A Movie Blogger’s Ten “Hot Takes” on Film

Back in August, I published my review of the Hallmark Hall of Fame movie, Face to Face. That article became my 425th published movie review. Then, when I published my review of Kind Hearts and Coronets, it became my 950th published post. To honor these milestones, I’m creating a type of list I have never written before. Over the seven years 18 Cinema Lane has existed, I have shared some of my “hot takes” on film. However, I haven’t created a list exclusively about movie “hot takes”. That is why, for this list, I will address my film related “hot takes” I didn’t previously discuss on my blog. This decision was made to keep the list itself fresh and interesting. I will also organize each “hot take” based on how “hot” each take could be perceived. Before I begin this list, I’d like to state how my list is not intended to be mean-spirited or negative. It’s just simply a way to express my opinion.

Campfire with marshmellows and shooting stars image created by macrovector at freepik.com.

10. Sister Act 2: Back in the Habit Should Have Been a Christmas Movie

I’m not saying Sister Act 2: Back in the Habit is a bad movie. I’m not even saying it’s a bad sequel, as I respect how the script tries to tell a new story instead of attempting to recapture the magic of the first film. However, I do believe it was a huge missed opportunity not to have Sister Act 2: Back in the Habit set during Christmas. I can picture Saint Katherine’s Parish, the church featured in the first movie, beautifully decked out in Christmas adornments. And can you imagine what Christmas songs like ‘O Holy Night’, ‘Away in a Manger’, and ‘Joy to the World’ would have sounded like under Deloris’/Sister Mary Clarence’s leadership? If those versions were even half as good as the songs were in Sister Act, the audience would have been in for a musical treat! Though there’s no guarantee making Sister Act 2: Back in the Habit a Christmas movie would have made it better or just as good as its predecessor. Therefore, this is the mildest “hot take” on my list.

9. Calypso/Tia Dalma and Davy Jones Should Have Shared More Screen-Time Together in Pirates of the Caribbean: At World’s End

One of my favorite movie scenes of all time is Calypso/Tia Dalma and Davy Jones’ interaction in Pirates of the Caribbean: At World’s End. Not only does this scene recontextualize everything the audience knew about Calypso/Tia Dalma up until that point, Naomie Harris and Bill Nighy’s on-screen chemistry made the attraction between Calypso/Tia Dalma and Davy Jones believable. This attraction makes me wish they shared more screen-time together. Throughout Calypso/Tia Dalma and Davy Jones’ interaction, issues are left unresolved and words are left unspoken. Yet their love for each other is still evident. Calypso/Tia Dalma and Davy Jones should have received an opportunity to resolve their issues and honestly communicate with one another. But in a movie like Pirates of the Caribbean: At World’s End with so many moving parts to it, aspects of the story like Calypso/Tia Dalma and Davy Jones’ relationship were overlooked.

8. Wanda Maximoff/Scarlet Witch’s Story in the Marvel Cinematic Universe (MCU) Should Have Been an Adaptation of Scarlet Witch, Vol. 3: The Final Hex

For this year’s Eurovisionathon readathon, I read Scarlet Witch, Vol. 3: The Final Hex. As I read the graphic novel, I couldn’t help but feel the Marvel Cinematic Universe (MCU) missed a great opportunity to adapt this story. Based on what I know about the MCU, mentor figures aren’t common. Agatha Harkness could have provided mentorship to Wanda Maximoff/Scarlet Witch like she did in the graphic novel, helping guide her throughout Phase 2 and beyond. Adapting Scarlet Witch, Vol. 3: The Final Hex would have given the MCU a reason to weave Serbian and Roma culture into Wanda Maximoff/Scarlet Witch’s, as well as Pietro Maximoff/Quicksilver’s, narrative. Themes of family, identity, and what it truly means to be a superhero could have also been explored. While I haven’t seen any of the MCU’s projects after Avengers: Endgame, I have heard of the directions Wanda Maximoff/Scarlet Witch’s story have taken. Had Scarlet Witch, Vol. 3: The Final Hex been adapted, maybe her story would have been better than what the audience received.

7. Cheryl Frasier from Miss Congeniality is More Intelligent Than Most People Give Her Credit For

The “April 25th” scene from Miss Congeniality is one of the most quotable and meme-able moments in film history. This scene is how most people know Cheryl Frasier (a.k.a. Miss Rhode Island), one of the story’s key characters. The moment where Cheryl chooses “April 25th” as her answer for her idea of a perfect date is presented as giving the wrong answer. Though whenever I think of this scene, I see it very differently. In an interview/question segment of a pageant, contestants must utilize their time wisely to earn enough points to progress to the next segment. With that said, Cheryl utilized critical thinking skills, logic, and looking outside the box to not only select her iconic answer, but to also come up with an explanation for that answer all within a limited period of time. Plus, I can understand how she would describe a date on the calendar, as the question is vague enough to be interpreted in different ways. This is one of the best examples from Miss Congeniality of Cheryl being more intelligent than most people give her credit for.

6. Pennywise from Stephen King’s IT (1990) is More Annoying Than Scary

Years ago, I saw Stephen King’s IT for the first time. But I found the experience underwhelming. One contributor was how Pennywise was more annoying than scary. While there were horrifying moments involving Pennywise, these moments were far and few between. One scene that always comes to mind is when Pennywise is in a library. In this scene, he was so over-the-top, loud, and obnoxious, his act got old really fast. I couldn’t take Pennywise seriously as a horror movie villain, as his silliness made him less threatening. Even in the film’s climax, his role was such a let-down, sucking all the suspense out of that scene. Tim Curry, the actor who portrayed Pennywise, is not at fault because he tried his best with the acting material provided. The fault lies with the director and screenwriters of Stephen King’s IT.

Group of Christmas figures image created by Pikisuperstar at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/christmas”>Christmas vector created by Pikisuperstar – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/hand-drawn-cute-christmas-character_3188970.htm’>Designed by Pikisuperstar</a>. Image found at freepik.com.

5. Gabby Gabby from Toy Story 4 is a Poorly Written Character

When I saw Toy Story 4 in 2019, I thought Gabby Gabby was a poorly written character. Six years later, I still feel this way about her. It seemed like the creative team behind Toy Story 4 couldn’t decide if Gabby Gabby should be the story’s villain, anti-hero, or simply misunderstood. So, instead of giving her one role and sticking to that creative decision, the creative team gave her all three roles. When Gabby Gabby received a redemption arc, I didn’t feel that was earned. How am I supposed to root for her when I don’t even know what her true role in this story is supposed to be? Last year, when I published my list of ten movie trends I don’t understand, I explained how adopting the ‘villains receiving the spotlight’ trend gives the audience mixed messages and makes villainous characters less straight-forward. Reflecting on that list and Toy Story 4, I wonder if how Gabby Gabby was written is the result of that trend?

4. ‘Elizabeth’ is the Most Overused Name in Historical Fiction/Period Drama Movies and TV Shows

In 2019, I created a list of the top ten worst clichés from Hallmark movies. The clichés featured in that list were those that were poorly or overly used. If I created a similar list about the worst clichés from historical fiction/period drama movies, characters named ‘Elizabeth’ would be near the top of the list. Personally, I find it hard to believe directors, producers, and screenwriters would keep selecting ‘Elizabeth’ despite having thousands of names at their disposal. The name, ‘Elizabeth’, keeps finding its way into scripts no matter the story’s time period. Some examples include Felicity: An American Girl Adventure, the Pirates of the Caribbean series, any version of Pride and Prejudice, and When Calls the Heart’s Christmas/seasonal films. This specific cliché is also present among historical fiction/period drama tv shows, ranging from Emily of New Moon to The Waltons. I don’t know when the cliché started being utilized or if it will ever stop. But if someone is considering creating a historical fiction/period drama movie or tv show, I hope they think outside the box when it’s time to name their characters.

3. I Don’t Find National Lampoon’s Christmas Vacation Funny

I’ve only seen National Lampoon’s Christmas Vacation once. Though it’s been years since I’ve seen it, I didn’t find it funny. I don’t remember laughing at any joke. Even when I see clips of the movie in other pieces of media, it doesn’t get a reaction out of me. I’m aware how comedy, as well as film itself, is subjective. But I just don’t understand the hype around National Lampoon’s Christmas Vacation. If I revisited the movie, maybe I’d change my mind on it. For now, though, National Lampoon’s Christmas Vacation is not a must-watch title for me this Christmas season.

2. Bucky Barnes Should Have Received His Own Superhero Title Instead of Becoming the Next Captain America

Around the time Avengers: Infinity War was released, I was one of those fans who wanted to see Bucky Barnes become the next Captain America. I even expressed this wish in my very first movie blogger’s Christmas wish-list. But looking back almost ten years since Avengers: Infinity War and Avengers:Endgame premiered, I believe instead of becoming the next Captain America, Bucky should have received his own superhero title. As he grew into it over time, Bucky could have shaped this brand-new title to become truly his. So, when people think of that specific title, they’ll think of Bucky and vice versa. There would be no preconceived ideas or expectations due to the lack of comparisons to measure Bucky to. With his own superhero title, he could have received official Avenger status as well, which is why I wanted Bucky to become the next Captain America in the first place. I know he took up Captain America’s shield in Marvel’s comics. However, Bucky adopting his own, unique superhero identity would have added a fascinating chapter to Phases 4 and 5.

1. The Breakfast Club and Clue are Two of the Most Overrated Movies of the 1980s

It’s been years since I’ve seen The Breakfast Club or Clue. But from what I remember, I wasn’t a fan of either title. The Breakfast Club contained way too much swearing for my liking and I found its story too simplistic. When it came to Allison Reynolds’ reason for being in detention, the script was building up to what ended up being an underwhelming revelation. Meanwhile, in Clue, I laughed at only one joke throughout the entire film. The movie prioritized showing the characters running around and yelling/screaming at each other, which I find less hilarious and more headache-inducing. Having multiple endings based on when and where someone saw the film might work at the movie theater. Including all three endings in Clue, however, not only felt overwhelming, it also felt like the movie’s creative team couldn’t decide which ending best fit their script, leaving that ultimate decision to the audience. Perhaps if I revisited The Breakfast Club or Clue, my opinion on these titles might change. As of the publication of this list, though, I find Clue and The Breakfast Club overrated.

Avengers: Endgame Bucky Barnes poster created by The Walt Disney Company and Marvel Studios. © Disney•Pixar. All rights reserved. Marvel and Avengers Characters: ©2017 Marvel. Image found at https://www.marvel.com/articles/movies/mcu-heroes-unveil-avengers-endgame-character-posters

What are your thoughts on my movie “hot takes”? Do you have a film related “hot take” you’d like to share? Please tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: The Night Before the Night Before Christmas Review + 515 Follower Thank You

With today being Thanksgiving, I wanted to share my thanks to all the followers of 18 Cinema Lane. I am grateful for having a reason to keep writing and sharing my thoughts on film! For this Blog Follower Dedication Review, I decided to select a movie from one of my recommendations. In fact, the film I chose has been on my Pinterest Film Recommendation board for so long, it has been on the very bottom. That movie in question is 2010’s The Night Before the Night Before Christmas! Suggested by a reader named T. Ann, this is a film I actually recall watching before. Though the only clear memory I had of the movie was the teenage daughter being upset over receiving a hamburger phone for Christmas. This isn’t the first time (nor will it be the last time) I revisited a film from Christmas past. One of my more recent movie reviews was The Christmas Choir, a title I had expressed interest in watching again. But in that review, I shared how I didn’t find the film as strong as I had initially believed. What will my thoughts be on The Night Before the Night Before Christmas? Keep reading my review to find out!

