Tag: blogathon

Take 3: Fried Green Tomatoes Review

On By 18cinemalane4 Comments

When it comes to this year’s Genre Grandeur reviews, I have chosen not to write about Hallmark films, even though I could have. This trend is the result of wanting to expand my cinematic horizons. But that is not the only trend among my Genre Grandeur reviews this year. Most of the movies I’ve talked about, so far, were recommended by my readers. With April’s Genre Grandeur theme being “Films About Food”, I selected a movie suggested by Jillian from The Classic Film Connection. That title is 1991’s Fried Green Tomatoes! At first, I had no idea how food was significant to this story. While I knew Fried Green Tomatoes was based on a pre-existing book, I had not read the book prior to watching the film. As I watched the movie, though, I began to see how the story prioritizes food. So, set the table and get the entrée ready, for I’m about to review Fried Green Tomatoes!

Fried Green Tomatos poster created by Universal Pictures, Act III Communications, Avnet/Kerner Productions, Electric Shadow Productions, and Fried Green Tomatoes Productions

Things I liked about the film:

The inclusion of food: As I mentioned in the introduction, I did not know the role food would play in Fried Green Tomatoes. But as the story progressed, the significance of food became clearer! This aspect of the film is included in two ways. The first is forming connections between the characters, building bridges of communication and even camaraderie. When Evelyn and Ninny first meet, Evelyn shares one of her candy bars with Ninny. This exchange served as the starting point for these characters’ friendship. Food also represented the world surrounding the characters. When Ninny is first telling Idgie and Ruth’s story to Evelyn, the story starts at a wedding. At the wedding reception, a table of decadent desserts is shown on screen, from a variety of pies to the wedding cake itself. The picture-perfect presentation of these desserts emphasized the affluent backdrop these characters existed in. Those two ways food was placed into the story allowed food to be the thread that kept the movie together!

The acting: I’ve seen some of Kathy Bates’ films prior to watching Fried Green Tomatoes. Out of those movies, I noticed Kathy has portrayed characters who were head-strong and confident. But with her portrayal of Evelyn in Fried Green Tomatoes, this performance was different. That’s because Evelyn slowly, but surely, became confident over time. Kathy’s approach to her character was very reminiscent of a chameleon. This was achieved through a combination of body language, emotions, and facial expressions. Another great aspect of Kathy’s performance was her on-screen camaraderie with Jessica Tandy! With Jessica’s effortless portrayal of Ninny, the interactions between Evelyn and Ninny appeared so natural, as if their friendship was always meant to be. I also felt this way about Idgie and Ruth’s friendship. Portrayed by Mary Stuart Masterson and Mary-Louise Parker, these characters presented a classic example of “opposites attract”! One of my favorite scenes in Fried Green Tomatoes was when Ruth and Idgie are giving non-perishable food items to members of a homeless camp. At first, Ruth is alarmed by Idgie’s actions, believing Idgie is stealing. But Idgie explains how people at church only say they do good work instead of practicing what they preach. This explanation shows Ruth how Idgie’s free-spirited nature could be directed toward helping others, as Idgie sees Ruth is in her corner and willing to support her.

The addition of a mystery: In Fried Green Tomatoes, there is a murder mystery woven into Ruth and Idgie’s story. In fact, the movie begins with the murder victim’s car being pulled out of a river. But this murder mystery is simply a part of the story, not the main focus. Because it is drawn out throughout the film, it gave the audience a reason to stay invested in what was happening on screen. The mystery unfolded as the story progressed, with pieces revealed as Ninny told Evelyn Idgie and Ruth’s story. Since the audience is learning information alongside Evelyn, a shared experience is created between viewers and the characters.

Picnic basket in Autumn image created by Stockgiu at freepik.com. Picnic basket vector created by stockgiu – www.freepik.com

What I didn’t like about the film:

Confusing parts of the story: For this part of my review, I will share some spoilers for Fried Green Tomatoes. If you haven’t seen this movie or read the book and are interested in checking this story out, please skip this paragraph and resume at the paragraph titled ‘Ninny’s unknown involvement in Idgie and Ruth’s story’.

There were some parts of Fried Green Tomatoes I found confusing. One example is Ruth’s reaction to train tracks. At the beginning of Ruth and Idgie’s story, they witness their friend, Buddy, get run over by a train. His foot got caught in the train track, preventing him from escaping his demise. Years later, Ruth has a son named Buddy Jr., naming her son after her and Idgie’s deceased friend. But Buddy Jr. loses his arm after playing on a train track. This begs the question; why would Ruth allow her son anywhere near train tracks, especially after what her friend went through?

Ninny’s unknown involvement in Idgie and Ruth’s story: When Ninny first introduces herself to Evelyn, she claims she married into Idgie’s family. Yet throughout Idgie and Ruth’s story, a younger version of Ninny is nowhere to be seen. None of the characters in Ruth and Idgie’s story mention Ninny either. This left me confused as to what Ninny’s involvement in Idgie and Ruth’s story was. Even the movie’s ending made me question Ninny’s identity.

Some unsmooth scene transitions: Fried Green Tomatoes features two timelines: one for the past (Ruth and Idgie’s story) and one for the “present” (Ninny and Evelyn’s story). While it was interesting to see these timelines unfold, I did not like the scene transitions from the past to the present. They were too abrupt, with little to no indication of the change in time. No voiceovers brought the audience, as well as Evelyn, out of the past. These unsmooth scene transitions felt jarring.

Illustrated beekeeper image created by macrovector at freepik.com. Business vector created by macrovector – www.freepik.com

My overall impression:

In the 1990s, it seems like a popular cinematic trend was stories that primarily took place in the past. In these movies, a protagonist is either telling a story to other characters or a protagonist is reflecting on their life. Fried Green Tomatoes is one of these films, as there are two timelines in the story: one from the past and one from the “present”. But among these types of movies, there are titles I feel are stronger than Fried Green Tomatoes. With the inclusion of two timelines, it felt like they were competing for the audience’s attention. In fact, I thought Idgie and Ruth’s story was more interesting than Ninny and Evelyn’s story. There were also confusing parts of the movie, such as Ninny’s involvement in Ruth and Idgie’s story. Despite these flaws, though, I found Fried Green Tomatoes to be a fine, well-made film.

Overall score: 7.4 out of 10

Have you seen or read Fried Green Tomatoes? Are there any food related movies you’d like me to check out? Tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: The Raven (1963) Review

On By 18cinemalane21 Comments

April Fool’s Day; a time for jokes, pranks, and laughter. On such a day, a comedic film would be most appropriate. Therefore, it’s time to introduce my selection for The ‘Favorite Stars in B movies’ Blogathon: 1963’s The Raven! Recommended by the late Patricia from Caftan Woman, I discovered this particular title was considered a “B movie” while searching for the perfect movie to write about. It just so happens to star an actor that is no stranger to 18 Cinema Lane; Vincent Price! The Raven is the tenth film of Vincent’s I have seen and reviewed. Most of his projects I have enjoyed to various degrees. But how will the 1963 title turn out? Don’t fly away from this review, as the review is about to begin!

The Raven (1963) poster created by Alta Vista Productions and American International Pictures

Things I liked about the film:

Interactions between characters: When creating a movie, it’s important to cast actors and actresses who not only perform well individually, but also within a group. If the quality among the cast is strong, the interactions between their characters will appear realistic to the audience. This is the impression I received as I watched The Raven. Scenes shared by Vincent Price and Peter Lorre serve as one great example. In one scene, Vincent’s character, Dr. Erasmus Craven, has attempted to reverse the spell placed on Dr. Adolphus Bedlo, Peter Lorre’s character. Unfortunately, Craven’s attempt doesn’t go according to plan. Bedlo is distraught at having wings for arms. His face bears a frown, eyes filled with a sad look. With disdain and concern is his voice, Bedlo is afraid the spell’s effects will be permanent. Meanwhile, Craven bears a look of concern on his face. But with a worried look in his eyes, Craven appears to care about the well-being of his friend. Through interactions like the one I described, Craven and Bedlo’s friendship felt believable. That was made possible with a combination of screen-writing and the performances of Vincent and Peter!

The humor: I knew The Raven was classified as a “horror-comedy” before I watched it. However, I was surprised by how the comedy was incorporated into the story! The humor in The Raven was mostly found within the dialogue. But the movie’s climax is where the humor really shines! In this scene, Craven and Dr. Scarabus, portrayed by Boris Karloff, participate in a magical duel. When it was Craven’s turn to use his magic, his responses to Scarabus became sillier as the duel continued. I won’t spoil this part of the story, for readers who haven’t seen this movie yet. All I will say is the humor was so well executed, I burst out laughing on numerous occasions.

Following the characters’ journey: The Raven is about Craven and his friend, Bedlo, traveling to Scarabus’ castle to reclaim Bedlo’s magic and save the spirit of Craven’s late wife, Lenore. As the story unfolds, the audience witnesses the steps Bedlo and Craven take in order to make the trip a reality. Seeing this step-by-step process allows viewers to feel like they are traveling alongside the characters. That creative decision adds interactivity to the story!

The ‘Favorite Stars in B movies’ Blogathon banner created by Brian from The Films from Beyond the Time Barrier

What I didn’t like about the film:

Inconsistent parts of the story: Within the The Raven, there were times when parts of the story were inconsistent. In one example, Craven and Bedlo need hair from a dead man. So, they take some hair from Craven’s deceased father. In order to open the casket of Craven’s father, Craven uses a knife to pry open the casket’s lid. A few scenes later, when Bedlo and Craven want to open Lenore’s casket, they are easily able to lift the lid. While these inconsistencies were not a common flaw, I believe this issue could have been avoided.

A drawn-out first half: As I already mentioned in this review, I liked how the characters’ journey allowed the audience to feel like they were traveling alongside the characters. But because of the movie’s hour and twenty-six-minute run-time, this journey was drawn out. Within the story’s first half, the sense of urgency was limited. There was also a small conflict that prolonged the journey. With those flaws addressed, it makes me wonder if this story would have worked better as a short film?

A random plot twist: For this part of my review, I will spoil a plot twist in The Raven. If you are interested in watching this movie, but have not seen it yet, please skip ahead to the section titled ‘My overall impression’.

While spending the night at Scarabus’ castle, Bedlo helps Scarabus trap Craven, his daughter, Estelle, and Bedlo’s son, Rexford. After Scarabus and Bedlo succeed, Bedlo confesses he tricked Craven into coming to Scarabus’ castle, in order to gain more magic from Scarabus. While this plot twist was unexpected, it felt random. There was no indication Bedlo would be that under-handed. Plus, this plot twist came right after another plot twist had been revealed. In my opinion, the plot twist involving Bedlo felt like it was included in the story just for the sake of it.

Image of crow at sunset created by Rayudu NVS at freeimages.com. Photo by <a href=”/photographer/rayudu238-57835″>rayudu NVS</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt;. Image found at freeimages.com.

My overall impression:

As of early April, 2023, I have seen two Corman productions based on the works of Edgar Allan Poe; The Pit and the Pendulum and The Raven. A sense of wonder exudes from these two movies. What I mean by this is, I am amazed by how these creative teams were able to take simple stories and turn them into feature films! While I liked The Raven, I still prefer The Pit and the Pendulum. This is because of the movie’s flaws, such as the drawn-out first half and the random plot twist. However, there were strengths in The Raven, like the interactions between characters and the humor. I’m aware of Vincent Price’s other movies based on Edgar’s work. I’ll have to check those out another day!

Overall score: 7.3 out of 10

Have you seen or read The Raven? Are there any adaptations of Edgar Allan Poe’s work you’d like me to review? Let me know in the comment section below!

Have fun on April Fool’s Day!

Sally Silverscreen

Sally Watches…Touched by an Angel (The Trilogy)!

On By 18cinemalane7 Comments

It feels like every two years, I talk about an episode of Touched by an Angel. First, I reviewed “The Sky Is Falling” in 2019. Then, in 2021, I wrote about the two-part episode, “The Spirit of Liberty Moon”. Now, for The 9th Annual Favourite TV Show Episode Blogathon, I’m going to cover another Touched by an Angel episode! This time, I’ll be talking about 1998’s “Perfect Little Angel”. Based on its synopsis on IMDB, the episode’s story doesn’t seem like it revolves around heavier topics, like “The Sky Is Falling” and “The Spirit of Liberty Moon”. However, the inclusion of a pageant in “Perfect Little Angel” is what intrigued me to want to watch this episode. When a pageant is featured in a scripted movie or television show, it is typically depicted in one of two lights; negatively or as a joke. With Touched by an Angel having something important to say every now and then, I was curious to see what themes and messages would arise from this story. So, let’s get into my review of “Perfect Little Angel” to see if it will win the crown!

The 9th Annual Favourite TV Show Episode Blogathon banner created by Terence from A Shroud of Thoughts

Episode Name: Perfect Little Angel

Season 4, Episode 23

Premiere Date: April 26th, 1998

What I liked about this episode:

In the introduction of this review, I mentioned how pageants in scripted movies or shows are typically depicted in one of two lights; negatively or as a joke. But in “Perfect Little Angel”, the Miss Colorado State Pageant felt like it was taken seriously within the story! The staging of the pageant itself looked very high budget, appearing as if the event was produced by a professional organization. Every actress portraying a contestant was styled beautifully, mirroring the image of real life contestants of the late ‘90s. Even the way the actresses moved across the stage or performed their talent gave the audience the impression they cared about their outcome in the competition. As I’ll mention more in the segment about the episode’s story, the episode was about more than just the pageant, which actually works in the favor of the Miss Colorado State Pageant!

What I didn’t like about this episode:

I know Tess is a head-strong, motherly figure among the angels on the show. But toward the beginning of “Perfect Little Angel”, she came across as pushy. When she first meets Tracy, Tess insists she seek out guidance from a local women’s shelter. She evens looks down on Tracy’s desire to enter the Miss Colorado State Pageant, in an attempt to steer Tracy toward the shelter. After meeting Tracy for the first time, Tess talks with Monica about Tracy’s decision to join the pageant. Tess says Tracy is making things harder for herself. What she said about Tracy kind of sounded like victim-blaming. Fortunately, as the story progresses, Tess becomes more supportive toward Tracy’s ambitions.

Princess tiara image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/ornamental-princess-crowns_1109199.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/gold”>Gold vector created by Freepik</a>. Image found at freepik.com.

The story itself:

Remember when I said the story of “Perfect Little Angel” was about more than just the pageant? Well, that’s because the script prioritized Tracy’s journey to the pageant. At the beginning of the episode, Tracy is down on her luck. Her self-esteem and personal morale are so low, she’s desperate to find an immediate solution. Through her pageant preparations, Tracy learns about honesty, perfection, and having the courage to reach her potential. Because the script focuses on Tracy’s story and the messages and themes that grew from it, the show’s creative team avoided several cliches and tropes associated with on-screen pageants or competitions. As Tracy’s story progresses, there are some surprises, even though I did suspect a few twists and turns along the way. These surprises added depth to the story, giving Tracy opportunities to apply the episode’s lessons to her life.

