Take 3: An Old Fashioned Christmas Review (Second Chance Christmas Double Feature Part 2)

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Thank you for joining me for the second part of my Second Chance Christmas Double Feature! Unlike my review of Hallmark’s Frankenstein, this review of An Old Fashioned Christmas will contain a few spoilers. If you’re curious about why I chose An Old Fashioned Christmas  for this double feature, you can check out the introduction in the link below.

Coming Soon to a Blog Near You; The Second Chance Christmas Double Feature!

An Old Fashioned Christmas poster created by RHI Entertainment, The Government of Ireland, Parallel Film Productions, MNG Films, Muse Entertainment Enterprises, and Hallmark Channel

1. How were you introduced to An Old Fashioned Christmas and why was it selected for this double feature?

I have declared An Old Fashioned Thanksgiving as one of my favorite Hallmark movies. Years ago, when I discovered the 2008 film received a sequel, I was eager to check that movie out. But as time went on, Hallmark gave the sequel fewer airings during their Christmas line-ups, making it more difficult to watch the film. I’ve always looked for the right time to write about An Old Fashioned Christmas. I even included it on two lists; 2022’s top ten movies I’d love to review and 2023’s top ten Christmas movies I’d love to review. On both lists, I said I found a few DVD copies of the 2010 title. But, more often than not, these DVDs were included in Christmas movie box sets, which, typically, are expensive. Fortunately, An Old Fashioned Christmas was uploaded on Youtube, which is how I watched it.

2. You’ve mentioned An Old Fashioned Thanksgiving being one of your favorite Hallmark movies. Did An Old Fashioned Christmas contain any elements that made you like the 2008 film?

One of the reasons why I love An Old Fashioned Thanksgiving is how immersive the production is! The attention to detail and historical accuracy created the illusion of taking the audience to another time and place. This same strength was found in An Old Fashioned Christmas! One simple, yet effective, example were the props. Anytime Tilly and Isabella shared a meal with the Shannon family, the table was covered with fine china dishes, crystal goblet-style glasses, and even a shiny silver teapot. These specific props reflected the story’s time period, which appears to be the late 1800s. They also symbolized the prestigious family history of the Shannons.

3. Is the theme of “second chances” incorporated in An Old Fashioned Christmas’ story? If so, how?

One of the reasons why Tilly wanted to travel to Ireland was to meet her father’s side of the family. After she gets to know her paternal grandfather and uncle, Tilly writes a letter in the hopes Isabella will make amends with Sean (Tilly’s grandfather). So, in An Old Fashioned Christmas, not only is Tilly given a second chance to connect with her father’s side of the family, Isabella received a second chance to build a bridge between herself and Tilly’s grandfather.

4. Was there anything about An Old Fashioned Christmas you liked or didn’t like?

Similar to Young at Heart, the dialogue was one of the best parts of An Old Fashioned Christmas! Because of the thought and effort put into this film-making aspect, conversations between characters sounded intelligent and eloquent. During breakfast one morning, Lady Shannon asks, “Wouldn’t it be lovely for Americans to have titles”? This question relates to how her son, Cameron, will become an Earl someday. Isabella responds by saying, “Actually, we do. We all share the same title: American”. The way Isabella answered Lady Shannon’s question carried a sense of confidence and grace, simply stating a major difference between her world and the world of the Shannon family. I also thought Isabella’s response to Lady Shannon’s question was pretty clever.

Speaking of Lady Shannon’s son, Cameron, I found him to be the worst character in An Old Fashioned Christmas. He always acted like he had something to prove. Plus, Cameron attempted to get the last word in every argument or conversation. The longer I watched An Old Fashioned Christmas, the more annoying Cameron became. I recognize the film’s creative team was trying to create a male character different from Gad (Tilly’s fiancé). However, this goal can be achieved without making that male character completely unlikable.

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5. On 18 Cinema Lane, you’ve covered plenty of Christmas films. How is An Old Fashioned Christmas similar to or different from other Christmas pictures written about on your blog?

As I answered for question number three, meeting her father’s side of the family was the reason Tilly wanted to travel to Ireland. Like I also answered for question number four, Isabella responded to Lady Shannon’s question by stating Americans share the same title: American. The story of an American protagonist traveling to Ireland to learn more about her father’s side of the family felt very reminiscent of Christmas at Castle Hart. Another similarity these films share is how a majority of their stories take place in an Irish castle.

6. Did you develop any thoughts and/or questions while watching this film?

What makes An Old Fashioned Thanksgiving such a great movie is how the story embraces the Thanksgiving holiday. The film boasts a Thanksgiving dinner and showcases themed decorations, like a handmade blanket. But the 2008 picture also weaves the messages and themes of the holiday into the story and dialogue, truly making An Old Fashioned Thanksgiving feel like a Thanksgiving movie. An Old Fashioned Christmas definitely looked like a Christmas movie, as decorations and themed activities were sprinkled throughout the film. However, it did not feel like a Christmas picture. That’s because the majority of the story emphasized the love triangle between Tilly, Gad, and Cameron. An Old Fashioned Christmas is a Hallmark presentation where the protagonist says they are going to do something, but spends the majority of the film not doing what they said they were going to do. One of the reasons for Tilly and Isabella’s trip to Ireland was for the Earl of Shannon to mentor Tilly in her writing, in the hopes of getting Tilly’s work published. But throughout the one hour and fifteen-minute movie, Tilly barely accomplishes any writing goals. In fact, the only writing Tilly does is composing letters to her mother.

7. How would the story of An Old Fashioned Christmas change if it revolved around another holiday?

I just mentioned for question number six how the majority of An Old Fashioned Christmas’ story emphasized the love triangle between Tilly, Gad, and Cameron. Other stories, such as the Earl of Shannon mentoring Tilly, didn’t really have anything to do with the Christmas holiday. Therefore, changing the plot of An Old Fashioned Christmas to another time of year wouldn’t make a difference.

8. Did An Old Fashioned Christmas deserve a second chance? If so, why?

Now that I have seen An Old Fashioned Christmas, this is, honestly, a tough question to answer. On the one hand, I received some closure for how the story continues after An Old Fashioned Thanksgiving. I also developed my own, honest opinion about the sequel. But, on the other hand, An Old Fashioned Christmas, kind of, let me down. The Christmas holiday almost seems like an afterthought in the 2010 title. There were underutilized aspects of the story, like Tilly pursuing her writing dreams. So, to answer this question, I’m thankful I received an opportunity to check out An Old Fashioned Christmas. However, I don’t think it was worth the wait.

9. After watching An Old Fashioned Christmas, is there anything you can take away from your movie viewing experience?

If you ignore the fact An Old Fashioned Christmas was created as a sequel to An Old Fashioned Thanksgiving, this is an ok film. The attention to detail and historical accuracy create a visually immersive experience. The dialogue was also well written and delivered. But if you intend to watch An Old Fashioned Christmas as a sequel to An Old Fashioned Thanksgiving, you will be underwhelmed. With Tilly, Gad, and Isabella as the only returning characters, the family dynamic between Tilly’s family and Isabella is absent. Like I said for questions number six and seven, the majority of An Old Fashioned Christmas’ story emphasizes the love triangle between Gad, Tilly, and Cameron. It did not help that Cameron was such an unlikable character. Honestly, this movie will likely be a one-time watch for me. Since I still love An Old Fashioned Thanksgiving, I’ll just stick with the 2008 picture.

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Have fun at the movies!