The Night Before the Night Before Christmas poster created by Muse Entertainment Enterprises and Hallmark Channel

Things I liked about the film:

The acting: The Night Before the Night Before Christmas is one of those movies where I found it difficult to choose a favorite acting performance. That’s because the cast as a whole was strong! Expressions and emotions appeared genuine. Whether it was Hannah (portrayed by Rebecca Williams) looking forlorn when her younger brother, Toby, runs away or a volunteer named Yolanda (portrayed by Kim Roberts) being surprised when she receives an unexpected donation, the acting performances made watching the story unfold more enjoyable. There were even times when the strength of the acting talents helped characters become more likable. Two great examples are Toby and Nigel. The youngest member of the Fox family, Toby has such a sweet personality. Gage Munroe, the actor who portrayed Toby, does an excellent job showing what’s in his character’s heart through his face. In a scene where Toby and his mom are having a heart-to-heart conversation, Toby’s tear-streaked face and tear-filled eyes present how troubled he’s been over his parents’ decision to prioritize their jobs over their family. Meanwhile, Jordan Prentice’s portrayal of Santa’s head elf, Nigel, was very animated. His liveliness and comedic timing made Nigel one of the most memorable characters I’ve seen in a Hallmark, let alone Christmas, presentation! Out of the films I’ve seen (and reviewed) this year, so far, Jordan’s performance was one of the best.

Emphasis on giving: One of the interconnected conflicts in The Night Before the Night Before Christmas is the disappearance of Santa’s sack of presents. This particular conflict could have produced one of two types of stories; a villain stealing Santa’s sack in order to ruin Christmas or a selfish character taking the sack of presents for themselves. Instead, Santa’s sack of presents is mistaken for donations to those less fortunate. The recipients of the gifts and the volunteers of various non-profits are surprised and even grateful for the “donations” received. This decision in story-telling helps emphasize the movie’s major theme of giving. Toward the beginning of the film, Toby tells Hannah if they want Santa to give them presents, they should consider giving presents to others. What Toby said, as well as the movie itself, frames Santa in a way I hadn’t really thought of before; someone who has a reputation for giving. These two examples show the clever and thoughtful ways the creative team behind The Night Before the Night Before Christmas remind their viewers of an important component of the Christmas season!

How Christmas activities were incorporated: In Hallmark’s more recent Christmas offerings, activities related to the holiday feel like they’re incorporated into the story just for the sake of completing an unspoken checklist. This creative decision contributes to the network’s Christmas projects feeling repetitive. But in The Night Before the Night Before Christmas, whenever a Christmas activity was featured in the movie, it was there to compliment the story itself as well as the themes of the film. Santa losing his memory is the movie’s major conflict. In order to help Santa reclaim his memory, the other characters partake in activities like decorating a Christmas tree and baking cookies. Before the tree is decorated, Hannah and her mom talk about choosing a very tall tree because it looked similar to a tree the family had years prior. The activity of picking out a Christmas tree expresses one of the story’s main themes of sharing and keeping memories. What I selected as the examples for this review show how the creative team behind The Night Before the Night Before Christmas put effort and thought into how the aforementioned activities were included in the script.

Adorable Santa image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/christmas-background-with-funny-santa_1324597.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

A drawn-out sense of urgency: As I mentioned earlier in my review, the major conflict in The Night Before the Night Before Christmas is Santa losing his memory. What gives the film a sense of urgency is how Santa must reclaim his memory before Christmas Eve so he can successfully deliver presents. While this conflict was eventually resolved, it ended up being drawn-out. The drawn-out nature of the conflict was caused by the story trying to divide its time between Santa searching for his memory, the whereabouts of his missing sack of presents, and the Fox family learning to reconnect. At one point in the movie, Nigel, as well as the other characters, frantically search for Santa’s sack of presents. The search then becomes interrupted by the characters’ attempts to help Santa get his memory back. These attempts last for about fifteen to twenty minutes, with the characters going back to looking for the sack of presents. This balancing act between the main conflict and subplots stretched out the story’s sense of urgency as well.

Things that don’t make sense: Christmas movies, like any fictional story, require the audience to suspend a certain amount of disbelief. But in The Night Before the Night Before Christmas, a few things didn’t make sense, sometimes requiring more than enough disbelief to be suspended. Like I said earlier in this review, Toby runs away. Santa and Toby’s mom find him riding on a carousel. As Toby’s mom and Santa are about to share a heart-to-heart conversation with Toby, the carousel is still moving. This raises the question of how Santa and Toby’s mom got on the carousel while it was still in motion?

Mrs. Claus’ minimal involvement: At the beginning of The Night Before the Night Before Christmas, Santa shares a heartfelt moment with Mrs. Claus. The on-screen chemistry between R.D. Reid and Marcia Bennett was so sweet and adorable, they effectually sold the idea of the loving relationship between Mrs. Claus and Santa. This aforementioned moment with Santa and Mrs. Claus is one of the few times she appears in the movie, as she is only featured in two scenes within the hour and twenty-eight-minute film. Personally, I found Mrs. Claus’ minimal involvement in the story disappointing. She could have played a larger role in helping Santa regain his memory sooner or locating his sack of presents faster.

Image of Thanksgiving dinner created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

In the introduction of this review, I said The Night Before the Night Before Christmas was suggested by one of my readers. Looking back on the 2010 picture, I can honestly say I’m glad it was recommended to me! The Night Before the Night Before Christmas is, in my opinion, one of Hallmark’s better films, especially among their collection of “older” titles! The acting alone helped make my movie-viewing experience enjoyable, as every actor and actress gave a solid performance. How Christmas activities were incorporated into the story was a breath of fresh air. They ended up complimenting the story itself and the film’s themes instead of trying to complete an unspoken checklist. The story’s emphasis on giving was woven into the script in clever and thoughtful ways as well. Even though The Night Before the Night Before Christmas has its flaws, it felt like the movie’s creative team got more right than wrong. A film like this one makes me wish Hallmark went back to creating titles that didn’t rely too much on a formula, tropes, and/or cliches.

Overall score: 8 out of 10

Have you seen The Night Before the Night Before Christmas? What “older” Hallmark Christmas movie would you like to check out this Christmas/holiday season? Share your thoughts in the comment section!

Have fun on Thanksgiving!

Sally Silverscreen

Take 3: The Christmas Choir Review

November’s theme for Genre Grandeur is “Movies about Music or Musicians”. As I was looking for a potential title to review, I remembered how this is the time of year when I write about Christmas movies. This then led me to recall my list of the top five Hallmark films based on a true story, where I brought up the 2008 movie, The Christmas Choir. Since I expressed interest in revisiting the film, I selected it for this month’s Genre Grandeur! In that aforementioned list, I stated my surprise over how The Christmas Choir isn’t a Hallmark Hall of Fame production. That’s because the story of a choir forming in a homeless shelter seems like perfect material for the Hallmark Hall of Fame collection. Though when it comes to Hallmark Hall of Fame presentations, I have wondered what the criteria is for a story or script to be chosen. While that topic would make a great editorial or list article, that will have to wait for another day. For now, let’s begin this review for 2008’s The Christmas Choir!

The Christmas Choir poster created by Muse Entertainment Enterprises, Towers Pictures, and Hallmark Channel

Things I liked about the film:

The cast’s on-screen chemistry: In my list of the top five Hallmark films based on a true story, I mentioned how the quality of the acting talents in The Christmas Choir allowed the characters to come across as realistic and endearing. To further articulate my point, the on-screen chemistry among the cast helped create interactions that felt believable. One of my favorite examples is when Juan (portrayed by Luis Oliva) sang for the first time. A rule for staying in the choir is to come to practices and performances sober. Hector (portrayed by Roc Lafortune) is not happy about this rule, angrily throwing the sheet music and storming toward the door in a huff. The other members, like Bob and Fred, and even the choir’s director, Peter, plead with Hector to stay. Worry, concern, and even disappointment are reflected on the men’s faces and in their voices. When Juan begins to sing, however, the look of surprise on everyone’s faces appears genuine. This is because, at the homeless shelter, Juan had a reputation for remaining silent. As Juan finds a nearby can and turns it into a makeshift drum, that surprise turns into joy, lifting the men’s spirits and boosting choir morale. Juan’s voice ended up becoming the glue that held The Christmas Choir together!

Incorporating Christmas’ religious elements: I said in my list of the top five Hallmark films based on a true story how it’s been years since I saw The Christmas Choir. Because of that, I had forgotten about Christmas’ religious elements woven into the film. Most of the songs performed by The Christmas Choir are religious. In fact, the only secular Christmas song the choir sings is ‘Deck the Halls’. Sister Agatha will occasionally quote the Bible and bring up Biblical examples when the situation calls for it. Even one of the movie’s overarching themes is serving as Jesus would have. Personally, I liked The Christmas Choir’s incorporation of Christmas’ religious elements because they’re not often found in Hallmark’s Christmas movies. This creative decision also allows The Christmas Choir to form its own unique identity!

The messages and themes: As I just mentioned in this review, one of the overarching themes in The Christmas Choir is serving as Jesus would have. Other themes and messages sprinkled throughout the story perfectly fit the Christmas season as well. When Peter gives a monetary donation to the homeless shelter, Sister Agatha tells him that while money is appreciated, what the homeless shelter really needs is for people to give their time. Sister Agatha’s words inspire Peter to utilize his time (and talents) to form The Christmas Choir. The conversation between Peter and Sister Agatha alone is such a perfect example of how money doesn’t always solve a problem, especially when it comes to being charitable. This overarching theme actually encourages the film’s audience to think outside the box in the season of giving.

Three Wise Men themed wish list paper image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/christmas”>Christmas vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Too many conflicts: Within my review’s introduction, I brought up how The Christmas Choir is about a choir forming in a homeless shelter. While this is the movie’s main conflict, other conflicts like Peter’s issues with his father and The Christmas Choir competing for a permit are included in the script. As I watched the film, however, it felt like the creative team behind The Christmas Choir tried to squeeze as many conflicts as they could in an hour and thirty-minute timeframe. This choice made the movie overwhelming and the runtime feel longer. Though the 2008 movie is based on a true story, I’m not sure which parts of the script are based on fact or creative liberty. Therefore, the script should have focused on one main conflict with at least two subplots.

Sister Agatha’s inconsistent personality: When Sister Agatha was introduced in The Christmas Choir, she had a friendly personality with a bit of spunkiness. As I mentioned earlier in this review, Sister Agatha occasionally quotes the Bible and brings up Biblical examples when the situation calls for it. But as the story progressed, she became pessimistic and discouraging toward Peter and The Christmas Choir. Sister Agatha eventually returns to her spunky, friendly personality by the end of the film. However, the inconsistency of her personality is a flaw I couldn’t unsee. Rhea Perlman, who portrayed Sister Agatha, did a good job with the acting material provided. This mistake, though, lies with the screenwriter.

Things that don’t make sense: Sometimes, there were things in The Christmas Choir that didn’t make sense. One example happened at Peter’s office building. While at work, Peter’s colleague, Rita, tells Peter there are a group of homeless men singing in the office building’s lobby. Those “homeless men” were The Christmas Choir. Several scenes prior to this impromptu performance, however, Rita saw The Christmas Choir singing on television while at work in the aforementioned office building. Wouldn’t she have recognized The Christmas Choir when they spontaneously showed up in the office building’s lobby?

String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com. 

My overall impression:

By revisiting The Christmas Choir, I was reminded of the film’s aspects I had forgotten about, like the inclusion of Christmas’ religious elements. This is one aspect of the movie I liked, as religious elements associated with Christmas are not often found in Hallmark’s seasonal presentations. I was also made aware of the flaws I overlooked. This is not a bad movie, but it wasn’t as strong of a picture as I initially believed. The abundance of conflicts in The Christmas Choir’s script made the film overwhelming and the runtime feel longer than an hour and thirty-minutes. There were not only some things in the story that didn’t make sense, Sister Agatha’s personality was also inconsistently written. But as I said in my list of the top five Hallmark films based on a true story, the 2008 picture is one of Hallmark’s more unique Christmas titles. This is due to the movie not following a formula or containing a certain set of Christmas movie tropes and cliches. What works in The Christmas Choir’s favor as well is the on-screen chemistry among the cast and the messages and themes stitched throughout the story. If you’re looking for a Christmas film from Hallmark that stands out within their festive collection, I’d recommend checking out The Christmas Choir.

