February’s theme for Buzzwordathon is ‘verbs’. Because the act of taking something is a verb, I chose to read The Kidnapping of Christina Lattimore by Joan Lowery Nixon. When creating a mystery story, it’s important to make the characters distinct from one another. This way, the reader will be able to keep track of who is who. How Joan achieves this goal is by describing the characters, from what they look like to their personalities. When talking about her friend, Lorna, the protagonist, Christina, says “Lorna is what they call “outgoing” and always seems to know the right things to say”. Meanwhile, Christina describes herself as someone who tends “to keep things all bottled up inside me”. Making these two characters opposites of each other is one way Joan helps the reader remember the story’s characters.
Throughout the book, Christina makes several contradictions that could make a reader frustrated with her. Toward the beginning of the story, while visiting Lorna at her house, Christina contemplates on what should be important in her life. Even though she turns to her friend for advice, Christina is unsure which direction will lead her to an answer. A chapter later, shortly after she’s been kidnapped, Christina asks “Will my children someday have any idea of what I’m like inside”? This quote implies she already knows what is important to her: having a family in the future. If she already found what’s important to her, why would Christina bother to question what is important in the first place? As the story continues, Christina contradicts herself again, by discovering the most important thing, to her, is herself. Didn’t she already figure out what was important back in chapter three?
In all honesty, I can’t recommend The Kidnapping of Christina Lattimore. This is because of how weak the story is. It is possible to tell a “coming of age” story while also giving the characters a mystery to solve. Instead of evenly balancing these two concepts, Joan prioritizes Christina’s “coming of age” story over the mystery itself. That decision led to a book where suspense is far and few between, as well as a novel that lacks urgency. What also doesn’t help was how the kidnappers’ identities were revealed earlier in the story. There is an overarching mystery about an unknown kidnapper in Christina’s case. But the aforementioned reveal took away some of the book’s intrigue.
Overall score: 2.1 out of 5 stars
Have fun during Buzzwordathon!
Sally Silverscreen
Disclaimer: Because this story includes a kidnapping, some readers may be sensitive to this book. Other subjects that may be offensive to some readers are:
— Some occasions where characters swear
— Christina refers to her father as a “bigot” due his religious beliefs
— Christina, a high school junior, develops a crush on a college sophomore
— Some occasions of violence
— The subject of teen pregnancy is briefly referenced
In my post about what readers can look forward to on my blog this year, I shared my results of 2022’s Buzzwordathon readathon. Because I had four fails and didn’t finish reading December’s book before the end of the year, I chose to participate in 2023’s Buzzwordathon in an attempt to improve my results. Though I’m publishing my review for January’s selection in February, I did complete the book in the month of January. That book is The Life She Was Given by Ellen Marie Wiseman, as the theme for January was ‘life and death’. This means the words ‘life’ or ‘death’ had to be featured in the title.
One component that can affect my reading experience is the quality of descriptive imagery. This part of the story is what helps readers picture characters, events, and locations in their mind. Throughout The Life She Was Given, Ellen uses comparisons to elaborate on an intended point. An example is when she described the physical appearance of Merrick, an employee of The Barlow Brothers’ Circus. When one of the protagonists, Lilly, meets Merrick for the first time, “his face reminded Lilly of pictures she’d seen of the moon, with craters and dents and rocky parts”. In fact, Merrick was sometimes referred to as “the moon-faced man”. By comparing his face with the uneven surface of the moon, Ellen is not only describing Merrick in greater detail, she also writes how a child would view the world around them.
Group of clowns image created by Freepik at freepik.com. Image by Freepik
What drew me into wanting to read The Life She Was Given was the mystery surrounding Blackwood Manor, the home inherited by the book’s other protagonist, Julia. While the mystery itself was intriguing and held my attention, it wasn’t prioritized within Julia’s chapters. Instead, more focus was given to taking care of the horses on the Manor’s farm. Readers learn more about Claude, the man in charge of the farm, and Fletcher, the veterinarian, as well as their connection to Blackwood Manor. But because the mystery was not emphasized in most of Julia’s chapters, it took Julia almost the entire book to solve the mystery.
White horse image created by Gabor Palla at freeimages.com. “FreeImages.com/Gabor Palla.”
The Life She Was Given is a tough book to get through. This is not a poorly written piece of literature and I thought the book itself was just fine. The reason why The Life She Was Given is a tough book to get through is because of some of the topics included, which are heavier in nature. Some of these topics are abuse, violence, and mistreatment of animals. Ellen incorporates these subjects into her story in an honest way, not sugar-coating anything or holding back any punches. If you choose to read this book, please be aware of this fact before you start reading.
Overall score: 3.6 out of 5 stars
Have fun during Buzzwordathon!
Sally Silverscreen
Disclaimer: As I said in my review, The Life She Was Given contains heavier subjects, such as abuse, violence, and mistreatment of animals. Other content some readers may find offensive are the following:
— Characters swearing at several moments in the story
— Lilly being placed in some concerning situations, such as underage drinking
— Dialogue reflective of the 1930s and 1950s
— One chapter featuring a horse giving birth
— Mentions are characters dying, including a drunk driving accident
When I recalled my participation in last year’s edition of Buzzwordathon, I said I didn’t finish reading December’s book before the end of the year. However, I promised my readers I would write a review for each book I read during this event. As a blogger of my word, I will be providing a short review of what I chose to read for December!
Title: Two Little Girls in Blue by Mary Higgins Clark
Theme: Numbers
Back in 2020, when I published my TBR Tag post, I mentioned Two Little Girls in Blue being on my TBR the longest. Two to three years later, I finally got around to reading it! While I am glad to have taken advantage of this opportunity, the book itself fell short of my expectations. At best, Two Little Girls in Blue was a fine, interesting enough mystery that held my attention. But it wasn’t the “can’t put it down” page-turner I expected. The subject of twin telepathy is a fascinating one. Yet Mary just scratched at the surface, leaving little to no room for thought-provoking commentary or opportunities to keep the conversation going. Sometimes, when the twin telepathy took place in the story, it felt like it was there for plot convenience.
According to the acknowledgements section in my copy of Two Little Girls in Blue, it seems like Mary attempted to portray the story’s case as realistically as possible. While I appreciate these efforts, each aspect of the case was delved into. This caused the story to be a bit drawn out. I like how the book’s chapters were shorter, as it allowed me to finish the book in a shorter amount of time. On the other hand, I don’t think Two Little Girls in Blue needed to contain over a hundred chapters. Though I thought this book was just fine, I would be interested in reading more of Mary’s work!
Overall score: 3.6-3.7 out of 5 stars
Have fun during 2023’s Buzzwordathon!
Sally Silverscreen
Disclaimer: Two Little Girls in Blue contains subject matter that may not be suitable for some readers. Reader discretion is encouraged.
With the sun rising on 2023, it’s time to prepare my readers for what’s to come on 18 Cinema Lane! For those who are unaware, I publish these start of the year posts out of courtesy for those who have taken the time to read and hear what I have to say. In 2023, I have four major announcements I’d like to share! But before that happens, I’ll list my blog’s stats from 2022.
When I announced the winners of the 4th Annual Gold Sally Awards last August, I stated the awards would return the following year with a new format. This format will be separate, individual awards that are more unique/creative/fun. The new version of the Gold Sally Awards will be fully implemented in February. Due to this change, the awards will now take place one day a year instead of over a multi-month time period.
Sally Solves a Mystery
In 2022, Chesapeake Shores came to an end. This means I will now be re-capping only one show; When Calls the Heart. You’re probably wondering what I’m going to do with all this free time on my hands. That leads me to introduce my new series; Sally Solves a Mystery! As I’ve said before on 18 Cinema Lane, the mystery genre is the most popular one on my blog. I also talk about television shows from time to time. So, I decided to combine the best of both worlds with this series, where I will write about tv related mysteries I find interesting. Sally Solves a Mystery is going to replace the ‘Evenings At The Shore’ folder. However, the re-cap articles for Chesapeake Shores will still remain on 18 Cinema Lane.
Buzzwordathon and Eurovisionathon
For the first time last year, I participated in the Buzzwordathon readathon. Out of twelve months, I had four fails and I didn’t finish reading December’s book before the end of the year. While this result is not too bad, I would like to participate in Buzzwordathon again this year. Hopefully, my readathon results will be better. In 2023, I will also be taking part in the Eurovisionathon readathon! Hosted by the Youtube channel, Helen’s Book Haven, this month-long event places emphasis on reading books related to the countries participating in the song contest.
5th Birthday Celebration
18 Cinema Lane is turning five in 2023. To commemorate the celebration, I will revisit one of my past articles. But this article won’t be revealed until the publication of the new post. That decision was made to maintain the element of surprise for my readers.
Ok, so you probably read the title of my editorial and thought, “Sally, don’t you know Das Sound Machine is not a real musical group”? Readers who are familiar with Eurovision will likely think, “Isn’t Germany planning on hosting a national contest”? As of November 9th, 2022, Germany’s national broadcasters, NDR/ARD, have announced their plans to host a national final “in early March”, according to Eurovoix News. The application process for potential representatives is currently open. There’s even the likelihood of the broadcasters seeking out artists and their respective record labels to participate in the selection. With Germany still looking for a Eurovision representative, I think it would be really cool if the cast members who portrayed Das Sound Machine in Pitch Perfect 2 represented Germany in Eurovision next year! It sounds like a pipe dream on paper. But the more I’ve thought about it, the more I realized how my idea could realistically work. Before I explain how Das Sound Machine could compete in 2023’s Eurovision, I’d like to first explain why this plan should work.
Das Sound Machine image created by Gold Circle Films, Brownstone Productions, and Universal Pictures
Germany Desperately Needs a Showstopper
In 2023, there will be thirty-seven countries participating in Eurovision. Twenty-six of those countries will compete in the grand final, with Germany being one of them. Even though Germany automatically qualifies for the grand final, because they are one of the “Big Five” countries, they still need to stand out with a memorable entry. But if Germany is serious about their chances at Eurovision success, they need an entry that will stand out for the right reasons. In 2021, Germany placed second to last in the grand final, with a total of three points. This year, Germany received last place with only six points. As NDR/ARD searches for the perfect representative, they can use that desperation to not get a low score as motivation to submit the best entry possible. Germany was not the only country in 2021’s grand final to receive disappointing results. The United Kingdom didn’t receive any points, while Spain only got six points. The following year, Spain and the United Kingdom sent Chanel and Sam Ryder to Eurovision, who both placed in the top three.
There Has Never Been an A Capella Entry at Eurovision
Over Eurovision’s fifty plus year history, a variety of musical genres have been represented. But according to my research, no country has ever submitted an a capella entry. If Germany were to select Das Sound Machine to represent them next year, an original a capella number would not only bring something new to Eurovision’s table, it would give Germany a chance to try something different. According to an article from Wiwibloggs, this year’s national final, Unser Lied für Turin, was not met with favorable results. This is because of “the lack of variety within the songs but also for its production”. Before 2021, Italy had neversent an entry that was strictly rock. Sure, their entries may have contained elements of rock. ButMåneskin and their song, “Zitti e buoni”, was the first rock group Italy selected for Eurovision. This huge musical risk led to huge rewards, as Italy not only won Eurovision for the first time since 1990, but Måneskin has also found success after their song contest victory. The public’s response to Unser Lied für Turin and Italy’s recent Eurovision achievements should encourage Germany to think outside the box.
Das Sound Machine was given only two performances in Pitch Perfect 2: their Car Show number and their World Championship Finale number. Despite these limited performance opportunities, Das Sound Machine uses their talent to create what is, in my opinion, the best moments of the film! While reflecting on these two performances, there are three key elements that could help Das Sound Machine at Eurovision. The first is their energy! As I said earlier in this editorial, there will be twenty-six countries competing in the grand final. From what I’ve heard, the grand final’s run-time can reach up to four hours. Having performers who can consistently maintain a high energy level during their performance would keep viewers both in the stadium and at home invested in the show.
Das Sound Machine’s second key element is their mastery of the choreography! Because Eurovision is a live show, representatives need to give the audience something interesting to look at. Whether it’s dance routines, large scale props, or cool special effects, these ingredients could work in a representative’s favor. Based on Das Sound Machine’s aforementioned performances, each member displays control over their body, allowing every movement to stay parallel to the beats within the songs. This understanding between the physical and the musical showcase Das Sound Machine’s musicality. The third key element is the group’s creativity! During their World Championship Finale number, Das Sound Machine had very few props at their disposal. Instead of seeing it as a limitation, they used this as an opportunity to be creative! While performing Fall Out Boy’s “Light Em Up”, some Das Sound Machine members got into a strategic formation, coming together to create a ship. Other members of Das Sound Machine stood on either side of the formation, giving the appearance of water.
Das Sound Machine image created by Gold Circle Films, Brownstone Productions, and Universal Pictures
Built-in Enthusiasm
After seeing Pitch Perfect 2 for the first time, I remember thinking, “I wish Das Sound Machine was a real group”. Whenever I think about that movie, I always feel Das Sound Machine is the much stronger group than the Barden Bellas. If I get the opportunity to watch Pitch Perfect 2, I only watch the scenes featuring Das Sound Machine. It seems like I’m not the only one who feels this way. On the Youtube channel, King Samo, there are two videos featuring Das Sound Machine’s performances. In the comment sections of these videos, over a thousand commenters praised Das Sound Machine. Most of the comments were about how the group should have won the film’s World Championship. But there are other commenters who simply want to express their love for Das Sound Machine. Three commenters on the World Championship Finale video have made the following comments this year:
As a German person it’s insanely hilarious to me how every other country seams to think of us as this overly perfect nation when really, we’re not comparable with incredible groups like “Das Sound Machine“ at all. Just look at our contestants for the Eurovision Song Contest. We embarrass ourselves everytime. So can we please have them perform for us this year?
If DSM were a real group they would’ve won Eurovision and they would of deserved to win.
this would win the eurovision
As the comment section of the aforementioned videos show, there is built-in enthusiasm for Das Sound Machine. If Germany sent Das Sound Machine to Eurovision next year with a strong, original a capella number, that could translate well for grand final televoting.
According to official Eurovision rules, the maximum number of group members is six. This means Das Sound Machine couldn’t have the number of members they did in Pitch Perfect 2. From an a capella perspective, though, a six-person group could still create a strong original number. According to Wikipedia, only two Pitch Perfect 2 cast members are listed as official members of Das Sound Machine: Flula Borg and Birgitte Hjort Sørensen. NDR/ARD would recruit four German a capella singers to accompany Flula and Birgitte. If Das Sound Machine were selected to represent Germany at next year’s Eurovision, expenses related to the contest would be co-funded by NDR/ARD and Universal Music Group, as Das Sound Machine was created specifically for Pitch Perfect 2. Universal Music Group is Universal Studio’s music label. On their website, there are eight German music labels associated with Universal Music Group. If possible, more than one of these labels could help fund any Eurovision expenses.
As of early to mid November, 2022, only three participating countries have chosen their representative. About half of the participating countries are planning on hosting a national contest. With the weeks leading up to Eurovision, it’s exciting to hear who will be selected to compete. This anticipation reminds me of Willy Wonka and the Chocolate Factory, as the golden tickets are waiting to be discovered. Unlike Ronald Dahl’s story, receiving a “golden ticket” to Eurovision is not as simple as tearing open the wrapper of a candy bar. Each participating country has their own process of choosing their representative. Even if they do choose to host a national contest, various factors go into making that event a reality. My idea of Das Sound Machine representing Germany at 2023’s Eurovision is just that: an idea. Even if Das Sound Machine were selected to participate in Unser Lied für Liverpool, there’s no guarantee they’ll be granted that “golden ticket”. But no matter who ends up representing Germany next year, I still believe Das Sound Machine should receive their “standing ovation”. So NDR/ARD, if you’re reading this, will you consider giving Das Sound Machine their Eurovision “golden ticket”?
Have fun at Eurovision!
Sally Silverscreen
Here are the link to the sources for this editorial:
18 Cinema Lane 