13 rating due to the absence of blood while “contestants” are dying during the event within the story. She feels that because blood isn’t shown during these moments, the film is “dehumanizing the situation”. Had The Hunger Games been created during a time when something similar to the Breen Code existed, either this film would have never seen the light of day or the “contestants” would have died off-screen.

Easter Under Wraps poster — *Easter Under Wraps* poster created by Crown Media Family Networks and Hallmark Channel. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=142&FeedBoxID=845&NodeID=302&ShowType=&ShowTitle=Easter%20Under%20Wraps&IsSeries=False.

The movies and shows from Hallmark make up a large percentage of the content on my blog. Sometimes, I review films from Hallmark Channel, Hallmark Movies & Mysteries, and Hallmark Hall of Fame. In some of my Word on the Street posts, I’ve talked about movie news related to upcoming Hallmark projects. I also conduct two re-cap series for When Calls the Heart and Chesapeake Shores. Hallmark has created a reputation as being a family-friendly company in both appearance and content. As I mentioned in the introduction, things within the Breen Code sound like the type of material that Hallmark creates and distributes on their networks. Within the Hallmark entertainment spectrum, there are three television networks that air movies; Hallmark Channel, Hallmark Movies & Mysteries, and Hallmark Drama. Each network has their own unique and consistent tone, while still maintaining the company’s created image. Hallmark Channel features films that primarily contain light-hearted, romance stories. However, the relationships featured in these movies are wholesome. In the Breen Code, it states that “pictures shall not infer that low forms of sex relationship are the accepted or common thing”. Typical Hallmark Channel films do not feature or talk about sex. The only two films that I can think of that either mention sex or imply that a couple was having sex are A Family Thanksgiving and Audrey’s Rain. Hallmark Movies & Mysteries has a darker tone than Hallmark Channel, as the majority of the network’s content is mystery related. The type of mystery that is common in these movies is the murder mystery. However, this aspect of the story is always handled in a very tasteful way. Not only is a small amount of violence shown, but a limited amount of blood is featured on-screen. The Breen Code contains a whole section about featuring murder in film. One of the points in this section says that “methods of crime should not be explicitly presented”. Sometimes, these films show how a victim is murdered. This is included to introduce the mystery and present the seriousness of the situation. Toward the end of the movie, the guilty party reveals how and why they committed the crime. But the guilty party is never “presented in such a way as to throw sympathy with the crime”. Even though Hallmark Drama has only been around for two years, it has been a network where Hallmark’s more dramatic films can be seen. These types of films are either from Hallmark Hall of Fame or from Hallmark Channel and Hallmark Movies & Mysteries that haven’t be aired in recent years. Some of these projects were created before Hallmark embraced the image they have today, even before the Hallmark Channel was introduced back in 2001. One of these films is Ellen Foster, which is a Hallmark Hall of Fame movie that was released in 1997. In this film, there is one scene where Ellen is being physically abused by her father. If this exact same movie were released by Hallmark today, that scene would never have been featured in the film. The subject of child abuse would have only been implied through the use of dialogue and subtle visual references. This suggestion would fit with the Breen Code and Hallmark’s current image, as the Code itself states that “excessive and inhuman acts of cruelty and brutality shall not be presented. This includes all detailed and protracted presentation of physical violence, torture, and abuse”. Despite this aforementioned detail, Hallmark Drama still features content that is family oriented.

Crossword Mysteries -- A Puzzle to Die For poster — *Crossword Mysteries: A Puzzle to Die For* poster created by Crown Media Family Networks and Hallmark Movies & Mysteries. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=143&FeedBoxID=845&NodeID=307&ShowType=&ShowTitle=Crossword+Mysteries+A+Puzzle+to+Die+For.

The previous paragraph contains some examples of how the Breen Code can be found within Hallmark’s movies. I could provide more examples, but that would mean this article would be longer than it already is. Hallmark’s commitment to providing family friendly content to their audience shows that the Breen Code, or some form of it, can return to the entertainment world. It will most likely happen in a process of events rather than a quick succession. However, this is proof that Joseph I. Breen’s intentions still have a place in our world. In the article, “The Production Code of 1930’s Impact on America” from Pure Entertainment Preservation Society, it was said that “films are merely rated but not censored”. Since this is the case, we, the movie-goers, need to take the initiative to discover a film’s content, understand why a rating was given to a particular film, and form our own choice to view or not view a film. Until the day when Joseph I. Breen’s dream can come true again, this is the only option that movie-goers currently have.

Hallmark Hall of Fame's Love Takes Flight review — Hallmark Hall of Fame’s *Love Takes Flight* poster created by Crown Media Family Networks and Hallmark Channel. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=142&FeedBoxID=845&NodeID=302&ShowType=&ShowTitle=Love+Takes+Flight.

For my two Breening Thursday suggestions, I would like to recommend Wild Oranges and The Trouble with Angels. Wild Oranges is a silent film from 1924 that I reviewed when I received 95 followers on my blog. The Trouble with Angels is one of the films that I reviewed during the Rosalind Russell blogathon earlier this month. It was released in 1966.