Overall score: 7 out of 10

Have you seen The Christmas Choir? Are there any “older” Hallmark Christmas movies you’d love to see reviewed on 18 Cinema Lane? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Word on the Street: International Entertainment Center, Chuck E. Cheese, to Release Christmas Movie

Every Christmas season, viewers receive a smorgasbord of festive films. The most wonderful time of the year turns into a battle between television networks and streaming services to obtain the most viewership numbers and even increase revenue. Though one company has joined the competition in 2025. Earlier this month, the international entertainment center, Chuck E. Cheese, released a trailer for their new Christmas movie. Titled A Chuck E. Cheese Christmas, the film will premiere on Thanksgiving (November 27th). Viewers can watch the film either on Chuck E. Cheese’s official Youtube channel or Amazon Prime Video. According to the movie’s IMDB page, A Chuck E. Cheese Christmas is about the following:

“Chuck E. Cheese and his friends has plan a surprise Christmas party for Santa Claus, who is always exhausted from working on Christmas Eve. Their celebration also serves to save their town from a holiday-hating villain”.

A Chuck E. Cheese Christmas poster created by CEC Entertainment, HappyNest Entertainment, Pixel Zoo Animation Studios, Stampede Ventures, United Talent Agency (UTA), Youtube, and Amazon Prime Video

I’ve said before on 18 Cinema Lane how I don’t receive many opportunities to cover animated films on my blog. Based on what I’ve been hearing about the animation side of the movie industry, it seems like there’s a lot of uncertainty. So, when I discovered the trailer for A Chuck E. Cheese Christmas, I was pleasantly surprised by this piece of movie news, especially since the project is presented in what looks like 2-D animation! It also seems like, within the past five years, Chuck E. Cheese (as a company) has made decisions to help maintain their relevancy. This summer, Chuck’s Arcade (a version of Chuck E. Cheese’s that only feature arcade games) opened in ten malls in the United States. While conducting research for this Word on the Street story, I discovered A Chuck E. Cheese Christmas is not the first time the company has created a movie, let alone a Christmas film. Chuck E. Cheese in the Galaxy 5000 is a straight-to-video presentation that was released in 1999. A decade prior, in 1983, The Christmas That Almost Wasn’t premiered as a television film back when the company was known as Chuck E. Cheese’s Pizza Time Theatre.

What are your thoughts on this piece of movie news? Will you consider checking out A Chuck E. Cheese Christmas? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

References:

Official IMDB page for A Chuck E. Cheese Christmas: https://www.imdb.com/title/tt37343166/?ref_=ttco_ov_bk

https://www.usatoday.com/story/money/2025/07/03/chucks-arcade-chuck-e-cheese-locations/84458734007/

https://en.wikipedia.org/wiki/Chuck_E._Cheese

‘A Chuck E. Cheese Christmas – Official Trailer (2025)’ from the Youtube channel, IGN Movie Trailers

‘FIRST LOOK | A Chuck E. Cheese Christmas | Official Trailer | Streaming November 27’ from the Youtube channel, Chuck E. Cheese

Take 3: Dr. Terror’s House of Horrors (1965) Review

I’d like to thank Gill (from Realweegiemidget Reviews) and Barry (from Cinematic Catharsis). If it wasn’t for the hosts of The Hammer-Amicus Blogathon V, I wouldn’t have been introduced to the cinematic world of Hammer-Amicus. Since my introduction in 2021 (when I participated in my first Hammer-Amicus Blogathon), I’ve covered three Hammer-Amicus movies on 18 Cinema Lane; Vampire Circus, The Curse of Frankenstein, and Let Me In. While Vampire Circus was ok and Let Me In was just fine, I found The Curse of Frankenstein underwhelming. Now, with a recommendation from Barry (from Cinematic Catharsis), I’ve selected 1965’s Dr. Terror’s House of Horrors as the next Hammer-Amicus presentation to review! I knew almost nothing about this movie prior to choosing it for the blogathon. But I was willing to watch the film with an open mind. Since I finally checked out Dr. Terror’s House of Horrors, it’s time to start my review and share my honest opinion!

Dr. Terror’s House of Horrors (1965) poster created by Amicus Productions, Hollywood Classics International, Regal Films International, and Paramount Pictures

Things I liked about the film:

The interior design: Dr. Terror’s House of Horrors is presented like an anthology; five passengers learn their fate from Dr. Terror himself. Throughout the film, the audience takes a peek into each character’s life as well as their living/working space. These spaces featured interesting design choices that gave them their own distinctness. In the segments titled “Werewolf” and “Disembodied Hand”, a fireplace was the focal point in one room. The fireplace in “Werewolf” was covered in a glossy black paint, while the fireplace in “Disembodied Hand” shone in a glossy blue paint. Biff Bailey’s apartment in the segment titled “Voodoo” featured a zebra patterned couch, which actually complimented the black-and-white checkered floor and black-and-white striped walls. The design choices I described stood out due to the film’s creative team utilizing materials, patterns, and colors that were more unique. I can honestly say I’ve never seen a blue fireplace until I saw Dr. Terror’s House of Horrors!

Incorporation of music: In the segment titled “Werewolf”, Jim Dawson learns about a legendary werewolf buried in the basement of the home he’s remodeling. Any time this werewolf is brought up or poses a threat to the characters living and working in the home, drumbeats, the pattering of a xylophone, and other suspenseful musical sounds can be heard. This segment utilized music to emphasis the fear factor the werewolf contributed to the story. Because Biff Bailey is a musician, music plays a large role in the “Voodoo” segment. One of the songs featured in this specific segment is ‘Give Me Love’. Performed by Sammy Coin (portrayed by Kenny Lynch), the instrumentals provided a cheery jazz tune that can put any listener in a good mood. Kenny’s smooth vocals not only complimented the song itself, but also made me wonder what his vocals would sound like in a song with a more serious tone. ‘Give Me Love’ is one of those songs that is so memorable, I’ll listen to it long after the end of the movie!

The creativity of each story: As I mentioned earlier in this review, Dr. Terror’s House of Horrors is presented like an anthology. With the segments chronicling each of the five passengers, the creativity woven into the script highlighted the uniqueness every passenger brought to the train car! The segment, “Disembodied Hand”, revolves around Franklyn Marsh. An art critic who took his job a little too seriously, Franklyn carries guilt for how he mistreated a popular artist, with his guilt represented by the disembodied hand of that artist. Meanwhile, in the segment titled “Vampire”, Dr. Bob Carroll is confronted with the possibility his wife may be a vampire. This concept gave Bob an internal conflict between loving his wife and protecting his patients. In my review of 2010’s Let Me In, I said vampire stories can be as creative as film-makers want it to be. A similar statement can be said about the horror genre, with Dr. Terror’s House of Horrors presenting strong evidence.

The Hammer-Amicus Blogathon V banner created by Gill from Realweegiemidget Reviews and Barry from Cinematic Catharsis

What I didn’t like about the film:

No clear explanation for tarot cards: Throughout Dr. Terror’s House of Horrors, Dr. Terror (portrayed by Peter Cushing), predicts each passenger’s fate by selecting tarot cards. While the tarot cards themselves are shown on screen, no clear explanation for how exactly the cards correlate with the fates was given. Before the start of the “Werewolf” segment, Dr. Terror selects two cards called “Enchantress” and “Priestess”. But after watching that segment, I was confused by what werewolves had to do with those aforementioned cards? It seemed as if the creative team behind the movie assumed their audience would already know the meaning of the cards shown in the film.

Limited sense of urgency: Each segment in Dr. Terror’s House of Horrors incorporates a horror element that poses a threat to the passengers in Dr. Terror’s train car. These segments also contain a limited sense of urgency. Most of the time, the “slice of life” parts of the story were emphasized. When a suspenseful or horrifying moment was about to happen, the segment would end and move on to the next one. This flaw was the result of squeezing five separate stories into an hour and thirty-eight-minute film. I honestly think this script would have worked better as an anthology television series.

A frustrating ending: For this part of my review, I will be spoiling Dr. Terror’s House of Horrors. If you have not seen this film and are planning on watching it, skip ahead to the part of my review titled “My overall impression”.

Like I mentioned earlier in my review, Dr. Terror uses tarot cards to predict the fates of the five passengers. After these fates are revealed, he removes the death card from the deck. This implies all the passengers will eventually die. When the passengers get off the train, they learn through a newspaper article five passengers died in a train crash. That detail clarifies the passengers from Dr. Terror’s train car did, indeed, die, with Dr. Terror himself becoming a skeleton. Personally, I found this ending frustrating because it made the previous stories amount to nothing. While I recognize the movie’s creative team was trying to create the ultimate plot twist, with the death tarot card used as foreshadowing, this creative decision almost made me feel like I wasted my time watching Dr. Terror’s House of Horrors.

Scared audience image created by Katemangostar at freepik.com. <a href=’https://www.freepik.com/free-photo/terrified-friends-watching-horror-movie-in-cinema_1027311.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/people”>People image created by Katemangostar – Freepik.com</a>. Image found at freepik.com.

My overall impression:

Whenever I review a movie on 18 Cinema Lane, I present my opinion as honestly as possible. In my most honest opinion, Dr. Terror’s House of Horrors was such a mixed bag. On the one hand, I appreciate the creativity woven into each of the five segments. This creativity brought distinctness to the stories, interesting interior design choices, and good incorporation of music. But, on the other hand, the ending was too frustrating for my liking. I wish the script provided clear explanations for how the tarot cards correlated with each character’s fate. I also wish there was a stronger sense of urgency throughout the film. At best, Dr. Terror’s House of Horrors was just ok. But, at worst, it left me confused and frustrated. Though I’ve only seen (and reviewed) a few Hammer-Amicus films, I’m starting to wonder if I’ll find a title that is my cup of tea?

Overall score: 6 out of 10

Have you seen Dr. Terror’s House of Horrors? Which Hammer-Amicus film would you like to check out? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

The ‘Stranger Things’ Ending We Could (and Should) Get

In this editorial are spoilers for Stranger Things. Read at your own discretion.

I recently wrote an editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, where I explained the similarities between Eddie Munson from Stranger Things and Harris Trinsky from Freaks and Geeks. While discussing how their stories were told in only one season, I brought up how there was speculation over whether Eddie could, somehow, return in Stranger Things’ fifth and final season. I’ve heard a variety of ideas how Eddie could come back. Some people have even wondered if Eddie will appear in Stranger Things’ last season at all. Based on how beloved Eddie is, I think he will appear in the fifth and final season of Stranger Things. But from what I’ve seen and heard, I have an idea for how Eddie might return. Before I explain the ending we could (and should) get, I want to remind my readers how everything I say is based purely on speculation. Even though the chances of viewers (and Eddie’s fans) receiving the ending I’ll propose are one in a million, I will explain throughout my editorial how it could and why it should be possible.

As I publish this editorial, my other editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, has steadily grown in viewership, partly due to Eddie’s popularity. Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

The Proposed Ending

During the climax of the final episode, “The Rightside Up”, the characters are in the middle of a battle with Vecna. During the epic battle, a scratching noise becomes louder and louder. The very next scene reveals the scratching noise is coming from colored pencils, as someone is drawing the battle from the previous scene. A close-up shot of the drawing itself gradually becomes a medium shot, showing Eddie Munson’s hands completing the masterpiece. As two more shots of Eddie drawing are shown, a voice-over from Wayne Munson, Eddie’s uncle, can be heard. He sounds like he’s having a conversation on the phone, saying things like “Eddie was just telling me about the Upside Down” and “I don’t know how he comes up with this stuff, but it’s certainly creative”.