The other factors from this episode:

  • At the beginning of the episode, Tracy tells her co-worker, Don, how she has been accepted into a design school in Rhode Island. Because of this acceptance, Tracy claims she needs $20,000 as soon as possible. I’m honestly surprised Don didn’t suggest Tracy seek out scholarships or financial assistance. In fact, that was my first thought when Tracy mentioned the design school acceptance. From what I know about pageants, some pageant organizations offer scholarships or educational opportunities for their finalists. So, I’m also surprised this detail wasn’t included during the Miss Colorado State Pageant.
  • As Tracy is preparing for the Miss Colorado State Pageant, Tess, Monica, Raphael, and Andrew are given roles in order to help Tracy. Andrew is tasked with finding Tracy’s talent, while Tess assists Tracy with walking on stage and on-stage posture. I know Andrew needed something to do in this episode, even though his true role on this mission is revealed later in the story. But not having Tess find Tracy’s talent, especially since Della Reese is a real-life singer, is, in my opinion, an unusual creative choice. This is because, on some occasions, the show’s creative team has incorporated Della’s musical talents into the show.
  • When attempting to apply for the pageant, Tracy is told she will need an official sponsor. When the angels agree to help Tracy, they become her official sponsors by giving her the title, “Unauthorized Property #579”. Because the property itself is still under development, it has the potential to house any business, venue, or living space. The angels use this piece of land to represent Tracy herself, how she has so much potential that hasn’t been reached yet. I thought this was a wonderful analogy that emphasized one of the episode’s key themes. It made me think about the idea of reaching potential in a different way!
Since “Perfect Little Angel” was released in the same season as “The Spirit of Liberty Moon”, I’ll post my photo of the season four DVD cover in this review. Screenshot taken by me, Sally Silverscreen.

My overall thoughts:

Touched by an Angel is a show I’ve talked about so infrequently on 18 Cinema Lane. As I’ve said in the introduction, it feels like I write about an episode every two years. Despite this infrequency, I have lucked out, reviewing two episodes I actually liked. For a third time, I have come across another good episode of Touched by an Angel! The primary focus on Tracy’s story allowed the episode’s messages and themes to organically grow within the script. The story had an intriguing progression, providing surprises every so often. Even the pageant itself felt like it was taken seriously, which is much different from how pageants are typically portrayed in scripted movies and tv shows. If I were introducing someone to Touched by an Angel, “Perfect Little Angel” is an episode that would serve as a good starting point. It isn’t as emotionally heavy as episodes like “The Spirit of Liberty Moon”. But it does contain the strengths I’ve come to expect from this show!

Rating: A solid 4 out of 5

Have fun on television!

Sally Silverscreen

Take 3: The White Buffalo Review

On By 18cinemalane7 Comments

Though it’s only February, it seems like 2023 has become the year where movies that sound “bonkers” end up getting reviewed on 18 Cinema Lane. First, it was the Lifetime movie, Sea Change. Most recently, it was Jesse James Meets Frankenstein’s Daughter. Now, for Classic Movie Muse’s Kim Novak Blogathon, it’s The White Buffalo. If it wasn’t for this event, I would have never heard of this film, as I happened to stumble upon it on Kim’s IMDB filmography. Based on the title, synopsis, and poster, The White Buffalo seemed like it would be “bonkers”. But as Sea Change and Jesse James Meets Frankenstein’s Daughter have taught me, just because a movie sounds “bonkers”, doesn’t mean it will be “bonkers”. So, I was curious to see if The White Buffalo met my expectations. I’ve also mentioned in the past how westerns aren’t often reviewed on 18 Cinema Lane. So writing about The White Buffalo for the Kim Novak Blogathon has given me an excuse to check out more western films!

The White Buffalo poster created by Dino De Laurentiis Company and United Artists

Things I liked about the film:

Kim Novak and Charles Bronson’s on-screen chemistry: In The White Buffalo, Kim portrays Poker Jenny, a widow from the town of Cheyenne. When Bill, portrayed by Charles Bronson, arrives in town, he pays Jenny a visit. Though these characters spent only a brief period of time together, I felt Kim and Charles had strong on-screen chemistry! There was camaraderie between Jenny and Bill, a shared history only they knew. Confident personalities complimented one another, highlighting how well they get along. Because of their strong acting performances, both Kim and Charles successfully sold this relationship! I wish their characters shared more screen time together.

Using the buffalo sparingly: The White Buffalo has gained legend status in the world within this movie. This is because of the terror it inflicts on people who have crossed its path. The buffalo itself is only shown in a handful of scenes, while the majority of the film shows the characters either talking about the buffalo or searching for its existence. That creative decision was a good way of building tension and suspense for the audience. Limited presentation of the buffalo highlights how this creature is a threat who can show up unexpectedly. It is also a film-making technique from the horror genre, where the unseen can be scarier than what is seen. This reminds me of films such as Jaws.

Building atmosphere: In any film, the atmosphere can compliment the world the characters and story exist in. It can also elevate the movie’s intended tone. In the opening scene of The White Buffalo, a snowy landscape is presented at night-time. Slow camera movements travel over the landscape, building up to the audience’s first look of the White Buffalo. Suspenseful music is heard on top of the footage, providing a reason for the viewer to be scared of the titular creature. When the buffalo finally appears on screen, it’s an explosive moment where adrenaline and terror collide. The opening scene of this movie lays down the foundation for what this story is about!

The Kim Novak Blogathon: A 90th Birthday Celebration banner created by Ari from The Classic Movie Muse

What I didn’t like about the film:

Limited sense of urgency: Throughout the film, Bill and Crazy Horse, portrayed by Will Sampson, are seeking the White Buffalo in order to destroy it. This quest serves as the main conflict in The White Buffalo. While there was a sense of urgency in the story, it wasn’t consistently featured in the movie. Along with the film’s main conflict, sub-conflicts share the run-time, such as Bill’s encounter with a criminal from his past. Because of this creative decision, those sub-conflicts took away from the urgency toward finding the White Buffalo.

The under-utilization of Kim Novak: In past blogathons, I have reviewed a movie because of a certain actor’s involvement, only to see that actor’s talents under-utilized. This was the case when watching The White Buffalo, as Kim Novak is one of the reasons why I sought out this film. As I mentioned earlier in this review, Jenny and Bill spent only a brief period of time together. During this hour and thirty seven minute movie, Kim appeared in about three to four scenes. She did a good job with the acting material she was given. However, I was disappointed by her limited on-screen appearances.

The run-time: When talking about Kim’s few appearances in The White Buffalo, I said the movie was an hour and thirty seven minutes. With the story itself being straight-forward, the run-time doesn’t need to be very long. This could have been achieved had the sub-conflicts been eliminated from the script. The run-time could have also been shortened if some scenes were cut down. One example is when Bill meets Charlie for the first time, a scene that lasts about fifteen minutes.

Snowy mountain image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-background-of-snow-track-and-mountains_968656.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

In the introduction of this review, I said just because a movie sounds “bonkers”, doesn’t mean it will be “bonkers”. That is what happened when I saw The White Buffalo. At best, the movie is ok. The atmosphere was well-built and the acting was strong. The film even does a better job at combining the western and horror genres than Jesse James Meets Frankenstein’s Daughter! But the film isn’t without its flaws. The story contains a limited sense of urgency and the movie is a bit drawn out. I was also disappointed by the under-utilization of Kim’s talents. However, watching The White Buffalo did give me an opportunity to seek out more projects from Will Sampson’s filmography, as I am familiar with his performance in One Flew Over the Cuckoo’s Nest. Like I said in this review’s introduction, I was also given an excuse to watch more western movies. Therefore, I’m grateful I was able to expand my cinematic horizons!

Overall score: 6-6.1 out of 10

Have you seen The White Buffalo? Are there any westerns you’ve checked out that also feature the horror genre? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Jesse James Meets Frankenstein’s Daughter Review

On By 18cinemalane12 Comments

My quest to find my “so bad it’s good” movie has, at this point, turned into a saga. During my time participating in the So Bad It’s Good Blogathon from Taking Up Room, I have selected a film I thought would earn the coveted title, only to have that film fall short of my expectations. But I haven’t given up, as I still believe my “so bad it’s good” film is out there somewhere. When I reviewed Sea Change, I said the movie sounded so “bonkers”, I had to check it out for myself. I had a similar experience when I discovered the 1966 film, Jesse James Meets Frankenstein’s Daughter. Based on that title alone, the movie sounded “bonkers”, a well-known criminal from the “wild, wild west” crossing paths with someone from the story of Frankenstein. I hadn’t seen a film where the western and horror genres combined, so I was curious to see how this story would turn out. I was also curious to see if Jesse James Meets Frankenstein’s Daughter would finally be my “so bad it’s good” movie.

Jesse James Meets Frankenstein’s Daughter poster created by Circle Productions, Embassy Pictures, and Embassy Home Entertainment

Things I liked about the film:

Maria’s house: Within this movie’s dialogue, Maria explains how her house formerly belonged to a missionary. Though the space is more reflective of Maria’s taste in design, I was impressed with the set! Despite only three rooms being shown on screen, my favorite room was the sitting room! The walls and massive fireplace were covered in a light-colored sandstone. A large medallion with carved images sits over the fireplace, boasting a darker metal hue. Red armchairs and curtains nicely complimented the sandstone. These details added elements of elegance and European flair to the desert!

The inclusion of science: In stories from the western genre, science isn’t often found in the script. In fact, the only times I’ve seen science included in western stories are during school lessons or whenever a medical situation takes place. Maria is a scientist from Austria, who just so happens to be related to the same Frankenstein from Mary Shelley’s novel. She is driven to make her experiment work, using an artificial brain that was passed down through her family. Despite the film’s science being poorly written, I appreciate this story adopting a more unique identity. I also appreciate the creativity this movie’s creative team attempted.

The Fifth So Bad It’s Good Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Poorly written science: As I previously stated in this review, the science in Jesse James Meets Frankenstein’s Daughter is poorly written. It honestly made the characters sound like they didn’t know what they were talking about. While performing one of her experiments, Maria explains to her brother why they moved to the United States. She says there are more “electrical storms” in the United States than there are in Austria. What Maria failed to remember is how thunderstorms can take place anywhere, as clouds can congregate to create the effects of a typical storm, such as lightening. This made Maria’s trip seem kind of pointless.

A misleading title: I mentioned in this review’s introduction how the title of Jesse James Meets Frankenstein’s Daughter sparked my curiosity, as it made the movie sound “bonkers”. Personally, I thought the film would feature Jesse James in his younger years interacting with the daughter of Frankenstein’s monster. However, the title turned out to be a lie. Maria is Victor Frankenstein’s granddaughter. When Jesse meets Maria, forty minutes into the movie, nothing happens after their initial meeting. They don’t fall in love or form some sort of alliance. If given an honest title, this film would be called “Jesse James Meets Juanita”.

Delayed reactions: Though not a common flaw, there were a few times where actors presented delayed reactions. When Juanita’s family first meets Jesse and his friend, Hank, both men are running from the law. Hank has a very noticeable injury, which is getting worse by the minute. But it takes Juanita about five to ten seconds to acknowledge Hank’s injury. I’m not faulting the actors, as they tried their best with the material given. I will fault the screenwriting, as there could have been a stronger sense of urgency written into the script.

Lack of horror: In this review’s introduction, I said I was curious to see a movie combine the western and horror genres. But when I watched the film, the western genre was emphasized. To me, it felt like the movie’s creative team wanted to take their western story seriously, instead of finding a balance between the horror and western genres. When the horror elements were utilized, it seemed like they were used to tell a rehashed version of Mary Shelley’s story. Even though I appreciate the creativity attempted, I wish the delivery was stronger.

Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

For five years, I have been searching for my “so bad it’s good” movie. Throughout this search, I have found films that were either ok or disappointing. With Jesse James Meets Frankenstein’s Daughter, there were a few times I found myself giggling. But I wouldn’t say this movie is “so bad it’s good”. To be honest, this film was built on a gimmick. Though that could work with the right creative talent, Jesse James Meets Frankenstein’s Daughter didn’t have a strong delivery. It felt like the movie’s creative team wanted to take their project seriously. This made the film feel more like a generic western. The inclusion of the horror genre added some creativity to the movie. Unfortunately, the horror elements were not utilized well. With this review for the So Bad It’s Good Blogathon, it feels like I took a step in the right direction! Hopefully, those steps will lead me to my “so bad it’s good” movie!

Overall score: 4.9-5 out of 10

Have you seen or heard of Jesse James Meets Frankenstein’s Daughter? Would you like to see more westerns combine other genres? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

A Movie Blogger Watches ‘Emily of New Moon’

On By 18cinemalane7 Comments

For three years, I have participated in blogathons hosted by Hamlette, from Hamlette’s Soliloquy. This is because the themes of these events have been, in my opinion, creative. When Hamlette announced the We Love L. M. Montgomery Week Blogathon, I, at first, had no idea what to write about. The only story by L. M. Montgomery I was familiar with was Anne of Green Gables. But I knew that story was not the “end all, be all” when it came to L. M. Montgomery’s work. So, I wanted to select a story I had never read or seen before. In the past, I have reviewed tv shows that were new to me. These reviews have consisted of one to four episodes per article. With everything considered, I chose to review the first season of Emily of New Moon! Since I’m writing about more than a few episodes of this show, my review will be longer than my other posts about television shows. I will discuss three aspects of Emily of New Moon I like and don’t like. Then, I will share some of my thoughts on the show, similar to my “Some thoughts to consider” section of my tv show re-caps. Finally, I will provide my overall impression on the show’s first season. Since I’m talking about a whole season of Emily of New Moon, there will be spoilers in this review.

Emily of New Moon season one poster created by CINAR, Emily III Productions, Salter Street Films International, Canadian Broadcasting Corporation (CBC), and Echo Bridge Home Entertainment

What I liked about this show:

Emily, Perry, and Cousin Jimmy: As I watched Emily of New Moon, Emily, Perry, and Cousin Jimmy became my favorite characters for different reasons! When it comes to storytelling, creating a younger, precocious character can be hit or miss. This is because writers can run the risk of inventing a character that is greater than who they really are. Even though Emily has a gift for writing, she is never presented as a “genius”. Instead, Emily is simply a child who is passionate about creating stories and poems. While attempting to figure out how to break the curse in “The Disappointed House”, Ilse, Emily’s friend, suggests writing about the deceased couple as a way of immortalizing them. Despite how much Emily likes this idea, she doesn’t feel her writing is good enough to bring this idea to fruition. Within Emily of New Moon, Emily is allowed to make mistakes and learn from them. In the episode, “The Ghost of Whyther Grange”, Emily cuts her hair, as she thinks she needs a new hair-do to impress Great Aunt Nancy and Great Aunt Caroline. The hair-do turns out terrible, leaving Emily with an embarrassing result. Along with a photograph of herself with the hair-cut, she sends a portrait drawn by her friend, Teddy, and a letter explaining the situation to her Great Aunts. Through this experience, Emily learns the importance of being your authentic self as well as honesty.

While watching Emily of New Moon, Perry reminded me of Tom Thornton from When Calls the Heart. What I mean by this is Perry is more willing to work toward his goals and dreams. Perry reveals to Ilse, in “A Child Shall Lead Them”, how his father died and his mother is in prison. When he is first introduced toward the beginning of season one, the audience is given the impression Perry is running away from home. But with his backstory and how determined he is to improve his life, Perry is instead running toward his future. His desire to learn and refusal to give up are admirable qualities. Each little victory, such as choosing to attend school, feel like earned stepping stones in Perry’s journey of success!

In some stories, there is a character who serves as the “voice of reason”. This character can help others make better choices and steer them in the right direction. In Emily of New Moon, the “voice of reason” is Cousin Jimmy. He is not afraid to speak his mind. At the same time, he always has a piece of wisdom to share with those around him. One day, after school, Miss Brownell pays the Murray family a visit. During this visit, she shares with Aunt Elizabeth how Emily “misbehaved” in class. Aunt Elizabeth orders Emily to get on her knees and beg Miss Brownell for forgiveness. Cousin Jimmy, who just so happened to be in the same room, tells Aunt Elizabeth how you should only get on your knees for God. Not only did Cousin Jimmy stand up to Aunt Elizabeth, he also reminded her how there are things in this world that are greater than ourselves.

A smaller cast: I said in my review of A Room with a View how I find myself gravitating toward historical fiction/period drama stories with smaller casts. This creative decision prevents storylines from competing for attention, as there are less characters to keep track of. Emily of New Moon adopts this model of storytelling, with Emily, Aunt Elizabeth, and Aunt Laura as the main characters of the show who consistently appear in each episode. The rest of the characters are secondary, meaning their appearances are rotated in a cycle. Because the episode “The Tale of Duncan McHugh” features a character around Emily’s age, Perry makes more appearances, as he and Emily attend the same school. While Perry does appear in the next episode, “The Wild Rover”, more emphasis is given to Uncle Jimmy, as he is providing guidance to Mr. Carpenter, Blair Water School’s new teacher. Because of the smaller cast, each character’s story is told to a satisfying extent. It gives the audience a chance to truly get to know the characters!

Emily’s monologues: Because Emily is passionate about writing, each episode contains a short monologue from Emily’s perspective. These monologues are eloquently written and spoken, in the imaginative style that is consistent with Emily’s part of the story. They also relate to events that took place within a given episode. A baby is born in “Falling Angels”. This makes Emily contemplate how fragile life can be. After meeting Mr. Carpenter in “The Wild Rover”, Emily realizes how some people can come into our lives at the right place and time. Because these monologues usually take place toward the end of an episode, they add depth to the episode’s story, as well as provide departing pieces of wisdom to the audience.

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What I didn’t like about this show:

Aunt Elizabeth: I recognize not every character is meant to be likable. A character’s unlikability can be the result of various factors. While I liked Susan Clark’s performance on Emily of New Moon, I was not a fan of her character, Aunt Elizabeth. The way she treated her family was horrid. In the very first episode, “Eye of Heaven”, Aunt Elizabeth expressed no empathy toward Emily after her father passed away. She dictates what Emily is and isn’t allowed to bring to New Moon. Aunt Elizabeth even throws Emily’s cat, Pandora, out of their carriage and leaves the cat on the side of the road to fend for herself. As the story progresses, Aunt Elizabeth does change some of her rigid ways. However, it seems like she wants to have her cake and eat it too. What I mean by this is, Aunt Elizabeth wants to continue controlling her household in a strict manner, yet is surprised when her family and even people not related to the Murray family turn on her as well as stand up to her. By the end of the first season, Aunt Elizabeth appears to be trying to turn over a new leaf. If I had to be honest, though, I’m not getting my hopes up.

Inclusion of ghosts and the supernatural: In the second episode, “Storms of the Heart”, Uncle Jimmy shares with Emily how her great-great grandmother had “the second sight”. This means she, as well as Emily, are able to see and communicate with spirits from the afterlife. The inclusion of ghosts and the supernatural provided a unique aspect to Emily of New Moon’s story, compared to L. M. Montgomery’s series, Anne of Green Gables. But the way this aspect was incorporated into the show was inconsistent and, as a result, confusing. The episode, “The Disappointed House”, included a curse on the titular location, an abandoned house built for a man and his fiancé. Due to a misunderstanding involving Aunt Laura, Emily’s second aunt, the man and his fiancé separate before ultimately passing away. After Emily finds a letter addressed to Aunt Laura and gives it to her, the couple is reunited in the afterlife, which lifts the curse. Three episodes later, in “Falling Angels”, Emily sees the spirit of a child wearing a red snowsuit. No explanations about who this child is or why Emily sees the child are provided.

Inconsistent storytelling: When I discussed the inclusion of ghosts and the supernatural on Emily of New Moon, I brought up how the delivery of this aspect was inconsistent. That’s not the only inconsistent part of the story, in my opinion. There are times when a secondary character is introduced in an episode, then disappears after that episode and isn’t heard from again. Duncan, a peer of Emily’s, goes to school for the first time in the episode, “The Tale of Duncan McHugh”. The very next episode, “The Wild Rover”, primarily takes place at Blair Water School. Yet, Duncan is nowhere to be found. At the end of “The Tale of Duncan McHugh”, Aunt Elizabeth agrees to make amends with Duncan’s mother, as they were friends in the past. Similar to Duncan, Duncan’s mother is never brought up again.

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Some thoughts to consider:

Why did Emily’s dad and Aunt Elizabeth not want Emily to read novels? I feel like the closest thing to an explanation provided in this season was Aunt Elizabeth believing novels were “fantastical”. To me, this wasn’t a satisfying answer. However, I did find the dissuasion of novels from both Emily’s dad and Aunt Elizabeth an interesting coincidence.

Out of all the episodes in season one, “Paradise Lost” was my least favorite. From a creative perspective, I can see what the show’s creative team was trying to accomplish; showcasing how some people are not who they seem. Compared to other stories with a similar concept, “Paradise Lost” was underwhelming. Personally, I didn’t feel like a conflict was resolved, especially in a way that felt satisfying. The inclusion of Lofty John’s mother’s spirit added to the inconsistency of ghosts and the supernatural.

In the 1990s, it seems like almost every scripted television show created at least one Christmas episode. So, I was surprised to discover Emily of New Moon didn’t acknowledge Christmas. Granted, I’ve only seen the first season of this show. Maybe a Christmas episode was created in another season?

The We Love L. M. Montgomery Week banner created by Hamlette from Hamlette Soliloquy

My overall impression:

I’d like to take the time to thank Hamlette for hosting the We Love L. M. Montgomery Week Blogathon. Because of this event, I was given the opportunity to check out Emily of New Moon! This is the first time I reviewed a full season of any television show, so this event also allowed me to have a new blogging experience! Looking back on Emily of New Moon, I am impressed with what I saw! Even though the show does have its flaws, I believe the overall production is solid! Each acting performance was strong, bringing to life characters the audience could become acquainted with as each episode carried to the next. The show’s historical accuracy gave viewers the illusion traveling back to a different time was possible. Having a smaller cast worked in the show’s favor, as it allowed each story to be told to a satisfying extent. Since I enjoyed watching season one, I do plan on checking out season two! Who knows? Maybe I’ll read L. M. Montgomery’s Emily trilogy someday?

Rating: A 4 out of 5

Have fun in New Moon!

Sally Silverscreen

Take 3: A Room with a View Review

On By 18cinemalane4 Comments

My approach to February’s Genre Grandeur is similar to my approach for last month’s blogathon. As the theme this time around is ‘movies that take place or feature Italian settings’, I could have selected one of several Hallmark productions where Italy serves as the story’s backdrop. Instead, I overlooked the realm of Hallmark for a movie that happened to be on my DVR; 1985’s A Room with a View! When I discovered the film’s protagonist, Lucy, travels to Florence, Italy, I knew it would the perfect selection for this month’s Genre Grandeur. Because my choices for 2023’s blogathon have, so far, featured a female protagonist traveling abroad (A Room with a View and Black Narcissus), I saw this is as a very interesting coincidence. In my review of Black Narcissus, I thought the 1947 film was just ok, as the movie emphasized style over substance. Did I feel the same way about A Room with a View? Take a trip through this review to find out!

A Room with a View poster created by
Merchant Ivory Productions, Goldcrest Films, FilmFour International,
Curzon Film Distributors, and Metro-Goldwyn-Mayer

Things I liked about the film:

Interactions between characters: A Room with a View is an ensemble film, with the actors and actresses coming from all walks of life and journeys in their careers. The characters reflect this idea, as they travel to Italy for various reasons. Because of everything I just said, it was interesting to see each interaction between the characters unfold. One of the funniest scenes was shared between Charlotte, portrayed by Maggie Smith, and Eleanor, portrayed by Judi Dench. Eleanor is a writer, a woman who adopts a more romantic view of the world. Meanwhile, Charlotte is more of a realist, someone who views the world through a practical lens. As they explore Florence, Eleanor encourages Charlotte to breath in the scent of the city, in an attempt to make the most of their traveling experience. Instead, Charlotte puts a handkerchief over her nose, as she and Eleanor just walked past a group of smokers. Due to the screenwriting, as well as Judi’s and Maggie’s performance, this scene elaborates my aforementioned points!

The scenery: As I stated in the introduction, I chose to review A Room with a View because of Lucy’s trip to Florence. Therefore, my discussions about the movie’s scenery will focus on the Italian background. Toward the beginning of the film, Lucy visits a cathedral. In the interior of this massive structure, the main hall is surrounded in light gray stone. Symmetrical stone columns with matching hue and carved designs burst from the cathedral’s high ceiling. Filled with giant statues, a sprinkling of candles, and artwork within the cathedral’s alcoves, the large scale of this space was captured well through various camera angles!

During Lucy’s trip, she and several tourists visit Florence’s countryside. While enjoying their picnic, the characters sit on rolling green hills, coated in varying shades of green. Trees proudly stood among the guests, joining their event from a distance. A few red-orange poppies poked out of the sea of grass, providing the landscape with a pop of bright color. Wrapped up in a clear, sunny sky, Florence’s countryside looked postcard perfect!

Lucy’s wardrobe: Since this was my first time watching A Room with a View, I had no expectations when it came to Lucy’s wardrobe. But as the story progressed, I found myself adoring Lucy’s attire, as it was classy and elegant! An excellent example is what Lucy decided to wear to her piano recital. Lucy wore a cream-colored gown with puffed lace sleeves. The scooped neckline was surrounded by embroidered flowers. Sparkles covered the bodice of the dress, providing just enough twinkle. Paired with a jeweled belt, Lucy’s gown was simply beautiful!

Italian countryside image created by Bill Silvermintz at freeimages.com. “FreeImages.com/Bill Silvermintz.” Photo by <a href=”/photographer/edudflog-58908″>Bill Silvermintz</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt;.

What I didn’t like about the film:

The drawn-out story: A Room with a View’s primary focus was Lucy’s growing attraction for George, who she met on her trip to Florence. But alongside that part of the story were situations involving the other characters from this ensemble. These situations were competing against one another for the audience’s attention. One situation happened after Lucy came home to England. She tries to recruit some of the trip’s guests to stay in a local cottage. Her fiancé, Cecil, recruits guests to the cottage, who just so happen to be George and his father. However, the emphasis on the cottage’s status is one of the reasons why Lucy’s attraction for George isn’t resolved until the last forty minutes of the movie. Because of these things and the film’s two hour run-time, the story itself felt drawn out.

Lack of on-screen chemistry: Helena Bonham Carter and Julian Sands, the actors who portrayed Lucy and George, did a good job with the material they were given. But when their characters were interacting together, I didn’t feel a strong sense of on-screen chemistry. A reason why is because of how infrequently George and Lucy crossed paths. Within the film’s first forty minutes, Lucy and George spend time together in about two or three scenes. Shortly after those first forty minutes, Lucy becomes engaged to Cecil, a character who a) was never brought up during the Florence trip and b)didn’t appear on screen until forty minutes into the film. Even after the engagement, George and Lucy’s time together isn’t consistent. This resulted in the missed opportunity to watch this relationship grow over time.

The title cards and on-screen text: At various moments in A Room with a View, title cards announced when a character was about to do something. On-screen text would sometimes replace these title cards. One example takes place when Lucy and several tourists travel to Florence’s countryside. Before their excursion, white text appeared on the screen, explaining what they were about to do. I was not a fan of this creative decision because these title cards and on-screen text told the audience what they could see or figure out for themselves. This creative decision was also not consistently featured in the movie.

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My overall impression:

When it comes to A Room with a View’s style, this movie excels! It’s a pretty looking film, as the scenery, set design, and even Lucy’s wardrobe made the production pleasant to the eye. But when it comes to the substance, the film falls short. I didn’t find the story compelling, which is caused by the story itself being drawn out. I also did not sense strong on-screen chemistry between Helena Bonham Carter and Julian Sands. The more historical fiction/period drama media I consume, I find myself, more often than not, gravitating toward stories whose casts are smaller. This creative decision prevents the stories from competing for attention, as there are less characters to keep track of. Because A Room with a View contained an ensemble cast, there were so many ideas brought up and so few time to address it all. As the saying goes “time flies when you’re having fun”.

Overall score: 6.1 out of 10

Have you seen A Room with a View? Do you prefer movies with bigger or smaller casts? Please tell me in the comment section below!

Have fun on your travels!

Sally Silverscreen

The Sun Sets on My Great Muppet Guest Star Caper Double Feature!

On By 18cinemalaneLeave a comment

Now that The Great Muppet Guest Star Caper Blogathon has concluded and I reviewed both films, it’s time to share my overall thoughts! First, I’d like to thank Gill, from Realweegiemidget Reviews, and Rebecca, from Taking Up Room, for hosting this event! A Muppets themed blogathon was not only a creative idea, it also gave me an excuse to check out Muppet related films. Out of the two movies I reviewed, The Great Muppet Caper and Follow That Bird, one clearly stood out more than the other. That would be 1981’s The Great Muppet Caper! I had such a great experience watching this movie! It felt reminiscent of productions like Anchors Aweigh and Singin in the Rain, where the interactions between the characters and the musical numbers prevented the simpler story from being weak or predictable. Follow That Bird, on the other hand, was a fine, first attempt at creating a film. However, there were several story-telling elements within the project that weren’t utilized to their fullest extent. Some creative decisions were confusing as well. Now that another successful double feature has been completed, I wonder what will be the theme of my next double feature?

The Great Muppet Guest Star Caper banner created by Rebecca from Taking Up Room and Gill from Realweegiemidget Reviews

Have fun on Sesame Street!

Sally Silverscreen

Take 3: Sesame Street Presents: Follow That Bird Review (The Great Muppet Guest Star Caper Double Feature Part 2)

On By 18cinemalane10 Comments

Welcome to part two of The Great Muppet Guest Star Caper Double Feature! Like my review of The Great Muppet Caper, this review of Sesame Street Presents: Follow That Bird will be spoiler-free. I will also be referring to the movie as ‘Follow That Bird’ instead of its full title. If you would like to know why I selected this movie, I will provide the link to this double feature’s introduction. The link to my review of The Great Muppet Caper will be provided as well.

The Great Muppet Guest Star Caper Double Feature is On Its Way!

Take 3: The Great Muppet Caper Review (The Great Muppet Guest Star Caper Double Feature Part 1)

Sesame Street Presents: Follow That Bird poster created by Warner Bros. and Children’s Television Workshop

1. Were you familiar with Follow That Bird before The Great Muppet Guest Star Caper Blogathon?

Similar to The Great Muppet Caper, I was familiar with Follow That Bird before participating in the blogathon. I own a copy of the film’s soundtrack, so I knew what the story was about. When it comes to the movie itself, I’d only seen pieces of it.

2. Who was the featured guest star in Follow That Bird?

Sesame Street’s Big Bird was a guest on The Muppet Show. As I said in my review of The Great Muppet Caper, The Muppets and Sesame Street were created by Jim Henson. Keeping this fact in mind, I’ve always seen the characters from each intellectual property (IP) as being extended members of the same family. So, when it comes to The Muppet Show, I was surprised Big Bird was considered a “guest”.

3. How would Follow That Bird’s story change if a different Sesame Street character was the main character?

Like The Muppets, Sesame Street has a large cast of characters. Whether that character is a human or a muppet, each one has their own unique personality, set of likes and dislikes, and talents to offer. With that said, this would be a completely different movie if the story revolved around a different Sesame Street character. Grover is one example, as an important part of his character is his desire to become a superhero. If Grover were the main character of a Sesame Street movie, his story would likely be a “superhero’s tale”, where the protagonist fights crime and saves the day with superpowers.

4. Did you develop any thoughts and/or questions while watching this film?

While watching Follow That Bird, I found some parts of the story confusing. As some of the characters watch a news report on a television at Mr. Hooper’s store, Chevy Chase makes a cameo appearance as a newscaster. During the weather report, he quotes the theme song to Mister Rogers’ Neighborhood. Out of all the references Chevy could make in a Sesame Street movie, why that one? Wouldn’t it make more sense for Fred Rogers to appear in the film and quote the theme song of his own show? Another example is when several characters spot Big Bird in a parade. These characters can clearly see their feathered friend, but their path is blocked due to the parade taking place. How come none of the characters considered getting out of their car and following Big Bird through the parade on foot? It’s decisions like this one that, for me, didn’t make sense.

Similar to The Great Muppet Caper, I was surprised by which characters were included in the movie and how much screen-time they received. Toward the end of Follow That Bird, Elmo makes such a brief cameo appearance, he doesn’t even have any lines. On one hand, Elmo was introduced on Sesame Street in 1980. By the time Follow That Bird was released in theaters, he had been on the show for about five years. On the other hand, at the time of Follow That Bird’s premiere, Elmo was not as popular as he would later become. Despite these facts, I was kind of surprised by Elmo’s limited appearance.

5. Follow That Bird was the first Sesame Street movie ever created. Why do you think it took the show’s creative team that long to make a film?

I have two answers why this decision was likely made. A lot of the cast members from the Sesame Street show worked on Follow That Bird. This includes cast members who worked on Muppet related projects, such as The Great Muppet Caper and The Muppet Show. Like I said in my review of The Great Muppet Caper, my guess is Sesame Street’s creative team wanted to prevent creative burn-out and spreading their talent too thin.

At the time Follow That Bird was released, Sesame Street had been on the air for sixteen years. During that time, the show’s creative team worked very hard to cultivate a program that was creatively and educationally consistent. Like any television show, Sesame Street’s audience grew over time. When it comes to creating a movie, I would guess Warner Brothers, the studio who distributed Follow That Bird, and Children’s Television Workshop, Sesame Street’s production company, wanted to wait until they felt they could make a satisfying profit on the film.

The Great Muppet Guest Star Caper banner created by Rebecca from Taking Up Room and Gill from Realweegiemidget Reviews

6. Is there anything about Follow That Bird you liked or didn’t like?

As I said in answer number four, I was surprised by which characters were included in the movie and how much screen-time they received. But I also found it interesting how these characters were utilized in the story. On Sesame Street, Oscar the Grouch, more often than not, stays in his trash can and maintains a negative disposition. These factors cause Oscar to appear on the show in certain situations, such as interacting with The Wicked Witch of the West from The Wizard of Oz. While he still had a negative disposition in Follow That Bird, Oscar explored the world beyond his trash can. That’s because he was one of the assigned drivers searching for Big Bird. In Follow That Bird, Oscar was a lot more humorous than I expected. My favorite line of his was spoken during the road trip preparations. Oscar exclaims how he loves a good goose chase. Then, he randomly says, “Let’s get lost”. Giving Oscar more humorous lines and allowing him to join the road trip gave this character an opportunity to be utilized more than he has on the show!

In my review of The Great Muppet Caper, I mentioned the characters’ knowledge of being in a movie as one of the story’s overarching jokes. This was one of the highlights of the 1981 film, as the dialogue relating to the joke was cleverly written and successfully delivered. Two of the characters in Follow That Bird, Oscar the Grouch and Count von Count, acknowledged the film’s audience was watching their movie. But other than “The Grouch Anthem” and the end credits, this knowledge was not consistently brought up in the script. That is just one example of a creative element that wasn’t fully utilized in the 1985 movie.

7. Could a new Sesame Street movie work in 2023?

Since its debut in 1969, Sesame Street has become a global phenomenon. The success of the show has encouraged countries outside of the United States to create their own version of Sesame Street. In the thirty-eight years since Follow That Bird’s premiere, the cinematic landscape has become more globalized. If Sesame Street’s creative team wanted to make another movie, an important question they would have to answer is which characters will be included in the story. Would it exclusively focus on the characters from Sesame Street or would it also feature characters from one of the international shows? If you wanted to create a movie in 1985, you had three distribution options: releasing the film in theaters, premiering the movie on television, or putting the production directly on video cassette. With the invention of streaming services, studios and production companies are now given the option to forgo the process of theatrical releases, as well as selling a movie on physical media. The distribution of a Sesame Street film is another important question the show’s creative team would have to address.

8. What does Sesame Street mean to you?

To me, Sesame Street represents the idea of timelessness. The show has found its place in the pop cultural landscape and stayed there for over fifty years. In that timeframe, the world and Sesame Street itself has seen so many changes. But despite all of that, some elements of the program have remained the same. Each episode has been given an official letter and number. Follow That Bird even adopted this component from the show, with ‘W’ and ‘B’ being the movie’s letters, representing the studio that distributed the film, Warner Brothers. That simple creative decision has taught children the alphabet and how to count. This knowledge lays the educational foundation so children can master other skills, such as constructing sentences and mathematical equations. The simplicity and consistency of including letters and numbers into Sesame Street is a reminder of the timeless nature of these lessons.

9. After watching Follow That Bird, is there anything you can take away from your movie viewing experience?

According to Muppet Wiki, Sesame Street created three television specials in the 1980s focusing on Big Bird traveling around the world; Big Bird in China, Big Bird in Australia, and Big Bird in Japan. With Follow That Bird being released in 1985 and with the story about Big Bird traveling outside of Sesame Street, it makes me wonder if the movie was meant to correlate with the aforementioned television specials? Speaking of the movie, I thought it was a fine, pleasant, cute enough production. But compared to The Great Muppet Caper, Follow That Bird could have been stronger. There were several creative elements within the movie that weren’t consistently utilized. “The Grouch Anthem” and the end credits being the only two instances of the characters acknowledging the audience is watching their movie is just one example I mentioned in my review. As I also mentioned in my review, some creative decisions didn’t make sense, such as Chevy Chase quoting the theme song of Mister Rogers’ Neighborhood. However, this wasn’t a bad first attempt at making a movie. In fact, there are aspects of the project that worked in the movie’s favor, like the musical numbers! I feel Follow That Bird is one of those films that younger children would enjoy more than an older audience member would.

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Have fun at the blogathon!

Sally Silverscreen

Take 3: The Great Muppet Caper Review (The Great Muppet Guest Star Caper Double Feature Part 1)

On By 18cinemalane10 Comments

Welcome to part one of The Great Muppet Guest Star Caper Double Feature! Unlike past double feature reviews, my review of The Great Muppet Caper is spoiler-free. If you’re wondering why I chose this movie for the blogathon, you can check out this double feature’s introduction at the link below.

The Great Muppet Guest Star Caper Double Feature is On Its Way!

The Great Muppet Caper poster created by
ITC Entertainment, Henson Associates, and
Universal Pictures

1. Were you familiar with The Great Muppet Caper before The Great Muppet Guest Star Caper Blogathon?

I had heard of The Great Muppet Caper prior to being invited to the blogathon. One reason why I’m familiar with the 1981 film is Christine Elizabeth Nelson’s cameo. Christine is the daughter of Jerry Nelson, who was not only a member of The Muppets cast, he also worked on The Great Muppet Caper. Christine’s mother, Jacquie Gordon, wrote a book about her, titled Give Me One Wish: A True Story of Courage and Love, which chronicled Christine’s young life with a Cystic Fibrosis diagnosis. When I sought out her cameo, before seeing The Great Muppet Caper, I admit I was confused why Christine referred to Kermit as a bear. But as I watched the movie, I realized her line was part of a running joke where Kermit and Fozzie Bear are mistaken for twins, as they wear similar looking hats.

2. Who was the featured guest star in The Great Muppet Caper?

That would be John Cleese! He portrayed a character named Neville, a wealthy British resident. John and Joan Sanderson were featured in the scene where Miss Piggy breaks into a high-end home in an attempt to portray her boss, Lady Holiday.

3. If Neville was portrayed by a different actor, how would his role in The Great Muppet Caper change?

The Great Muppet Caper is similar to It’s a Mad, Mad, Mad, Mad, World in that the majority of the cast is given smaller roles, which results in a shorter amount of time on-screen. This surprised me, as I expected John to have more appearances in the movie. While John did a good job with the limited material given, I don’t think the role of Neville would change no matter who portrayed him. This is because The Muppets were the stars of the show, which is expected for this particular title.

4. Did you develop any thoughts and/or questions while watching this film?

In the film’s opening number, “Hey A Movie!”, a city landscape served as the number’s backdrop. From what I could tell, the city didn’t look like the background on Sesame Street. I was surprised by this creative decision, as both The Muppets and Sesame Street were created by Jim Henson. Because of this fact, I expected more cross-overs between the two intellectual properties (IPs). But the only Sesame Street reference I could find in The Great Muppet Caper was a cameo appearance from Oscar the Grouch. Personally, I think having Sesame Street serve as the backdrop for “Hey A Movie!” would have been a nice nod to that show. With both Sesame Street and The Muppets containing their own large cast of characters and their own specific stories, it makes sense why The Great Muppet Caper featured little acknowledgement of Sesame Street.

The inclusion and exclusion of certain Muppet characters also surprised me. Looking back on The Great Muppet Caper, I remember Pepe the King Prawn was nowhere to be found. In my recollections of The Muppets, Pepe and The Great Gonzo have been good friends. So, I was a bit confused why Pepe wasn’t featured in the story. After doing some research about the character, I learned he joined The Muppets family in 1996, a decade after The Great Muppet Caper premiered. Had Pepe starred in this movie, he likely would have worked with Lady Holiday’s fashion label.

The Great Muppet Guest Star Caper banner created by Rebecca from Taking Up Room and Gill from Realweegiemidget Reviews

5. The Great Muppet Caper was not only the second Muppet movie created, it was also released at the end of The Muppet Show’s run. Why do you think the creative team behind the Muppets chose to make and premiere this film toward the end of the show’s lifespan?

If you want to create a movie, especially a good one, there is a lot of time, dedication, creative energy, and resources needed to make that a reality. This can also be said for the creation of a television show. Many cast members from The Muppet Show also worked on The Great Muppet Caper. Had both of these programs been created around the same time, this creative team would have run the risk of their talent being spread too thin as well as creative burn-out.

6. Is there anything about The Great Muppet Caper you liked or didn’t like?

One of the overarching jokes in this story was the characters’ knowledge of being in a movie. The way this knowledge was written and delivered felt like the film’s creative team was winking at the audience. One example is when Lady Holiday, portrayed by Diana Rigg, tells Miss Piggy about her brother, Nicky, and why she doesn’t like him. After Miss Piggy asks Lady Holiday why she’s telling her this information, Lady Holiday responds, in a nonchalant and matter-of-fact way, that what she said is exposition and it needs to go somewhere. I liked this part of the story because of how it was cleverly incorporated into the script. The quality of the screen-writing made this overarching joke feel like it fit within the movie’s world.

The plot of The Great Muppet Caper revolves around Kermit, Fozzie Bear, and The Great Gonzo solving the mystery of stolen jewels. As someone who seeks out media from the mystery genre, I was intrigued by the idea of a mystery story starring The Muppets. But when I watched the movie, I quickly learned the musical numbers were given more emphasis than the mystery. Because I enjoyed watching and hearing these numbers, I didn’t mind this creative decision too much. However, I still wish the mystery itself was given a little more focus.

7. Could a new Muppets movie work in 2023?

In the short term, I believe a new Muppet movie could work, purely based on nostalgia. The Muppets is an IP (intellectual property) many people are fond of, so the movie itself might have a huge draw on opening weekend. But for long term success, meaning memorability, merchandising, and home entertainment sales, the story needs to be able to stand the test of time. To achieve that, the script has to be timeless and straight-forward.

8. What does The Muppet Show mean to you?

When I think of The Muppet Show, the word “tradition” comes to mind. It’s one of those shows the family can watch together, sitting around the television every weekend and enjoying the program, as well as each other’s company. With the large cast of characters, a variety of guest stars, and plenty of musical numbers, there seems to be something for everyone. Sadly, I can’t think of many shows today like The Muppet Show, a show that brings families together.

9. After watching The Great Muppet Caper, is there anything you can take away from your movie viewing experience?

When it comes to movies, especially musicals, sometimes the simplest, most straight-forward stories are the ones that work the best. As I reflect on The Great Muppet Caper, I am reminded of Singin in the Rain and Anchors Aweigh. These three films contain stories that are easier to follow. But the strength of the talent, pleasant musical numbers, and execution of the final product worked in the story’s favor, making each title so enjoyable to watch! Seeing The Great Muppet Caper was such a fun experience! I found myself laughing and smiling during the film, as it exuded so much joy. That joy will carry in my heart long after the end credits roll. Then again, how can you not feel joy when The Muppets come around?

Sketch of London image created by Archjoe at freepik.com. <a href=’https://www.freepik.com/free-vector/hand-drawn-houses-of-parliament_1133950.htm’>Designed by Archjoe</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Archjoe – Freepik.com</a>. Image found at freepik.com.

Have fun at the blogathon!

Sally Silverscreen