Sally Silverscreen

Sunset Over Hope Valley: If the Time Comes

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In the finale of When Calls the Heart’s twelfth season, Elizabeth receives a letter from her mother-in-law, Charlotte Thornton. Within the letter, Charlotte encourages Elizabeth and Jack Jr. to move to Cape Fullerton, in order to live closer to Diabetes related medical facilities. Turning to Rosemary for advice, Elizabeth is unsure of what to do. Rosemary reassures her friend how she’ll know what to do if the time comes. As I watched this episode, I considered talking about how When Calls the Heart’s future is unknown, similar to how Elizabeth and Jack Jr.’s future is unknown. But, during the airing of the season finale, an official commercial declared a thirteenth season coming in 2026. So, in a way, the Hearties received closure. However, while we know another chapter is on the horizon, we don’t yet know what will happen in that chapter. So, for now, there is still some uncertainty. Like any season finale, this episode of When Calls the Heart leaves Hearties with a variety of questions. The unknowns of the next season may cause some fans to be concerned over their favorite characters. What we do know is how the show will likely go into production from mid-summer to late autumn, with the season possibly premiering during the first half of 2026. This speculation is based on the schedules of past seasons. We also know we’ll get answers to, at least, some of our questions when the time comes.

Just a reminder: If you did not see the season finale of When Calls the Heart, there will be spoilers within this re-cap.

When Calls the Heart season twelve poster created by Hallmark Media, Crown Media Family Networks and Hallmark Channel

Season: 12

Episode: 12

Name: Must be Gold

Major stories:

The stolen gold coins are still at large. Not wanting to leave a mystery unsolved, Rosemary interviews Edie, hoping she knows something about the treasure. Unfortunately, Edie knows about as much as Rosemary: nothing. But after Rosemary reexamines a map with Bill and Nathan, they figure out the treasure’s likely hiding place; a wishing well. Edie and Lucas also come to this conclusion when they visit Ernie’s ranch. Among a jar of coins, they find a double-headed eagle gold coin, similar to the one found earlier in season twelve. Remembering how Ernie always put coins in the wishing well, Edie leads Lucas there. When all five people discover they’re at the wishing well for the same reason, they work together to dig up a large metal box. Later, at Hope Valley’s Mountie office, it is discovered the box contains the missing gold coins. Edie also discovers Ernie left her a secret message on the back of the map, explaining how he came to possess the treasure. Because there is a reward for the return of the coins, Lucas suggests Edie claim the reward to pay off Ernie’s loan.

As graduation approaches, Minnie is anxious about Angela’s departure to college. Both Elizabeth and Mei have picked up on Minnie’s recent mannerisms. They, along with Mike and Florence, agree to create a surprise for Minnie and her daughter. Throughout the episode, Mei and Mike collect answers to a series of questions about Angela’s favorite things. These answers are used to create a quilt for Angela to bring to college. Minnie is both emotionally moved and appreciative of the gesture. Meanwhile, after graduation, Jack Jr. passes out. This is the result of a recent batch of Insulin not being refrigerated properly. Elizabeth decides to make an emergency trip to Cape Fullerton, in order to help Jack Jr. feel better. Because Nathan is on Mountie rounds, Elizabeth writes a letter explaining what happened. As Elizabeth and Jack Jr. journey to the train station, Allie and Nathan join them on the trip, in support of both Jack Jr. and Elizabeth.

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Minor story:

Because of Oliver’s progress and his help arresting the Garrisons, Nathan reveals how he’ll help Oliver graduate early. Not only that, Nathan also tells Oliver he’ll be stationed at Fort McNeil. Realizing the possibility of leaving Hope Valley (and Allie) behind, Oliver fails his examinations on purpose. When Elizabeth confronts him about his exam performance, Oliver confesses how living in Hope Valley has made him feel normal, as he never really had a childhood. However, Elizabeth figures out Oliver’s most important reason for staying in town; Allie. Eventually, Nathan realizes Elizabeth is correct in her speculation. In an effort to make a compromise, Nathan offers Oliver a promotion to Mountie Deputy.

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Some thoughts to consider:

  • Is it just me or did this episode, kind of, feel like a series finale? As I mentioned in this re-cap’s introduction, When Calls the Heart will receive a thirteenth season. But the scene showing Elizabeth turning off the light in her house, her letter to Nathan, and Elizabeth’s last line about finding a way to come back to Hope Valley gave an unintended sense of finality to the episode. Now that we know another season is on the horizon, this episode leaves a lot of questions. Will Elizabeth and Jack Jr. permanently move to Cape Fullerton? If so, will season thirteen take place in more than one location, similar to season two? Will Charlotte Thornton return to When Calls the Heart?
  • During Elizabeth’s graduation speech, she says she remembers the little faces of the graduates; Angela, Timothy, and Emily, on her first day of teaching in Hope Valley. However, this information is incorrect. While Timothy and Emily have been Elizabeth’s students since the earliest days of Elizabeth’s time in Hope Valley, Angela made her debut on When Calls the Heart in season eight. I know television shows have their continuity errors from time to time. But I was surprised no one from the show’s creative team caught this error.
  • Like I said in this re-cap, Angela receives a quilt, with each square representing her favorite things. The name of the town, ‘Hope Valley’, is embroidered in braille and the images on the quilt are sewn with a raised material, so Angela can feel their shapes. But this is not the only thoughtful present on this episode of When Calls the Heart. At the graduation party, Elizabeth thanks Mike and Mei for sacrificing their second honeymoon to help Jack Jr. Elizabeth, along with some of Hope Valley’s residents, pay for Mei and Mike’s third honeymoon to Miami.
  • When season twelve started, I had my concerns that the national park project wasn’t going to get completed. Now that the season is over, my concerns were proven correct. I’m aware large projects, like creating a national park, take time to come to fruition. But after the short-lived hotel project from season eleven, I am becoming tired of major plans on When Calls the Heart being left unfinished. Perhaps the national park will make its debut in season thirteen. But, at this point, only time will tell.
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What are your thoughts on this season finale? Where do you think Elizabeth and Jack Jr.’s journey will take them? Let me know in the comment section!

Have fun in Hope Valley!

Sally Silverscreen

Sally Watches…Highway to Heaven

On By 18cinemalane2 Comments

Have you read a synopsis for a movie or television episode that sounded so “bonkers” or over-the-top, you just had to check it out? That’s what happened when I came across the Highway to Heaven episode, “Ghost Rider”. I’ve seen enough episodes of this show to have an idea of what to expect. But then I read the synopsis for “Ghost Rider” on Hallmark Family’s website, which is the following:

“A lonely female novelist is in love with a legendary spy hero who has been dead for 20 years. She buys his sports car, that is being auctioned off, only to find out that his ghost comes with the car.”

For the 11th Annual Favourite TV Show Episode Blogathon, I had an excuse to not only check out “Ghost Rider”, but to also write about it. However, just because a movie or tv episode sounds “bonkers”, doesn’t mean it will be. Two examples from 18 Cinema Lane are the Lifetime movie, Sea Change, and the 1977 picture, The White Buffalo. Will “Ghost Rider” prove to be as “bonkers” as it sounds? Let’s travel down the highway of this review!

The 11th Annual Favourite TV Show Episode Blogathon banner created by Terence from A Shroud of Thoughts

Episode Name: Ghost Rider

Season 3, Episode 24

Premiere Date: April 1st, 1987

What I liked about this episode:

As I mentioned in this review’s introduction, the synopsis for “Ghost Rider” sounded “bonkers”, due to the story containing a car inhabited by a ghost. But that was not the primary focus of the story. Instead, the creative team behind Highway to Heaven placed more emphasis on Mark and Jonathan helping Birdy Belker. Birdy is a mystery writer who is not only interested in espionage, she’s obsessed with a special agent named Roger Bolt. Jonathan and Mark attempt to give Birdy the courage to live a more satisfying life, one where she can thrive and tell her own tales of adventure. Birdy’s story reminded me of Tracy’s story from the Touched by an Angel episode, “Perfect Little Angel”. A similarity between these episodes is how a major theme is being brave enough to reach your potential.

What I didn’t like about this episode:

Toward the beginning of the episode, Jonathan explains to Mark (and the audience) who Birdy is and why she needs their help. This explanation is presented as a voice-over, as if Jonathan were talking about events from a story in the mystery/noir genre. The voice-over was a good creative choice, making the episode unique from others of Highway to Heaven. However, this voice-over was included in only one part of the story. I wish that creative element was more consistently incorporated into the episode, with Jonathan’s voice-over appropriately fitting Birdy’s interest in espionage.

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The story itself:

When I talked about what I liked about “Ghost Rider”, I said the story placed more emphasis on Jonathan and Mark helping Birdy develop the courage to reach her potential. While the episode features a car inhabited by a ghost, these elements were woven together in a way that fit within the established brand/tone of Highway to Heaven. The reason for Birdy possessing the car was because Mark encouraged her to purchase it, in an effort to help her find a new perspective on life. The ghost’s existence in the story had less to do with haunting and more to do with their place in the Afterlife. There was also a creative approach to the type of story about “never meeting your heroes”. In the case of “Ghost Rider”, the reality of who Roger Bolt was affects Birdy’s fantasy of him.

The other factors from this episode:

  • I already mentioned in this review how Birdy is a mystery writer. However, she uses the pen name ‘Natasha Gudonov’. When you say that last name quickly, it sounds like “good enough”. This joke is even acknowledged by the ghost after they learn more about Birdy. Personally, I found the joke to be the most cringe-worthy part of this episode.
  • In a typical Highway to Heaven episode, Jonathan will reveal his true identity as an angel toward the end of the story. He will discreetly use his angelic abilities throughout the episode as well. But in “Ghost Rider”, Jonathan is more honest with Birdy, sharing the truth about himself shortly after they meet. He’s even straightforward about his angelic abilities. I liked this change in storytelling! It gave “Ghost Rider” some creativity and allowed the story to stand out from other Highway to Heaven episodes!
  • For this part of my review, I will be spoiling “Ghost Rider”. If you have not seen this episode and are interested in watching it, skip ahead to the part of my review titled “my overall thoughts”.

Earlier in this review, I said there was a creative approach to the type of story about “never meeting your heroes”. In “Ghost Rider”, Birdy receives the opportunity to meet Roger Bolt, as he is the ghost inhabiting the car she purchases. During this initial meeting, Jonathan reveals how, during Roger’s life, he was an arrogant womanizer. This information shocks Birdy. However, earlier in the episode, Birdy tells Jonathan and Mark how she knows everything about Roger. With that said, wouldn’t Birdy have known about Roger’s true persona?

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My overall thoughts:

In my review’s introduction, I talked about wanting to check out “Ghost Rider” because of the synopsis on Hallmark Family’s website. But looking back on this episode, I feel that synopsis does the story a disservice. Yes, a story of a ghost inhabiting a car sounds “bonkers” on paper. How that concept was incorporated into “Ghost Rider”, let alone Highway to Heaven, actually worked better than I expected! As I said in my review, more emphasis was placed on Mark and Jonathan helping Birdy thrive in life. This part of the story, along with the ghost inhabiting the car, fit within the established brand/tone of the show. “Ghost Rider” does have its flaws, such as Jonathan’s voice-over being inconsistent. But, overall, I found this episode to be fine and pleasant!

Rating: A 3.5 out of 5

Have fun on television!

Sally Silverscreen

Take 3: Young at Heart Review (Second Chance Christmas Double Feature Part 1)

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Thank you for joining me for the first part of my Second Chance Christmas Double Feature! Similar to last year’s review of I Am David, my review of Young at Heart is spoiler-free. If you’re curious about why I chose Young at Heart for this double feature, you can check out the introduction in the link below.

Coming Soon to a Blog Near You; The Second Chance Christmas Double Feature!

Young at Heart poster created by Arwin Productions and Warner Bros.

1. How were you introduced to Young at Heart and why was it selected for this double feature?

I was introduced to Young at Heart back in January of 2020, through a recommendation from Maddy (of the blog, Maddy Loves Her Classic Films). Several months later, I received another recommendation for Young at Heart. This time, the suggestion came from Moviecriticqueen (of the blog, Movies Meet Their Match). For five years, this movie has stayed on my movie recommendation board on Pinterest. But I have tried to find the right opportunity to write about the film. When I participated in the Sixth Annual Barrymore Trilogy Blogathon, I was originally going to review two movies; Young at Heart and Twentieth Century. Due to technical difficulties, I only had time to write about one film, which I selected the 1934 title. In 2021, I wanted to participate in the Star/Genre Of The Month Blogathon, as January’s featured star was Doris Day. But a busy schedule prevented me from joining the event.

2. You discovered Young at Heart was a Christmas movie after you learned more about the film on IMDB. What else have you discovered about the 1954 picture?

While watching Young at Heart, I discovered Alan Hale Jr. portrayed a character named Bob. Those familiar with their television history would recognize Alan from his starring role (‘Skipper’) on Gilligan’s Island. I will admit the only projects from his filmography I’ve seen are Gilligan’s Island and The North Avenue Irregulars. Even though I’m more familiar with Alan’s appearances on Gilligan’s Island, it was a pleasant surprise to see him star in a different medium!

3. Is the theme of “second chances” incorporated in Young at Heart’s story? If so, how?

Yes, specifically in Barney’s part of the story! When he’s introduced in Young at Heart, Barney (portrayed by Frank Sinatra) is a very pessimistic man. He feels no matter what he does, he will never find success. Throughout the film, one of the few people who believes in Barney is Doris Day’s character, Laurie. During their initial meeting, Laurie tells Barney how anyone can control their own fate. She also encourages him to complete one of his songs. By befriending Barney, Laurie gave him a second chance to prove how valuable he is. Without spoiling the movie, Laurie and Barney’s friendship pays off!

4. Was there anything about Young at Heart you liked or didn’t like?

One of the best aspects of Young at Heart was the dialogue! The writing and delivery were so sharp and witty, it made interactions between the characters interesting! When Barney first arrives at the Tuttle family’s house, he meets Aunt Jessie. During their conversation, Barney nonchalantly asks Aunt Jessie what kind of aunt she is. With a stern tone in her voice, Aunt Jessie promptly tells him her name came first and the curtains came later. This simple exchange between Aunt Jessie and Barney shows some of their character development, as well as the dynamic these characters share.

As I answered for question number three, Barney is a very pessimistic man who believes he can’t find success. I recognize how overcoming insecurities and doubts takes time. But, in Young at Heart, Barney spends most of the movie being pessimistic. He doesn’t change his perspective until the end of the film. This creative choice made Barney a static character. I wish his transformation had gradually taken place over the course of the story.

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5. On 18 Cinema Lane, you’ve covered plenty of Christmas films. How is Young at Heart similar to or different from other Christmas pictures written about on your blog?

It is true that Christmas has a place in Young at Heart. However, the story spans over the course of several months. This means only a portion of the movie is set during Christmas. So, if I had to compare Young at Heart to any of the Christmas films I’ve reviewed, it would be Meet Me in St. Louis. The 1944 movie not only takes place over a year, there is one scene set during Christmas.

6. Did you develop any thoughts and/or questions while watching this film?

As I was watching Young at Heart, I found moments of irony when it came to Barney. When Barney first meets Laurie, he talks about serving in the military during World War II. This reminded me of how Frank’s character, Clarence “Brooklyn” Doolittle, was in the Navy in Anchors Aweigh. During his conversation with Laurie, Barney says he’s never created a hit song. Throughout Frank’s career, he had several hit songs to his name. One notable example is “New York, New York”, which has become the unofficial theme song for New Year’s in Times Square. Any time Barney performed at a restaurant, the patrons didn’t pay him any attention. I’d like to think if Frank had shown up at any restaurant, most of the patrons would have stopped what they were doing to focus on Frank.

7. How would the story of Young at Heart change if it revolved around another holiday?

Like I answered for question number five, Young at Heart spans over the course of several months, with Christmas playing a role in only a portion of the movie. Therefore, I don’t think the story would change much had another holiday served as the primary focus.

8. Did Young at Heart deserve a second chance? If so, why?

I do believe Young at Heart deserved a second chance! By finally checking this movie out, it gave me an opportunity to see more projects from Frank Sinatra’s and Alan Hale Jr.’s filmography. Young at Heart also became my introduction to Doris Day’s films, as I had never seen any of her movies before 2025.

9. After watching Young at Heart, is there anything you can take away from your movie viewing experience?

Young at Heart and The Chalk Garden share one thing in common; a character-driven story that works because of the strength of the cast. But a major difference between these films is how Young at Heart’s script is more “slice of life”. There were conflicts woven into the story. However, these conflicts were either abandoned or resolved at the very end of the movie. I wish Young at Heart had put a little more emphasis on problem-solving among the characters. Another thing The Chalk Garden and Young at Heart have in common is the dialogue, as it was well-written and delivered in both films. There was, clearly, thought and effort put into this film-making component, which made interactions between characters interesting. While I found The Chalk Garden good, Young at Heart was, in my opinion, just fine. The 1954 production could be used as an introduction to Doris Day’s filmography.

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Have fun at the movies!

Sally Silverscreen

Sunset Over Hope Valley: Hope Valley’s Strongest Warriors

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I’ve heard a quote about God giving His toughest battles to His strongest warriors. What reminded me of that quote is Faith and Mei telling Elizabeth how strong Jack Jr. is. This exchange between Elizabeth, Mei, and Faith also caused me to think about how strong the other characters on When Calls the Heart are. With Hope Valley’s residents possessing their own perspectives, dreams, and lives, strength is going to look different for each character. Last season, Toby’s strength was overcoming his struggles in math. Earlier in season twelve, Jack Jr. helped Lily find her strength on their first day of school. Dottie even had the strength to start her own business within When Calls the Heart’s first few years. Since the start of the show, there have always been tough battles woven into each story. But because of how strong the characters are, battles have been both fought and won.

Just a reminder: If you did not see this episode of When Calls the Heart, there will be spoilers within this re-cap.

When Calls the Heart season twelve poster created by Hallmark Media, Crown Media Family Networks and Hallmark Channel

Season: 12

Episode: 11

Name: Having Faith

Major story

Since Jack Jr.’s Diabetes diagnosis, he has become weaker and more tired. Hope Valley’s residents do whatever they can to help Elizabeth, from Bill tracking down Pal (who became lost, but was found toward the end of the episode) to Rosemary delivering food to the family. During this period, Mei finds an article about a study in Toronto using a new treatment called Insulin. Hoping to get Jack Jr. included in the study, Mei and Faith encourage Elizabeth to write a letter advocating for her son. Volunteering to raise awareness for Jack Jr.’s health, Mike and Mei travel to Toronto on Elizabeth’s behalf. Unfortunately, Jack Jr. can’t be included in the study because he’s a young child. The Insulin also can’t be easily transferred due to the medicine needing to be refrigerated shortly after it is manufactured. However, Faith and Mei are encouraged to start their own clinic, if they can find ten Diabetes patients. Ten patients are eventually found before the end of the episode. Despite a railroad delay, Mei and Mike bring the Insulin back to Hope Valley. After receiving the medicine, Jack Jr. experiences positive results. Hope has, once again, saved the day!

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Minor stories:

Due to this episode revolving around Jack Jr. and his health, there were no minor stories in this episode.

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Some thoughts to consider:

  • Because of Jack Jr. becoming too sick to play baseball, some of Elizabeth’s students organize a radio broadcast of a local baseball game. Toby and Cooper are the sportscasters, while Oliver and Allie deliver what’s happening on the field for the radio program. Watching this scene reminded me of when Hallmark Channel would organize the Kitten Bowl and the Kitten Summer Games. For readers who are unfamiliar with these events, the Kitten Bowl and Kitten Summer Games were television specials featuring kittens playing sports themed games, in an effort to raise awareness for pet adoption. Looking back on these programs, I wish some of the stars of When Calls the Heart had become sportscasters for the Kitten Bowl and Summer Games. Perhaps the kittens could have been named after some of the show’s characters.
  • Before Mei and Mike left for Toronto, Joseph conducted a prayer with some of Hope Valley’s other residents. He also hosted a small service where the town’s animals were blessed. Hearing prayer and seeing church services incorporated into the script was a breath of fresh air. This is because these elements are infrequently found on the show. If When Calls the Heart receives a thirteenth season, I hope Joseph uses faith more often.
  • During a conversation at the Queen of Hearts saloon, Lucas makes a comment about how he will likely lose his re-election. If his statement is true, I wonder if this is the creative team’s way of keeping Lucas in Hope Valley? I also wonder what Lucas will do if he’s no longer Governor? From what I remember, he sold the saloon/hotel to Lee either during season ten or shortly before that season.
Sunset image created by Photoangel at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Photoangel – Freepik.com</a>.<a href=’https://www.freepik.com/free-photo/red-sunset-clouds-over-trees_1254327.htm’>Designed by Freepik</a>. Image found at freepik.com.

What are your thoughts on this episode? Which stories do you think will be wrapped up in the season finale? Tell me in the comment section!

Have fun in Hope Valley!

Sally Silverscreen

Sunset Over Hope Valley: One Shared Ingredient

On By 18cinemalaneLeave a comment

During their trip to the Mercantile, Mei and Mike are searching for walnuts or almonds. This ingredient is intended for a moon cake and butter tart recipe. But when almonds and walnuts are nowhere to be found, the couple adopt a different, more accessible ingredient: hazelnuts. Not only does this decision work in Mike and Mei’s favor, other Hope Valley residents choose to use hazelnuts in their recipes too. In this episode of When Calls the Heart, hazelnuts become a shared ingredient among the characters. However, this is not the first time ingredients have been shared. When I introduced my re-cap for this season’s second episode, I talked about the presence “hope” has had within Hope Valley. I even gave an example of how hope impacted the lives of the show’s characters. Thinking about Hope Valley as a recipe, “hope” is an ingredient the characters have shared since the show’s beginning. It has taken on different forms (depending on the situation), being applied to each character’s life in a personalized way. How “hope” is shared is dependent on the character in question, from Elizabeth giving her students valuable advice to Lucas coming up with ways to save the day.

Just a reminder: If you did not see this episode of When Calls the Heart, there will be spoilers within this re-cap.

When Calls the Heart season twelve poster created by Hallmark Media, Crown Media Family Networks and Hallmark Channel

Season: 12

Episode: 10

Name: Through the Valley

Major stories:

Lucas has been served with a lawsuit from the ranchers. When he shares the news with Edie, she declares how she no longer works for McGinty. After Nathan is informed of the lawsuit, he and Lucas confront McGinty over it. During this confrontation, McGinty shares how Allie and Oliver trespassed on his property. Later that day, when Nathan asks Allie about McGinty’s claim, Allie confesses how she and Oliver, indeed, trespassed on McGinty’s land. Even though Allie believes she was in the wrong, Elizabeth tries to take some of the blame, due to presenting project-based learning to her students. But Oliver steps in and reveals how a path near McGinty’s land was blocked by ash trees. He believes the ash trees were stolen from Lee’s property, as the only ash trees near Hope Valley are owned by Lee. Oliver’s suspicions end up being correct, with Bill and Henry later confronting McGinty about Oliver’s findings. To avoid time in jail, McGinty drops the trespassing charges he gave to Oliver and Allie.

When it’s time for Elizabeth’s students to share their progress on their projects, Emily doesn’t have anything to bring to class. After school, she explains to Elizabeth how working at Henry and Joseph’s hazelnut business has prioritized her time. This inspires Elizabeth to help Emily find her project through her work with the hazelnuts. Because of how sawdust has helped the hazelnuts grow, Emily decides to create a project about the positive effects on conserving sawdust. But when she picks up a book she ordered at the Mercantile, Florence and Ned reveal how several students have submitted their applications for college. Embarrassed by her forgetfulness, Emily shares what happened with Elizabeth. When Emily tells Elizabeth she wanted to be just like her, Elizabeth reassures her student how a career in business would be a better fit for her. Meanwhile, Elizabeth is concerned about her son. He has not only been more tired lately, he also has been hungrier. When Jack Jr. passes out one day, Faith suspects he could be dehydrated. But after a series of tests, Faith tells Elizabeth her son has Diabetes.

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Minor stories:

Mei and Mike plan on hosting a private harvest feast for just the two of them. They go to the Mercantile in search of walnuts or almonds for their butter tart and moon cake recipes. When almonds and walnuts are not available, Joseph suggests using some of the hazelnuts from his and Henry’s business. The other patrons of the Mercantile believe Joseph’s idea is a good one. So, they adopt hazelnuts in their recipes, turning Mike and Mei’s private feast into a community wide event. Despite this change in plans, the feast is a success! During the feast, Mike reveals to Mei the real reason he wanted the event to remain private; presenting a second honeymoon to Niagara Falls.

Georgie McGill returns to Hope Valley. Because of the recent arrests of Woody and Sunny Garrison, Georgie won’t share any information about the case. She even forbids Bill from sharing information with Rosemary. This upsets Rosemary, but she manages to find a way to write a report without Bill’s help. Meanwhile, Georgie and Bill interrogate Woody. He not only admits to being an accessory to the crime, he tells Bill and Georgie his brother, Jake, gave him a treasure map before he passed away. Woody claims only Jake knew where the stolen gold coins are. After the interrogation, Bill apologizes to Rosemary when he pays her a visit at the Valley Voice’s office. He explains how Georgie likes things done “by the book”. Bill also tells Rosemary how the gold coins’ location is still unknown. At the harvest feast, Georgie and Rosemary come to better terms. One reason is how, according to Georgie, Bill sang Rosemary’s praises to Georgie. However, that’s not the only thing Bill does. Before she leaves Hope Valley, Georgie and Bill share a kiss.

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Some thoughts to consider:

  • It is interesting which stories have become prioritized in this season of When Calls the Heart. As I mentioned in this re-cap, Faith tells Elizabeth her son has Diabetes. While this development leads to an interesting story, I wish that story had been introduced earlier in season twelve. Meanwhile, Ava’s story was drawn-out for more than half the season. Personally, I think her story should have lasted, at most, four or five episodes.
  • When Calls the Heart’s creative team has tried to give Bill a love interest on more than one occasion. First, it was Abigail. Then, it was A.J. After that, it was Mollie. Now, it seems to be Georgie. If Bill does start a relationship with Georgie, I wonder if Jack Wagner will leave the show? As of the publication of this re-cap, there haven’t been any announcements about cast members departing from When Calls the Heart.
  • Throughout the season, I’ve heard some fans entertain the idea of Edie and Lucas becoming a couple. But, in my opinion, the on-screen chemistry between Chris McNally and Miranda MacDougall hasn’t been as strong as other on-screen pairings. Plus, Edie and Lucas shared such limited time together within season twelve. Maybe these things could change if When Calls the Heart receives a thirteenth season. However, I don’t know if Edie will leave when season twelve ends.
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What are your thoughts on this episode? Do you think Bill and Georgie will form a romantic relationship? Let me know in the comment section below!

Have fun in Hope Valley!

Sally Silverscreen

Take 3: The Phantom of the Opera (1925) Review (Silent Pioneers Double Feature Part 2)

On By 18cinemalane5 Comments

In my review of 1920’s The Garage, I admitted silent films are rarely covered on 18 Cinema Lane. Acknowledging the one hundredth anniversary of a movie is even rarer. This is a reason why I selected 1925’s The Phantom of the Opera for the Silent Pioneers Blogathon! But reviewing this film also presents a full circle moment for me. Before 2025, I had seen pieces of The Phantom of the Opera from 1925. That’s because those pieces are featured at the beginning of Phantom of the Megaplex (which happens to be celebrating its 25th anniversary this year). As a fan of that movie, I felt I owed it to myself to finally check out the film that paved the way for countless cinematic projects. Though this is my first time seeing 1925’s The Phantom of the Opera in its entirety, I am familiar with its story. This is due to seeing parts of 2004’s adaptation of The Phantom of the Opera. So, without further delay, let’s start this review!

The Phantom of the Opera (1925) poster created by Universal Pictures

Things I liked about the film:

Color coded film: Silent films have a reputation for appearing in black and white. But in The Phantom of the Opera, only the Phantom’s lair is presented in this hue. This is because the Paris Opera House is color coded based on where a scene takes place. Outdoor scenes appear in blue. Scenes taking place backstage, and even a ballet performance, are presented in pink. The only scenes fully in color are those during the Bal Masque de l’Opera. Color coding the movie’s scenery gives each part of the story its own distinct significance. It definitely gives The Phantom of the Opera a unique identity!

The acting: When you think of 1925’s The Phantom of the Opera, you think of Lon Chaney. Though he spent the movie with his face covered by make-up or a mask, Lon utilized the use of his eyes and body language to give the Phantom emotion. During the Bal Masque de l’Opera, the Phantom discovers someone betrayed his trust. His eyes not only appear very wide, they even look pained. The Phantom falls back in his seat, emphasizing how shocked he is by the betrayal. Even though Lon stole the show, there are other performances I liked in The Phantom of the Opera! Mary Philbin portrays Christine Daae. Through a variety of acting techniques, Mary shows the audience what her character is thinking and feeling. A perfect example is when Christine meets the Phantom for the first time. Shocked by his appearance, she leans back against the wall, trying to move as far from him as possible. Christine’s eyes are wide and her jaw drops in horror, illustrating how unsettled she is by the Phantom.

The on-screen chemistry: As I just said in this review, Mary Philbin portrays Christine Daae. Throughout The Phantom of the Opera, Christine shares romantic feelings with Raoul, portrayed by Norman Kerry. When these characters shared moments together, their interactions were romantically tender. The love between Christine and Raoul feels like it radiates off the screen. Mary and Norman’s on-screen chemistry was very sweet, making their characters’ scenes together feel genuine. Their performances, as well as the screenwriting, made Raoul and Christine’s relationship one of the best parts of The Phantom of the Opera! I wish Mary and Norman shared more scenes together.

The Silent Pioneers Blogathon banner created by Maddy from Classic Film And TV Corner

What I didn’t like about the film:

Underutilized characters: There were a few underutilized characters in The Phantom of the Opera. Two of them are the new owners of the Opera House. At the beginning of the movie, the ownership of the Opera House changed hands. Not only are the new owners informed of the Phantom’s existence, they are presented with evidence he actually exists. Yet, these owners don’t do anything to remove the Phantom from the Opera House or protect their business from the Phantom. A major reason for this is how the characters were underutilized, making limited appearances throughout the story.

Little sense of urgency: Like I said in my review, the new owners of the Opera House don’t do anything to remove the Phantom from the Opera House or protect their business from the Phantom. Any time the Phantom makes threats to ruin the show or even when Christine disappeared, there was little sense of urgency to prevent the Phantom’s chaotic plans. The day after Christine went missing, there was a newspaper article written about her disappearance. But no search party was organized to look for her. Even Raoul’s suspicions don’t appear raised when he receives a mysterious note from Christine. When Christine returns at the Bal Masque de l’Opera, no one notices except for Raoul. With all this said, the Phantom doesn’t seem as big of a concern to the Opera House’s community as he should be.

Unanswered questions: For this part of my review, I will spoil The Phantom of the Opera. If you haven’t seen this film and are planning on watching it, skip ahead to the part of my review titled ‘My overall impression’.

The 1925 version of The Phantom of the Opera attempts to give the Phantom a backstory. But this attempt leaves the audience with more questions than answers. On a notecard addressing the Phantom’s history, it states he is a “master of Black Art”. This statement is never given an explanation, especially since the Phantom isn’t shown adopting magic or supernatural powers. The notecard also states the Phantom was “exiled to Devil’s Island for criminal insane” and that he “escaped”. No explanation is provided why he was taken to the island in the first place. Did the Phantom actually commit a crime or was he falsely accused, with taking over the Opera House and causing chaos his form of revenge? These are two examples of unanswered questions in The Phantom of the Opera.

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My overall impression:

1925’s The Phantom of the Opera is considered a classic, not just from the Silent Film Era, but within film history. So, imagine my shock when I discovered the movie was never included on any of American Film Institute’s 100 movies lists. When this film was first released, it brought something new to cinema’s table. The Phantom of the Opera paved the way when it came to the power of make-up. The 1925 picture also showed the world the expansive nature of storytelling through a cinematic lens. This is why, in my opinion, the story of the Phantom and his opera house is better suited for film than the stage. Lon Chaney is one of the most celebrated actors of all time. His role as the titular character proves why that statement holds true. Lon’s ability to transform into the Phantom makes his performance captivating. Beyond the make-up, he effectively uses his eyes and body language to bring emotion to his character. Though the film has its flaws, The Phantom of the Opera still holds up, even a hundred years later. Color coding for each area of the Opera House gave the production a unique identity, as well as distinct significance to these spaces. In a world where silent films are not as common as they once were, I’m thankful for the restoration efforts made for The Phantom of the Opera.

Overall score: 7.5-7.6 out of 10

Have you seen 1925’s The Phantom of the Opera? Which story do you wish had been adapted into a silent film? Let me know in the comment section below!

Have fun at the opera!

Sally Silverscreen

Take 3: The Garage (1920) Review (Silent Pioneers Double Feature Part 1)

On By 18cinemalane7 Comments

Before participating in the Silent Pioneers Blogathon, I had only seen, and even reviewed, four projects from Buster Keaton’s filmography. To, kind of, make up for lost time, I chose to review The Garage for the event. The other reason why I selected this movie was because it was recommended by Lea S. from Silent-ology. I will admit silent films are rarely covered on 18 Cinema Lane. In the seven years my blog has existed, I’ve only reviewed seven silent film titles. The last time I wrote about a silent picture was 1920’s Pollyanna back in 2021. So, reviewing another silent movie has been long overdue. So far, my experience with silent films has been pretty positive. But will that change with The Garage? Keep reading my review to find out!

The Garage (1920) poster created by Comique Film Company and Paramount Pictures

Things I liked about the film:

The acting: In silent films, actors and actresses heavily rely on facial expressions, emotions, and body language to show what their characters are thinking and feeling. While on-screen text can help elaborate what is happening on screen, the way actresses and actors appear in a silent film can show what can’t be said. At the beginning of The Garage, Roscoe ‘Fatty’ Arbuckle is upset Buster Keaton made a car he just washed dirty. He gestured toward the spot of dirt on the car by repeatedly pointing toward it. Roscoe ‘Fatty’ Arbuckle even has a frown on his face, emphasizing how upset he is. Later in the film, Buster is chased by a dog. When he gets stuck in a fence, he appears scared as the dog is ripping up his pants. Fear is in Buster’s eyes as he looks to be screaming. Molly Malone is the only actress in The Garage. Any time she was included in a scene, she was just as expressive as her male co-stars! When Molly is first introduced in the story, she is so excited to see Jim. She is smiling the entire time, making her happiness clearly visible.

The slapstick comedy: When I reviewed The Twilight Zone episode, “Once Upon a Time”, I talked about a scene where Buster’s character, Woodrow, and a man named Rollo walk past a rack of suit pants. After Woodrow grabs a pair of pants, Rollo picks Woodrow up so he can put the pants on. When I saw this comedic trick in The Garage, I was happy to recognize it from The Twilight Zone! The trick was just as well performed in the movie as in the television episode! Another comedic trick utilized a piece of spinning floor. When Roscoe ‘Fatty’ Arbuckle walked on the spinning floor, he was able to effortlessly walk off the circle. But, when Buster got on the spinning floor, he stumbled and tumbled to the ground. The only way Buster could escape was when Roscoe ‘Fatty’ Arbuckle tumbled to the ground himself and pulled Buster to the circle’s edge. These two examples showcased the simplicity and creativity of The Garage’s slapstick comedy!

An overarching narrative: Earlier in this review, I brought up how excited Molly was to see Jim. This is because they are in a romantic relationship. In The Garage, Jim and Molly’s relationship served as an overarching narrative. It even intersected with the events taking place in and around the garage. For me, I looked forward to seeing what would happen next with Molly and Jim. The strong acting performances and nice on-screen chemistry kept me invested in their part of the story! There was also a sense of mystery to Jim and Molly’s relationship. A contributing factor was the couple experiencing situations as they took place in the film.

The Silent Pioneers Blogathon banner created by Maddy from Classic Film And TV Corner

What I didn’t like about the film:

Inconsistent slapstick comedy: The Garage consists of three separate stories: Roscoe ‘Fatty’ Arbuckle washing a customer’s car, Jim becoming covered in car grease, and the garage being set on fire. While there was plenty of slapstick comedy in the first and third stories, the slapstick comedy was limited in the second story. This is because so much of that story was focused on Jim and his relationship with Molly. Besides becoming dirty from car grease, Jim gets a dog to scare off Molly’s potential admirers. With everything I said, the emphasis on Jim and Molly’s relationship in the second story kind of overshadowed Roscoe ‘Fatty’ Arbuckle and Buster Keaton.

Tonally inappropriate music: Like I just said in this review, there are three stories in The Garage. The third story involves the garage being set on fire. During that story, cheery piano music can be heard in the background. Though this type of music plays throughout the movie, it felt tonally inappropriate in the third story. The reason is Jim and Molly’s lives being in danger, which raises the story’s stakes. Because the stakes are lower in the first and second stories, cheery music playing in the background makes sense.

A confusing timeline: So much is happening in The Garage due to the film consisting of three separate stories. In one story, customers either rent cars or have their cars washed. The residents from the garage’s neighborhood have a scheduled lunch-time. But the title-cards sprinkled throughout the film never clarify when events like the aforementioned two take place. Is The Garage set in a singular day or are the situations happening over an extended period of time? Had the title-cards mentioned when events were taking place, those title-cards could have provided transitions between stories.

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My overall impression:

As I said in my review’s introduction, my experience with silent films has been pretty positive. This experience is, so far, remaining positive due to my thoughts on The Garage! For the most part, the 1920 picture is a fine, pleasant production. The strength of the acting and the creativity of the slapstick comedy led to an overall enjoyable time. I even liked how Molly and Jim’s relationship served as an overarching narrative. Even though the film itself was pleasant, it did contain some flaws. Without contextual information, I found the story’s timeline confusing. There was also one part of the movie where the music was tonally inappropriate. But like I said, I found The Garage a fine, pleasant title! This movie could be a good introduction to Buster Keaton’s filmography.

Overall score: 7.1 out of 10

Have you seen The Garage? Which film from Buster Keaton’s filmography would you like to see me review? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Sunset Over Hope Valley: Figuring It Out Together

On By 18cinemalaneLeave a comment

When Angela takes a tour of the Schwartzman School, she meets a fellow student named Miss Gamble. Angela also meets some of the school’s other students, who share their enthusiasm for solving mysteries. One of these students tells Angela how the best part of mysteries is working together to figure them out. This statement made me think about how problems, conflicts, and even mysteries were solved on When Calls the Heart. If a character needs to figure something out, they will, more often than not, turn to their family or friends for help. Just in season twelve alone, the characters have relied on one another to make things possible. Oliver turned to Elizabeth for guidance when his writing sample needed improvement. Fiona sought out advice from her friends when her life was at a crossroad. Even Lee needed reassurance from Faith when he feared receiving the same medical diagnosis as his father. These three examples showcase another overarching theme on When Calls the Heart; working together to solve Hope Valley’s conflicts, problems, and mysteries!

Just a reminder: If you did not see this episode of When Calls the Heart, there will be spoilers within this re-cap.

When Calls the Heart season twelve poster created by Hallmark Media, Crown Media Family Networks and Hallmark Channel

Season: 12

Episode: 9

Name: Buried Treasure

Major stories:

A man named Woody has recently come to Hope Valley. When he overhears Allie and Oliver talking about their map, Woody asks them to take him to a tree bearing his parents’ initials. Oliver and Allie agree to take Woody there, especially since they were planning on going hiking anyway. During the hike, the trio cross paths with Sonny Garrison, Woody’s cousin who just escaped from prison. He forces Allie and Oliver to join him and Woody on a treasure hunt. Meanwhile, Elizabeth organizes a search party with Mike and Henry when she discovers Oliver and Allie’s whereabouts. Thankfully, Elizabeth is able to find the duo because of Allie’s hair ribbon, which Allie put on a branch. Sonny is upset there is no treasure to be found. In retaliation, he desires to keep Allie, Oliver, and even Elizabeth as hostages. This plan is prevented due to the arrival of Nathan, Bill, and several other Mounties. Later, in Hope Valley, Nathan shares he was able to find Allie and Oliver because of Allie’s hair ribbon, which he returns to his daughter.

Lucas is struggling to find a solution for the national park project. So, he turns to Henry for advice. Henry suggests making an Executive Order, to make the planning process move a bit faster. He also tells Lucas by asking the ranchers for permission, they’re just going to keep finding ways to prevent the project from happening. Lucas shares this plan with Lee. He reveals how the Executive Order could cost him his Governor position, but keeping his promise to Lee is more important. When Lucas shares his plan with Edie, she tells him she will still be his friend. But she also warns Lucas how McGinty will continue finding ways to get what he wants.

Image by hannazasimova on Freepik

Minor stories:

At the Mercantile, Ned informs Ava of another traveler who lost a trunk similar to hers. Even though she insists the trunk belongs to her, Ava tries getting rid of it by throwing it over the hotel balcony. After Mike discovers the trunk in a nearby wagon, Ava comes clean about who she really is. While Ava’s name is actually Ava, she is not the heiress she has claimed to be. Before coming to Hope Valley, Ava was an assistant to Clive Maxwell, a well-known magician. His “trick” was to steal valuable items from the audience. When Clive tried stealing from a Pinkerton, he put blame on Ava. So, she ran away to Hope Valley to protect her name and because she read such good things about the town through Elizabeth’s book. Since Ava confessed, Nathan agrees to recruit a Mountie to escort Ava to court, in order to testify against Clive.

Angela, Joseph, and Minnie take a tour of the Schwartzman School. While there, they meet a student named Miss Gamble. Angela is led by Miss Gamble through the school facility and even meets some of the other students. Minnie, Angela, and Joseph were given a good first impression of the Schwartzman School. But when they arrive home, Angela has her doubts about living independently and going to school in another town. To encourage her daughter, Minnie reminds Angela of the time when she was nervous about sledding down a hill. Angela was eager to go sledding by herself after she and her mom went sledding. Minnie tells Angela to, at least, give living independently a try.

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Some thoughts to consider:

  • Back in my re-cap for this season’s seventh episode, I said I was worried all the build-up in Ava’s story may lead to an underwhelming reveal of who Ava truly is. While I’m thankful the Hearties finally received closure to this mystery, I think my worries proved somewhat true. Ava’s actual backstory was interesting. However, it wasn’t shocking or exciting enough to justify being drawn-out for nine out of twelve episodes. In fact, some of those nine episodes had me forgetting there was a mystery surrounding Ava in the first place. If When Calls the Heart receives a thirteenth season, I hope this screenwriting flaw is improved.
  • As I said in this re-cap, and even in this re-cap’s introduction, Angela and her parents take a tour of the Schwartzman School. If she decides to attend the school, I wonder how Angela’s story will be included in future seasons? Will some scenes cut away to the Schwartzman School or will Angela be temporarily written off the show? Perhaps Hallmark would consider giving Angela her own spinoff series?
  • Is it just me or does it seem like Earl Wyatt has vanished from Hope Valley without a trace? Since his last appearance in this season’s sixth episode, none of the other characters have brought him up. He hasn’t appeared in any scenes either. This sudden disappearance makes me wonder how his story will conclude at the end of season twelve? Maybe the creative team’s intention for Earl is have him stick around in Hope Valley for another season?
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What are your thoughts on this episode? Do you think Angela will attend the Schwartzman School? Please tell me in the comment section!

Have fun in Hope Valley!

Sally Silverscreen

Comparing with the Critics – Worst of 1976 – Gable and Lombard

On By 18cinemalane7 Comments

This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.

Introducing my new series, Comparing with the Critics!

In the ‘Best Films of 1976’ episode of Opening Soon…at a Theater Near You, Gene Siskel stated “1976 was a pretty lousy year for movies”. He emphasized that statement by saying “the year was littered with dogs”. Since I haven’t seen a lot of movies from 1976, I can’t agree or disagree with Siskel’s claim. But what I can do is talk about one of Siskel’s choices for worst movies of 1976. As I said in my 1976 introduction of Comparing with the Critics, one episode was primarily focused on discussing the best movies from a given year. This left Siskel and Ebert with only a few minutes to talk about some of the year’s worst films. Despite the 1976 episode’s limited selection of “bad” movies, I chose Gable and Lombard for this edition of Comparing with the Critics Worst of review. What made Gable and Lombard the most interesting title from the episode’s collection of “bad” movies was the story’s emphasis on Clark Gable and Carole Lombard’s relationship. I am somewhat familiar with Clark and Carole, as I have reviewed at least one of their movies on 18 Cinema Lane. Because I hadn’t heard of Gable and Lombard until I saw the ‘Best Films of 1976’ episode of Opening Soon…at a Theater Near You, I viewed the film as a way to expand my cinematic horizons and learn more about Carole and Clark. Now that I have seen the movie for myself, I believe Siskel’s, and even Roger Ebert’s, thoughts on the film were a tad harsh.

Gable and Lombard poster created by Universal Pictures

Before revealing his choices for the worst movies of 1976, Siskel says the year featured “two kinds of cinematic canines: cheap, lousy pictures and expensive, lousy pictures”. Based on what films he chose, Gable and Lombard was placed in the latter category. According to Wikipedia, the film’s budget was $4.5 million. It appears most of the budget was spent on Gable and Lombard’s set design. One scene took place outside, with the guests at a ball wearing white. Small candles surrounded the pool’s perimeter. In the pool were small islands of white flowers and candles, along with swans peacefully gliding through the water. Overall, this part of the set was absolutely gorgeous! Throughout Gable and Lombard, some scenes took place in Clark or Carole’s dressing room. These dressing rooms looked more like condominiums; distinct spaces that appear livable. Carole’s dressing room boasted a color combination of yellow and white. Featuring design choices like a white dining room set gave the dressing room a feminine style. Meanwhile, dark wood surrounded the fireplace in Clark’s dressing room. There was even a pool table located near the fireplace. These design choices created a more masculine space. Carole and Clark’s dressing rooms provided a good visual representation of how different they were despite having a similar career path.

In Name Only poster created by RKO Radio Pictures. Image found at en.wikipedia.org/wiki/File:In_Name_Only.jpg

While Roger Ebert never shared his thoughts on Gable and Lombard in the ‘Best Films of 1976’ episode, he did write a review for the movie, which can be found on rogerebert.com. In his review, Ebert states “Brolin does, indeed, look a lot like Gable – but imitation here has nothing to do with flattery”. While I agree with Ebert’s opinion on James Brolin’s appearance in the movie, I disagree with the rest of Ebert’s statement. Not only did James look like Clark, he even sounded like him too! It almost felt like James transformed into another person. During Gable and Lombard, James consistently carried an easy-going attitude. This choice in acting and directing showcased Clark’s down-to-earth personality. Meanwhile, Carole was a comedic, life of the party. Portrayed by Jill Clayburgh, Carole’s up-beat personality made her one of the most popular actresses of her time. But behind closed doors, Carole had her doubts and insecurities. In one scene, Carole is sharing with Clark how she feels undeserving of a recent achievement. Her eyes reveal a sense of worry. Concern, even sadness, can be heard in her voice. During her conversation with Clark, Carole looks and sounds truly discouraged. Clark, with a warm smile and calming tone of voice, reassures Carole what’s most important is surrounding herself with people who support her. Jill’s and James’ performance is one of the reasons why this scene is one of my favorites in Gable and Lombard!

China Seas poster created by Metro-Goldwyn-Mayer.

Sidney J. Furie, the director of Gable and Lombard, chose to make “a movie about just folks”, primarily focusing on the personal lives of Clark Gable and Carole Lombard. While Ebert says this decision gave “the movie a certain originality”, he also criticizes Sidney’s choice, claiming that “by limiting itself to this aspect of their lives the movie never deals with the reasons we find them interesting in the first place”. As I said in this review’s introduction, I am somewhat familiar with Clark and Carole. Because I don’t know which parts of Gable and Lombard are factual or creative liberty, I took the story of Carole and Clark’s relationship with a grain of salt. From the way Louis B. Mayer (portrayed by Allen Garfield) talked to Clark about groups of people demanding certain elements of films be changed due to “indecency”, I knew he was talking about the Breen Code, a series of morality related guidelines enforced in Hollywood from 1934 to 1954. Therefore, I saw Gable and Lombard as a character study of how a portion of the Breen Code era affected the professional and personal lives of the Hollywood landscape, with Carole and Clark serving as just two examples. When Clark is accused of having an affair with a waitress, Carole volunteers to testify in court. Everyone from her inner circle knows if she testifies, she will expose her and Clark’s relationship as well as end her career. While explaining why he doesn’t want Carole to testify, Louis B. Mayer shares with Clark the ugly truth about what happened to some actresses after their careers ended. This scene is honest about the consequences if the Breen Code was broken. By viewing the film from the lens of the Breen Code, Gable and Lombard’s narrative is not only compelling, it is given higher stakes.

Twentieth Century poster created by Columbia Pictures.

I said earlier in this review how Ebert and Siskel were only given a few minutes to talk about the year’s worst films. This made Siskel’s discussion of Gable and Lombard sound vague, as he states “in real life, you can get arrested for playing around with dead bodies. The same should be true for movie-makers who desecrate the memory of great, dead actors”. Because this review affords me more time to elaborate on my opinion, I will now discuss what I didn’t like about Gable and Lombard. At the beginning of the movie, Clark is told Carole was in a plane crash, but her whereabouts are unknown. The very next scene shows Carole riding in an ambulance, alive and appearing uninjured. That scene took place years before the plane crash happened. With no on-screen text acknowledging the story’s time and place, it was sometimes difficult to figure out the story’s timeline. I liked James’ and Jill’s portrayal of Clark and Carole. However, I found their on-screen chemistry inconsistent. When their story began, Carole and Clark went from enemies to lovers. For the rest of the story, they continuously broke up then got back together. I recognize Gable and Lombard is based on a real-life relationship. But because of the back-and-forth nature of that relationship, I couldn’t stay fully invested in the relationship of Clark and Carole.

Comparing with the Critics banner created by me, Sally Silverscreen. TV show title cards created by WTTW National Productions, WTTW, Public Broadcasting Service (PBS), Lifetime Television, Tribune Entertainment, Buena Vista Television, and Disney-ABC Domestic Television

Looking back on Gable and Lombard, I believe Siskel’s, and even Roger Ebert’s, thoughts on the film were a tad harsh. I wouldn’t call it a “dog” or “lousy”, as the movie does have its merits. But I do believe the marketing is a bit misleading. The quotes on Gable and Lombard’s poster are “It was the wildest, wackiest love affair Hollywood ever knew” and “They had more than love – they had fun”. In the ‘Best Films of 1976’ episode of Opening Soon…at a Theater Near You, Carole dumped salad on Clark’s head, one of the more humorous scenes from the film. While there were comedic moments sprinkled throughout the story, the movie’s marketing presents the false idea it is solely a comedy. Seen from the lens of the Breen Code, Gable and Lombard presents a character study of how a portion of the Breen Code era affected the professional and personal lives of the Hollywood landscape. With the story emphasizing Carole and Clark’s relationship, they navigate complicated decisions, as well as honesty about feelings and emotions. The balance of comedy and tragedy adds a sense of maturity to the overall story. At worst, the movie prioritizes style over substance. as most of the budget seems to be put toward the set design. But, at best, Gable and Lombard is just ok.

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