The scene progresses to show it’s taking place in the Munson trailer. When Wayne approaches Eddie and asks him to see his latest drawing, Wayne (and the audience) sees other drawings and mementos related to past seasons of Stranger Things are found in Eddie’s notebook. Some of these include a newspaper article about Starcourt Mall, a portrait of Dustin Henderson, and even a note written by Chrissy Cunningham herself. As Wayne gives the notebook back to his nephew, he reminds Eddie how he’s been through so much, yet he’s proud of Eddie for using his creativity and imagination to overcome trauma and his other struggles. Wayne also tells his nephew how he’s genuinely excited to see what his future holds. While Wayne is saying these things, Eddie’s eyes start filling with tears, becoming overwhelmed with the love and support from his uncle. Eddie then tearfully says, “I wish everyone saw me like you do”. Wayne reassuringly tells Eddie, “Someday, they will”.

Overcome by his emotions (as well as his uncle’s love and support), Eddie bursts into tears. As Wayne gives his nephew a hug, the camera moves past them toward the living room of the Munson trailer. While a medium shot of the space gradually becomes a close-up shot, Eddie’s guitar and jacket are placed on a nearby chair. This visual tells the audience how music still plays a significant role in Eddie’s life. The final close-up shot shows two photos and an object placed on a table next to the chair I just mentioned. On the left is Eddie’s graduation portrait, not only indicating how 1986 was, indeed, Eddie’s year, he finally accomplished the one goal he wanted to achieve. On the right is a group photo of The Hellfire Club. This picture lets the audience know Dungeons and Dragons, as well as staying true to himself, remains important to Eddie. The object in the center is a snow globe featuring a tiny replica of Hawkins Public Library with small bats floating around inside.

While the scene between Dustin and Wayne is a well acted and written scene, I wish Dustin had told Eddie some that praise before he passed away. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

Why We Should Get This Ending

As you read the proposed ending of Stranger Things, you probably thought “I’ve seen this song and dance before”. That’s because it shares a lot of similarities with St. Elsewhere’s infamous series finale, “The Last One”, which reveals the entire show was a product of the imagination of the protagonist’s (Dr. Donald Westphall) son, Tommy. However, I think the creative team behind Stranger Things could take this concept and build upon it. Tommy appears in seventeen out of St. Elsewhere’s one hundred and thirty-seven episodes. While this fact establishes his presence on the show, Tommy’s inconsistent appearances and limited role in the overall story prevent the audience from developing an emotional attachment for him as a character. Though Eddie only appears in Stranger Things’ fourth season, he is featured in eight out of the season’s nine episodes. This allows Eddie to have a more consistent appearance on the show, as well as a more significant role in the season’s overarching story. Through my research for my editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, I learned Eddie is a very beloved (and dearly missed) character. With everything I said, having Eddie be the one to imagine Stranger Things would give the final season’s ending more emotional weight.

I mentioned earlier how infamous St. Elsewhere’s series finale, “The Last One”, is due to the revelation the entire show was a product of Tommy’s imagination. Though this is not explicitly stated in the final episode. In fact, all Dr. Donald Westphall says is how Tommy is “in his own world”. But based on the context of Tommy’s appearances on St. Elsewhere, I believe he imagined the show itself to deal with changes and situations in his life that seem out of his control. In the second season’s eighth episode, “All About Eve”, Tommy learns from his father how the family’s housekeeper will be leaving them. Dr. Donald Westphall becomes hospitalized in season four’s fifth episode, “Slice O’Life”. The Westphall family even move to another state in the sixth season’s seventeenth episode, “Their Town”. With those three examples potentially causing stress or trauma in a child as young as Tommy, it would make sense for Tommy to utilize imagination to gain some control within the world around him. Like I mentioned in my editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, Eddie has experienced trauma in his life, from his mom passing away to his dad becoming incarcerated. In Stranger Things’ first episode of the fourth season, “The Hellfire Club”, when Chrissy asks Eddie if he ever feels like he’s losing his mind, he tells her “on a daily basis”. Keeping this information in mind, Stranger Things being the result of Eddie’s imagination would be compatible with his story, giving him a sense of normalcy in a world that feels chaotic. Overcoming trauma being an explicitly stated reason for Eddie concocting the universe of the show could address themes of how resilient the mind is and how creativity and imagination can help heal, connect with others, and shape perspectives on the world.

While conducting research for my editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, I discovered Eddie and Wayne never shared any scenes together in Stranger Things’ fourth season. By having uncle and nephew share a heart-felt moment in the series finale I proposed, it would give the creative team of Stranger Things an opportunity to present the audience a heartwarming scene they were denied in season four. Throughout the fourth season, I don’t recall any of the characters in Eddie’s life telling him they were proud of him. So, my proposed ending would allow Eddie to hear encouraging words he should have heard sooner. The series finale I proposed would also give Eddie a second chance to reach his full potential and receive a semblance of a happily ever after. In an article from Variety titled ‘Saying Goodbye to ‘Stranger Things’: The Duffer Brothers Tell All on Season 5 Secrets, the Tearful Finale and Leaving Netflix for Paramount (Exclusive)’, Ross Duffer, one of the show’s creators, stated “when future Netflix subscribers binge the entire series, “It doesn’t feel like we dropped a storyline – it all connects””. Ross’ comment, along with the possibility of a series finale reminiscent of St. Elsewhere’s “The Last One” could create a new theory, the Eddie Munson Universe Theory, similar to how St. Elsewhere’s series finale is responsible for the Tommy Westphall Universe Theory (shows that crossed over with St. Elsewhere and crossed over with the crossover shows were also a product of Tommy’s imagination). Like I mentioned in my editorial, ‘Eddie Munson and Harris Trinsky: Two Sides of the Same Coin’, Eddie is a very marketable character. Replicas of Eddie’s notebook and the snow globe I described earlier could be sold as official merchandise for $19.86 (yes, that price is intentional).

If the Eddie Munson Universe Theory was created, how would characters, like Dustin, be impacted by it? Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

How We Could Get This Ending

Listed below are observations I’ve made that make me believe we could get a St. Elsewhere-esque ending where Eddie created Stranger Things through his imagination.

— In a video from the Youtube channel, Michael Jae, titled ‘Why This Would Be The Absolute Worst Ending For Stranger Things’, Michael claims “The Duffer brothers have said for a while now that they have known how the show was going to end, at least, back since season four”. That is the same season where Eddie made his debut.

— Within a video titled ‘Stranger Things Season 5 Finale Teased! (*EMOTIONAL*)’ from the Youtube channel, Film Stocked, Chris stated Stranger Things’ fifth and final season will “be set in November of 1987”, yet the on-screen text says “In The Fall of 1987”. Fall of 1987 is when the sixth and final season of St. Elsewhere made its debut, the very season that produced the infamous series finale, “The Last One”.

— In the Variety article I referenced earlier, it reveals “The Duffers studied series finales that they felt really worked”. One of these finales is from the television show, The Sopranos, which gained a well-known reputation for being one of the most controversial endings in television history due to the final scene abruptly cutting to black for no reason. I’d argue if we didn’t get St. Elsewhere’s “The Last One”, we may never have gotten the series finale of The Sopranos. With that said, perhaps the Duffer brothers (as well as the rest of Stranger Things’ creative team) could opt for a more conversional/divisive ending that leaves viewers talking long after the show ended?

— A replica of Eddie’s guitar is the grand prize in the Chips Ahoy! x Stranger Things Sweepstakes (which was created to promote the show’s fifth and final season)

— All four volumes of the comic book miniseries, Stranger Things x Dungeons & Dragons: The Rise of Hellfire (which is partially about Eddie’s past) were published in 2025, the same year Stranger Things’ fifth and final season is debuting in.

— The “Dungeons & Dragons Stranger Things: Welcome to The Hellfire Club” Adventure Box (a version of the game modeled after the game Eddie played in the fourth season) was released on October 7th, a month before Stranger Things’ first volume of season five premieres.

— Michael Jae shares a behind-the-scenes photo from Stranger Things in the video ‘Why Stranger Things Season 5 Writer Is Bringing Eddie Back!’ The photo, allegedly taken from a filmed scene, prominently features Eddie on a hospital stretcher. As I observed the photo for myself, I noticed Eddie didn’t appear to be wearing the black bandanna he wore in the fourth season’s last episode, “The Piggyback”. If the series finale I’ve been proposing does come to fruition, perhaps Eddie required a trip to the hospital due to the trauma/struggles Wayne reminds his nephew about? Maybe that filmed scene will be used as a flashback to explain what led up to Eddie imagining the world of Stranger Things?

— In that same video, ‘Why Stranger Things Season 5 Writer Is Bringing Eddie Back!’, Michael brings up the book, Stranger Things: Flight of Icarus by Caitlin Schneiderhan. He claims “the same writer is working on the Eddie book as well as season five”. Stranger Things: Flight of Icarus is also addressed in the Film Stocked video, ‘Stranger Things Season 5…Eddie Munson Returns?’. Chris explains in that video how the book’s author, Caitlin Schneiderhan, “was in the writer’s room for Stranger Things four and has been a part of Stranger Things’ crew since season two”.

— Michael Jae brings up in the video, ‘Joseph Quinn Just Spoiled Something Big in Stranger Things Season 5’, how the Duffer brothers emphasized “immediately after season four how big of a role Eddie’s death will play in season five”. If Stranger Things ends the way I’ve been proposing, maybe it will be revealed Eddie’s death was more figurative? With the possibility of Eddie creating the show’s universe through his imagination, perhaps Eddie dying and even his headstone are visual representations of how the parts of Eddie’s life plagued by trauma, struggles, and even grief have “died” due to him overcoming those issues, allowing him to be “now at peace” through healing and moving forward with the rest of his life? This would explain Eddie’s dilemma over running away throughout season four, his decision to stay and fight the Demobats, and even asking Dustin “I didn’t run away this time, right?”

— The clips I’ve seen of Eddie fighting the Demobats look, to me, like the bats are moving in a circular motion, almost as if they’re trapped in a snow globe. Even the terms “Upside Down” and “Rightside Up” sound like motions used to make the snowflakes in a snow globe move. First, you tip the snow globe “upside down” so the snowflakes go to the “bottom”. Then you flip the snow globe “rightside up”, allowing the snowflakes to fall as they would in real life.

— Any fan of Stranger Things would know Stranger Things Day takes place on November 6th because one of the show’s characters, Will Byers, disappeared on November 6th, 1983. But does anyone else notice how that date also takes place during the 1983-1984 school year, when Eddie tried to graduate high school the first time around? Could this detail just be coincidence or connected in some fashion?

— According to Stranger Things Wiki, “the curse gates converged upon the library on March 27th, 1986 (the day Eddie died). As I described earlier in this editorial, Eddie’s snow globe in the proposed ending features a tiny replica of Hawkins Public Library. Perhaps the aforementioned event could be a symbolic visual of how the library, like the mind, is the ultimate source of imagination?

— One of the villains of Stranger Things, Vecna, just so happens to be a character from Eddie’s “Cult of Vecna” Dungeons & Dragons campaign that Eddie himself brought up in season four’s very first episode, “The Hellfire Club” (the same episode Eddie made his official debut).

— In a short video from the Youtube channel, Film Stocked, Chris talks about the last episode of Stranger Things’ fifth and final season being shown in theaters. In the background, title cards announce volume one will premiere on November 26th and volume two will premiere on Christmas. These title cards feature a snowflake pattern, with The Hellfire Club’s logo in the middle of some of the snowflakes and the initials ‘HFC’ (standing for The Hellfire Club) above those snowflakes.

— Eddie’s solo of Metallica’s ‘Master of Puppets’ was one of the most memorable moments not just in season four, but arguably in Stranger Things’ history. But have you ever wondered why Eddie picked that specific song to perform? While we know Eddie is a Dungeon Master, perhaps the song choice is an allusion to Eddie being the “master” of Stranger Things’ universe, with the other characters and stories simply being “puppets”?

This is the behind-the-scenes photo from Michael Jae’s Youtube video, ‘Why Stranger Things Season 5 Writer Is Bringing Eddie Back!’, I referenced. If you look really closely, you’ll noticed how it doesn’t look like Eddie is wearing the black bandanna he wore in “The Piggyback”.
These are the title cards from Film Stocked’s Youtube video, ‘STRANGER THINGS SEASON 5 FINALE OFFICIALLY COMING TO THEATERS!’, I referenced. Some of the snowflakes I described have been circled for greater emphasis on my point.

Why I Hope We Get This Ending

Back in 2022, I wrote a list about the top ten characters who didn’t reach their full potential. In that list, I explained how a character reaching their “full potential” means a character is given the opportunity to reach their goals, make their dreams come true, and allow their stories to be told to a satisfying extent. Though the list only features ten characters, I can think of more that fit the criteria. And, frankly, this thought makes me tired of seeing characters not reaching their full potential for a variety of reasons. Creatively speaking, this seems like a growing problem without an obvious solution. But if my proposed ending of Stranger Things comes true, the show’s creative team would find, at least, one answer to this problem. I can only speak for myself, but I’d rather think about Eddie finally graduating high school, the world being his oyster, and doing anything and everything his heart desires. Similar to St. Elsewhere’s series finale, “The Last One”, it would be a commonly discussed ending, extending the relevancy of Stranger Things a little bit longer. Plus, it would recontextualize the entire show, allowing the audience to see things from a new perspective.

If Stranger Things was the result of Eddie’s imagination, how would it change the context of scenes like Eddie’s ‘Master of Puppets’ solo? Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

Editorial References:

Stranger Things Wiki

Eddie Munson and Harris Trinsky: Two Sides of the Same Coin

Top Ten Characters Who Didn’t Reach Their Full Potential

https://variety.com/2025/tv/features/stranger-things-5-duffer-bros-ending-spinoffs-1236551615/

https://www.ign.com/articles/where-to-buy-dungeons-and-dragons-stranger-things-welcome-to-the-hellfire-club

https://screenrant.com/st-elsewhere-controversial-series-finale-revisited/

en.wikipedia.org/wiki/St._Elsewhere

en.wikipedia.org/wiki/List_of_St._Elsewhere_episodes

St. Elsewhere‘s official IMDB page: imdb.com/title/tt0083483/?ref_=ttfc_ov_bk

Michael Jae Youtube Channel: ‘Why This Would Be The Absolute Worst Ending For Stranger Things’, ‘Why Stranger Things Season 5 Writer Is Bringing Eddie Back!’, and ‘Joseph Quinn Just Spoiled Something Big in Stranger Things Season 5’

Film Stocked Youtube Channel: ‘Stranger Things Season 5 Finale Teased! (*EMOTIONAL*)’, ‘Stranger Things Season 5…Eddie Munson Returns?’, and ‘STRANGER THINGS SEASON 5 FINALE OFFICIALLY COMING TO THEATERS!’

Take 3: The Innocents (1961) Review

Film recommendations from my readers are welcomed here at 18 Cinema Lane. These suggestions are then placed on a Pinterest board, which I use as a reference for upcoming reviews. Some movies have been on the board for so long, they’re at the very bottom. One of these titles is 1961’s The Innocents. Recommended by Maddy (from Maddy Loves Her Classic Films), this is a Deborah Kerr starring production that is quite different from the other projects of hers I’ve reviewed on my blog. That’s because The Innocents is classified as a horror film. Because of this distinct, I’ve been trying to find the right opportunity to talk about the movie. Hoofers and Honeys’ 4th Annual Spooky Classic Movie Blogathon became that opportunity! Deborah’s films covered on 18 Cinema Lane have fluctuated in quality. While I liked titles like The Chalk Garden and The King and I, I wasn’t a fan of Marriage on the Rocks. What will my opinion be of The Innocents? Keep reading my review to find out!

The Innocents (1961) poster created by Achilles, Flair Communications, Twentieth Century Fox, and Twentieth Century Fox Film Company

Things I liked about the film:

The acting: A large portion of The Innocents prominently features two young characters: Miles and Flora, as Deborah’s character, Miss Giddens, believes they are in danger. In stories like this, where younger characters play a significant role, it’s important to cast actors and actresses that can, acting wise, carry some of the film. Flora reminded me somewhat of Eloise (from the 2003 adaptations, Eloise at the Plaza and Eloise at Christmastime), marching to the beat of her own drum with a bit of a mischievous spirit. Meanwhile, Miles possessed the precociousness of Cedric from Little Lord Fauntleroy and the sweetness of Tiny Tim from A Christmas Carol. These concepts were displayed well through Pamela Franklin’s and Martin Stephens’ performance! Vocal inflections, facial expressions, and even body language worked in their favor, making Miles and Flora captivating characters. Because of Martin’s and Pamela’s acting talents, their convincing portrayals kept me invested in their characters’ story!

As I mentioned before, Deborah Kerr portrays Miss Giddens, who becomes Flora and Miles’ new governess. Looking back on her films, including The Innocents, I’ve noticed how expressive Deborah’s performances have been. Specifically speaking about the 1961 film, Deborah uses her eyes to display thoughts and feelings instead of just relying on dialogue. In one scene, Miss Giddens learns the truth about Miss Jessel and Peter Quint, the governess and valet who worked at the estate before Miss Giddens’ arrival. While she discovers this information from a housekeeper named Mrs. Grose, Miss Giddens’ eyes show concern, sadness, and even fear. She also raises her eyebrows from time to time, emphasizing how shocking the information about Peter Quint and Miss Jessel is. This example of Deborah’s expressiveness elaborates Miss Giddens adapting to the strange things she’s been seeing and hearing during her time at the estate. Similar to Martin’s and Pamela’s performance, Deborah’s portrayal of Miss Giddens was convincing!

The set design: The Innocents mostly takes place at the Bly estate, which belongs to Flora and Miles’ uncle. Though this story was character-driven, the set design was an underrated yet impressive component of the movie. The fireplace in the main sitting room appeared marble with a carved design. Each room features tall windows, implying the large scope of the rooms themselves. Though shown during brief moments, a detailed tapestry hung on a wall near the main stairway. Elaborate tapestry even covered a long seat in one of the rooms. Details like the ones I described emphasized how financially well-off Miles and Flora’s family is. They also helped make Bly estate visually appealing!

Mise-en-scène: In my recent review of 2010’s Let Me In, I talked about how the movie’s mise-en- scène (the way a film’s scene is presented to the audience) was one of the strengths of the movie. This was also a strength in The Innocents, as some scenes’ presentation added intrigue to the story! One evening, Miles confesses to Miss Giddens how his uncle doesn’t have time for him and his sister. At first, the conversation is shown in a medium shot. The very next shot is a close-up of Miles’ face, with light shining on his cheek to reveal a tear rolling down. Through this visual presentation, the audience is told how his uncle’s lack of acknowledgement deeply troubles Miles. It also provides possible motivation for Miles’ actions later in the film.

The 4th Annual Spooky Classic Movie Blogathon banner created by Kristen from Hoofers and Honeys

What I didn’t like about the film:

Limited horror elements: I mentioned in my review’s introduction how The Innocents is classified as a horror film. Because of this classification, I expected the script to emphasize the horror elements within the story. But these elements, like potential ghost sightings and unexplained noises, had such a limited presence in the film, they were featured in “don’t blink or you’ll miss it” moments. In fact, the script placed more emphasis on the “slice-of-life” parts of the story. As a movie blogger who doesn’t review horror movies often, I found this creative decision disappointing. Some of my interest in The Innocents waned because I don’t really find “slice-of-life” stories compelling.

Scenes that feel like padding: One evening at Bly estate, Miss Giddens stays up in the middle of the night in order to discover the cause of the strange happenings throughout the home. The majority of the scene takes place in the upstairs hallway. But the overall scene lasts over five minutes. Moments when Miss Giddens attempts to open doors and walks through the hall seem repetitive due the how long the scene is. With The Innocents having a run-time of an hour and thirty-nine minutes, some of those five minutes could have been trimmed to make the movie about an hour and thirty-four minutes. This is just one example of scenes feeling like padding.

Conclusion with little to no evidence: For this part of my review, I will spoil The Innocents. If you haven’t seen this movie and are planning on watching it, skip ahead to the part of my review titled “My overall impression”.

After witnessing what she believes is the ghost of Miss Jessel, Miss Giddens comes to the conclusion Flora and Miles are possessed by the spirits of Miss Jessel and Peter Quint. She even comes up with a plan to make the children admit this is true. But up until that point, the film doesn’t show how Miss Giddens reaches her conclusion. Little to no evidence is presented, denying the audience an opportunity to see Miss Giddens putting the pieces together. I, personally, couldn’t take her conclusion too seriously because of the lack of evidence. Miss Giddens’ weaker conclusion also added confusion to the overall story, leaving me wondering what I had just watched.

Image of ghost reading created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/book”>Book photo created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

I’m going to be brutally honest, The Innocents is one of the most confusing movies I’ve ever covered on 18 Cinema Lane. When the film ended, I audibly said, “What the heck did I just watch”? Without spoiling The Innocents, all I’ll say is I recognize how the movie’s creative team tried to give their project an ambiguous ending. But when the 1961 picture is also classified as a mystery film, that type of ending doesn’t work due to the genre being known for reaching definitive resolutions. Another flaw that contributes to The Innocents’ confusion is a conclusion with little to no evidence. That lack of evidence prevented me from taking the conclusion too seriously. Despite this confusion, the movie was intriguing enough to keep me invested in the story. The strength of the acting performances and the mise-en-scène are two factors that worked in the film’s favor. Out of Deborah’s films reviewed on 18 Cinema Lane, The Innocents was just ok. While there are things about the movie I liked, the overall execution could have (and should have) been stronger.

Overall score: 6.5 out of 10

Have you seen 1961’s The Innocents? What “classic” horror movies do you like watching? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Eddie Munson and Harris Trinsky: Two Sides of the Same Coin

In our landscape known as entertainment, a select group of movies, television shows, or characters are given the title of “popular”, “iconic”, or even “classic”. Sometimes, I try to check out programs or learn more about characters that get these titles to try to gain an understanding for why that program or character is well-liked in the first place. Back in 2022, when Stranger Things’ fourth season was released, I remember seeing pictures of Eddie Munson making his famous goofy face sprinkled across the internet like confetti on New Year’s Eve. Since I don’t watch the show, I didn’t think much of it then. That changed, however, when I saw the trailer for the fifth and final season of Stranger Things. Seeing Eddie’s headstone left me confused; how did this guy who seemed so popular on the internet end up dead? Like I said, I don’t watch the show. Therefore, I didn’t think it had a reputation like Lost or Game of Thrones; where no character is safe from getting killed off. Curiosity got the better of me almost immediately and I learned anything and everything I could about Eddie. To my surprise, the more I learned about him, the more I realized Eddie shared an uncanny amount of similarities with Harris Trinsky, my favorite character from Freak and Geeks. My curiosity, paired with my being a Harris Trinsky fan, are what led to the conception of this editorial, where I will discuss in depth why Eddie Munson and Harris Trinsky are two sides of the same coin!

Is it just me or do Harris Trinsky and Eddie Munson look similar to one another? Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, Upside Down Pictures, Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

Who is Eddie Munson and Harris Trinsky?

Before I officially begin this editorial, we need to establish who Eddie Munson and Harris Trinsky are, especially for readers who are unfamiliar with these characters. Eddie Munson made his debut in the fourth season of the popular Netflix show, Stranger Things. He was introduced as the Dungeon Master of The Hellfire Club as well as the local “metalhead” (someone who like metal music). Since his debut in 2022, Eddie has become one of the most beloved characters not just from Stranger Things, but in television history. Eddie’s distinct appearance and personality have also made him a very marketable character. Harris Trinsky is a character the titular “geeks” are friends with on Freak and Geeks. Though he appears in ten of the show’s eighteen episodes, Harris has a reputation for being someone the “geeks” turn to for advice and guidance. Because of his inconsistent appearances on the show, only a portion of information is known about Harris. Despite this, his dry sense of humor and brutal honesty left a memorable impression.

This Stranger Things display in the Youtube video, ‘Spirit Halloween 2025 Store Tour’, from the Youtube channel, Spirit Halloween, proves how marketable Eddie is by prominently featuring his Hellfire Club shirt
From time to time, Harris joins the “geeks” at their lunch table on Freaks and Geeks. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

1. Eddie and Harris are Dungeon Masters

This similarity is what initially sparked the discovery of other similarities that exist between these two characters. In fact, when I learned Eddie was a Dungeon Master, the first thing I said was, “just like Harris Trinsky”. In Dungeons & Dragons, a game that relies on adventure and strategy, Dungeon Masters are the ones who essentially control the game (known to players as campaigns). On Freaks and Geeks and Stranger Things, both Harris’ and Eddie’s Dungeons & Dragons groups participate in a campaign. During these campaigns, each group welcomes a new member. In the Freak and Geeks episode, “Discos and Dragons”, Harris (who is affiliated with the “geeks”) invites Daniel (a member of the “freaks”) to join his group’s upcoming campaign. When Daniel experiences his first campaign, he realizes he enjoys Dungeons & Dragons and the company of Harris’ group, which consists of Sam, Neil, Gordon, and Bill. He even successfully completes his first campaign because Harris and the “geeks” explain the game along the way.

In the Stranger Things episode, “The Hellfire Club”, Lucas (one of the members of Eddie’s Dungeons & Dragons group) is unable to attend that night’s campaign due to a basketball game. Dustin and Mike (two other members of The Hellfire Club) invite Lucas’ sister, Erica, to stand in for Lucas. What works in Erica’s favor is how she is familiar with Dungeons & Dragons prior to being invited to The Hellfire Club. Her familiarity with the game, along with Eddie and the rest of The Hellfire Club’s support of her participation, help Erica win her first campaign.

Even though Harris and Eddie are Dungeon Masters of their respective Dungeons & Dragons groups, the way these groups are led is quite different. Harris’ approach is more casual, simply giving the “geeks” a reason to hang out on the weekends. Before the campaign in Freaks and Geeks, Harris reveals how “ancient Babylonia” is incorporated into the campaign itself. Not only does the campaign featured in “Discos and Dragons” take place at one of the character’s houses, the campaign schedule is also flexible, as the “geeks” agree to meet the following Saturday after Daniel expresses interest in playing again.

Eddie’s group, The Hellfire Club, is more established. It has an official name, an official logo printed on official shirts, an official yearbook photo, and even an official meeting room (located in the drama/theatre room at Hawkins High School). The “Cult of Vecna” campaign featured in the episode, “The Hellfire Club”, incorporates elements of fantasy and science fiction, which reflects Stranger Things itself. Despite these differences, another major similarity between Harris’ and Eddie’s story is how Dungeons & Dragons is included to serve an overarching theme. Freak and Geeks uses Dungeons & Dragons to promote themes of acceptance, friendship, and building bridges (with Daniel and Harris’ Dungeons & Dragons group building a bridge between the “freaks” and the “geeks”). Stranger Things’ creative team uses Dungeons & Dragons in season four’s script to provide commentary on the “Satanic Panic” that took place during the 1980s.

These photos from “The Hellfire Club” present Eddie’s Dungeons & Dragons group like a elaborate production. Notice the stage lights in the background? Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
In this picture from “Discos and Dragons”, Harris’ Dungeons & Dragons group takes a more casual approach to the game. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

2. Harris’ and Eddie’s Stories Take Place in the 1980s, in High School, and in the Midwest

In the pilot episode of Freak and Geeks, “William McKinley High School”, “Michigan”, and “1980” are shown on screen. This text sets the stage for when and where Harris’ story (as well as the show) takes place. According to the video, “From CANCELED to CULT CLASSIC (Freaks and Geeks)”, from the Youtube channel, Media Pastimes, the characters live in the fictional town of Chippewa, Michigan. Because one of Freak and Geeks’ episodes is set on Halloween, the script establishes the story takes place specifically during the 1980-1981 school year. Through the dialogue, it’s revealed Harris is a sophomore at the aforementioned high school. Neil points out in “Tests and Breasts” how Harris is only a year older than the “geeks”. Harris also shares his story in the show’s pilot episode about how he faced his “freshman tormentor”, with the story being told in past tense.

Stranger Things is consistently set in the fictional town of Hawkins, Indiana. This major detail was established long before the show’s creative team even thought about including Eddie on the show. However, Stranger Things’ fourth season does provide the necessary information that determines when and where Eddie’s story takes place. Just in the first episode, “The Hellfire Club”, alone, the audience learns Eddie attends Hawkins High School. With the fourth season set during March 21st to 27th, 1986, it emphasizes Eddie’s story takes place during the 1985-1986 school year. This detail is emphasized again when it’s revealed Eddie is a “super senior”. In the episode, “The Hellfire Club”, Gareth and Jeff (two of The Hellfire Club’s members) call Eddie out for failing to graduate in 1984 and 1985. Despite this, Eddie expresses a desire to graduate in 1986.

If you begin watching Freaks and Geeks, these are the first images you’ll see. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
Hawkins High School and the “Leaving Hawkins” sign have become familiar landmarks for viewers of Stranger Things. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

3. Eddie and Harris Have An “Outsider” Status

Though Eddie and Harris are known as Dungeon Masters in their friend groups, they are both considered “outsiders” by those not affiliated with their personal circles. On Freaks and Geeks, Harris is labeled a “geek” primarily due to his association with the “geeks” (Sam, Neil, Gordon, and Bill). Meanwhile, Eddie admits he and the other members of The Hellfire Club are labeled as “freaks” when he says, “We’re the freaks because…we like to play a fantasy game?”

Harris and Eddie were not only mistreated in their respective shows for being “outsiders”, they were also bullied prior to the events of their stories. Though the only time Harris is treated poorly on Freaks and Geeks is when Alan (the “freshman tormentor” of the “geeks”) harasses the “geeks” in the episode, “Tricks and Treats”, Harris either admits to or implies other times he was bullied, such as when Harris shares his story about how he faced his “freshman tormentor”. Things got so out of hand, Harris’ “freshman tormentor” (Tom Cressman) broke Harris’ tailbone, which led to him getting expelled. When Daniel walks past Harris in the episode, “Looks and Books”, Harris asks Daniel, “You’re not gonna beat me up, are you?”

As mentioned before, Eddie was mistreated before and during his time on Stranger Things for being an “outsider”. Stranger Things Wiki states that “Upon beginning high school, Eddie found himself being targeted for bullies”. It’s unknown what the extent of the bullying was. In the episode, “The Hellfire Club”, when Eddie is delivering his famous monologue about the hypocrisy of forced conformity, one of Hawkins High School’s basketball players, Jason, calls Eddie a “prick” and a “freak”. This same character also creates false accusations against Eddie, such as claiming he is the leader of a Satanic cult. Jason takes things a step further when he not only kept a log of every location Eddie frequented, he and his friend, Patrick, also chased Eddie out of his hiding place while he had run away after Chrissy’s death.

Despite all the mistreatment Harris and Eddie have faced, neither is fazed by his “outsider” status. In fact, each wears it as a badge of honor by actively choosing to be his authentic self. This decision earns them respect and adoration from other characters in their stories. During their conversation in “Looks and Books”, Daniel commends Harris by telling him “you do your own thing”, you’re “comfortable with yourself”, and “You got it pretty wired, huh?” Keep in mind this conversation takes place before Harris invites Daniel to join his Dungeons & Dragons group. In a conversation from the Stranger Things episode, “The Piggyback”, Dustin shares with Eddie’s uncle, Wayne, “Even in the end, he never stopped being Eddie, despite everything”. Eddie also gains the friendship of characters outside of his social sphere, like Steve Harrington and Nancy Wheeler, due to his ability to help them when they needed him the most.

After writing this editorial, I now try to imagine how this conversation would go if Harris were talking to Eddie. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
As Clarence tells George in It’s a Wonderful Life, “Each man’s life touches so many other lives”. This image of Dustin giving Wayne his nephew’s guitar pick necklace is a beautiful representation of Clarence’s quote. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

4. Harris’ and Eddie’s Sense of Style

This similarity between Eddie and Harris is more trivial than the other similarities discussed in this editorial. However, it is still a similarity I noticed while conducting research for this article. As I said earlier, the fourth season of Stranger Things is set during March 21st to 27th, 1986. Therefore, Eddie’s story is more condensed than Harris’ story, which is more episodic and takes place over the course of several weeks. Despite this difference, both characters wear the same articles of clothing in multiple episodes. Harris can be seen wearing a gray plaid shirt in four episodes of Freaks and Geeks: “Discos and Dragons”, “Smooching and Mooching”, “Tricks and Treats”, and “Carded and Discarded”. Meanwhile, Eddie practically lives in his Hellfire Club shirt throughout his time on Stranger Things. It should also be noted how black is the most prominent color in both Eddie and Harris’ wardrobe. Every outfit Harris wears on Freaks and Geeks is either completely black or contains at least one article of clothing with the color black in it. Even though Eddie wears the same outfit for the entirety of Stranger Things’ fourth season, his articles of clothing containing the color black are the following:

  • Hellfire Club shirt (sleeves and collar of shirt are black)
  • Jeans
  • Watch
  • Leather jacket
  • Bracelet
  • Bandanna (Eddie wears this later in the season)

While we’re on the subject of Eddie’s wardrobe, a major difference is how his style is more personalized than Harris’. The shirt Eddie consistently wears promotes The Hellfire Club (his Dungeons & Dragons group). His denim vest features pins and patches of metal bands he’s a fan of, which are Motorhead, W.A.S.P., Judas Priest, Megadeth, Dio, Accept, Merciful Fate, and Iron Maiden. Though Eddie and Harris’ attire appears distinct from one another, their style is casual and low maintenance, promoting personal comfort and what makes them feel good about themselves.

These photos accurately show how many times Harris wears his gray plaid shirt. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
These pictures represent some examples of how the color black is incorporated into Harris’ wardrobe. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
In these photos, I point out how the color black is incorporated into Eddie’s wardrobe. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
In these three pictures, I point out the band pins and patches on Eddie’s denim vest. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

5. Eddie and Harris Possess a Rebellious Streak

Earlier in this editorial, I brought up Eddie’s famous monologue about the hypocrisy of forced conformity. If one were to watch that scene with little to no context, it might be easy to write Eddie off as a “rebel” or an “attention-seeker”. It is true Eddie has a prominent and consistent rebellious streak while on Stranger Things. But it’s important to pay attention to why Eddie possesses a rebellious streak. Eddie’s monologue is featured in the episode, “The Hellfire Club”. When he is introduced in this episode, Eddie reads a magazine article about the “dangers” of Dungeons & Dragons. The members of The Hellfire Club become discouraged over being considered “freaks” by the other students at Hawkins High School. This is when Eddie delivers his famous monologue, telling his friends;

“We’re the freaks because…we like to play a fantasy game? But as long as you’re into band, or science, or parties, or a game where you toss balls into laundry baskets! It’s forced conformity. That’s what’s killiiiiing the kiiiiids! That’s the real monster.”

During this monologue, Eddie climbs on the cafeteria table, yells loudly, and even makes his well-known goofy face I referenced in this editorial’s introduction. If you look past the theatrics and really listen to what Eddie is saying, he’s stressing how The Hellfire Club is treated differently due to the school community’s perception of the various extracurricular groups. By pointing out this hypocrisy, Eddie emphasizes the importance of embracing uniqueness and being a free-thinker. His monologue is such a beautiful example of how his rebellious streak is a product of his choices, as Eddie pursues his interest in Dungeons & Dragons despite the criticism and screaming the quiet parts out loud.

On Freaks and Geeks, Harris is known for having a laid-back personality. But he does show a glimmer of a rebellious streak in the episode, “Beers and Weirs”. Harris is a member of the group, McKinley High Sober Students, which discourages under-age drinking. Later in the episode, however, he attends a party hosted by Sam’s sister, Lindsay, that happens to be serving (non-alcoholic) beer. Before taking a large gulp of (non-alcoholic) beer, a party guest asks Harris if he’s a member of McKinley High Sober Students. Harris replies by telling the guest, “I only did that cause it looks good on my transcript for college.” Though this rebellious streak is brief, it is the result of Harris’ actions. Not only did he literally act in an improv performance hosted by McKinley High Sober Students, he also acts in his own interests by joining the group for academic gain instead of genuinely supporting the cause.

These two photos are from Eddie’s monologue about the hypocrisy of forced conformity. Though the theatrics make this monologue memorial, Eddie does bring up excellent points. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
One of the most popular pictures of Eddie, which has probably been seen all over the galaxy. Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
Toward the beginning of “Beers and Weirs”, Harris performs in an improv presentation with two other group members named Cindy and Millie. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

6. Harris and Eddie Have a Healthy Sense of Confidence

What makes Harris and Eddie such likable characters is their healthy sense of confidence. Both of them consistently appear comfortable with themselves and satisfied with their skills and talents. After gym class, in the episode, “I’m with the Band”, Harris asks Sam if he’ll sign up for French next year. During this conversation, Harris expresses a desire to take German because he’s “a quarter German”. He then speaks German on two occasions: when he shares parting words with Sam and when he responds to Coach Fredericks’ roll call in gym class. Some people might feel intimidated or self-conscious about speaking a new language in front of their peers due to fear of judgement. But in “I’m with the Band”, Harris speaks German with confidence and ease. He prioritizes using the language in contexts he deems appropriate over other people’s reactions. Because of his healthy sense of confidence in his learning abilities, Harris receives an academic head-start, as he uses everyday situations to practice and master a new language.

Eddie has been the lead guitarist of the band, ‘Corroded Coffin’, since middle school. He even discusses his musical talents with a fellow student of Hawkins High School named Chrissy. In the Stranger Things episode, “The Piggyback”, Eddie’s guitar skills play a major and even lifesaving role. While in the Upside Down, the Demobats pose a huge threat to Eddie and his friends. In order to distract the Demobats so his friends can be protected, Eddie performs a solo of Metallica’s “Master of Puppets”. This plan ends up working, as his friends, Steve, Robin, and Nancy, are able to safely get away from the Demobats and reach their intended destination. Eddie’s healthy sense of confidence in his musical abilities allowed him to become a part of something greater than himself (which was the battle of good vs. evil). It also helped Eddie find a sense of belonging and purpose, especially after being considered an “outsider” and a “freak”. Eddie’s performance even left a good impression on Dustin, as he claims the “Master of Puppets” solo was the “most metal ever”.

Neil Schweiber was definitely caught off-guard when Harris spoke German in their gym class. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
Eddie’s solo was so “metal”, it earned Dustin’s stamp of approval. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

7. Eddie and Harris Display Self-Awareness

One quality that makes Eddie a great character is his self-awareness, which doesn’t get talked about enough. I will bring up two perfect examples where Eddie’s self-awareness shines through. When I said earlier how Eddie is a “super senior”, I mentioned Gareth and Jeff calling Eddie out for failing to graduate in 1984 and 1985. Eddie responds to this criticism by saying, “Yeah, yeah, and I was full of shit”. Anyone who knows anything about Eddie would know he’s been through some trauma in his young life. According to Stranger Things Wiki, Eddie experienced heartbreak at six years old when his mom, Elizabeth, passed away. His dad, Alan, became incarcerated, which led to Eddie’s uncle, Wayne, obtaining custody of his nephew. Keeping this information in mind, Eddie could have used his trauma as an excuse for not graduating high school sooner. He could have blamed others for his choices or given up by dropping out of school. But by admitting he was “full of shit”, he takes full accountability for his decisions and mistakes. At one point, Eddie states, “I am army crawling my way toward a D in Ms. O’Donall’s”, admitting how his grades aren’t the best, yet is trying to make some improvement in order to graduate. Later in season four, during a conversation with Steve, Eddie confesses, “…when the other dads were teaching their kids how to fish or play ball, my old man was teaching me how to hot-wire. Now, I swore to myself I wouldn’t wind up like he did…” Based on this quote alone, Eddie acknowledges two things. The first is how the way he grew up and the way his dad raised him isn’t “normal” or healthy. The second is how Eddie knows what kind of man he doesn’t want to be. This self-awareness I described explains some of Eddie’s decisions in Stranger Things’ fourth season, such as his sacrifice in “The Piggyback”. It fuels his objectives as well, like wanting to finally graduate high school.

Earlier in this editorial, when I brought up Harris’ explanation for why he’s a member of McKinley High Sober Students, it wasn’t just an act of rebellion for him. It was also Harris’ display of self-awareness for what he wants (to graduate high school) and how he’s going to achieve his goal. Other ways Harris works to achieve his goal are joining the William McKinley High School’s Audio/Visual Club (a group that consists of Harris and the “geeks”) and getting good grades (a fact he admits in his conversation with Daniel in the episode “Looks and Books”). On two separate occasions, Harris is in possession of a Dungeons & Dragons handbook: The Monster Manual (in “Looks and Books”) and Deities and Demigods (in “Discos and Dragons”). By owning these Dungeons & Dragons handbooks and taking the time to read them, Harris shows how eager he is to learn how to make campaigns as fun and engaging for everyone. He wants to truly understand the rules as well, so he can teach others how to play the game. These examples show Harris’ self-awareness for his role as a Dungeon Master and the responsibilities it entails.

Eddie responds to Gareth and Jeff’s criticism by showing his self-awareness. Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures
Harris stays involved in the school community of William McKinley High School by joining the Audio/Visual Club. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
On Freaks and Geeks, Harris reads more than one Dungeons & Dragons handbooks so he can learn as much as he can about the game. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

8. Harris and Eddie Assume a Leadership Role and Become Role Models for Their Stories’ Younger Characters

In their respective stories, Eddie and Harris earn a leadership role through their actions and choices. They both show their leadership through putting others before themselves. Alan (in the Freaks and Geeks episode, “Tricks and Treats”) claims he’ll leave the “geeks” alone if they give him their candy. Out of all the “geeks” Alan and his friends harassed, Harris is the only one to give Alan his candy. He even tries to tackle one of Alan’s friends in order to protect the younger “geeks”. Harris was willing to sacrifice his Halloween candy and fun so Sam, Neil, and Bill wouldn’t face further torment from Alan.

During Eddie’s monologue about the hypocrisy of forced conformity, he brings up three extracurricular groups: “band”, “science”, and the basketball team. What these three groups share in common is how their members are eligible to receive letterman jackets. Depending on the school, a student’s academic/extracurricular interests will be stitched somewhere on the jacket. Patches and medals related to those interests may be added to the jacket as well. Letterman jackets are representative of a student’s time spent in an extracurricular group, as well as symbolizes those members being a part of something greater than themselves. Eddie likely saw Hawkins High School’s letterman jackets and believed The Hellfire Club deserved something similar. So, he went the extra mile to create official Hellfire Club shirts and gave them to the group’s members. Though the gesture is simple, Eddie giving Hellfire Club shirts to each member makes them feel important, even when they don’t see themselves that way. Making his Dungeons & Dragons group inclusive through the little things makes Eddie a worthy Dungeon Master and an attentive leader.

These two photos from “Tricks and Treats” show how Harris tries everythins he can to protect the “geeks”. Original images created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
In these photos, I point out how every member of The Hellfire Club wears their official shirt to school. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

Before Sam, Neil, and Bill go trick-or-treating, Harris warns them of rumors he heard about candy potentially being contaminated. When the “geeks” eventually go trick-or-treating, Sam expresses interest in going to a wealthy neighborhood because “they hand out the best candy”. Harris then points out, “That’s not true. Rich people traditionally give out the cheapest candy. That’s how they stay rich”. These two examples from “Tricks and Treats” show Harris looking out for the best interests of the “geeks” by wanting them to stay safe and trying to help them think logically about how to best utilize their time. Harris being a role model for the “geeks” inspired them to look out for others, like when they swapped out actual beer for non-alcoholic beer before Lindsay’s party in “Beers and Wiers”.

Throughout his time in Stranger Things’ fourth season, Eddie proves to be a man of his word. One excellent example is how he is always willing to lend a helping hand. When Eddie instructs Dustin and Mike to look out for “little lost sheepies” to substitute for Lucas, he specifically encourages them to find those “who need help”. During his story, Eddie consistently helps other characters, no matter their social standing. From reassuring Chrissy she’s not the only one who feels like they’re losing their mind to encouraging Steve to work things out with Nancy, helping where help is needed is one of Eddie’s top priorities. This has influenced Dustin the most. Eddie also consistently roots for Dustin to be his genuine, authentic self, such as telling him to “never change” and pointing out how brave it was for Dustin to wear a Weird Al t-shirt to school. When Eddie dies at the end of season four, Dustin is understandably devastated, as he lost his role model.

Harris joined the “geeks” on their trick-or-treating excursion in the episode, “Tricks and Treats”. Original image created by Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)
Eddie tells Dustin to “never change” in the episode, “Papa”. Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures

9. Eddie and Harris’ Stories Are Told in Only One Season

The fact Harris’ and Eddie’s story are told in only one season is the most heartbreaking similarity between these characters. There has been speculation, however, over whether Eddie could, somehow, return in Stranger Things’ fifth and final season. Eddie was introduced at the beginning of Stranger Things’ fourth season, but died at the end of season four due to his injuries caused by the Demobats. On the other hand, Harris’ story lasted for only one season because that’s how long Freaks and Geeks stayed on television. The show was cancelled after its first and last season due to a variety of issues, including leadership changes at NBC (the network that distributed Freaks and Geeks), creative differences between the show’s creative team and the network, an inconsistent schedule, and NBC failing to properly promote the show. These creative decisions, like cancelling Freaks and Geeks and killing off Eddie, leave questions that may never get answered, such as if Harris eventually married his “high school sweetheart”, Judith, and what Eddie’s life would look like after graduation. They not only deny the audience a satisfying conclusion, they also deny Eddie and Harris an opportunity to reach their full potential.

The last shots of Harris and Eddie on their respective shows. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, Upside Down Pictures, Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

Conclusion

I initially spent hours researching Eddie Munson because I wanted to understand why he was so popular. Not only did I achieve that understanding, I found a connection between Eddie and Harris Trinsky. The more I think about these characters, the more I see them as a lighthouse among a stormy sea, proving reliable in times of need. But if I had to be brutally honest, I wish Harris and Eddie had been a lighthouse for each other. Maybe Eddie could have protected Harris from getting his tailbone broken by Tom Cressman. Maybe Harris could have encouraged Eddie to graduate high school sooner and make better choices with his life. And maybe, just maybe, every year could have been “Eddie’s year”. I wish there was an alternate/parallel timeline/universe/dimension/multiverse where Harris’ and Eddie’s stories overlapped and they also became best friends, perhaps even brothers. Because I could see that as “the beginning of a beautiful friendship”. Stranger Things and Freaks and Geeks didn’t just give us two likable characters. They didn’t just give us two heroes worth rooting for either. What these shows gave us are two sparkling, shooting stars in our landscape known as entertainment.

Harris Trinsky and Eddie Munson: two sparkling, shooting stars. Original images created by 21 Laps Entertainment, Monkey Massacre, Netflix, Upside Down Pictures, Apatow Productions, DreamWorks Television, and National Broadcasting Company (NBC)

Editorial References:

Stranger Things Wiki

I Willie Dont Know (Youtube channel)

“From CANCELED to CULT CLASSIC (Freaks and Geeks)” from the Youtube channel, Media Pastimes

“The IMPOSSIBLE musician, Eddie Munson” from the Youtube channel, RemGames

“Eddie Munson beinghimself for 6 minutes straight (contains ST4 spoilers)” from the Youtube channel, Will Breyers

“Top 10 Reasons We Love Eddie Munson on Stranger Things” from the Youtube channel, MsMojo

Take 3: Let Me In (2010) Review

I apologize to my readers for my lack of blog posts these past two weeks. I’ve been working on an editorial I’m publishing on Halloween. Researching, writing, and curating that editorial has taken up a lot of time. But I wasn’t going to miss out on participating in Taking Up Room’s Secret Places and Trippy Houses Blogathon, especially since my selected film is a perfect choice for Halloween! When I learned one of the eligible subjects was “strange neighbors”, I was reminded how I was recommended the 2010 movie, Let Me In. Suggested by John L. Harmon, I had heard it was one of the better vampire films in the world of cinema. Since I had heard of the movie, but never saw it, I couldn’t agree or disagree with that statement. But now that I’ve finally seen Let Me In, I can now give my honest opinion about the film!

Let Me In (2010) poster created by Overture Films, Exclusive Media Group, Hammer Films, EFTI, and Relativity Media

Things I liked about the film:

The mise-en-scène: As I explained in my review of 1955’s The End of the Affair, mise-en- scène is how a film’s scene is presented to the audience. Throughout Let Me In, the way mise-en- scène was utilized presented scenes in visually creative ways. At the very beginning of the movie, a snowy forest was shown during the night. The only source of light comes from two police cars and an ambulance. A long shot slowly becomes a close-up shot, giving the audience a reason to focus on the bright vehicles. Anytime Owen and Abby look through the peephole of their apartment door, the shot is shown in a fish-eye lens. This film-making technique puts the audience in Abby and Owen’s perspective, allowing them to see what the children are seeing. It also emphasizes how, despite their differences, Owen and Abby have shared experiences like seeing who is at their door.

How music was incorporated: Music can be an effective component of film-making. It can elevate a scene’s emotions or set a scene’s tone. In Let Me In’s opening scene I just referenced in this review, a rhythmic drumbeat is one of the first sounds the audience can hear. That specific sound creates a sense of urgency, signifying danger is on the horizon. When Abby moves into Owen’s apartment building, gentle angelic-sounding singing can be heard. This is symbolic of how Owen sees Abby; an angel who will provide a light in his darkness. The two examples from Let Me In I discussed add additional context to the scenes themselves. How the film’s creative team incorporated music into the 2010 picture shows the understanding they had for how music can work in their project’s favor.

Disguising Abby’s vampire identity: Before watching Let Me In, I knew it was a vampire movie. But I was pleasantly surprised by how Abby’s vampire identity was disguised. Most of Abby and Owen’s interactions take place at night, at first seeming like just a coincidence. When Owen notices Abby isn’t wearing shoes, she states how she doesn’t feel cold. Abby even tells Owen she’s stronger than he thinks. These verbal and visual clues creatively signified how Abby was a vampire. But because of the clues’ subtlety, it leaves the audience guessing why, on the surface, Abby seems so strange. New twists on vampire cliches, like vampires avoiding sunlight, made Let Me In more unique from other vampire films.

The Secret Places and Trippy Houses Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

The audio: When I reviewed Fist of Fury, I talked about the film’s audio being one of the major flaws. I had to turn up my television’s volume in order to hear what the characters were saying. Let Me In shares this same issue. Once again, I had to raise my television’s volume just to hear the dialogue, as the characters’ speech was quiet. As I suggested in my review of the Hallmark Hall of Fame movie, Face to Face, Let Me In’s creative team should have used ADR (automated dialog replacement).

The bullying subplot: One of the subplots in Let Me In involves Owen dealing with bullies. This subplot gave Owen a conflict to resolve, with the conflict eventually reaching a resolution. But because the script prioritized Abby and Owen’s friendship, the bullying subplot wasn’t consistently focused on. In fact, Owen stands up to his bullies about an hour into this hour and fifty-six minute movie. The inconsistency of the bullying subplot also drew that story out longer than necessary.

Underutilized religious undertones: In a scene taking place at a hospital, President Ronald Reagan is delivering a speech on television. During the speech, he talks about evil being present in the world and how people are joined together by Scripture. Owen’s mother says prayers during mealtime and features religious relics in her apartment. These are some examples of the religious undertones in Let Me In. With the movie set in early 1983, I thought the “Satanic Panic” was going to play a large role in this story, especially with Abby being a vampire. However, the religious undertones present in the script were underutilized, not providing any commentary or interesting perspective. In fact, it felt like this part of the film was there just for the sake of being there.

Happy vampire image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/several-vampires-ready-for-halloween_1317599.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/party”>Party vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

Vampires are no stranger to 18 Cinema Lane. Out of the vampire movies I’ve seen (and reviewed), these projects have shown that this type of story can be as creative as film-makers want it to be. 2010’s Let Me In is an interesting and creative vampire film! Abby’s vampire identity was disguised in very clever ways, even putting new twists on vampire cliches. How mise-en-scène and music were incorporated into the movie showcases the creative team’s more unique approach to a familiar type of story. While Let Me In has its merits, it also has its flaws. Religious undertones that could have provided commentary or an interesting perspective to the script were underutilized instead. Poor audio and an overshadowed subplot also didn’t help. But the 2010 project does stand out from other vampire titles. If you don’t mind a slow-burn story that primarily focuses on the power of friendship, then I’d say give Let Me In a chance.

Overall score: 7 out of 10

Have you seen Let Me In? What kinds of movies do you like to watch around Halloween? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Ainsley McGregor Mysteries: A Case for the Yarn Maker Review

Last year, I reviewed Ainsley McGregor Mysteries: A Case for the Winemaker. At the time, I knew there would be people interested in the film, as Great American Family has found its audience over the past few years. But I was shocked by how popular that review became. In a year’s time, my review of Ainsley McGregor Mysteries: A Case for the Winemaker has garnered over 6,000 views and counting! When I learned a sequel was on the horizon, I immediately made plans to write about it. Now that review has come to fruition, as I have recently seen Ainsley McGregor Mysteries: A Case for the Yarn Maker! In my review of Ainsley McGregor Mysteries: A Case for the Winemaker, I said it looked like this series had the potential to tell many more stories. From exploring another artisan avenue to progressing Ainsley and Jake’s relationship, the sequel proved my statement right. But how does it compare to its predecessor? Keep reading my review to solve this mystery!

Ainsley McGregor Mysteries: A Case for the Yarn Maker poster created by Candy Rock Entertainment, Happy Accidents, Syrup Studios, and Great American Family

Things I liked about the film:

The chemistry among the cast: If you’re creating a book, tv, or movie series, it’s important to maintain chemistry among the characters. If this chemistry is believable, interactions and relationships between characters become more enjoyable to watch unfold. A lot of the same cast members from Ainsley McGregor Mysteries: A Case for the Winemaker returned in the sequel. That worked in Ainsley McGregor Mysteries: A Case for the Yarn Maker’s favor! The chemistry among the cast was so strong, it not only made every situation between the characters feel realistic, it also made their connections seem genuine! One of the best examples is the friendship of Jake and Ryan. Ainsley’s brother, Ryan, carries a serious, “business comes first” attitude due to being a police officer. Meanwhile, Jake’s personality is laid-back and a bit sillier. These characters’ differences allowed their friendship to be complimentary, especially when it came to Jake and Ryan’s comedic timing. This friendship was, honestly, one of the best parts of Ainsley McGregor Mysteries: A Case for the Yarn Maker!

Inclusion of humor: As I watched Ainsley McGregor Mysteries: A Case for the Yarn Maker, I took note of how the film’s creative team improved upon the flaws of the previous movie. One of those improvements was the inclusion of humor. Sprinkled throughout the story, humor was woven into the dialogue. How this humor was written and delivered prevented the story from becoming too dark. One great example is when Gladys, one of the members of the “book club”, is being questioned by the police. Because Gladys knew Ellie Mitchum (the murder victim), she is considered a potential suspect. During her interrogation, the police ask Gladys if she was aware of any allergies Ellie might have had, as allergies are ruled as a likely cause of death. In a sassy yet matter-of-fact way, Gladys tells the police, “She was allergic to being a nice person”. To me, this was one of the funniest lines in the movie, as it was a great comeback to the question!

Ellie Mitchum’s house: Ellie Mitchum is a successful businesswoman who visits her former school in Sweet River, Texas. But, unfortunately, she becomes the murder victim in Ainsley McGregor Mysteries: A Case for the Yarn Maker. Ellie’s funeral reception takes place at her house, where Ainsley, Jake, and Ryan attend. While not much of the house’s exterior is shown, it did contain an impressive stone porte-cochère (covered entryway). That entryway made the house look like a castle. One of the interior spaces presented in the movie was the foyer. This space was circular, featuring intricately designed stained-glass windows, stone railings with carved designs, and a deep cherry-stained wood floor under an ornate rug. Even the house’s deck, though only shown in one scene, had a stone arch framing a beautiful view of the luscious green backyard and what appeared to be a lake. I wish more scenes had taken place at Ellie Mitchum’s house, as it was so gorgeous.

Heart of yarn image create by macrovector at freepik.com.

What I didn’t like about the film:

Learning very little about the protagonist: In the second movie of a film series, the project’s creative team can present more information to help the audience learn more about the protagonist. Whether in the form of dialogue or flashbacks, this information can expand the protagonist’s backstory, give them extra motivation to solve a problem, or provide an overarching component of a story. But in Ainsley McGregor Mysteries: A Case for the Yarn Maker, very little new information was revealed about Ainsley McGregor herself. While her reason for leaving Chicago was given, Ainsley didn’t share this until almost an hour into the movie. That means the audience had to wait a long time to learn anything new about the titular character. Had more information been provided about Ainsley, the story would have become a bit more enriched.

Not enough George: When I reviewed Ainsley McGregor Mysteries: A Case for the Winemaker, I talked about how much I liked Ainsley’s dog, George. He played a larger role in the first movie, giving that film a more unique identity. While watching the sequel, Ainsley McGregor Mysteries: A Case for the Yarn Maker, I noticed George’s screen-time was reduced. Though I recognize how difficult it can be to incorporate an animal into a film production, I was disappointed by this creative decision. In my opinion, George steals every scene he’s in. Plus, times when Ainsley talks with George give the audience light-hearted moments that take a break from the heaviness of the murder mystery. Without George, the Ainsley McGregor Mysteries series wouldn’t be the same.

Limited time spent with the “book club”: I mentioned in my Ainsley McGregor Mysteries: A Case for the Winemaker review how Ainsley’s book club turns into an investigation club. The dynamic shared between Ainsley and these members is what encourages her to solve the mystery in the first film. Even though the “book club” still holds their meetings in Ainsley McGregor Mysteries: A Case for the Yarn Maker, Ainsley didn’t consult with them as much as she did in the first movie. In fact, there were only two scenes where a “book club” meeting was featured. In the sequel, Ainsley relied more on Ryan and Jake to help her solve the case. I hope Ainsley finds a balance between turning toward Jake and Ryan and discussing the mystery with the “book club” in future films, as each perspective makes a positive impact on the story.

Magnifying glass image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/magnifying-glass-with-fingerprint-in-flat-style_2034684.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/flat”>Flat vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

In some film series, the second chapter is better than the first one. Ainsley McGregor Mysteries: A Case for the Yarn Maker is a movie where that statement holds true! The sequel improved upon some of the flaws of its predecessor, such as including humor. Strong chemistry among the cast has become a consistent strength of this series, with Jake and Ryan’s friendship being one of the best parts of chapter two. While I won’t spoil the second film, I will say I liked how there were no obvious choices for the mystery’s culprit. That creative decision leaves the audience guessing whodunit. Though I liked Ainsley McGregor Mysteries: A Case for the Yarn Maker more than the first chapter, there is still room to grow. I wish the sequel gave the audience more information about Ainsley and showed George in a few more scenes. This film series is based on a book series, with one of those books titled A Case for the Toy Maker. Perhaps we could get a Christmas mystery movie from Great American Family?

Overall score: 7 out of 10

Have you seen Ainsley McGregor Mysteries: A Case for the Yarn Maker? Would you like to see Great American Family create a Christmas mystery movie? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen