Last week, I posted the Best Actor poll for the Gold Sally Awards. But no votes were received within that week. So, I’m extending this poll from today, April 6th to April 13th. Like I’ve said before, you can vote for more than one nominee. However, you can only vote once per person. The link to the poll is listed at the bottom of the poll image.
After a short hiatus, the Gold Sally Awards polls are back! This time, you can choose which actor was the best one out of the movies I saw in 2020! As usual, you can vote for as many nominees as you’d like. But you can only vote once per person. The poll begins today on March 29th and ends on April 5th. You can vote by clicking on the link under the poll image.
When I accepted The Sunshine Blogger Award and The Blogger Recognition Award back in February, I said I wanted to see Bai Ling join the main cast of When Calls the Heart, portraying Hope Valley’s first female Mountie. I also mentioned wanting to see this happen in my list of Hallmark’s Top 10 Missteps From the 2010s That Should Not Be Repeated. However, these explanations were brief. Now, you’re probably thinking, “Out of all the actresses you’d want to see star on one of your favorite TV shows, why Bai Ling?” Well, that is a very good question, and I’m about to give some very good answers! In this editorial, I will provide four major reasons why Bai Ling should join the main cast of When Calls the Heart. Before I thoroughly explain these reasons, I want to bring up three disclaimers. This editorial is meant to be a suggestion to the creative team of the show. So, any casting decisions are up to them. Bai’s career is her own, which means that whether or not she wants to star on When Calls the Heart is a decision only she can make. Whenever I refer to the main cast of the show, I am talking about the actors and actresses who appear in the opening sequence of each episode.
Bai Would Represent a Series of Firsts for the Show
Since 2014, many characters have come and gone throughout the overall story of When Calls the Heart. Whether these characters have made short appearances or claimed Hope Valley as their permanent residence, each individual has had an important role to play. In the seven and a half season lifespan of the show, there have been no Asian characters featured in any part of the story. Also, no female Mounties have arrived in Hope Valley or any area of Canada. Just in Hope Valley alone, several female characters have been portrayed and written as independent individuals who lead successful lives. From season six to season eight, Fiona Miller has evolved from a telephone operator to a small business owner. Though she has had her obstacles along the way, Fiona has overcome each one in order to achieve her dreams. Having a female Mountie would fit the narrative When Calls the Heart’s creative team has carried since the very beginning. As fans have heard and seen from other on-screen Mounties, this particular job has its challenges. However, I know this new character would prove that she is just as important as the others in Hope Valley!
When Lori Loughlin was removed from the cast due to her involvement in the infamous College Admissions Scandal, When Calls the Heart’s main cast was left without an actress over the age of fifty. The main cast has also not featured any actors or actresses who weren’t white. Because Bai Ling happens to be in her mid-50s, she would become the first actress over fifty to join the main cast in two years. Bai would be the first Asian cast member not only in the main cast, but in the entire show’s history as well. If Bai’s character chose to form a romantic relationship with either Bill Avery or Henry Gowan, they would become the first prominent interracial couple on When Calls the Heart. Up until this point, the show has had only one interracial couple, which were Robert’s parents. But they only made a brief appearance in the 2017 movie, When Calls the Heart: The Christmas Wishing Tree.
New Storytelling Opportunities
In the seven years that When Calls the Heart has stayed on the air, many stories have been included in the script. Each story has explored a different character’s background or a different component of the town. If Bai Ling were to join the main cast of the show and portray Hope Valley’s first female Mountie, that would call for a new story to be told. What would it look like to have a female Mountie in the 1910s, when female Mounties were not as common as they are now? What obstacles would this new character face? These are questions that would be answered if this story were introduced. Since When Calls the Heart has never had a female Mountie before, it would be interesting to see her dynamic among the other characters. Would she be friends with those who have appeared on the show for a long period of time or get along better with those who have been on the show for less than three years? Bai is Chinese, so the screenwriters could find ways to incorporate her culture and heritage into her character’s story. Hallmark has never acknowledged the Chinese Lunar New Year in any of their programs. Having one episode revolving around this holiday would be a good place to start.
Bai is an Underrated Actress with Years of Acting Experience
When Calls the Heart has seen many actors and actresses make their appearances on the show. Some of these actors have household names, such as Brooke Shields. Others have been underrated, like Max Lloyd-Jones. But no matter what status an actor has, the majority of the show’s actors have had at least some acting experience before they starred in an episode. For these points, I’ll bring up Jack Wagner and Pascale Hutton as examples. For thirty years, Jack starred on the soap opera, General Hospital. Within that timeframe, he gained acting experience as well as notoriety. When Jack joined When Calls the Heart’s main cast, his fanbase and notoriety grew, giving him a “standing ovation.” Before she became a series regular, Pascale was given small to supporting roles in two Hallmark productions: 2010’s A Family Thanksgiving and 2014’s Recipe for Love. After making her first appearance toward the end of the first season as Rosemary, Pascale made a household name for herself in the Hallmark community. During her time on When Calls the Heart, Pascale has starred in ten Hallmark films! On June 5th, she will star in her eleventh movie from the network, You Had Me at Aloha!
According to IMDB, Bai Ling has 132 acting credits. While I haven’t seen all of the projects listed, I have watched a few of them, with two of those projects being covered on 18 Cinema Lane (a review of The Crow and a review of an episode from the television show Homicide: Life on the Street). Out of Bai’s projects I’ve seen, two of them have been television show episodes from Homicide: Life on the Street and Lost. However, she was given guest-starring roles in those episodes, working with a limited amount of material. In an interview from 2009, Bai Ling said the following in regards to her career:
“On the other hand, there’s one thing I hope even though I’m grateful: I think other roles I have been offered are not near the level of my talent as an actress. I’m hungry for those great magical roles like Kate Winslet gets. Like my role in Red Corner. I also won an Asian Academy Award, but here, those roles don’t come along for me. I can make magic. Magic is a beautiful gift as an actress to play all these different characters. Those opportunities, I am open for.”
The creative team behind When Calls the Heart has a beautiful opportunity to grant Bai’s wishes. Placing Bai in the main cast would give her more acting material than she has received from other television shows. It would also allow her to receive the recognition she deserves.
Casting Bai Would Force Hallmark to Address Some of Their Hypocrisy
In my list of Hallmark’s Top 10 Missteps From the 2010s That Should Not Be Repeated, I brought up how Hallmark has become blatantly hypocritical since 2019. Their stance on diversity is one area where Hallmark’s hypocrisy has been obvious. Last year, George Zaralidis, Hallmark’s network program publicity vice president, said, “Diversity and inclusion is a top priority for us.” But the network’s actions have been much louder than their words. I will bring up the Canfield family as an example for this point. Season eight has seen the introduction of the Canfield family. Now that the show is about halfway through the season, the Canfield family has appeared in less than ten scenes total. They also haven’t received a major storyline yet. When they do face a conflict, it is resolved in the episode after it was introduced. Meanwhile, Elizabeth and her love triangle have been covered for two and a half seasons. It also has been heavily promoted in the show’s marketing, even when an episode has little or nothing to do with the love triangle. On a recent cover of TV Guide, the only cast members that were featured were Erin Krakow, Chris McNally, and Kevin McGarry. The cover’s caption read “Who will Elizabeth choose? The irresistible love triangle of Hallmark’s When Calls the Heart.” The Canfield family or any other character were not only absent from the cover, but they were also not referenced. Emphasizing one character or storyline is hypocritical, as it undermines the other characters and stories the show has to offer. When Calls the Heart was never meant to be about one character, but about the town as a whole. If Bai Ling were to join this show’s main cast, Hallmark would have no choice but to address some of these hypocrisies. This means When Calls the Heart’s creative team would have to give Bai a significant amount of screen-time and a significant number of lines in the script. She would also have to be significantly featured in When Calls the Heart’s marketing.
Auggie Pullman, from Wonder, once said “Everyone in the world should get a standing ovation at least once in their life because we all overcometh the world.” For seven years, When Calls the Heart has given many people their “standing ovations” both in front of the camera and behind it. The show’s creative team has created a place where various talents and skills are celebrated. A lifetime of stories have been told because of the show’s desire to give as many people the recognition they deserve. While a ninth season has not been announced yet, fans have already been making requests for the next season. But these requests have revolved around which suitor Elizabeth will choose. What makes my suggestion different is that it is more meaningful than Elizabeth’s decision, and that it will outlive the hype surrounding the love triangle. At the end of day, it’s about bringing a new voice and perspective to Hope Valley’s table. As I bring this editorial to a close, I have to ask: What makes Bai Ling any different from the other cast and crew members on When Calls the Heart? Doesn’t she deserve a standing ovation too?
Here are the links where quotes or information came from:
October’s theme for MovieRob’s Genre Grandeur is French New Wave Films. Because I’m not as familiar with this particular genre as I am with others, I had to look up potential titles for this review. One of the films that appeared in my internet search was the 1973 French film, Day for Night. When I read the movie’s tagline, “A movie for people who love movies”, I felt it was the perfect choice for the movie blogger I am! MovieRob’s Genre Grandeur is not the only reason why I’m reviewing this film. Day for Night is also my choice for Pure Entertainment Preservation Society’s 4th Annual Great Breening Blogathon! When I participated in this specific blogathon last year, I reviewed Vampyr, a movie released before the Breen Code was created. As I already said, Day for Night was released in 1973, two decades after the Breen Code era. Like my Vampyr review, this current article is going to be a blog follower dedication review. Last week, 18 Cinema Lane received 250 followers!
Things I liked about the film:
The acting: I’ve said before one of my favorite Hallmark films is An Old Fashioned Thanksgiving. The acting performances are a great part of it, especially Jacqueline Bisset’s portrayal of Isabella. In Day for Night, Jacqueline portrayed American actress, Julie Baker. Her on-screen persona was a pleasant surprise, as it was down-to-earth and kind. This was very different from the “diva” attitude that some lead actress characters are given in stories of this nature. Valentina Cortese is another actress that gave a memorable performance in Day for Night! She portrays Severine, an older actress looking for a come-back. One scene shows Severine turning to drinking as a way to get through the scene and cope with personal issues. Valentina effectively showed the emotional transition her character was experiencing; starting out confident but slowly turning to sadness as the scene continues. Jean-Pierre Léaud portrays Alphonse, a fellow actor who works alongside Julie and Severine. His performance came across very natural on screen, making it look effortless. A scene that shows Alphonse having a bad evening is a good example of this, the look on his face appearing defeated and his body language showing the audience how he was walking aimlessly in a hotel hallway.
The film-making process: The story of Day for Night revolves around a director making a movie alongside his cast and crew. A behind the scenes lens is how the film is presented, with the production process being the primary focus. As someone who loves movies, I found this part of Day for Night fascinating! Seeing the different ways film-making related problems were solved was interesting to watch! The director of the film’s movie, Ferrand, is looking for a car for an upcoming scene. Because of the movie’s budget, he ends up using a car from one of the crew members. Later in the production of “Meet Pamela” (the movie being filmed in Day for Night), the cast and crew are struck with a tragedy. Ferrand decides to cut some scenes from the movie as a result of this event. He discusses these decisions with a script writer named Joëlle, as well as talking with investors.
The cat scene: While filming “Meet Pamela”, the cast and crew want to include a cat drinking milk from a food tray. At first, a kitten is placed in the scene. However, the kitten doesn’t take direction very well. After several failed attempts, the director decides to use a “studio cat” instead. To me, this scene was hilarious because it was a good use of the “comedy of errors” style of humor. It also highlights the idea of animals being difficult to work with in film.
What I didn’t about the film:
Thinly written characters: Day for Night features an ensemble cast, showing their audience how multiple people are responsible for the creation of a single movie. However, all of these characters are thinly written, as they were defined by the main issue they were dealing with in the film’s story. For example, Julie experienced a breakdown prior to the events of Day for Night. Because of this, Julie is known as “the woman who experienced a breakdown”. Throughout the movie, she does talk about her marriage to her doctor and her working hours as an actress. But her personal situation is highlighted the most.
Too much going on: As I just mentioned, this movie has an ensemble cast. This means there are a lot of characters involved in the overall story. It also means Day for Night contains several subplots. Personally, I found it difficult to keep up with the characters, as I thought there were too many to focus on. Even though this happened briefly, there were moments when I forgot who was who. The subplots were not interesting to me, as they revolved around situations I just didn’t care about. It felt more like a bland soap opera than a compelling part of the behind the scenes of “Meet Pamela”. Honestly, I wish this movie had put more emphasis on the film-making aspect of the narrative.
The director’s dreams: On three separate occasions, the dreams of the director, Ferrand, are shown. These scenes are filmed in black-and-white and contain no dialogue. I thought the inclusion of the dreams were random, as they didn’t seem to have anything to do with the overarching story. It also doesn’t help that no explanations are provided for what these dreams could mean. If anything, they were simply there to satisfy the run-time.
My overall impression:
Like I said in the introduction, the tagline of Day for Night is “A movie for people who love movies”. While I do love movies, I did not love this film. Sure, there were things about it I liked, such as the acting and the film-making process shown. But if you’re going to make a movie, you need to provide your audience with interesting characters worth watching. The characters in Day for Night were thinly written, defined by their personal situations. Even though it can be intriguing to see how characters overcome their obstacles, they have to have other qualities about them. Because of the poor writing for the characters, their subplots were not interesting. Issues among them were basically at a stand-still, not really getting resolved to a satisfying degree. What would have helped this story is if were presented in a mockumentary format, giving more emphasis to the behind the scenes aspect of film-making. Before I end this review, I want to thank all 250 of 18 Cinema Lane’s followers! The success this blog has received would never have happened without you!
Overall score: 6.2 out of 10
Have you seen Day for Night? Are there any movies about film-making you’ve seen? Please tell me in the comment section!
Happy April! We’re almost finished with the acting division as the Best Supporting Actor poll arrives. This poll will help us determine who will be crowned the Best Supporting Actor of the 2nd Annual Gold Sally Awards! You’re allowed to vote for more than one nominee. However, you can only vote once per person. This poll starts today, April 3rd, and ends on April 9th.
Now that we have a determined winner for the Best Actress category, it’s time to move on to the Best Supporting Actress division. Like the previous two acting polls, this specific poll is for choosing the Supporting Actress that was the best of the year! You’re allowed to vote for more than one nominee. However, you can only vote once per person. This poll starts today, March 27th, and ends on April 2nd.
As I said in last week’s Word on the Street story, no winner was determined in the Best Actress division of the Gold Sally Awards. Because of this, I decided to re-post the Best Actress poll, so people who are interested in voting can have a second chance to choose among the ten nominees. Like the previous polls, you’re allowed to vote for more than one actress. However, you can only vote once per person. This poll starts today, March 20th, and ends on March 26th.
It’s now time to vote for the Best Actor of the 2nd Annual Gold Sally Awards! There are ten nominees, but only one can be crowned the champion! For this poll, you’re allowed to vote for more than one actor. But you can only vote once per person. This poll starts today, March 13th, and ends on March 19th.
The Gold Sally Awards makes an effort to recognize the best actors and actresses of the previous year. Throughout the month of March, the individual acting polls of the Gold Sally Awards will take place. The first of these four polls is to determine the Best Actress! For this poll, you’re allowed to vote for more than one actress. But you can only vote once per person. This poll starts today, March 6th, and ends on March 12th.
One of the available categories for the Leap Year Blogathon was to talk about “any movie or TV show you’ve always wanted to review but never had the chance to”. This is the approach I’ve chosen to take with Rebecca’s event. As I was scrolling through my DVR, I came across a movie called Finding Forrester. Ever since I read the film’s synopsis on BYUtv’s website several years ago, I have wanted to see this movie because the story sounded interesting. I even recorded it on my DVR in the hopes of watching it someday. Well, it looks like 2020 is the time when I’m finally getting around to talking about this film! I’ll be honest, I haven’t seen a lot of Sean Connery’s movies. The Russia House and The Great Train Robbery are the only films I’ve seen with Sean as one of the leads. While I thought the former was ok, I enjoyed the latter more than I thought I would. Now that this is the third picture of Sean’s I’ve watched, it’ll be interesting to see where Finding Forrester ranks among the other two films.
Things I liked about the film:
The acting: Finding Forrester is a story that grounds itself in reality. Because of this, the acting performances in this film come across as realistic portrayals. What this means is all the characters feel like real people. The genuine expressions and behaviors of each character shine through because of the quality of the actors’ talents. How the characters interact with each other is evident of this, especially within the friendship of Jamal and William. Depth was added to the characters because of the interactions they share. The dialogue was well-executed by the actors, causing the conversations to sound authentic. What works in this cast’s favor are the various personalities presented and the character development that takes place. A sense of intrigue is brought forth as a result of all of these elements.
The cinematography: Whenever this film’s creative team wanted the audience to focus on a particular person or object, they would adopt medium shots or close-ups to place a greater emphasis on that subject. During basketball tryouts, Jamal was playing against a senior team member from the private school. The rivalry between these two characters is the highlight of this scene, so medium shots are used to present them to the audience. When Jamal is removing his notebooks from his backpack, after the bag was retrieved from William’s apartment, close-ups implemented the importance of writing that serves as a consistent idea throughout the film. In two scenes, the reflection of Jamal can be seen from William’s binoculars. This is meant to foreshadow the connection these characters will share through their friendship. These cinematic techniques helped make the cinematography stand out in this project!
The incorporation of knowledge: Like writing, the idea of knowledge is consistent in Finding Forrester. The way it was incorporated into this story was seamless and showed how important it can be to any individual. One example is when Jamal is explaining a brief history of the BMW to William’s acquaintance. This information not only helped Jamal stand up for himself, but it also educated the audience about one of the world’s most iconic car companies. The knowledge that William and Jamal share about writing is another great example. During a debate about the rules of writing, they are able to express their ideas and view the perspective of the other person. This scene shows that, with knowledge, one can be a part of something greater than themselves. It also shows that knowledge can create a connection between people.
What I didn’t like about the film:
The lighting: Most of the lighting in Finding Forrester is dim. This allows the overall color palette to appear darker on screen. However, it also makes it difficult to see what is happening in the film. The scenes taking place in William’s apartment experienced this issue. Because of the dimmed lighting, it was sometimes difficult to see Jamal’s and William’s face in these scenes. Half of this movie is centered around Jamal and William’s friendship, which means that half of the overall picture features the dim surroundings of William’s apartment.
Scenes that become padding: There are several scenes in Finding Forrester that become padding. One example is when Jamal’s friends are shown spending time together at a restaurant. This moment had no bearing on the story and didn’t progress the plot forward. It also doesn’t have a strong need to exist in the narrative. Scenes like these felt like they were placed in the movie for the sake of satisfying the run-time. If some of these scenes were cut, the film would have been shorter and the script could have been a bit tighter.
My overall impression:
Someone I know once told me that knowledge is one of the most valuable possessions a person can own. When it’s earned, it can never be taken away from you. This is expressed very well in Finding Forrester, a solid and satisfying picture! While this movie is more of a character study, this concept works in the film’s favor. The delivery of the script and acting performances gave me an opportunity to stay invested in the characters and their interactions. The messages of integrity, self-worth, and knowledge have the potential to be relatable among audience members. They can also inspire people to pursue their talents and believe in their strengths. Finding Forrester is a movie that I’m glad I made the time to see. I’d like to thank Rebecca for giving me this opportunity through her Leap Year Blogathon!
Overall score: 8.2 out of 10
Is there a movie you’ve always to see, but never made time for? What are your plans for Leap Year? Share your thoughts in the comment section!