Have fun at the movies!

Sally Silverscreen

If you want to check out the references I mentioned in this editorial, you can type “Why You Shouldn’t Listen to the MPAA (Podcast Excerpt)” into Youtube’s search bar or visit Rachel’s Youtube channel, Rachel’s Reviews. You can also visit these links:

The Motion Picture Production Code with Its Revisions

The Production Code of 1930’s Impact on America

Take 3: Sunnyside Review + 100 Follower Thank You

On May 14, 2019May 10, 2019 By 18cinemalane9 Comments

Well, I did it. I finally received 100 followers! When I started 18 Cinema Lane last February, I never thought I would achieve this many followers in such a short amount of time! So, I’d like to say thank you to every single person who has chosen to follow my blog. If it weren’t for you, I never would have reached this milestone so soon. You’re probably thinking that it would be nearly impossible to find a movie that was released 100 years ago, in 1919. But, surprisingly, I ended up finding a movie on Turner Classic Movies’ (TCM’s) schedule. It’s a movie titled Sunnyside, which was directed, written, produced, composed by and starred Charlie Chaplin. In my Wild Oranges review, I mentioned that the only other silent film I’d seen was The Kid. By reviewing Sunnyside, it means that this is not only the third silent film I’ve seen, it’s also the second Charlie Chaplin picture that I’ve seen. When I recorded this movie on my DVR, I was shocked to discover that the film itself was less than an hour long. But, since Sunnyside is considered a short film, I realized that this run-time actually made sense. So, let the sunshine come pouring into your heart, as we’re about to begin this review of Sunnyside!

20190509_213523[1] — Not only did I surprise myself by finding a movie that was released 100 years ago, but I also found a poster of the movie (which appeared on my TV). Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The comedy: Out of the two films of Charlie Chaplin’s that I’ve seen, it seems like Charlie’s cinematic work is known for being humorous. Because Sunnyside is a silent film, the creative team behind this movie had to rely on physical comedy, such as silly behaviors and actions, to make the audience laugh. This style of comedy was executed well in the film! While this form of comedy was more simplistic, I felt like it was effective! One such example is when Charlie’s character brings a cow into his house and milks it on the spot just so he can put milk in his beverage. The incorporation of humor helped make Sunnyside an interesting film!

The music: As I’ve mentioned in the introduction, Charlie Chaplin composed the music in Sunnyside. It felt like Charlie put a good amount of thought into the type of music that was incorporated into the film. Throughout the movie, I noticed that the overarching music matched the mood of whatever scene it was featured in. Whenever the scene was humorous, light-hearted music could be heard. If the scene had a more serious tone, dramatic music was placed over the on-screen events. This aspect of the movie provided a sense of understanding to what was happening in the story!

The use of title cards: In my review of Wild Oranges, I talked about the importance of title cards within the film. Just like that movie, Sunnyside also used title cards to their full advantage. These title cards were, sometimes, placed at the beginning of each scene. This helped introduce locations and characters to the audience. Title cards were also used to provide dialogue between some of the characters. It assisted the audience in helping them figure out what was going on within the narrative.

125843-OSCVR0-64 — Happy sun image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Some scenes lasting longer than others: Throughout Sunnyside, I noticed that some of the scenes lasted longer than others. One example is the opening scene, when Charlie’s character wakes up in the morning. For scenes like this, I felt that they were as long as they were just to satisfy the film’s run-time. In my opinion, these specific scenes could have been cut to a shorter length.

A simplistic story: The main plot of Sunnyside was more on the simpler side. Because of this, it caused the first half of the movie to appear as a series of vignettes. The story didn’t seem to have a cohesive narrative until the character called “City Chap” showed up in the film. It made the film like it was an experiment of how to make a movie.

A drowned out piano: In Sunnyside, there was one scene where Charlie’s character is playing the piano. However, when he did play the piano, the instrument’s sound was drowned out by the overarching music featured in that scene. I understand that the cinematic technology of 1919 was vastly different than what it is today. But I think the sound of the piano should have been omitted from this film. That way, the only sound that the audience should focus on is the music that helps highlight the mood of that scene.

Note_lines_horizontal1 — String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Backgroundvector created by Freepik</a>. Image found at freepik.com.

My overall impression:

As I’ve said in my Wild Oranges review, I don’t often watch movies in the silent film genre. However, because Sunnyside was the only film from 1919 that I was able to find, I decided to give the movie the chance. I’m glad I did, as this ended up being a good film! Because this was a short film and because, for the most part, I was able to understand what was going on in the narrative, I didn’t have a need to provide my own commentary to the film. It is interesting to see how movies have evolved over these 100 years. Seeing what’s changed and what’s remained the same in cinema is fascinating. This makes me appreciate the earlier projects of film, including Sunnyside.

Overall score: 7.6 out of 10

Do you watch silent films? Have you seen any of Charlie Chaplin’s movies? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Phffft Review + 65 Follower Thank You

On February 2, 2019 By 18cinemalane2 Comments

Earlier this week, I received 65 followers on 18 Cinema Lane! With my blog’s first anniversary coming up next Saturday, I found this recent gain in blog followers to be a pleasant surprise! As I’ve been doing before, I have chosen to review a film that was released 65 years ago (in 1954). While researching movies with 1954 release dates, one film in particular instantly stood out to me. The reason is because of the title alone. Phffft (yes, that is the real title of this film) is a movie that seemed like it was begging for me to watch and, eventually, review it. So, because of everything I’ve just said, I decided to pick Phffft as my movie of choice this time around. Was this film as funny as this title suggests? I’m glad you came to this review, as we’re about to find out!

Phffft poster — *Phffft* poster created by Columbia Pictures. Image found at http://www.tcm.com/tcmdb/title/86629/Phffft/#.

Things I liked about the film:

The acting: I thought the cast of Phffft was good! Judy Holliday shined the brightest with her portrayal of Nina. Her performance appeared very natural as well as believable. I also thought that Jack Lemmon did a good job with his portrayal of Robert. Everything that happened with Robert seemed so convincing because of how versatile Jack’s performance was. Even though this is a movie about a couple experiencing a divorce, Jack and Judy gave a good performance not only as individuals, but also as a pair. Whenever Robert and Nina were together, I always had the impression that Judy and Jack had good on-screen chemistry. In a scene where Nina and Robert unexpectedly become each other’s dancing partner, it looked like they truly enjoyed one another’s company.

What it means to be a “hero”: During a flashback scene that explains how Robert and Nina met, it was revealed that Robert was a military lawyer. In this scene, his self-esteem has fallen a little bit because he doesn’t see himself as a hero. I found this character choice of Robert being a military lawyer very interesting. In fact, it seems like we, the audience, don’t get many portrayals of military lawyers in film. Besides A Few Good Men, I can’t really think of many movies that feature the importance of military lawyers. Phffft does take the time to show how lawyers can play a significant role within the military. The film does this by having Nina remind Robert, as well as Robert reminding himself, that if he wasn’t keeping an eye on the military’s finances, the military would have lost a lot of money. This message of how a hero can mean different things to different people was a good addition to this film.

Showing both perspectives: As I’ve already mentioned, Phffft is about a couple who experiences a divorce. In movies where divorce can be found in the film’s narrative, the main perspective is usually given to just one person in that relationship. Also, in movies about divorce, there are times when one person in the relationship is portrayed as an antagonist and the other is portrayed as a protagonist. In Phffft, however, the story is told from both of the perspectives of Robert and Nina. Each side of the story is given an equal amount of time for the characters to grow as individuals and experience their own personal journeys. It also shows an unbiased view of what each character is going through. To me, I thought this was a good story-telling choice.

exploding heart 0912 — Breaking heart image created by Kjpargeter at freepik.com. <a href=’https://www.freepik.com/free-vector/broken-heart-valentine-background_1041991.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Kjpargeter – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Lack of comedy: Despite the humorous title, I didn’t find Phffft to be very funny. While I did chuckle at some moments, there were no moments within the film that made me burst out laughing. I’m not sure if this movie just didn’t correlate with my sense of humor or if the comedic writing in this film was just that weak. But I, personally, found the lack of comedy in this movie to be very disappointing.

Too dialogue-heavy: In every movie, dialogue is a necessary component to the overall story. However, there is such a thing as too much dialogue. Phffft featured many scenes where characters were having conversations with one another. Unfortunately, there weren’t enough situations and conflicts happening in this movie to balance out the dialogue. Having too much dialogue in this film did not work its favor.

The premise being too basic: While Robert and Nina’s divorce was the main plot in Phffft, it was the only plot within this movie. Also, I found this plot to be so basic, that the scenarios Robert and Nina get themselves into feel like they were incorporated in the movie just for the sake of keeping the plot going. Like I just mentioned, Phffft didn’t have enough situations and conflicts to balance out the dialogue. To me, this movie needed, at least, one secondary plot in order to keep it interesting. Because of the lack of subplots, it caused the other characters in this movie to feel like they were just there because they knew either Robert or Nina.

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My overall impression:

At the end of the day, Phffft was just ok. Because of how funny this title sounds, I was expecting the film to be just as funny. Unfortunately, this movie was somewhat disappointing for me. All of the comedy in Phffft felt weak, almost like it was poorly written. However, I would never say this is a bad film. There were things about it that I liked, such as Judy Holliday and Jack Lemmon’s performances. But when it comes to comedies from the 1950s, I think there are movies out there that are better than Phffft. Now that this review is coming to an end, I just want to take the time to say thank you to each of my 65 followers. When I started this blog a year ago, I never expected to receive this many followers in such a short amount of time. It just makes me appreciate all the success this blog has achieved, including the increase in readers and followers.

Overall score: 6.1 out of 10

What are your thoughts about this review? Are you looking forward to the 70 follower thank you post? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen